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Felix Harold White

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596: 36:, Surrey into a Jewish family originally called Weiss. He was the oldest of five children, and initially worked with his coal merchant father and his brothers transporting coal around Surrey. But his mother had taught him piano from the age of five and he made rapid progress, and soon developed a career as a music teacher. Other than that he was largely self taught, though 43:
In 1914, White married Marta Scholten, a Swiss-German, and in 1916 he registered as a conscientious objector. For the rest of the war he was sent off away from his family to work on a farm in Cornwall, and then to another farm in Hemel Hempstead. His
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at the Proms on 26 September 1907. The composer described it as "a little 'Straussy' here and there", but it was well received by the Proms audience, with White called back to the platform three times. His
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in the late 1930s, but then came the Second World War and his composition tailed off. He became somewhat embittered about the lack of interest in his serious works. He died in London.
194:. His (second?) String Quartet was performed by the Lyra Quartet for the first time in 1935 and broadcast by the BBC. Piano pieces include six suites for piano, such as 178:
But chamber music, solo piano pieces and songs were his primary focus after the war. Two chamber works won the Carnegie Trust award and were published in the
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Before and during the war White was living in Kingston-upon-Thames. During the 1920s, White and his family were living at 28, Hilldrop Crescent, London N7.
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Between 1933 and 1935 White played with the London Philharmonic Orchestra as piano, harpsichord and celeste player, and as a
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One of his first successes as a composer was a performance of his orchestral overture
24:(27 April 1884 – 31 January 1945) was an English composer, music teacher and pianist. 64: 272: 172: 113: 534:
also many choral pieces, part songs, solo songs - 250 composed, 50 or so published
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Further orchestral works followed the ending of the war, including the orchestral
160: 129: 60: 345: 125: 105: 790: 812: 164: 37: 152: 117: 79:. There was some renewed attention to White's orchestral output from the 40:
took an interest in his work and helped secure some early performances.
139:(written for the 1918 Proms, but seemingly not performed), a tone poem 96: 622: 354:
study for 12 Cellos (1922, written for Herbert Waleau's cello school)
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of 1921 was inspired by his resistance to the war and militarism.
33: 75:(1934), wrote composer monographs and edited the piano works of 104:
for cello and piano was also performed in December 1907 at the
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Stewart R. Craggs: "Felix White: A Centenary Note", in
147:, first planned in 1911, revised in 1920 and given by 585:
The Men Who Said No. Conscientious Objectors, 1916-19
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for small orchestra ('Indoor' and 'Outdoor') (1923)
143:(1923, unperformed), and the first performance of 722:The Piano: its history, makers, players and music 525:, a musical vision for children in one act (1923) 466:approximately 100 pieces and six suites for piano 357:Trio for oboe (or violin, viola) and piano (1922) 810: 399:Trio in C minor for flute, viola and harp (1942) 363:for flute, oboe, violin, viola, and cello (1922) 342:The Nymph's Complaint for the Death of her Fawn, 348:) for oboe (or violin), viola and piano (1921) 155:in 1923. White also contributed a movement to 157:Captions: Five Glimpses of an Anonymous Theme 552:Baker’s Biographical Dictionary of Musicians 190:(1925). There have been three recordings of 16:English composer, music teacher, and pianist 132:Patron's Fund concert on 23 January 1911. 803:International Music Score Library Project 251:Fanfare for a Challenge to Accepted Ideas 46:Fanfare for a Challenge to Accepted Ideas 565: 563: 561: 559: 159:(1923), a suite with other movements by 715: 713: 296:(1936, first broadcast 29 October 1937) 209: 27: 811: 677:, Cedille Records CDR90000102 (2008): 513:for children's chorus and piano (1923) 265:, serenade for string orchestra (1921) 124:, a musical commentary on a sonnet by 698: 696: 556: 128:, secured its first performance at a 710: 649:, issue 740, 5 December 1937, p. 88. 180:Carnegie Collection of British Music 680:20th Century English Music for Oboe 529:From the mountains to the champaign 519:, part song for men's voices (1923) 13: 693: 501:Stephano's Song from "The Tempest" 14: 850: 799:Free scores by Felix Harold White 784: 706:, issue 612, 23 June 1935, p. 24. 576: 834:20th-century classical composers 763:Issue 734, 24 October 1937, p 78 749:Issue 682, 23 October 1936, p 74 531:, unison chorus and piano (1928) 767: 753: 739: 728: 668: 322:, for piano and small orchestra 120:. And the orchestral tone poem 839:20th-century British composers 775:Contemporary British Composers 653: 639: 627: 616: 604: 590: 545: 1: 689:, Oberlin Music OC1603 (2016) 623:BBC Proms performance archive 538: 517:We cobblers lead a merry life 73:A Dictionary of Musical Terms 794:, soloist Pauline Oostenrijk 416:The Tangles of Neaera's Hair 305:(based on Irish airs) (1938) 241:Suite, four movements (1913) 7: 829:English classical composers 583:"Felix Harold White", from 477:I look into the eyes I love 378:Suite for four horns (1934) 369:for violin and piano (1928) 51: 10: 855: 375:for flute and piano (1929) 335:for cello and piano (1907) 662:The Land of Lost Content 448:, suite for piano (1930) 442:, suite for piano (1929) 294:Rhapsody on English Airs 86: 613:, October 1926, p. 934. 573:, April 1984, p. 207–8. 507:The Song of the Minutes 457:Neptune and Amphitrite 387:for four cellos (1937) 361:Four Japanese Proverbs 245:Impressions of England 196:Neptune and Amphitrite 137:Impressions of England 792:The Nymph's Complaint 636:, March 1911, p. 187. 462:Robinson Crusoe Suite 381:String Quartet (1935) 200:Robinson Crusoe Suite 192:The Nymph's Complaint 184:The Nymph's Complaint 446:Off for the holidays 434:The Blossoming Idyll 410:Thereby hangs a Tale 396:Three piano quintets 269:The Deserted Village 238:(1911, revised 1920) 210:List of compositions 141:The Deserted Village 108:alongside pieces by 28:Early career and war 777:(1925), pp. 247-252 773:Holbrooke, Joseph. 675:Poetic Inspirations 428:Time's Bitter Flood 393:for cello and piano 338:Cello Sonata (1910) 503:, solo song (1922) 491:, solo song (1921) 485:, solo song (1911) 483:New life, new love 479:, solo song (1911) 452:A Dickens Notebook 309:Two English Dances 271:, tone poem after 257:The Mermaid Tavern 232:, tone poem (1909) 204:A Dickens Notebook 69:Sir Thomas Beecham 32:White was born in 22:Felix Harold White 634:The Musical Times 611:The Musical Times 598:Surrey Advertiser 571:The Musical Times 495:The Northern Star 223:, overture (1907) 846: 778: 771: 765: 757: 751: 743: 737: 732: 726: 719:Wier, Albert E. 717: 708: 700: 691: 672: 666: 664:, 14 March, 2012 657: 651: 643: 637: 631: 625: 620: 614: 608: 602: 600:, 9 August, 1916 594: 588: 580: 574: 567: 554: 549: 226:Polonaise (1908) 173:Gerrard Williams 114:Joseph Holbrooke 854: 853: 849: 848: 847: 845: 844: 843: 809: 808: 787: 782: 781: 772: 768: 758: 754: 744: 740: 733: 729: 718: 711: 701: 694: 687:Wordless Verses 682:, CG9326 (2013) 673: 669: 660:"Captions", in 658: 654: 644: 640: 632: 628: 621: 617: 609: 605: 595: 591: 581: 577: 568: 557: 550: 546: 541: 523:The Cockle-Boat 489:Golden Slumbers 299:Overture (1937) 290:Nocturne (1936) 230:Astarte Syriaca 212: 169:Eugene Goossens 161:Herbert Bedford 122:Astarte Syriaca 89: 71:. He published 54: 30: 17: 12: 11: 5: 852: 842: 841: 836: 831: 826: 821: 807: 806: 796: 786: 785:External links 783: 780: 779: 766: 752: 738: 735:Score at IMSLP 727: 724:(1940), p. 207 709: 692: 667: 652: 638: 626: 615: 603: 589: 575: 555: 543: 542: 540: 537: 536: 535: 532: 526: 520: 514: 511:Little Bo-Peep 504: 498: 492: 486: 480: 468: 467: 464: 459: 454: 449: 443: 437: 431: 425: 419: 413: 401: 400: 397: 394: 388: 382: 379: 376: 370: 364: 358: 355: 349: 346:Andrew Marvell 339: 336: 324: 323: 317: 311: 306: 300: 297: 291: 288: 282: 276: 266: 260: 254: 253:, brass (1921) 248: 247:, suite (1918) 242: 239: 233: 227: 224: 211: 208: 106:Bechstein Hall 88: 85: 53: 50: 29: 26: 15: 9: 6: 4: 3: 2: 851: 840: 837: 835: 832: 830: 827: 825: 822: 820: 817: 816: 814: 804: 800: 797: 795: 793: 789: 788: 776: 770: 764: 762: 756: 750: 748: 742: 736: 731: 725: 723: 716: 714: 707: 705: 699: 697: 690: 688: 683: 681: 676: 671: 665: 663: 656: 650: 648: 642: 635: 630: 624: 619: 612: 607: 601: 599: 593: 587: 586: 579: 572: 566: 564: 562: 560: 553: 548: 544: 533: 530: 527: 524: 521: 518: 515: 512: 508: 505: 502: 499: 497:, song (1921) 496: 493: 490: 487: 484: 481: 478: 475: 474: 473: 472: 465: 463: 460: 458: 455: 453: 450: 447: 444: 441: 438: 435: 432: 429: 426: 423: 420: 417: 414: 411: 408: 407: 406: 405: 398: 395: 392: 389: 386: 383: 380: 377: 374: 371: 368: 365: 362: 359: 356: 353: 350: 347: 343: 340: 337: 334: 331: 330: 329: 328: 321: 318: 315: 314:Cakes and Ale 312: 310: 307: 304: 303:Rhapsody No 2 301: 298: 295: 292: 289: 286: 283: 280: 277: 274: 270: 267: 264: 261: 258: 255: 252: 249: 246: 243: 240: 237: 234: 231: 228: 225: 222: 219: 218: 217: 216: 207: 205: 201: 197: 193: 189: 188:Four Proverbs 185: 181: 176: 174: 170: 166: 162: 158: 154: 150: 146: 142: 138: 133: 131: 127: 123: 119: 115: 111: 107: 103: 98: 94: 84: 82: 78: 74: 70: 66: 65:Covent Garden 62: 57: 49: 47: 41: 39: 35: 25: 23: 19: 791: 774: 769: 760: 755: 746: 741: 730: 720: 703: 686: 679: 674: 670: 661: 655: 646: 641: 633: 629: 618: 610: 606: 597: 592: 584: 578: 570: 547: 528: 522: 516: 510: 506: 500: 494: 488: 482: 476: 470: 469: 461: 456: 451: 445: 439: 433: 427: 421: 415: 409: 403: 402: 390: 384: 372: 366: 360: 351: 344:poem (after 341: 333:Romance in D 332: 326: 325: 320:La Charmante 319: 313: 308: 302: 293: 284: 278: 268: 262: 256: 250: 244: 235: 229: 220: 214: 213: 203: 199: 195: 191: 187: 183: 177: 165:Arthur Bliss 156: 144: 140: 136: 134: 130:Queen's Hall 121: 110:George Dyson 102:Romance in D 101: 92: 90: 72: 58: 55: 45: 42: 38:Hubert Parry 31: 21: 20: 18: 824:1945 deaths 819:1884 births 761:Radio Times 747:Radio Times 704:Radio Times 647:Radio Times 186:(1921) and 153:Bournemouth 149:Dan Godfrey 118:Hubert Bath 813:Categories 539:References 440:Diversions 279:Two Idylls 263:To Miranda 236:Meditation 215:Orchestral 145:Meditation 97:Henry Wood 61:répétiteur 273:Goldsmith 422:Cajolery 373:Habanera 182:series, 126:Rossetti 77:Scriabin 52:Post war 805:(IMSLP) 801:at the 367:Romance 327:Chamber 316:: suite 285:Arietta 221:Shylock 93:Shylock 34:Fetcham 436:(1925) 430:(1923) 424:(1917) 418:(1914) 412:(1913) 385:Orison 287:(1929) 275:(1923) 198:, the 95:under 67:under 471:Vocal 404:Piano 87:Works 509:and 391:Poem 352:Dawn 202:and 171:and 116:and 151:at 81:BBC 63:at 815:: 712:^ 695:^ 684:: 558:^ 175:. 167:, 163:, 112:,

Index

Fetcham
Hubert Parry
répétiteur
Covent Garden
Sir Thomas Beecham
Scriabin
BBC
Henry Wood
Bechstein Hall
George Dyson
Joseph Holbrooke
Hubert Bath
Rossetti
Queen's Hall
Dan Godfrey
Bournemouth
Herbert Bedford
Arthur Bliss
Eugene Goossens
Gerrard Williams
Carnegie Collection of British Music
Goldsmith
Andrew Marvell
Baker’s Biographical Dictionary of Musicians




"Felix Harold White", from The Men Who Said No. Conscientious Objectors, 1916-19
Surrey Advertiser, 9 August, 1916

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