370:
to Rough Trade in
America, they're now licensed to Vinyl Solution in England and Europe, to Megadisc in the Benelux countries in Europe, so I guess that was satisfying in the way things happened, and a lot of people as a result of my involvement and us working together came to appreciate this band that I thought was really special."
233:
secondary school in the early 1970s. They formed
Feedtime, in December 1979, as a duo with Johnson on guitar and lead vocals and Larkin on bass guitar and vocals. The band's name is stylised with a lowercase 'f'. They were soon joined on drums by Dave Carter who was replaced, in turn, by Nella Mobbs
369:
Bruce
Griffiths of Aberrant Records said of his interaction with the group, "the most satisfying was feedtime, because they became extremely close friends as a result of working with them, and I guess part of the satisfaction with them was the fact that they achieved recognition; they were licensed
313:
The group had been planning their first US tour when "emotional and psychological issues" resulted in their break up: Johnson "later admitted to have suffered a nervous breakdown." He recalled, "I got to the point where I would either kill myself or commit murder." He later clarified that
Feedtime
292:
Andrea Enthal and Ira
Robbins observed that it "applies Feedtime's noisy shredder to cover versions... with its tuneless spirited roar, feedback slide experiments and an occasionally untuned bass. Without casting aspersions on Feedtime, it's safe to assume that none of the songs' authors would be
253:
opined that they "approached maximum if not R&B than blues-punk. Certainly raw, they reissued sound oddly spacious within unsettling digital clarity. Allen's frazzled bass, Rick's churning 'electric slide guitar', and Tom's primal drums thud like their names: no nonsense, no added frills." Ned
321:
McFarlane declared that they were "one of the most uncompromising and influential groups to emerge from 's early 1980s inner-city scene... there was only one other band that could match them for sheer sonic force and rhythmic density: the notorious X." Feedtime made four albums in the 1980s.
533:, was also a fan of Feedtime. In 2012, Al stated that they were unaware of any interest overseas: "the band were a bit socially dysfunctional, not really tuned into the world. ... it's great to think that feedtime might have had some role to play in the work of those US musicians".
271:. AllMusic's John Dougan felt it was "perhaps their best album, but it's definitely not for the faint of heart. Simplistic, crudely played, thuddingly repetitive rock muck punctuated by harsh vocals... some of the most extreme music to be considered rock & roll ever conceived."
318:, that's all. There was a lot of anger and darkness that underlaid a lot of feedtime's makeup. I had to remake myself or die. Allen felt that he might have to do some repair work as well. ... Some stuff about feedtime involves very hard stuff and needs to be left alone."
338:
that "' understands itself... we're not pushing a hype, we're not pushing a style, we're not pushing glamor, we're not pushing twinkly dinkly bloody little star how I wonder how sweet you are sort of shit.' Rick and Al have never played in a band other than feedtime."
285:; according to McFarlane it "featured all cover versions done in the inimitable feedtime style of raw and heavy thrash." Christgau felt "Most cover albums trip over their own roots – self-conscious simplicity is too neat a trick to bring off a dozen times running."
191:, that was initially formed as a duo in 1979 by Rick Johnson on guitar and vocals and Allen Larkin on bass guitar and vocals. They soon became a trio with various drummers until 1982, when they were joined by Tom Sturm. This line-up issued four albums,
275:
opined that they were a "little slower and more old-fashioned than the IRT the
Ramones/Dolls came in on, which definitely doesn't mean they're slow or old-fashioned. Just an art band cum power trio that's spent nine years perfecting its sonic wisdom."
445:
The band chose the name 'Feedtime' "because it had no obvious association with tough, fast, or punk, and it had no other associations or meanings". When asked why they spell it with a lowercase 'f', they said: "Looks better."
403:
The mid-1980s line-up of
Johnson, Larkin and Sturm reunited in 2011 for two shows in Sydney and one in San Francisco, for the tenth anniversary of S.S. Records, followed by a US tour the following year, in conjunction with
322:
Initially they recorded for
Aberrant Records in Australia, but their second through fourth albums were released internationally by the indie label Rough Trade Records and by Megadisc in the Netherlands. The second album,
302:(early 1989), appeared prior to the group's disbandment in February. Raggett opined that the "last album of their 1980s existence makes for one hell of a farewell. Whether or not it was the exercise of the covers album
258:
described the album, "From the opening hoarse crawl and gargle of 'Ha Ha,' feedtime on its debut sounds like its members were out to not merely perforate eardrums, but flat out bludgeon skulls."
568:
among the five albums he wish he'd released. This prompted Bruce
Griffiths of Aberrant Records to offer Sub Pop the chance to reissue Feedtime's albums. In 2012, Sub Pop released
215:(early 1989), before disbanding in February 1989. They reunited in 1995 with Johnson and Larkin joined by the latter's younger brother, John Larkin, on drums for another album,
378:
Feedtime reunited in 1995 with
Johnson and Larkin joined by the latter's younger brother, John Larkin on drums. In April 1996 the trio released their fifth studio album,
513:, as one of their main musical influences. Describing Feedtime's sound, Arm said: "I liked the reduction—the sonic reduction that was only promised with
723:
525:", and "the delay on the vocals and maybe even the slide guitar" on "Sweet Young Thing Ain't Sweet No More" was modelled on Feedtime's "Curtains".
457:. It has been described as deliberately meaningless and "anti-punk". In the music video for "Melody Line", the band recreates the logo using
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261:
Their debut single, "Fractured", was issued in September 1986 via Sydney-based label, Aberrant Records. It presaged their second album,
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for a tour of the Australian east coast, followed in April 1997 with an Australian support slot for UK group,
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easily challenges (and often beats) the Jesus and Mary Chain when it comes to the 'melody + noise' equation."
267:(February 1987), which, along with the subsequent Aberrant albums, was also released in the United States via
247:, felt their "music mixed grinding guitars and driving beats with an unsettling ambience." John L. Murphy of
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Despite limited impact at home, Feedtime exerted influence in the United States, particularly in the
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Feedtime's sound is heavily referenced rural American country and blues. A large influence from
221:(April 1996), before disbanding again in 1997. The Rick-Al-Tom line up reunited again, in 2011.
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In October 2015, the reunited Johnson-Larkin-Sturm line-up recorded their sixth studio album,
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414:. On 3 April 2012, they performed their first ever in-studio live radio performance on
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1373:"Jonathan Poneman from Sub-Pop takes five with the albums he wishes he'd released..."
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1001 Songs You Must Hear Before You Die: And 10,001 You Must Download
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1001 Songs You Must Hear Before You Die: And 10,001 You Must Download
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572:, a 4-CD/LP reissue of the first four Feedtime full-length records.
243:, was independently released late in 1985. Australian musicologist,
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that found the trio letting its hooks come forward more than ever,
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able to recognize their handiwork in these rumbling renditions."
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No. 5 7" (Howl! Magazine, HOWL!-5, 1989): "Don't Tell Me"
473:, and is recognised as having "presaged or even helped create
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No. 2 7" (Red Records, AFTP 002/TR-520845-7, 1988; with
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EP double 7" (Aberrant Records, ACT-13/MX211861, 1986, with
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408:'s reissue of their first four albums as the compilation,
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LP (Aberrant Records, 1985): "Don't Tell Me"/"Small Talk"
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Grunge Is Dead: The Oral History of Seattle Rock Music
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discovered Feedtime through the college radio station
521:
inspired Arm to use the technique on songs such as "
453:, created by Al, who based the design on a Japanese
750:
fanzine No. 13): "Plymouth Car is a Limousine"
804:CD (Amphetamine Reptile, 1997, AMREP-097): "Billy"
509:, cite Feedtime, alongside fellow Australian band
279:In May 1988 they issued their third studio album,
517:, but this was the real deal". Feedtime's use of
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1116:Coats, Dimitri; Maurer, Justin (2 April 2012).
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1163:. No. 15. NKVD Records. Archived from
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229:Rick Johnson and Allen Larkin had met at a
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1064:– feedtime | Songs, Reviews, Credits"
982:– feedtime | Songs, Reviews, Credits"
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1415:
1323:"Feedtime - Melody Line (official video)"
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786:double LP (Au-Go-Go ANDA 70, 1988): "Ann"
536:The title track of the band's 1996 album
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384:via Black Hole Records in Australia and
346:is most easily heard on their covers LP
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878:Encyclopedia of Australian Rock and Pop
358:in addition to punk forebears like the
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1032:Enthal, Andrea; Robbins, Ira (2007).
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760:fanzine No. 2): "Take the Buick"
440:
1442:. Quintessence Editions Ltd., 2010.
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388:in the US. They supported US group,
1659:Amphetamine Reptile Records artists
1421:Curran, Aaron (15 September 2011).
1359:
1228:"SS Records 10th Anniversary Party"
1057:
945:
873:"Encyclopedia entry for 'Feedtime'"
821:Curran, Aaron (14 September 2011).
13:
1493:"feedtime Biography & History"
1085:Emery, Patrick (17 January 2014).
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396:, alongside fellow Sydney-siders,
38:Sydney, New South Wales, Australia
14:
1720:
1486:
1137:"The Hardest Hard-Luck Band Ever"
1118:"feedtime: The Threats Were Real"
314:"broke up because I was having a
914:Murphy, John L (22 March 2012).
768:"Freebie Compilation" Flexi 7" (
334:. Johnson told Steve Gardner of
1498:Profile and short interview in
1471:
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1110:
449:The Feedtime logo is a cartoon
418:, a community radio station in
1348:"feedtime: The Aberrant Years"
1346:Masters, Marc (8 March 2012).
1304:"The Resurrection of feedtime"
1155:Gardner, Steve (Winter 1989).
575:
485:, where DJs and Feedtime fans
1:
1709:Black Hole Recordings artists
1684:Australian garage punk groups
1679:Australian garage rock groups
1302:Cohan, Brad (28 March 2012).
1135:Segal, Dave (14 March 2012).
808:
738:Why March When You Can Riot?!
540:is featured in the 2010 book
18:Feeding Time (disambiguation)
1674:Australian noise rock groups
1669:Australian blues rock groups
1558:
1509:magazine (referenced in the
1480:(discography, Grunnen Rocks)
1429:. Retrieved 31 January 2013.
1386:. Retrieved 4 February 2013.
1356:. Retrieved 31 January 2013.
1312:. Retrieved 30 January 2013.
1259:. Retrieved 5 February 2013.
1145:. Retrieved 29 January 2013.
1126:. Retrieved 5 February 2013.
433:. The album was released on
234:and, in 1982, by Tom Sturm.
7:
1699:Rough Trade Records artists
1664:Australian punk rock groups
952:: feedtime | Overview"
552:During a 2008 interview on
547:
373:
10:
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1495:by AllMusic's Mark Deming.
658:Buffalo Bob/More Than Love
350:on which they covered the
224:
15:
1689:Punk blues musical groups
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1566:
1517:biography at Sub Pop site
1092:The Sydney Morning Herald
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237:The group's debut album,
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1461:"It's Feedtime - Alissa"
1402:. ISBN ECW Press, 2009.
652:Don't Tell Me/Small Talk
1522:15 January 2012 at the
758:Away From The Pulsebeat
754:Away From The Pulsebeat
668:Weekend Warrior/No Soul
646:Fractured/Safari/Rumble
296:A fourth studio album,
1012:Consumer Guide Reviews
802:Amrep Equipped Sampler
678:flatiron/stick up jack
429:, with Mikey Young of
1378:26 April 2016 at the
1371:(26 September 2008).
591:(1985, Self-released)
493:joined to launch the
1232:The Brown Paper Blog
1167:on 27 September 2011
777:Bucketfull of Brains
771:Bucketfull of Brains
765:Bucketfull of Brains
674:) (1996, Black Hole)
16:For other uses, see
1006:Christgau, Robert.
796:Scumbait No. 2
780:fanzine): "Trouble"
774:, 1988; flexi with
727:(2012, S-S Records)
670:(split single with
660:(split single with
625:Amphetamine Reptile
386:Amphetamine Reptile
269:Rough Trade Records
179:) is an Australian
1694:In the Red artists
1621:The Aberrant Years
1274:In the Red Records
1203:"Feedtime - Billy"
1192:No. 17, 1989)
918:The Aberrant Years
903:on 13 August 2004.
748:Trousers In Action
744:Trousers In Action
712:The Aberrant Years
701:feedtime + suction
664:) (1988, Aberrant)
635:(2017, In The Red)
570:The Aberrant Years
564:listed Feedtime's
441:Band name and logo
435:In the Red Records
411:The Aberrant Years
330:, was produced by
1646:
1645:
1423:"Icons: Feedtime"
1384:Mornings with Zan
887:Allen & Unwin
823:"Icons: Feedtime"
523:Touch Me I'm Sick
477:". Many bands in
471:Pacific Northwest
203:(February 1987),
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1638:King Snake Roost
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1231:
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1165:the original
1160:
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1142:The Stranger
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149:Rick Johnson
143:Past members
58:Years active
22:
1511:Swellsville
1500:Swellsville
1123:L.A. Record
916:"Feedtime:
705:Rough Trade
576:Discography
560:co-founder
531:Kurt Cobain
254:Raggett of
164:John Larkin
158:Nella Mobbs
155:Dave Carter
123:Rough Trade
1653:Categories
1502:No. 7
1448:0789320894
1427:Mess+Noise
1408:1550228773
1332:22 January
1279:30 January
1238:29 January
1212:29 January
1157:"feedtime"
1066:. AllMusic
1034:"Feedtime"
1008:"Feedtime"
984:. AllMusic
925:PopMatters
827:Mess+Noise
809:References
732:Appears on
420:New Jersey
394:the Damned
250:PopMatters
231:Parramatta
183:band from
181:noise rock
130:In The Red
119:Black Hole
51:noise rock
1507:Adderlaid
1369:Rowe, Zan
1353:Pitchfork
1171:8 January
1102:8 January
1070:8 January
1043:8 January
1017:7 January
988:7 January
961:7 January
931:7 January
832:7 January
332:Butch Vig
316:breakdown
161:Tom Sturm
47:Punk rock
1589:Cooper-S
1575:Feedtime
1560:Feedtime
1520:Archived
1478:feedtime
1450:, p. 900
1376:Archived
956:AllMusic
950:feedtime
871:(1999).
604:Cooper-S
588:feedtime
554:Triple J
548:Reissues
507:Mudhoney
499:Mark Arm
374:Reunions
362:and the
354:and the
348:Cooper S
304:Cooper-S
282:Cooper-S
256:AllMusic
240:Feedtime
206:Cooper-S
194:Feedtime
177:feedtime
173:Feedtime
116:Aberrant
113:Feedtime
102:–present
29:Feedtime
1596:Suction
1327:YouTube
1207:Discogs
1062:Suction
717:Sub Pop
715:(2012,
703:(1989,
682:Sub Pop
680:(2015,
640:Singles
623:(1996,
612:Suction
558:Sub Pop
527:Nirvana
495:Sub Pop
479:Seattle
455:woodcut
406:Sub Pop
364:Stooges
360:Ramones
356:Animals
328:Suction
308:Suction
299:Suction
225:History
212:Suction
127:Sub Pop
96: (
88: (
80: (
72: (
64: (
1582:Shovel
1513:piece)
1446:
1406:
1270:"News"
980:Shovel
893:
672:Unsane
596:Shovel
566:Shovel
475:grunge
465:Legacy
390:Unsane
324:Shovel
264:Shovel
200:Shovel
185:Sydney
107:Labels
94:, 2011
78:, 1995
43:Genres
35:Origin
1603:Billy
790:Howl!
620:Billy
538:Billy
519:slide
381:Billy
290:'
218:Billy
86:–1997
70:–1989
1444:ISBN
1404:ISBN
1334:2024
1281:2017
1257:WFMU
1240:2017
1214:2017
1173:2017
1104:2017
1072:2017
1045:2017
1019:2017
990:2017
963:2017
933:2017
891:ISBN
834:2017
501:and
489:and
483:KCMU
451:frog
416:WFMU
98:2011
90:1997
82:1995
74:1989
66:1979
62:1979
632:Gas
427:gas
1655::
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