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170:(Dance of the Axes), has an energetic dance beat, largely supported by a crescendo from the orchestra. This lively, short movement is in effect an interlude linking the more mournful part of the
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toward the end of the movement even though the Canary
Islands were so named because of the wild dogs prevalent there (canis) and not because of birds (canaries). The movement was covered by
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that passes back and forth between the solo guitarist and the orchestra repeatedly. This is the form of the other movements of the work. The music also hints subtly at
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298:"The Musicologist Behind the Composer: The Impact of Historical Studies Upon the Creative Life in Joaquín Rodrigo's Guitar Compositions"
55:(Musical Instruction on the Spanish Guitar) (Donis 2005:75). Most of the movements retain the names that were originally given by Sanz.
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and were taken from a three-volume work (1674, 1675, 1697) that is now commonly known as
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were based on six short dances for solo guitar by the 17th-century
Spanish composer
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Including the solo guitar, the concerto is scored for an orchestra consisting of a
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used in the subsequent movements. The second part of the first movement, called
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and entirely based on a two-bar phrase, repeated in the form of a complex
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Rodrigo composed the concerto in 1954 at the request of the guitarist
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drum beats along with the accompaniment of the guitar and spectral
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Kamhi de
Rodrigo, Victoria; translated by Ellen Wilkerson (1992).
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30:) is a concerto for guitar and orchestra by the Spanish composer
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Hand in Hand With Joaquín
Rodrigo: My Life at the Maestro's Side
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The second movement returns to a more lyrical theme with the
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Kamhi de
Rodrigo 1992:173–174, cited in Donis 2005:74
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referenced in the title. Segovia took the solo part at the
300:. M. Mus. thesis. Florida State University. Archived from
143:(Fanfare for the Cavalry of Naples), brings in rapid,
322:. Pittsburgh: Latin American Literary Review Press.
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performance on March 5, 1958, in San
Francisco. The
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181:brings in music that Sanz wrote in the style of a
93:Españoleta y fanfarria de la caballería de Nápoles
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314:Discussion of the concerto is in of this thesis.
53:Instrucción de música sobre la guitarra española
344:Favourite music: Fantasía para un gentilhombre
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108:The first movement opens with the melodic
491:Category:Compositions by Joaquín Rodrigo
193:to the music's origins by imitating a
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174:with the more up-beat final movement.
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531:Composer tributes (classical music)
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141:Fanfare de la Cabellería de Nápoles
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120:is a short piece contrasting with
16:Guitar concerto by Joaquín Rodrigo
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511:Compositions by Joaquín Rodrigo
451:Concierto como un divertimento
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177:Finally, the fourth movement,
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419:Fantasía para un gentilhombre
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21:Fantasía para un gentilhombre
516:Concertos by Joaquín Rodrigo
296:Donis, José Antonio (2005).
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199:Emerson, Lake & Palmer
163:to conclude the movement.
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62:, who was evidently the
27:Fantasia for a Gentleman
72:San Francisco Symphony
403:Concierto de Aranjuez
201:for their 1978 album
37:Concierto de Aranjuez
435:Sonata a la Española
304:on September 2, 2006
166:The third movement,
474:Musical nationalism
278:Liner notes to the
185:originating in the
168:Danza de las Hachas
98:Danza de las hachas
443:Concierto pastoral
411:Concierto serenata
88:Villano y ricercar
536:Fantasias (music)
526:1954 compositions
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427:Concierto Andaluz
395:Concierto heroico
74:was conducted by
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521:Guitar concertos
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189:. Rodrigo pays
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387:Compositions
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306:. Retrieved
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49:Gaspar Sanz
505:Categories
290:References
228:in C, and
203:Love Beach
183:folk dance
157:Españoleta
145:discordant
137:Españoleta
118:Ricercare,
446:(1977–78)
398:(1935–43)
282:recording
248:Footnotes
195:bird call
130:ricercare
82:Movements
45:movements
43:The four
308:July 14,
236:See also
179:Canario,
172:Fantasía
161:reprised
159:is then
149:fanfares
68:premiere
230:strings
226:trumpet
222:bassoon
210:piccolo
122:Villano
110:Villano
103:Canario
454:(1982)
438:(1969)
430:(1967)
422:(1954)
414:(1952)
406:(1939)
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191:homage
155:. The
114:themes
216:, an
214:flute
153:flute
126:fugue
324:ISBN
310:2006
224:, a
220:, a
218:oboe
212:, a
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