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my being through parables of rusted, lost metal doors." She also has mentioned in an interview her process of urban exploration in which she feels spirits, "In empty buildings that felt like spiritual experiences, exploring holy chambers of neglected architecture... finding something so beautiful in what society disregards, and bringing to life that which usually people throw away or ignore." One can see the influence on environment in her site specific works, exploring abandoned spaces in her work is a recurring basis.
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587:"Using different mediums, including graphite, spray paint, oil paint, ink, photography and collage, she usually paints on found objects or discarded documents, transferring the feel of her mural works. The transparency of her mark making and the texture of finished works give them a sense of age and spirituality. Often mixing religious iconography with ordinary, everyday elements and geometrical objects, her paintings, drawings and sketches seem to have an almost sacramental importance."
275:, "Miners are waiting for justice. Workers are waiting for a living wage. People are waiting for service delivery. Refugees are waiting for assistance. Men are waiting for jobs. We are all waiting for an honest politician. So many people are waiting for others to do things first. To take the blame. To do things for them. To take the fall. To build the country. To admit defeat. There has been so much waiting in this country that much time has been lost."
581:"Faith47 celebrates the commonplace as holy in an attempt to disarm strategies of global realpolitik and advance the expression of personal truth. In this way her work is both an internal and spiritual release that speaks to the complexities of the human condition, its deviant histories and existential search."
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Created in collaboration with artist, Inka
Kendzia, Faith created a projection-mapped mural in Cincinnati during the Blink Light Festival. Faith's mural, thematically based on Eirene, the Greek goddess of peace, highlights working towards a society that functions on open communication and inclusion.
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With this series, Faith47 reintroduced nature back into the urban metropolis.i "There's an inherent irony in recreating nature on cement, so the series is a nostalgic reminder of what we’ve lost but also an attempt to reintegrate that into the present," Faith47 said. "We have become so distanced from
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Faith’s series, ‘Medicinal
Flowers of Lebanon’ contrasts the forms of medicinal flowers to the landscape, the metaphorical works in Medicinal Flowers of Lebanon lead “us along the brittle sites of Beirut, tracing past and present scars etched into the city,” the artist says. “Each flower urges us in
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politics of the South
African Freedom Charter in violent and impoverished townships in South Africa. Her works are often associated with spirituality. In one of Faith's books she writes, "I am not religious but I pray through my work to unknown devils and gods. I look for my soul in colors and empty
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This collaboration between Faith XLVII and Imraan
Christian, 21.10.2015 is a series of three works, first exhibited at Everard Read gallery in Cape Town. The installation's starting point was an image taken by Imraan during the 2015 #feesmustfall student protests in Cape Town. The photograph
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utilises the migratory patterns of birds, observing that nature ignores human borders on a map. “We forget that the dividing lines specifying countries were merely drawn by politically hungry men. In reality, the earth is open. There are no countries, no borders, it belongs to no one. We are
296:, through the organisation VPUU (Violence Prevention through Urban Upgrading). The intricate lighting pattern was an artistic endeavour that also served as a reminder that there were communities in the city that lack the luxury of light, which is a major public safety concern.
101:, 1979) is a South African interdisciplinary artist. Her inaugeral museum exhibition CLAIR OBSUR took place at the Musee Des Beaux Arts de Nancy (2023). She has held solo exhibitions in Paris (2023), Cape Town (2021) , Miami (2018), New York City (2015), London (2014) and
208:, Musée des Beaux-Arts de Nancy, France This is Faith's first Museum exhibition, the collection comprises wax-crayon drawings, stitched-map tapestries, installations, videos, and Polaroids that reflect on the fundamental duality between light and dark.
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artist and in a league quite unique of her own. Faith has been primarily based in South Africa, she spent 3 years in Los
Angeles from 2017 - 2020. From 2020 till present Faith has been nomadic, while her son Keya is currently living in New York.
397:, a request a ceasefire. “Watching the disharmony, the dismantling of human rights and the continuous struggle for equality is exhausting. The only way I can keep going is if I can transform some of this into my work.” Faith tells BOOOOOOOM
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Faith has been extensively traveling and creating site-specific artwork globally since 2006. Her artwork can be found in over 50 cities worldwide. Faith is a self-taught artist. Her schooling came through
117:. Using a wide range of media, her approach is explorative and substrate appropriate – from found and rescued objects, to time-layered and history-textured city walls, to studio-prepared canvas and wood.
617:"Equally at home in grimy alleys as she is in a studio, she creates murals that are both breathtaking and poignant. I challenge anyone to look at her work and not feel a little overawed by her talent."
201:, Everard Read Gallery, Cape Town. Through this multidisciplinary exhibition in her hometown, CHANT investigates how to deal with personal events, natural disasters and disruptive external situations.
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and ThingKing, the multi-story artwork lit up at night each time enough money was raised for one new light to be installed on a pathway in the informal settlement of
Monwabisi Park,
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Faith has a son, Keya Tama Keya was born in 1997 and is an artist who has worked under the alias' Cashril Plus and Jack Fox before finally settling on his given name, Keya Tama.
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hospital in Lyon. It was revealed along with 25 murals and installations, as part of a coordinated campaign across the globe (RED), aimed to drive heat and awareness around the
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issues. Her female figures speak to female empowerment. Her art and rich symbolism speaks to issues of injustice, poverty, and inequality. Her murals are often referred to as
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of which she began in 1997. Her move into contemporary gallery and studio environment, as well as her exploitive directions into multimedia projects can define Faith as a
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Following an active street art career spanning more than fifteen years, Faith's work can now be found in cities around the world. Notable works include:
165:, David Krut Gallery, Johannesburg. Faith's first solo exhibition considered the transformation of Johannesburg into a more representative African city.
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In
Philadelphia, Faith completed her largest mural to date, as of 2019. Standing 11.000 square feet tall, this piece pays tribute to
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on
Shanghai walls at a time when the number of rhinos being poached for their horns was rising rapidly to meet demand from Asia.
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In the weeks leading up to the sixth Global Fund
Replenishment Conference, Faith completed a mural on the Maternity Ward of the
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These murals, of groups of men in various postures of waiting, reference photographs from Alexia
Webster's photographic series,
593:“A South African artist whose textured imagery brings spirituality and nature to the foreground of urban environments."
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605:"Transformative work... concerned with the valuation and transformation of things that have been lost or overlooked."
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271:. The works imply different kinds of waiting particular to a contemporary South African context. As Faith47 told
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Taking her inspiration from the old political slogans and stencils that were used during the struggle against
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documents the moment when peaceful protestors reacted violently as a response to sustained police brutality.
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Common themes across Faith's work include sacred and mundane spaces as well as political problems, from
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This project took the form of site-specific mural entitled “Salus Populi Suprema Lex Esto”, painted on
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Landfill Meditation reflects on the notion of progress and the waste that it leaves behind.
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University of Law Building in the Tenderloin. ‘The Unbound’ is an ode to the Peace
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611:"Deeply profound visions existing as physical aesthetic gifts for other viewers."
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transient visitors and should travel as we please," Faith47 told Arrested Motion.
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nature, so these murals are an attempt to reconnect us with the natural world."
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AD PACEM received the CODA AWARDS for best Residential Artwork in 2023.
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Painted as part of the Monument Art NYC project's focus on immigration,
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965:"The Creators: South Africa through the Eyes of Its Artists (review)"
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Faith XLVII began painting in 1997, three years after the end of
1275:"#ANOTHERLIGHTUP by Design Indaba Trust, Faith47 and Thingking"
1162:"Moniker Projects Present: Faith47 'Aqua Regalia' (London, UK)"
599:"A rare incantation of both the earthly and the transcendent."
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1079:"Faith's Move to Los Angeles, and the Development of Her Work"
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a sense, towards healing as they grow out of the concrete.”
939:"The Creators: South Africa Through the Eyes of Its Artists"
918:"New Work by Faith47 on the Streets of London and Cape Town"
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2020, 'The Human Cause I, II, III' Brass and wood Sculpture.
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document that she felt were still pressing in South Africa.
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Glaucium flavum - Medicinal Flowers of Lebanon, Beirut 2021
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The Creators: South Africa Through the Eyes of Its Artists
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2023, The Illuminated Hour, Musée des Beaux-arts de Nancy
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2021, Desecration Earth, Everard Read Gallery, Cape Town
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Painted in San Francisco, The Unbound series covers the
1757:"Faith47′s “Aqua Regalia – Chapter Two” at Jonathan..."
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743:"Previews: Faith47 – “Aqua Regalia” @ Moniker Projects"
724:"Faith47's New Exhibition "Aqua Regalia – Chapter Two""
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2023, Source Des Voeux, Musée des Beaux-arts de Nancy
1708:"10 Women Street Artists Who Are Better Than Banksy"
1687:"In Brooklyn, a Protest Mural Draws Its Own Protest"
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759:"Faith47 at David Krut Projects in November 2012"
528:2023, Gravity's Law, Musée des Beaux-arts de Nancy
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1178:"Fabien Castanier Gallery: Faith XLVII 'Elixir'"
190:, Fabien Castanier Gallery, Miami. Elixir was a
808:"Faith47, 'The Taming of the Beasts', Shanghai"
1438:"The Alpine Fellowship : Astronomia Nova"
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553:2024, 'Empire, Large-Scale' Bronze Sculpture.
781:Routledge Handbook of Graffiti and Street Art
661:Musee Des Beaux Arts de Nancy - CLAIR OBSCUR
1291:"Imraan Christian Professional Photography"
969:African Conflict & Peacebuilding Review
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90:Estamos Todos Los Que Cabemos, Harlem, 2015
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1532:"Local Artists That Have Wowed the World"
1307:"Everard Read Gallery : Faith XLVII"
1130:"Local Artists That Have Wowed the World"
1818:21st-century South African women artists
515:, Video Installation - London, Cape Town
494:, Video Installation - Berlin, Cape Town
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82:Shrine, Aqua Regalia – Chapter Two, 2015
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1013:Edwards, Katie B. (26 February 2015).
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506:ЗОЛОТАЯ СЕРЕДИНА / The Golden Middle
454:2021, Medicinal Flowers of Lebanon,
301:2015, The Psychic Power of Animals,
194:exhibition conceived by Faith XLVII
1723:Jamie Maleszka (18 November 2015).
1212:Art Throb Magazine: Mutual Mourning
1098:"SA Artists Create a Lunar Miracle"
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1422:"LA Summit : Astronomia Nova"
1252:"An interview with Artist Faith47"
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778:Ross, Jeffrey Ian (2 March 2016).
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132:, as they confront the failure of
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1486:"Aurum : Design Indaba 2019"
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675:Danysz Gallery : Faith XLVII
501:, Performance - Berlin, Cape Town
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547:2020, 'Empire' Bronze Sculpture.
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242:2012, The Taming of the Beasts,
233:, Faith used sentences from the
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902:"SALUS POPULI SUPREMA LEX ESTO"
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1056:"The Curious Case of Jack Fox"
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1454:"Upper Atmospheric Lightning"
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846:"Streets: Faith47 (New York)"
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550:2022, 'Sœr' Bronze Sculpture.
508:, Light Installation - Moscow
325:Estamos Todos Los Que Cabemos
1671:"The Writing Is on the Wall"
1517:"The Disintegration of Self"
1016:Rethinking Biblical Literacy
867:"The Long Wait – by Faith47"
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172:, Moniker Projects, London.
163:Fragments of a Burnt History
56:Medicinal Flowers of Lebanon
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1773:"Faith47: When Walls Speak"
1741:"Artist Spotlight: Faith47"
701:"FAITH XLVII : ELIXIR"
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492:Upper Atmospheric Lightning
333:2016, Landfill Meditation,
221:2010, The Freedom Charter,
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943:thecreatorsdocumentary.com
513:The Disintegration of Self
437:2019, The Silent Watcher,
177:Aqua Regalia – Chapter Two
170:Aqua Regalia – Chapter One
1725:"Mass Appeal — Since '96"
1380:CODAworx : AD PACEM
1019:. Bloomsbury Publishing.
122:environmental destruction
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1182:Fabien Castanier Gallery
705:Fabien Castanier Gallery
124:, border abolition, and
64:Multidisciplinary artist
1833:South African muralists
1257:26 January 2016 at the
181:Jonathan LeVine Gallery
1828:Women graffiti artists
1355:"Blink Light Festival"
886:"Fighting for freedom"
250:Faith painted ghostly
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937:Gamse, Laura (2012).
374:Skid Row, Los Angeles
259:2012, The Long Wait,
95:Faith47 / Faith XLVII
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1823:Pseudonymous artists
1693:. 26 September 2015.
1589:The Illuminated Hour
1311:Everard Read Gallery
1197:Everard Read Gallery
1083:Los Angeles Magazine
16:South African artist
1714:. 4 September 2014.
1502:"The Golden Middle"
1360:16 May 2020 at the
1166:Brooklyn Street Art
1114:"The Golden Middle"
1061:7 June 2020 at the
689:Everard Read :CHANT
572:The Huffington Post
485:Mysterium Tremendum
381:2018, The Unbound,
1691:The New York Times
1675:The New York Times
871:Wooster Collective
568:The New York Times
487:, Hologram - Miami
472:2017, 2018, 2019,
346:2017, 21.10.2015,
273:Wooster Collective
212:Notable public art
192:multi-disciplinary
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1547:Desecration Earth
1240:This is Collossal
1168:. 9 October 2014.
728:Juxtapoz Magazine
416:2019, Mon Coeur,
150:multidisciplinary
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1677:. 28 May 2014.
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