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278:, owner of the company that syndicated the program, said that with Colman on board, "Stations were receptive, networks were receptive, sponsors were receptive, audiences were receptive." Becker found that, besides being the host and acting in some episodes, Colman "did indeed have measurable creative input into
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featured an adaptation of a story selected by a celebrity — purportedly his or her favorite story. The celebrities came from various fields: actors, directors, bandleaders, and athletes, to name but a few. Because they did not appear on the air, the Ziv
Company saved any salary that their
317:. Jerome Lawrence and Robert E. Lee produced, directed, and wrote for the program. Other writers were William Froug and E. Jack Neuman. Announcers were George Barclay and True Boardman. Music was by Claude Sweeten.
228:, "Production documents indicate that celebrities were asked for their favorite stories, but they had to select from a predetermined list and were not always matched up with a story they selected."
247:. Not only did prestigious titles add an air of quality, but they had the financial advantage of being in the public domain, so that nothing had to be paid for the rights to broadcast them.
274:. His presence enhanced the program's appeal to listeners and to executives and sponsors at local stations — a factor essential to having stations broadcast the show.
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Despite the show's premise, many of the stories presented may not have been the celebrities' actual favorites. Christine Becker wrote in her book,
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from 1946 to 1949. The program was "advertised as a show that 'stands head and shoulders above the finest programs on the air'". Originating at
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appearances would have incurred. Compensation came in the form of promoting whatever book, film, or other work the guest had coming up.
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managed the incredible feat of jamming a classic novel into half an hour and still giving us a rewarding experience."
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The half-hour time span was better suited to short stories than to novels, but Tim DeForest wrote in his book,
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had no regular characters; the only person who appeared in the same role from one episode to another was host
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Radio Series
Scripts, 1930–2001: A Catalog of the American Radio Archives Collection
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It's the
Pictures That Got Small: Hollywood Film Stars on 1950s Television
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It’s the
Pictures That Got Small: Hollywood Film Stars on 1950s Television
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Radio by the Book: Adaptations of
Literature and Fiction on the Airwaves
471:(Revised ed.). New York, NY: Oxford University Press. p. 244.
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Radio by the Book: Adaptations of
Literature and Fiction on the Airwaves
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507:"A Syndicated Show in a Network World: Frederic Ziv's Favorite Story"
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Stories presented were adaptations of literary classics, including
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80:
200:apparently was not related to the similarly named
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611:. Wesleyan University Press. pp. 128–129.
468:On the Air: The Encyclopedia of Old-Time Radio
771:from Old Time Radio Researchers Group Library
285:Actors heard regularly in episodes included
16:American old-time radio dramatic anthology
455:
641:
714:from Jerry Haendiges Vintage Radio Logs
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184:dramatic anthology. It was nationally
730:from Old Time Radio Researchers Group
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543:from the original on 1 November 2017
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364:The Cresta Blanca Hollywood Players
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811:Syndicated American radio programs
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14:
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570:. McFarland. 2006. p. 156.
30:
648:. McFarland. pp. 199–200.
392:Hollywood Hotel (radio program)
406:The Mercury Theatre on the Air
163:
1:
796:Radio programs based on works
786:1940s American radio programs
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751:
261:
196:in Los Angeles, California,
7:
689:from Audio Classics Archive
526:10.1207/s15506843jrs0801_12
427:Screen Director's Playhouse
320:
10:
827:
806:Ziv Company radio programs
605:Becker, Christine (2008).
505:Becker, Christine (2001).
413:The MGM Theater of the Air
698:from The Digital Deli Too
241:Dr. Jekyll & Mr. Hyde
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514:Journal of Radio Studies
441:Theater Guild on the Air
420:The Screen Guild Theater
385:General Electric Theater
208:in Los Angeles earlier.
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36:Ronald Colman, host of
801:Anthology radio series
767:Streaming episodes of
758:Streaming episodes of
642:DeForest, Tim (2008).
343:The Campbell Playhouse
791:American radio dramas
329:Academy Award Theater
434:Stars over Hollywood
350:Cavalcade of America
739:from radioGOLDINdex
735:Log of episodes of
726:Log of episodes of
710:Log of episodes of
694:Log of episodes of
685:Log of episodes of
233:Alice in Wonderland
26:
744:2018-01-14 at the
719:2016-03-22 at the
703:2017-10-12 at the
357:CBS Radio Workshop
336:Author's Playhouse
254:, "In many cases,
48:Dramatic anthology
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478:978-0-19-507678-3
399:Lux Radio Theatre
266:As an anthology,
202:My Favorite Story
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482:. Retrieved
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378:Ford Theatre
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77:Home station
53:Running time
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315:Janet Waldo
307:Howard Duff
190:Ziv Company
166:of episodes
156:1946 –
143:Produced by
133:Directed by
91:Ziv Company
69:Language(s)
780:Categories
661:30 October
624:30 October
583:31 October
547:30 October
484:2019-09-19
449:References
287:Jeff Corey
186:syndicated
117:Written by
87:Syndicates
56:30 minutes
19:Radio show
752:Streaming
303:John Beal
291:Edna Best
262:Personnel
107:Announcer
97:Hosted by
742:Archived
717:Archived
701:Archived
538:Archived
465:(1998).
321:See also
534:5234794
188:by the
72:English
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313:, and
243:, and
212:Format
541:(PDF)
530:S2CID
510:(PDF)
45:Genre
679:Logs
663:2017
650:ISBN
626:2017
613:ISBN
585:2017
572:ISBN
549:2017
473:ISBN
158:1949
522:doi
206:KNX
194:KFI
169:118
164:No.
81:KFI
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
