211:
33:
371:
350:, to play at The Bungalow dance hall on July 12, 1947. Before the performance Lunceford collapsed during an autograph session at a local record store. He died while being taken by ambulance to the Seaside hospital. Lunceford was 45. Dr Alton Alderman performed an autopsy in nearby Astoria, Oregon, and concluded that Lunceford died of
225:, Lunceford organized a student band, the Chickasaw Syncopators, whose name was changed to the Jimmie Lunceford Orchestra. Under the new name, the band started its professional career in 1929, and made its first recordings in 1930. Lunceford was the first public high school band director in Memphis.
248:, who won their first widespread fame from their inventive shows for the Cotton Club's all-white patrons. With their tight musicianship and the often outrageous humor in their music and lyrics, Lunceford's orchestra made an ideal band for the club, and Lunceford's reputation began to steadily grow.
407:
The Jimmie
Lunceford Jamboree Festival was founded by Bro. Ronald Cortez Herd II aka R2C2H2 Tha Artivist in 2007 with the aim of increasing recognition of Lunceford's contribution to jazz, particularly in Memphis, Tennessee. The Jimmie Lunceford Legacy Awards were created by the festival to honor
357:
Lunceford had complained about an aching leg as they arrived in
Seaside, and had been suffering with high blood pressure for a while, and had recently complained about not feeling well. Allegations and rumors circulated that he had been poisoned by a restaurant owner, who was unhappy at having to
251:
Jimmie
Lunceford's band differed from other great bands of the time because it was better known for its ensemble than for its solo work. Additionally, he was known for using a two-beat rhythm, called the Lunceford two-beat, as opposed to the standard four-beat rhythm. This distinctive "Lunceford
183:, United States. The 53-acre (21 ha) farm was owned by his father, James. His mother was Idella ("Ida") Shumpert of Oklahoma City, an organist of "more than average ability". Seven months after James Melvin was born, the family moved to Oklahoma City.
395:
In 1999, band-leader Robert Veen and a team of musicians set out to acquire permission to use the original band charts and arrangements of the Jimmie
Lunceford canon. "The Jimmie Lunceford Legacy Orchestra" officially debuted in July 2005 at the
661:
An eight-volume series from the
Masters of Jazz imprint on French Média 7 and Musisoft attempted the same chronological traverse under the direction of Bruno Théol, Christian Bonnet, Jacques Lubin and Lionel Risler over 1991-2000.
294:'s. This precision can be heard in such pieces as "Wham (Re-Bop-Boom-Bam)", "Lunceford Special", "For Dancers Only", "Uptown Blues", and "Stratosphere". The band's noted saxophone section was led by alto sax player
271:, often through clever arrangements by trumpeter Sy Oliver and bizarre lyrics. Lunceford's stage shows often included costumes, skits, and obvious jabs at mainstream white bands, such as Paul Whiteman's and
557:
recording) (78rpm 4-disc album set/8 songs/#C-175: 1948; original LP issue/12 songs/#CL-634: 1956; expanded LP reissue/16 songs/#CL-2715 and #CS-9515: 1967; CD release/22 songs/#CK-65647: 2001 Sony-Legacy
653:
The last album (1948-1949) was recorded after
Lunceford's death by his long-time band under the joint-direction of Eddie Wilcox (his piano player) and Joe Thomas (his tenor sax player/vocalist).
256:, which set high standards for dance-band arrangers of the time. Though not well known as a musician, Lunceford knew how to play several instruments and was even featured on flute in "Liza".
876:
278:
Despite the band's comic veneer, Lunceford always maintained professionalism in the music befitting a former teacher; this professionalism paid off and during the apex of
321:. Columbia dropped Lunceford in 1940 because of flagging sales. (Oliver departed the group before the scheduled European tour to take a position as an arranger for
194:, whose band was soon to acquire a national reputation. As a child in Denver, he learned several instruments. After high school, Lunceford continued his studies at
267:
with Myra
Johnson (Taylor) on vocals), "I'm Nuts about Screwy Music", "I Want the Waiter (With the Water)", and "Four or Five Times" displayed a playful sense of
745:
584:
Apart from live recordings and alternate takes, every recording by Jimmie
Lunceford & His Orchestra is included in this 10 volume series from the
445:"Flaming Reeds and Screaming Brass"/"While Love Lasts" (test pressings for Columbia, not released until 1967 on LP) - recorded New York, May 15, 1933
1346:
1176:
Rhythm Is Our
Business : Jimmie Lunceford and the Harlem Express. Eddy Determeyer Ann Arbor : University of Michigan Press, c2006.
1100:
Rhythm Is Our
Business : Jimmie Lunceford and the Harlem Express. Eddy Determeyer Ann Arbor : University of Michigan Press, c2006.
1336:
1215:
411:
Lunceford's music continues to have an impact. Most recently the tune "Rhythm is Our Business" was included as track on the compilation set
1296:
1144:
408:
exceptional musicians with Memphis ties as well as those who have dedicated their careers to excellence in music and music education.
1301:
1281:
1246:
1241:
1341:
1331:
1002:
334:
Lunceford's band was hired to play at the Elks Ballroom in Los Angeles on September 26, 1940 and again on June 26, 1947, by
210:
1251:
1306:
1256:
851:
1321:
1311:
1181:
1105:
973:
834:
809:
1118:
317:
in 1938. They toured Europe extensively in 1937, but had to cancel a second tour in 1939 because of the outbreak of
1271:
295:
1316:
1276:
389:
327:
263:
played a distinct part in Lunceford's presentation. Songs such as "Rhythm Is Our Business" (featured in a 1937
1261:
938:
796:
338:
Most of Lunceford's sidemen were underpaid and left for better paying bands, leading to the band's decline.
1018:
1326:
1291:
233:
198:. In 1922, he played alto saxophone in a local band led by the violinist George Morrison which included
1286:
392:, kept the band going for a time but finally had to break up the Jimmie Lunceford Orchestra in 1949.
912:
1266:
397:
1047:
190:
where Lunceford attended high school and studied music under Wilberforce J. Whiteman, father of
991:
1073:“Lunceford Band Swings Out At Elk’s Ballroom Tonight” Los Angeles Sentinel September 26, 1940
791:
433:"Chickasaw Stomp'"/"Memphis Rag" (Columbia W-145.373/4) - recorded Memphis, December 13, 1927
1236:
1231:
877:"Fisk Special Collections Features Music and Manuscript Artifacts in Archives Week Exhibit"
199:
32:
8:
1195:
801:
176:
67:
1167:
Death 'Natural' For Band Leader. (Associated Press) The Oregonian July 16, 1947. page 16
359:
351:
222:
1177:
1138:
1101:
998:
969:
830:
805:
457:"Swingin' Uptown"/"Remember When" (Victor 24669) - recorded New York, March 20, 1934,
448:"Jazznocracy"/"Chillun, Get Up" (Victor 24522) - recorded New York, January 26, 1934
728:, 1992) –recorded 1933–1940, successively covering both Decca and Columbia periods.
585:
554:
413:
335:
325:). Lunceford returned to the Decca label. The orchestra appeared in the 1941 movie
314:
310:
141:
346:
After playing McElroy's Ballroom in Portland, Lunceford and his orchestra were in
735:
347:
195:
172:
111:
88:
761:
537:
468:
Jazz Heritage Series #3- Jimmie Lunceford 1: Rhythm Is Our Business (1934-1935)
454:"Breakfast Ball"/"Here Goes" (Victor 24601) - recorded New York, March 20, 1934
439:
370:
283:
241:
451:"White Heat"/"Leaving Me" (Victor 24586) - recorded New York, January 26, 1934
1225:
1122:
471:
306:
279:
264:
237:
191:
137:
1211:
494:
Jazz Heritage Series #15- Jimmie Lunceford 4: Blues In The Night (1938-1942)
421:
385:
358:
serve a "Negro" in his establishment. He was buried at Elmwood Cemetery in
322:
318:
272:
252:
style" was largely the result of the imaginative arrangements by trumpeter
245:
215:
1082:“FIRST APPEARANCE…JIMMIE LUNCEFORD” AD Los Angeles Sentinel June 26, 1947.
725:
515:
506:
Jazz Heritage Series #22- Jimmie Lunceford 6: The Last Sparks (1941-1944)
500:
Jazz Heritage Series #21- Jimmie Lunceford 5: Jimmie's Legacy (1934-1937)
488:
Jazz Heritage Series #8- Jimmie Lunceford 3: For Dancers Only (1936-1937)
475:
401:
291:
180:
107:
71:
572:
299:
287:
268:
260:
228:
After a period of touring, in 1934 the band accepted a booking at the
482:
Jazz Heritage Series #6- Jimmie Lunceford 2: Harlem Shout (1935-1936)
253:
171:
Lunceford was born on a farm in the Evergreen community, west of the
160:
1158:
Jimmy Lunceford Dies at Seaside. The Oregonian July 13, 1947. page 1
966:
Underneath a Harlem Moon: The Harlem to Paris Years of Adelaide Hall
1052:
942:
917:
A Film By Ken Burns: Selected Artist Biography - Jimmie Lunceford"
571:(1946-1947 Majestic recordings) (LP/13 songs/#SJL-1209: 1989 from
420:
On July 19, 2009, a brass note was dedicated to Lunceford on the
221:
In 1927, while an athletic instructor at Manassas High School in
641:
The Chronological Jimmie Lunceford & His Orchestra 1945-1947
635:
The Chronological Jimmie Lunceford & His Orchestra 1941-1945
629:
The Chronological Jimmie Lunceford & His Orchestra 1940-1941
623:
The Chronological Jimmie Lunceford & His Orchestra 1939-1940
611:
The Chronological Jimmie Lunceford & His Orchestra 1937-1939
605:
The Chronological Jimmie Lunceford & His Orchestra 1935-1937
599:
The Chronological Jimmie Lunceford & His Orchestra 1934-1935
593:
The Chronological Jimmie Lunceford & His Orchestra 1930-1934
993:
Rhythm Is Our Business: Jimmie Lunceford and the Harlem Express
849:
827:
Rhythm Is Our Business: Jimmie Lunceford and the Harlem Express
229:
187:
92:
1048:"Jimmie Lunceford - Music Biography, Credits and Discography"
732:
It's the Way That You Swing It: The Hits of Jimmie Lunceford
852:"Orchestra Leader Jimmie Lunceford's Itawamba County Roots"
617:
The Chronological Jimmie Lunceford & His Orchestra 1939
156:
103:
898:
Dictionary of American Biography, Supplement 4: 1946–1950
647:
The Chronological Jimmie Lunceford's Orchestra 1948-1949
282:
in the 1930s, the Orchestra was considered the equal of
1193:
Myers, Mark (July 20, 2011). "Swing's Forgotten King".
417:
in 2004 in honor of Lunceford's close ties to Memphis.
754:(1935–45, Membran/Quadromania Jazz, 2006) 4-CD box set
202:, another musician destined for fame as a bandleader.
879:. Fisk University's Official Weblog. October 17, 2008
155:(June 6, 1902 – July 12, 1947) was an American
1108:. 0472115537 (cloth : alk. paper) page 233, 234
579:
496:(LP: Decca #79240, 1968/LP reissue: MCA #1314, 1980)
490:(LP: Decca #79239, 1968/LP reissue: MCA #1307, 1980)
484:(LP: Decca #79238, 1968/LP reissue: MCA #1305, 1980)
990:
530:(1935-1939 Decca recordings) (CD: GRP #9923, 1998)
524:(1935-1937 Decca recordings) (CD: GRP #645, 1994)
1223:
1184:. 0472115537 (cloth : alk. paper) pp. 233/4
907:
905:
850:The Itawamba Historical Society (June 5, 2007).
829:. University of Michigan Press. pp. 1–2.
703:Jimmie Lunceford vol. 7 Sep. 1939 to Feb. 1940
236:for their revue "Cotton Club Parade" starring
1216:Discography of American Historical Recordings
997:. University of Michigan Press. p. 344.
902:
709:Jimmie Lunceford vol. 8 May 1940 to Apr. 1940
1041:
1039:
790:
534:The Complete Jimmie Lunceford Decca Sessions
988:
824:
797:The Guinness Encyclopedia of Popular Music
786:
784:
782:
780:
778:
752:Quadromania: Jimmie Lunceford–Life Is Fine
715:
31:
1091:advertisement The Oregonian July 10, 1947
1036:
697:Jimmie Lunceford vol. 6 Jan. to Aug. 1939
656:
442:V-38141) - recorded Memphis, June 6, 1930
963:
369:
209:
1347:20th-century African-American musicians
775:
240:. The Cotton Club had already featured
159:alto saxophonist and bandleader in the
1224:
1143:: CS1 maint: archived copy as title (
562:
544:
305:The orchestra began recording for the
1337:20th-century American male musicians
461:
13:
1297:20th-century American saxophonists
514:(1934-1935 Decca recordings) (CD:
16:American jazz musician (1902–1947)
14:
1358:
1205:
1045:
691:Jimmie Lunceford vol. 5 1937-1939
685:Jimmie Lunceford vol. 4 1936-1937
679:Jimmie Lunceford vol. 3 1935-1936
667:Jimmie Lunceford vol. 1 1927-1934
580:The Chronological Classics series
438:"In Dat Mornin'"/"Sweet Rhythm" (
214:Lunceford (left) with trombonist
1023:Legends of Big Band Jazz History
309:label and later signed with the
1302:Jazz musicians from Mississippi
1282:People from Fulton, Mississippi
1247:American jazz alto saxophonists
1187:
1170:
1161:
1152:
1111:
1094:
1085:
1076:
1067:
1011:
964:Williams, Iain Cameron (2002).
982:
957:
931:
891:
869:
843:
818:
427:
1:
1242:African-American saxophonists
1007:– via Internet Archive.
768:
528:Swingsation: Jimmie Lunceford
375:
166:
1342:American male jazz musicians
1332:Jazz musicians from Colorado
673:Jimmie Lunceford vol. 2 1934
7:
1212:Jimmie Lunceford recordings
649:(#1151, ISBN 3307517115126)
643:(#1082, ISBN 3307517108227)
10:
1363:
1252:American male saxophonists
1149:Retrieved November 1, 2016
941:. Jass.com. Archived from
637:(#862, ISBN 3307517086228)
631:(#622, ISBN 3307517062222)
625:(#565, ISBN 3307517056528)
619:(#532, ISBN 3307517053220)
607:(#510, ISBN 3307517051028)
601:(#505, ISBN 3307517050526)
595:(#501, ISBN 3307517050120)
1307:Brunswick Records artists
1257:American jazz bandleaders
989:Determeyer, Eddy (2006).
939:"Cotton Club Revues 1934"
825:Determeyer, Eddy (2006).
711:(MJCD 160, 3356571016023)
705:(MJCD 147, 3356571014722)
699:(MJCD 98, 33565710009827)
613:(#520 ISBN 3307517052025)
474:#79237, 1968/LP reissue:
424:Walk of Fame in Memphis.
365:
298:. Lunceford often used a
205:
186:The family next moved to
133:
125:
117:
99:
78:
54:
44:
39:
30:
23:
1322:Majestic Records artists
1312:Columbia Records artists
693:(MJCD 84, 3356571009424)
687:(MJCD 71, 3356571007120)
681:(MJCD 57, 3356571005720)
675:(MJCD 18, 3356571001821)
669:(MJCD 12, 3356571001227)
341:
302:baton to lead his band.
968:. Bloomsbury Academic.
856:Itawamba History Review
716:CD reissue compilations
398:North Sea Jazz Festival
1272:Fisk University alumni
742:Jukebox Hits 1935–1947
722:Rhythm Is Our Business
657:Masters of Jazz series
384:Band members, such as
381:
218:
153:James Melvin Lunceford
50:James Melvin Lunceford
40:Background information
1317:Decca Records artists
1277:Musicians from Denver
508:(LP: MCA #1321, 1980)
502:(LP: MCA #1320, 1980)
373:
213:
1262:Big band bandleaders
1125:on December 19, 2015
764:, 2007) 4-CD box set
540:, 2014) 7-CD box set
121:Musician, bandleader
1196:Wall Street Journal
802:Guinness Publishing
563:Majestic recordings
545:Columbia recordings
1327:RCA Victor artists
1292:Swing saxophonists
1019:"Jimmie Lunceford"
945:on August 18, 2012
800:(First ed.).
758:Strictly Lunceford
382:
352:coronary occlusion
328:Blues in the Night
223:Memphis, Tennessee
219:
1287:Swing bandleaders
1004:978-0-472-11553-2
551:Lunceford Special
147:
146:
1354:
1199:
1191:
1185:
1174:
1168:
1165:
1159:
1156:
1150:
1148:
1142:
1134:
1132:
1130:
1121:. Archived from
1115:
1109:
1098:
1092:
1089:
1083:
1080:
1074:
1071:
1065:
1064:
1062:
1060:
1043:
1034:
1033:
1031:
1029:
1015:
1009:
1008:
996:
986:
980:
979:
961:
955:
954:
952:
950:
935:
929:
928:
926:
924:
909:
900:
895:
889:
888:
886:
884:
873:
867:
866:
864:
862:
847:
841:
840:
822:
816:
815:
804:. p. 1534.
788:
738:, 2002) 2-CD set
555:Columbia Records
522:For Dancers Only
462:Decca recordings
414:Memphis Jazz Box
380:
377:
336:Leon Hefflin Sr.
129:Saxophone, flute
85:
64:
62:
47:
35:
25:Jimmie Lunceford
21:
20:
1362:
1361:
1357:
1356:
1355:
1353:
1352:
1351:
1267:Death in Oregon
1222:
1221:
1208:
1203:
1202:
1192:
1188:
1175:
1171:
1166:
1162:
1157:
1153:
1136:
1135:
1128:
1126:
1119:"Archived copy"
1117:
1116:
1112:
1099:
1095:
1090:
1086:
1081:
1077:
1072:
1068:
1058:
1056:
1044:
1037:
1027:
1025:
1017:
1016:
1012:
1005:
987:
983:
976:
962:
958:
948:
946:
937:
936:
932:
922:
920:
911:
910:
903:
896:
892:
882:
880:
875:
874:
870:
860:
858:
848:
844:
837:
823:
819:
812:
789:
776:
771:
718:
659:
588:reissue label:
582:
565:
547:
464:
430:
378:
368:
348:Seaside, Oregon
344:
234:The Cotton Club
208:
196:Fisk University
173:Tombigbee River
169:
150:
112:traditional pop
87:
83:
66:
60:
58:
45:
26:
17:
12:
11:
5:
1360:
1350:
1349:
1344:
1339:
1334:
1329:
1324:
1319:
1314:
1309:
1304:
1299:
1294:
1289:
1284:
1279:
1274:
1269:
1264:
1259:
1254:
1249:
1244:
1239:
1234:
1220:
1219:
1207:
1206:External links
1204:
1201:
1200:
1186:
1169:
1160:
1151:
1110:
1093:
1084:
1075:
1066:
1046:Yanow, Scott.
1035:
1010:
1003:
981:
974:
956:
930:
901:
890:
868:
842:
835:
817:
810:
794:, ed. (1992).
773:
772:
770:
767:
766:
765:
755:
749:
739:
729:
726:ASV/Living Era
717:
714:
713:
712:
706:
700:
694:
688:
682:
676:
670:
658:
655:
651:
650:
644:
638:
632:
626:
620:
614:
608:
602:
596:
581:
578:
577:
576:
564:
561:
560:
559:
546:
543:
542:
541:
531:
525:
519:
509:
503:
497:
491:
485:
479:
463:
460:
459:
458:
455:
452:
449:
446:
443:
435:
434:
429:
426:
367:
364:
343:
340:
284:Duke Ellington
242:Duke Ellington
207:
204:
168:
165:
149:Musical artist
148:
145:
144:
135:
131:
130:
127:
123:
122:
119:
115:
114:
101:
97:
96:
86:(aged 45)
80:
76:
75:
56:
52:
51:
48:
42:
41:
37:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
1359:
1348:
1345:
1343:
1340:
1338:
1335:
1333:
1330:
1328:
1325:
1323:
1320:
1318:
1315:
1313:
1310:
1308:
1305:
1303:
1300:
1298:
1295:
1293:
1290:
1288:
1285:
1283:
1280:
1278:
1275:
1273:
1270:
1268:
1265:
1263:
1260:
1258:
1255:
1253:
1250:
1248:
1245:
1243:
1240:
1238:
1235:
1233:
1230:
1229:
1227:
1217:
1213:
1210:
1209:
1198:
1197:
1190:
1183:
1182:9780472033591
1179:
1173:
1164:
1155:
1146:
1140:
1124:
1120:
1114:
1107:
1106:9780472033591
1103:
1097:
1088:
1079:
1070:
1055:
1054:
1049:
1042:
1040:
1024:
1020:
1014:
1006:
1000:
995:
994:
985:
977:
975:9780826458933
971:
967:
960:
944:
940:
934:
918:
916:
908:
906:
899:
894:
878:
872:
857:
853:
846:
838:
836:9780472033591
832:
828:
821:
813:
811:0-85112-939-0
807:
803:
799:
798:
793:
787:
785:
783:
781:
779:
774:
763:
759:
756:
753:
750:
747:
743:
740:
737:
733:
730:
727:
723:
720:
719:
710:
707:
704:
701:
698:
695:
692:
689:
686:
683:
680:
677:
674:
671:
668:
665:
664:
663:
654:
648:
645:
642:
639:
636:
633:
630:
627:
624:
621:
618:
615:
612:
609:
606:
603:
600:
597:
594:
591:
590:
589:
587:
574:
570:
567:
566:
556:
552:
549:
548:
539:
535:
532:
529:
526:
523:
520:
517:
513:
510:
507:
504:
501:
498:
495:
492:
489:
486:
483:
480:
477:
473:
469:
466:
465:
456:
453:
450:
447:
444:
441:
437:
436:
432:
431:
425:
423:
418:
416:
415:
409:
405:
403:
399:
393:
391:
387:
372:
363:
361:
355:
353:
349:
339:
337:
332:
330:
329:
324:
320:
316:
312:
308:
303:
301:
297:
293:
289:
285:
281:
276:
274:
270:
266:
265:musical short
262:
257:
255:
249:
247:
243:
239:
238:Adelaide Hall
235:
231:
226:
224:
217:
212:
203:
201:
197:
193:
192:Paul Whiteman
189:
184:
182:
178:
174:
164:
162:
158:
154:
143:
139:
136:
132:
128:
126:Instrument(s)
124:
120:
118:Occupation(s)
116:
113:
109:
105:
102:
98:
94:
90:
82:July 12, 1947
81:
77:
73:
69:
57:
53:
49:
43:
38:
34:
29:
22:
19:
1194:
1189:
1172:
1163:
1154:
1127:. Retrieved
1123:the original
1113:
1096:
1087:
1078:
1069:
1057:. Retrieved
1051:
1028:November 26,
1026:. Retrieved
1022:
1013:
992:
984:
965:
959:
947:. Retrieved
943:the original
933:
921:. Retrieved
914:
897:
893:
881:. Retrieved
871:
859:. Retrieved
855:
845:
826:
820:
795:
792:Colin Larkin
757:
751:
741:
731:
721:
708:
702:
696:
690:
684:
678:
672:
666:
660:
652:
646:
640:
634:
628:
622:
616:
610:
604:
598:
592:
583:
568:
550:
533:
527:
521:
512:Stomp It Off
511:
505:
499:
493:
487:
481:
478:#1302, 1980)
467:
422:Beale Street
419:
412:
410:
406:
394:
386:Eddie Wilcox
383:
356:
345:
333:
326:
323:Tommy Dorsey
319:World War II
304:
296:Willie Smith
277:
273:Guy Lombardo
258:
250:
246:Cab Calloway
227:
220:
216:Trummy Young
185:
170:
152:
151:
84:(1947-07-12)
65:June 6, 1902
18:
1237:1947 deaths
1232:1902 births
1129:January 11,
553:(1939-1940
518:#608, 1992)
428:Discography
402:Netherlands
379: 1943
374:Lunceford,
313:subsidiary
292:Count Basie
259:Comedy and
181:Mississippi
72:Mississippi
1226:Categories
769:References
573:Savoy Jazz
390:Joe Thomas
300:conducting
288:Earl Hines
261:vaudeville
232:nightclub
167:Early life
61:1902-06-06
46:Birth name
254:Sy Oliver
200:Andy Kirk
161:swing era
1139:cite web
1059:March 6,
1053:AllMusic
949:March 6,
923:March 6,
883:July 26,
861:July 26,
586:Classics
315:Vocalion
311:Columbia
142:Columbia
1214:at the
746:Acrobat
736:Jasmine
400:in the
360:Memphis
175:, near
89:Seaside
1180:
1104:
1001:
972:
833:
808:
762:Proper
575:label)
569:Margie
538:Mosaic
440:Victor
366:Legacy
230:Harlem
206:Career
188:Denver
177:Fulton
134:Labels
100:Genres
95:, U.S.
93:Oregon
74:, U.S.
68:Fulton
919:. PBS
748:2005)
472:Decca
470:(LP:
342:Death
307:Decca
290:' or
280:swing
269:swing
138:Decca
108:swing
1178:ISBN
1145:link
1131:2016
1102:ISBN
1061:2013
1030:2012
999:ISBN
970:ISBN
951:2013
925:2013
915:JAZZ
885:2020
863:2020
831:ISBN
806:ISBN
388:and
286:'s,
275:'s.
244:and
157:jazz
104:Jazz
79:Died
55:Born
516:GRP
476:MCA
1228::
1141:}}
1137:{{
1050:.
1038:^
1021:.
904:^
854:.
777:^
404:.
376:c.
362:.
354:.
331:.
179:,
163:.
140:,
110:,
106:,
91:,
70:,
1218:.
1147:)
1133:.
1063:.
1032:.
978:.
953:.
927:.
913:"
887:.
865:.
839:.
814:.
760:(
744:(
734:(
724:(
558:)
536:(
63:)
59:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)
.jpg)