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272:, but Barocci's remarkable pastel studies are the earliest examples of the technique to survive. In pastels and in oil sketches (another technique he pioneered) Barocci's soft, opalescent renderings evoke the ethereal. Such studies were part of a complex process Barocci used to complete his altarpieces. An organized series of steps leading up to the final product ensured its speed and success in execution. Barocci did innumerable sketches: gestural, compositional, figural studies (using models), lighting studies (using clay models),
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experience a partial remission after prayers to the Virgin. Barocci henceforth often complained of frail health, though he remained productive for nearly four decades more. While he is described by contemporaries as personally somewhat morose and hypochondriacal, his paintings are lively and brilliant. Although he continued to have major altarpiece commissions from afar, he never returned to Rome, and was mainly patronized in his native city by
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1737:
249:
During this second sojourn, while completing the decorations for the
Vatican, Barocci fell ill with intestinal complaints. He suspected that a salad which he had eaten had been poisoned by jealous rivals. Fearing his illness was terminal, he left Rome in 1563; four years later he was said to
288:, from initial sketches to color studies of heads, to the final full size cartoon. Despite this painstaking process, Barocci's genius kept the brushstrokes passionate and liberated, and a spiritual light seems to flicker as a jewel across faces, hands, drapery, and sky.
284:). It is a vortex of color and vitality, made possible by the great variety of people, poses, perspectives, natural details, colors, lighting and atmospheric effects. There are many surviving drawings for the
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studies, color studies, nature studies, etc. Today, over 2,000 drawings by him are extant. Every detail of his subsequent cartoons for canvases was worked out in this way. A good example is his famed
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While
Barocci was removed from Rome, the fulcrum of artistic fame and influence, he continued to innovate in his style. At some point he may have seen colored chalk/pastel drawings by
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319:, whose Oratorians sought to reconnect the spiritual realm with the lives of everyday people. Neri, who was somewhat ambivalent about the accumulating richness of his
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Barocci's swirling composition and the focus on the emotional and spiritual are elements that foreshadow the
Baroque of Rubens. But even in Federico's Proto-Baroque
331:(1593–94). Neri is said to have been moved to ecstasy by Barocci's accomplishment in the former painting, which shows the Virgin and Elizabeth greeting each other.
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1757:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on and by Federico Barocci (see index).
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254:, duke of Urbino. The Ducal Palace can be seen in the background of his paintings, rendered in a forced perspective that seems a holdover from Mannerism.
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2017:
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Passion, Penance and
Mystical Union: Early Modern Catholic Polemics in the Religious Paintings of Federico Barocci
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to the presence of dogs in the lower right corner. Among the painters and artists who worked under
Barocci are
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382:, considered Barocci to be among the finest painters of his time. Barocci's emotive brushwork was not lost on
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2012:
1885:
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323:, commissioned two completed works from Barocci, the pre-eminent artist of these large pious altarpieces:
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157:. He is generally considered the greatest and the most individual painter of his time in central Italy.
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to Pesaro, then in 1548 to Rome, where he was worked in the pre-eminent studio of the day, that of the
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1618:"The Italians : Three Centuries of Italian Art – Madonna and child with St Simon and St Jude -"
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executed for the
Confraternity of the Holy Sacrament. He was invited back to Rome by Pope
8:
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1636:"The Madonna and Child with Saint Joseph and the Infant Baptist ('La Madonna del Gatto')"
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426:. Barocci also had many who followed or were strongly influenced by his style, including
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1673:. Judge, Harry George., Toyne, Anthony. Oxford : Oxford University Press. p. 35.
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1413:"romecity.it – Diese Website steht zum Verkauf! – Informationen zum Thema romecity"
1383:"romecity.it – Diese Website steht zum Verkauf! – Informationen zum Thema romecity"
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153:. His work was highly esteemed and influential, and foreshadows the Baroque of
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when he painted two admirable pictures for the Chiesa Nuova, representing the
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when he was in Italy. Rubens is known to have made a sketch of his dramatic
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would shape his long and fruitful career. By 1566, he joined a lay order of
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Catalogo dei quadri che si conservano nella
Pinacoteca Vannucci in Perugia
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1352:"Excerpt from Passion, Penance and Mystical Vision: Early Modern C"
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Madonna and Child with the Infant John the
Baptist and St Joseph
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Dictionary of
Painters and Engravers, Biographical and Critical
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seems to owe much to
Barocci, from the putto with the pointing
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59:
1508:"Martyrdom of St. Vitalis – Federico Barocci (Federico Fiori)"
1448:. Vol. I: A–K. London: George Bell and Sons. p. 83.
186:, and received his earliest apprenticeship with his father,
1817:
for The Easter gift, 1832, with a poetical illustration by
1791:
Freedberg, Sydney J. (1993). Pelican History of Art (ed.).
343:
235:
219:
1765:, excerpt from Univ. of Texas, Dallas, Ph.D. Dissertation.
1755:
Prints & People: A Social History of Printed Pictures
1332:
1490:"Rest on the Flight to Egypt by BAROCCI, Federico Fiori"
1800:
The Creative Process Behind Federico Barocci's Drawings
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1461:, by Galleria Nazionale dell'Umbria, (1903) page 60.
1442:Bryan, Michael (1886). Robert Edmund Graves (ed.).
369:
213:
174:Oil on canvas, Santa Maria degli Angeli, Perugia.
1969:
1372:(1964), pp. 16–17 reviewing Harold Olsen's book.
264:, 1597, oil on canvas, Museo del Prado, Madrid
145:painter and printmaker. His original name was
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1070:Drawings by Federico Barocci photographed by
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240:Virgin Mary and infant, with several Saints
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352:Visitation of the Virgin Mary to Elisabeth
242:and a ceiling in fresco, representing the
160:
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1655:
1526:"Annunciation by BAROCCI, Federico Fiori"
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984:Galleria Nazionale delle Marche, Urbino
598:Galleria Nazionale delle Marche, Urbino
1970:
1795:. Penguin Books Ltd. pp. 632–641.
1726:, (6:16) with four additional videos,
1544:"St Jerome by Barocci, Federico Fiori"
1827:
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1001:Royal Museums of Fine Arts of Belgium
866:Portrait of Francisco II della Rovere
194:in Urbino. He accompanied his uncle,
1853:
1786:. New York: Robert Appleton Company.
815:Basilica of Santa Maria degli Angeli
338:for the cathedral of San Lorenzo at
141:– 30 September 1612) was an Italian
993:Vocation of Saints Peter and Andrew
230:to assist in the decoration of the
13:
1667:Norwich, John Julius (1985–1993).
1574:"pinakothek.de – Federico Barocci"
1474:. 15 December 2005. Archived from
774:Musée des Beaux-Arts de Strasbourg
14:
2044:
1774:Herbermann, Charles, ed. (1913).
1696:
1620:. 3 November 2005. Archived from
1576:. 8 February 2013. Archived from
315:. He may have been influenced by
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1592:"The Entombment (Getty Museum)"
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977:Madonna with Sts Simon and Jude
252:Francesco Maria II della Rovere
1594:. 3 April 2005. Archived from
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727:Chiesa della Croce, Senigallia
370:Critical assessment and legacy
334:In Urbino, where he painted a
214:Mature work in Rome and Urbino
1:
2003:17th-century Italian painters
1993:16th-century Italian painters
1870:Rest on the Flight into Egypt
1802:, on Google Arts and Culture.
1656:Scannelli, Francesco (1657).
1638:. 26 May 2006. Archived from
1302:
1044:
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625:Rest on the Flight into Egypt
432:Giovanni Battista Lombardelli
135:
98:The Communion of the Apostles
51:
36:
1793:Painting in Italy, 1500–1600
1761:Lisot, Elizabeth A. (2009).
541:'s High Baroque masterpiece
440:Cesare & Basilio Maggeri
378:, the Baroque equivalent of
218:After passing four years at
7:
1749:Cats in Barocci's Paintings
1659:Il microscomo della pittura
484:Giovanni Battista Urbinelli
392:The Martyrdom of St Livinus
16:Italian painter (1535–1612)
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2049:
2008:Italian Mannerist painters
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356:Presentation in the Temple
329:Presentation of the Virgin
1934:Battista Franco Veneziano
1920:
1910:Communion of the Apostles
1861:
1777:"Federigo Baroccio"
1717:
1708:
1703:
1662:(in Italian). Peril Neri.
1054:Santa Maria sopra Minerva
1039:Communion of the Apostles
573:Martyrdom of St Sebastian
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456:Giovanni Giacomo Pandolfi
321:Santa Maria in Vallicella
303:Barocci's embrace of the
192:Battista Franco Veneziano
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1819:Letitia Elizabeth Landon
884:Christ and Mary Magdalen
825:Aeneas' Flight from Troy
678:The Vision of St Francis
2018:Italian Roman Catholics
1894:Portrait of a Young Man
935:National Gallery of Art
759:Portrait of a Young Man
537:can see the makings of
238:, where he painted the
161:Early life and training
149:, and he was nicknamed
77:Urbino, Duchy of Urbino
1769:Elizabeth Lisot, Ph.D.
659:
492:Gian Ortensio Bertuzzi
460:Pietro Paolo Tamburini
412:Giovanni Andrea Urbani
410:(il Sordo di Urbino),
388:Martyrdom of St Vitale
374:The artist biographer
336:Descent from the Cross
300:
265:
175:
1998:Italian male painters
1783:Catholic Encyclopedia
1744:at Wikimedia Commons
685:San Francesco, Urbino
590:Madonna di San Simone
551:Partial list of works
544:Ecstasy of St Theresa
346:during the papacy of
294:
260:
168:
1988:Painters from Urbino
1478:on 15 December 2005.
1368:Walter Friedlander,
1014:Madonna with the Cat
360:Chiesa della Minerva
234:Belvedere Palace at
2013:Italian printmakers
1624:on 3 November 2005.
1580:on 8 February 2013.
1512:pinacotecabrera.org
1393:on 30 December 2006
1370:Burlington Magazine
937:, Washington, D.C.
634:Pinacoteca Vaticana
524:Alessandro Brunelli
508:Matteuccio Salvucci
472:Giulio Cesare Begni
448:Giovanni Laurentini
424:Vincenzo Pellegrini
342:. He again visited
305:Counter Reformation
2028:Catholic engravers
1886:Madonna del Popolo
922:Quintilia Fischeri
886:(Noli me tangere)
817:, Assisi, Perugia
695:Madonna del Popolo
528:Francesco Baldelli
504:Benedetto Bandiera
480:Girolamo Cialdieri
301:
297:Madonna del Popolo
295:Federico Barocci,
286:Madonna del Popolo
278:Madonna del Popolo
266:
176:
74:September 30, 1612
2033:Catholic painters
1965:
1964:
1928:Bartolommeo Genga
1811:Hagar and Ishmael
1740:Media related to
1733:
1732:
1724:Focus on: Barocci
1423:on 1 January 2007
1339:Norwich 1985–1993
1067:
1066:
967:Accademia Carrara
856:Galleria Borghese
833:Galleria Borghese
615:Perugia Cathedral
516:Pietro Rancanelli
488:Alfonso Patanazzi
464:Terenzio d’Urbino
436:Domenico Malpiedi
428:Nicolo Martinelli
416:Alessandro Vitali
384:Peter Paul Rubens
317:Saint Philip Neri
311:, an offshoot of
196:Bartolommeo Genga
125:
124:
2040:
1957:Baroque painting
1946:Federico Zuccari
1855:Federico Barocci
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400:Antonio Cimatori
376:Giovanni Bellori
208:Federico Zuccari
188:Ambrogio Barocci
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1878:Madonna del Cat
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1813:., engraved by
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1704:External videos
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452:Giorgio Picchi
418:, and finally
380:Giorgio Vasari
371:
368:
358:, and for the
325:The Visitation
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147:Federico Fiori
130:(also written
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83:Known for
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736:Martyrdom of
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404:Ventura Mazza
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367:
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20:
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1892:
1884:
1876:
1868:
1854:
1792:
1781:
1762:
1734:
1669:
1658:
1640:the original
1630:
1622:the original
1612:
1600:. Retrieved
1596:the original
1586:
1578:the original
1568:
1556:
1547:
1538:
1529:
1520:
1511:
1502:
1493:
1484:
1476:the original
1466:
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1421:the original
1416:
1407:
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1391:the original
1386:
1377:
1369:
1364:
1355:
1346:
1334:
1322:
1310:
1037:
1013:
1009:
992:
976:
958:
945:Annunciation
944:
921:
912:Getty Museum
902:
883:
865:
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824:
806:
788:Circumcision
787:
757:
735:
718:
693:
677:
648:
623:
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589:
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532:
468:il Rondolino
467:
450:(Arrigoni),
391:
387:
373:
363:
355:
351:
348:Gregory XIII
335:
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328:
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244:Annunciation
243:
239:
224:St. Margaret
223:
217:
177:
170:Annunciation
169:
150:
146:
131:
127:
126:
96:
92:Notable work
1983:1612 deaths
1978:1528 births
1889:(1575–1579)
1602:23 November
1563:ibiblio.org
1356:Google Docs
1072:Paolo Monti
1048: 1603
1023: 1575
930: 1600
876:, Florence
807:Annuciation
768: 1580
706:, Florence
567:Image link
402:(Visacci),
364:Last Supper
313:Franciscans
274:perspective
151:Il Baroccio
143:Renaissance
139: 1535
112:Renaissance
55: 1535
40: 1600
1972:Categories
1815:Emma Smith
1767:See also:
1548:www.wga.hu
1530:www.wga.hu
1494:www.wga.hu
1472:"Feedback"
1427:1 November
1397:1 November
1303:References
969:, Bergamo
961:(drawing)
947:(etching)
908:1579–1582
905:(etching)
903:Entombment
738:San Vitale
719:Entombment
636:, Vatican
607:Deposition
396:palm frond
202:painters,
172:(1592–96)
2023:Capuchins
1952:Mannerism
1873:(c. 1573)
1862:Paintings
1030:, London
848:St Jerome
665:, Madrid
558:Painting
309:Capuchins
270:Correggio
200:Mannerist
117:Mannerism
1948:(master)
1942:(master)
1936:(master)
1902:Nativity
1689:11814265
811:1592–96
700:1575–79
650:Nativity
630:c. 1573
611:1567–69
354:and the
262:Nativity
105:Movement
86:Painting
1930:(oncle)
1921:Related
1650:Sources
1561:Barocci
1056:, Rome
858:, Rome
835:, Rome
723:1580-2
539:Bernini
340:Perugia
232:Vatican
228:Pius IV
132:Barozzi
1905:(1597)
1881:(1575)
1687:
1677:
1050:~1608
894:Munich
874:Uffizi
794:Paris
704:Uffizi
526:, and
420:Felice
299:, 1579
282:Uffizi
204:Taddeo
180:Urbino
155:Rubens
60:Urbino
997:1586
889:1590
870:1572
852:1598
829:1598
743:1583
655:1597
594:1567
577:1557
564:Site
561:Date
1685:OCLC
1675:ISBN
1604:2021
1429:2006
1399:2006
770:–85
422:and
362:, a
344:Rome
236:Rome
220:Rome
206:and
71:Died
48:Born
470:),
134:) (
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