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240:. Above all they were expected to keep the dancers happy. Marable was a strict bandleader, demanding musical proficiency and rigid discipline from all his bandmembers, yet allowing them to develop their individual strong points. For instance, Louis Armstrong's gift for improvisation was recognised as such by Marable, and he allowed him to improvise his breaks rather than play them note for note. Marable's band served as an early musical education for many other players who would later become prominent in jazz, including
173:. Steam streamed through the brass pipes and whistles at 80 pounds of pressure, the keys were hot and they were hard to hold down. Pitch varied with steam pressure, so there was a challenge of playing in tune. The calliope was designed to be clearly heard on shore, so the volume was overwhelming to the musician who was manipulating it. To prepare himself for playing the loud machine that spewed steam and water, Marable wore gloves, stuffed his ears with cotton, and donned raingear.
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put it: "There was a saying in New
Orleans. When some musician would get a job on the riverboats with Fate Marable, they'd say, 'Well, you're going to the conservatory.'" While he was training these musicians to better perform the dance arrangements for the steamboat passengers, he also boosted many
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to James and
Elizabeth Lillian (Wharton) Marable, a piano teacher. Fate had five siblings, including two brothers, Harold and James, and three sisters, Mabel, Juanita, and Neona. Elizabeth Marable, known as "Lizzie," gave her son music lessons, both in reading music and playing piano.
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As a bandleader, Marable shared the lessons from his mother with his musicians. Many of the musicians he hired played by ear, and he augmented their skills by teaching them to read music, and expected them all to learn how to play from sheet music on sight. As his one-time drummer,
169:. John and Joseph Streckfus hired him to replace their piano player, Charles Mills, who had accepted an engagement in New York City. There was a catch: Marable's responsibilities would include playing a large steam
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188:, a position he retained for 33 years. Later, he spent late nights in New Orleans' clubs scouting for talent and playing at jam sessions. There he discovered
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Members of
Marable's bands were expected to be able to play a wide variety of music, from hot numbers to light classics, playing by memory or ear, and from
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blowing cornet, and recruited him to play for his band on evening riverboat excursions cruising around the
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of their careers when they were ready to move on. Streckfus
Steamers' alumni went on to play with bandleaders such as
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1920 advertisement for "Moonlight
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Chevan, David (1989). "Riverboat Music from St. Louis and the
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In 1916, Marable published the only original composition of his career,
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Later in 1907, he became bandleader for a paddlewheeler on the
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Fate
Marable's New Orleans Band on the S. S. Sidney.jpg
136:(December 2, 1890 – January 16, 1947) was an American
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161:At the age of 17, Marable began playing on the
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538:Fate Marable - Pittsburgh Music History
459:Geoffrey C. Ward and Ken Burns (2000).
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423:. New York: Broadway Books. pp.
625:20th-century American male musicians
419:Louis Armstrong: An Extravagant Life
16:American jazz pianist and bandleader
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463:Jazz: A History of America's Music
321:Fate Marable died of pneumonia in
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415:Laurence Bergreen (1997).
400:Kenney, (2005), pp. 40–42.
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501:Pettinger, Peter (1998).
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38:Background information
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543:2016-04-16 at the
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112:Years active
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565:1947 deaths
560:1890 births
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254:Pops Foster
238:sheet music
219:Fats Waller
207:Count Basie
165:plying the
163:steam boats
554:Categories
374:(2): 160.
278:Joe Poston
246:Baby Dodds
223:Chick Webb
144:Early life
44:Birth name
266:Al Morgan
242:Red Allen
116:1907-1940
541:Archived
305:A young
171:calliope
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287:, and
221:, and
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80:, U.S.
67:, U.S.
61:Origin
511:31–32
384:JSTOR
329:Notes
317:Death
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515:ISBN
473:ISBN
184:and
138:jazz
89:Jazz
72:Died
53:Born
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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