Exile (American band)

430:. After an unknown number of performances, this group became the Fascinations, which consisted of Davenport, Smith, Luxon, Jones, and percussionist Eddie Rhodus, with Hall and Jimmy Stokley both providing vocals. Rhodus died in a car accident and Jones departed in 1963, at which point (according to Westbrook) the five remaining members dissolved that band and founded the Exiles. They entered a local contest with a recording session as its grand prize. The Exiles lost to a band called the Digits, although after the competition, Jones left for undisclosed reasons and the other members recruited the Digits's guitarist Mike Howard to take his place. The name "the Exiles" was inspired by the 1389:, and had met the members of Exile a number of times in this capacity before Pennington invited him to join. Executive Roy Wunsch had taken over as the head of Epic Records around this point, and told the band members that he thought their sound had "sameness". Similarly, Goetzman noted that radio disc jockeys had similarly thought that too many of Exile's songs sounded similar to each other, and that perception in the country music scene had become increasingly negative toward Killen's production style. As a result, Wunsch and other Epic executives ordered the band to fire Killen as their producer and begin seeking songs by other writers than Taylor and Pennington. 1393: 672:, of which Buie was their manager, producer & co-songwriter. As this song was also unsuccessful, the band began expressing disappointment with Alan's management. In addition, Pennington had begun writing original songs, but Stokley and Cornelison were not interested in writing songs, and the original material proved unpopular in concerts. Davenport quit in late 1971 or late 1972, attributing his departure to the band's continued lack of success. He went on to become a bartender, and was replaced on drums by Bobby Johns. Pennington left a second time in 1972, as he wanted to move to 1517: 33: 1070: 1079: 1908:

all the singles, although Taylor sang "It'll Be Me" and "She's Too Good to Be True". Of these songs, Westbrook wrote that their success "started a new streak" and "proved that Les' voice could prove as popular on country radio as J.P.'s." Most of the early Epic albums were dominated by collaborative songwriting between Pennington and LeMaire. Of their songwriting relationship, they both said they usually wrote together at the piano, and would start coming up with lyrics after one of them provided a title. Tom Carter of the

561: 1753: 972:. As a result, Chapman asked Pennington and LeMaire to sing lead vocals on some tracks instead, with both band members later noting that Chapman would often make them record as many as fifty takes until the vocal track was to his satisfaction. In addition, Chapman wanted the band to record disco, as that genre was popular at the time and he thought doing so would help the band become popular again following the failure of "You Thrill Me". The recording sessions featured a large number of synthesizers and 1323:, the band members were informed of former lead singer Jimmy Stokley's continued decline in health. In response, they held a charity concert in Richmond to raise $ 18,000 toward Stokley's medical bills, which they succeeded in doing. Other former members, such as Davenport, Cornelison, Luxon, and Howard were in attendance as well. The members had intended for Stokley to join them onstage, but he was too ill to do so. Stokley died of hepatitis at the age of 41 in August 1985. 1486:

Kentucky where Pennington had recorded on a number of occasions. Shortly after Martin's joining, Pennington quit as well, citing exhaustion, the departure of Taylor, and personality conflicts among him, Martin, and Carroll. In particular, Carroll thought Pennington was too controlling of the band's sound and would not let him write songs. Pennington's last show with Exile would be on New Year's Eve in 1988, and Martin was promoted to lead singer at the beginning of 1989.

1648:". Exile ended their contract with Arista and focused on touring while in search of another recording contract. They played an average of 150 shows a year between 1991 and 1993. They held a 30-year anniversary concert in 1993, which also included Cornelison, Pennington, Luxon, and Davenport. Despite this, the band's tour bus was robbed after a concert in 1993, which they took as a sign to retire from touring. Jones, Martin, and LeMaire did one show in 1994 at 1186: 1131:

band begin recording country music due to that genre's increasing popularity, as well as the success of "Take Me Down" and "The Closer You Get" through their covers by Alabama. While Pennington was interested in the band pursuing this genre, Hargis and Goetzman were initially outspoken against such a change. Despite the latter two's reservations, the band began rehearsing covers of artists such as

557:". During rehearsal, Cornelison noted the vocalists had been singing wrong notes and taught them the correct melody. As Christie was not present during rehearsals, he did not notice this correction until the performance. Afterward, he asked who had corrected the arrangement; when Cornelison stated he was responsible, Christie asked him to write down the correct notes, a move that impressed Rogers. 418:, describes the band's origins as "murky" due to conflicting accounts among early members. According to him, founding drummer Mack Davenport played high school dances in the band Kings of Rhythm. Davenport recalled this band consisting of Paul Smith Jr. on bass guitar, Doug Jones on lead guitar, Ronnie Hall on vocals, Doug Begley on saxophone, and Billy Luxon on trumpet. They played 1012:. Gray's joining briefly led to the unusual scenario of Exile having three keyboardists: him, Cornelison, and Hargis. Pennington had chosen Taylor due to his involvement in a number of local bands that had played at Martin Youth Center and Speck's. Both Gray and Taylor began auditioning with Exile in August 1979. They made their debut on Exile's third Warner album, 1869:. Huey stated that Taylor "spearheaded" the band's transition to country music, while Westbrook noted that the success of "The Closer You Get" and "Take Me Down" in their subsequent covers by Alabama was also integral to the shift of Exile's sound. Westbrook also thought that Taylor and Pennington both had Southern accents conducive to singing country. Hargis told 1207:, came out that same year.Killen produced the album and Hargis served as sound engineer. Hargis noted that Killen was willing to let the band play all of their own instruments, as opposed to most country bands at the time, who relied on session musicians on their albums. The album featured Taylor and Pennington alternating as lead vocalists and songwriters, with 1385:, Hargis noted that there was "too much partying" among the other band members, and that the label wanted to have industry professionals take his place as the band's sound engineer. In response, he quit in early 1987 and stayed in Nashville to own a music store. Lee Carroll took his place on keyboards. Carroll had been serving as a backing musician for 600:. They recorded a cover of the Young Rascals's "What Is the Reason", as well as the originals "Come Out, Come Out, Whoever You Are" and "I'd Love to Give My Love Away". None of these singles were successful. Caldwell also asked the band to move to New York City at this point; Cornelison refused and quit, as he wanted to rejoin college and study 809:. Although Chapman had initially chosen not to work with Exile again following the failure of "Try It On", his wife persuaded him to give the band a second chance, as she liked their music and noted that unlike other bands he had worked with, the members of Exile were polite to him. Chapman invited the band to the Forum, a recording studio in 817:". The band spent nearly an entire day in the studio recording it, owing to Chapman's "demanding" production style. Chapman found great difficulty with recording Stokley's voice due to his raspy delivery and poor sense of pitch, and asked Pennington to sing the lines on which he could not get a satisfactory vocal from Stokley. 1105:. The band reinstated Chapman as producer, as they thought working with him would help them become successful again and that Coleman was not strong at selecting songs with potential as hits. LeMaire and Pennington wrote several songs on the album, including "Take This Heart", which was later recorded by 1768:

In 2008, Pennington and Taylor rejoined Hargis, LeMaire, and Goetzman for a charity concert in Lexington to benefit one of their former managers, who had been seriously injured in a motorcycle accident. In doing so, they re-established the lineup of the band's early Epic releases. After this concert,

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Following the failures of their solo careers, Pennington and Taylor sought to reform Exile. They played a few local shows with various musicians on keyboards, drums, and bass before establishing a lineup with Steve Richmond on drums, Ray Salyer on bass, and Jason Witt on keyboards. This lineup played

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along with the departures of Taylor and Pennington. After Martin was in place as lead singer, the band members then began seeking a replacement for Taylor as well. They found guitarist and vocalist Mark Jones, who joined in early 1989. Jones had previously been aware of the band when he tried to hire

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Mark Alan, who invited them to return to New York for another session with Date Records. Unlike the previous session, they were allowed to play their own instruments. These sessions resulted in one unsuccessful single, "Mary on the Beach". The band was dissatisfied with their living conditions in New

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Taylor thought that the band members' solo albums were unsuccessful due to radio backlash against Exile in the intervening years. Relatedly, the members of Exile attributed the failure of their Arista albums to the lack of Pennington and Taylor, as well as a perception that Arista had begun to focus

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on tracks such as "I've Never Seen Anything", "Proud to Be Her Man", and "Keep It in the Middle of the Road". Also present on the albums with Epic were three-part vocal harmonies among Pennington, Taylor, and LeMaire. Pennington usually handled lead vocal duties on the Epic albums, including almost

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label and was seeking new artists for it. LeMaire was apprehensive at first, as he thought the new lineup should not retain the name Exile due to Pennington's absence, but DuBois thought the name recognition would help the new label and signed the band by the end of 1989. Exile released their first

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country charts. Although Taylor had sung lead on a number of album tracks prior to this point, "It'll Be Me" and "She's Too Good to Be True" were the first singles to feature him on lead vocals instead of Pennington. LeMaire said that "It'll Be Me" was specifically written with the intent of having

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disc jockey John Richbourg (who used the name John R. Grigsby on air). Richbourg arranged for the band to record their first single in 1965 on Jimbo Records: "The Answer to Her Prayers", a song that Smith wrote. They performed a number of gigs at a nightclub in Richmond called Speck's, which led to

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Exile was dropped from Warner and Curb in 1981 when their four-album contract expired. Westbrook noted that the band did not have a positive critical reception at the time due to their soft rock sound. As a result of this, their manager Jim Morey suggested between late 1982 and early 1983 that the

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recording sessions, Stokley was fired at Chapman's insistence shortly after the album's release. He was briefly replaced by vocalist and guitarist Randy Rickman, who only lasted in the group for "a couple of months" due to his style not working with the rest of the band. After this, the band found

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band Hazard. Weir left at an unknown point prior to late 1974; according to Westbrook, neither Cornelison nor Pennington could remember why Weir exited the band. Soon after departing Exile, Weir died in a car accident. Danny Williams replaced Weir on bass guitar in 1974. Luxon quit around the time

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that same year. The album included a mix of original content and re-recordings of previous hit singles. One such re-recording was of "Super Love", which included several keyboard and synthesizer parts played by Martin. He also received his only writing credit for the band on the new song "L-O-V-E

976:. The opening and closing tracks "How Could This Go Wrong" and "Too Proud to Cry" were both over eight minutes long, featuring a number of disco-influenced instrument solos. "Too Proud to Cry" was also Hargis's only writing credit. "Let's Do It Again" served as the lead single, reaching 88 on the 676:

with his cousin. While the other band members expressed a desire to break up, they remained together at Stokley's insistence, and Johns recruited guitarist Kenny Weir and bassist Bill Kennon. Pennington returned to the Exiles after only a few months, assuming the role of guitarist this time. As a

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before retiring in 2009. Cornelison then rejoined after being turned down for a job at a lounge in northern Kentucky. As a result, the Exiles did not have a lead guitarist at this point, instead relying on both Cornelison and Faulkner as keyboardists. In addition, Cornelison played trumpet, while

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after the band's move to New York City, leaving the Exiles without a bass player. He was briefly replaced by Larry Davis, whom the other members met while in New York, but he quickly left due to personality conflicts. As a result, Howard contacted Pennington and successfully asked him to rejoin.

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Taylor quit the band in August 1987 as he was frustrated with the label almost exclusively choosing songs sung by Pennington as singles instead of ones sung by him. In response, he chose to begin a solo career. He was replaced by multi-instrumentalist Paul Martin, whose family owned a studio in

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and began writing songs for other artists. Individual members of Exile played a number of informal shows between the late 1990s and the beginning of the 21st century, but the early-1980s lineup did not re-establish until 2008. Exile has continued to tour and record under this lineup ever since.

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thought that the band's vocal harmonies and "often contrasting rhythms playing against the tone of the song" were notable elements of the band's overall sound. Hargis noted that Exile was one of the first country bands to play all the instruments on their own albums instead of using session

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them for his senior prom in 1978, but they were unable to attend due to scheduling conflicts. Roger BonDurant briefly joined their touring band in late 1989 as a backing vocalist and rhythm guitarist, but was not considered an official member. LeMaire told Jack Hurst of the

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country albums charts. As with the previous album, Killen once again served as producer. Pennington and LeMaire wrote the entire album by themselves except for the track "Comin' Apart at the Seams", which Taylor wrote with his friend Jerry Marcum. All three singles from

513:. Pennington quit the Exiles in 1965, as he was only 16 at the time and his parents thought he was too young to be in a band. Following Pennington's departure, Smith reverted to bassist, creating a six-piece lineup with Howard, Davenport, Luxon, Stokley, and Cornelison. 1632:, the album included two singles in its title track and "You Gotta Get Serious". Pennington performed two shows in Lexington, Kentucky, to promote the album, both of which included BonDurant as guitarist. Meanwhile, LeMaire and Beeson wrote Restless Heart's 1992 hit " 785:

By the mid-1970s, the band—at the time composed of Stokley, Pennington, Cornelison, Hargis, Williams, and Johns—had moved back to Lexington, Kentucky. They recorded a number of demos in an attempt to secure another recording contract. One such demo was submitted to

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Exile's sound is defined by vocal harmony with rock and pop influences. Most of their country music releases were co-written by Taylor and Pennington, and most of their country albums feature the band playing all the instruments by themselves instead of using

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invited them to travel to New York a third time, as he wanted them to record a song he had written titled "Church Street Soul Revival". Pennington alternated with James on lead guitar in addition to his usual role as bassist. The song was released in 1969 on

1197:, who invited them to play a number of shows at a Nashville-based club called the Stockyard. These shows were intended to aid in the band's transition to country, and were attended by representatives of major Nashville record labels. One such label, 755:

Following their departure from Wooden Nickel, the band lost three members in quick succession. Faulkner left in late 1973 due to disillusionment over the failure of the Wooden Nickel releases and began working at Lemco Studios, a recording studio in

1592:) was a top-20 country hit, the other two singles, "Nothing at All" and "Somebody's Telling Her Lies", failed to chart at all. Westbrook noted that the former song was quickly withdrawn from release due to concerns that it was too similar to 1232:

chart upon release. The success of this album led to Pennington and LeMaire putting increased focus on their collaborative songwriting, while also restarting the band's touring schedule. Exile was nominated in 1983 for Top Vocal Group by the

1361:. Due to the success of "I Could Get Used to You" and the Forester Sisters' rendition of "Just in Case", which peaked at number one only six weeks apart, Pennington and LeMaire were both awarded as top country songwriters of the year by 1575:. "Keep It in the Middle of the Road" and "Nobody's Talking" were promoted through music videos as well. Despite the success of "Nobody's Talking" and "Yet", the fourth single, "There You Go", under-performed on the charts. 3702: 1113:

continued to feature elements of soft rock, but Westbrook also noted influences of country music beginning to appear on tracks such as "One More Night for Love". The album's only charted single release was its title track,

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Peter Coleman took over as producer. The band members found that, unlike Chapman, Coleman was willing to accept their suggestions on how each song should sound. Because of this, LeMaire later remarked that he considered

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group. When I joined it had developed into a rock 'n' roll band. I suppose because it was the thing to do at the time, even though we all grew up with country music; it wasn't the thing to do, to be in a country band."

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wrote that the band was "more mellow and confident" than on previous albums, while also praising the harmony and instrumentation. During this timespan, Killen had the band play instruments and perform backing vocals on

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style. The album included only two original songs: Pennington wrote "Do What You Think You Should", while he, Stokley, and Traut co-wrote "Hold Tight, Woman". Wooden Nickel released a second album in late 1973 titled

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responsible for 1978's number one smash 'Kiss You All Over.' However, in the early '80s, the Kentucky-bred band reinvented itself as a country outfit—and a hugely successful one at that." Author Randy Westbrook, in

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being the only outside musician on the entire project. Although Gray had left by this point, he was a co-writer on two tracks. While their first country release "High Cost of Leaving" only reached number 27 on the

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influences of the album. He re-enrolled at Eastern Kentucky University, where he acquired a master's degree in English, in addition to working in local theater productions and running a craft shop with his family.

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for eleven months. He declined to rejoin, as he was disappointed by the second trip to New York and the lack of original material in the band's repertoire. Howard became a construction worker and then worked in a

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Due to their success backing Caravan of Stars, they were invited to do so again in 1967 and 1968. They performed twelve minutes of cover songs as an opening act before accompanying other acts on the bill, such as

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Williams joined, citing the lack of horn parts on the Wooden Nickel albums. He went on to own a nightclub in Richmond until he sold it in 1993. Taking Faulkner's place on keyboards was Marlon Hargis, a native of

473:. Stokley wanted the band to have a keyboardist and selected Buzz Cornelison, who had briefly played with the Kings of Rhythm. After Cornelison joined, the band began performing local gigs throughout Kentucky. 681:

sound in addition to the existing vocal harmonies, as well as the presence of Faulkner's saxophone and Cornelison and Luxon's trumpets, for a sound "more intricate than what was expected from the average

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that both Pennington and Taylor "have husky voices any girl could fall in love with." She also noted that the album, unlike most other country albums at the time, largely consisted of up-tempo material.

769:. He had become acquainted with Exile through his work as a keyboardist at Lemco Studios, where members of Exile had joined in on recording commercials, demos, and country music albums by local artists. 1620:

a year later. These albums charted a combined three singles, and the latter included a song written with early Exile member Bernie Faulkner titled "The Porchlight". Pennington's only solo album,

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in 1977. As the song was not successful, Johns quit around the time of its release and was replaced by Steve Goetzman, who at the time was Pennington's roommate. Johns later joined the rock band

842:(1978). During these recording sessions, Williams became frustrated with the amount of control Chapman was exercising over the rest of the band; as a result, Williams was fired and replaced by 1482:

thought that it contained "empty, cliche-ridden country-pop music from a group whose members apparently think that turning up the volume on their guitars qualifies as a bold new direction."

752:'s "New Ways/Train Train", which featured a number of solos from all members. Both of the Wooden Nickel albums were unsuccessful commercially, and the label dropped the band by year's end. 1865:

influences in the band's Warner albums, particularly in the gruffness of original lead singer Jimmy Stokley's voice as well as the guitars, drums, and synthesizers present on tracks from

1016:(1980), which featured them and Pennington alternating on lead vocals. LeMaire thought Chapman had become increasingly focused on more successful bands with whom he collaborated, such as 321:

and Taylor joined as vocalists, also contributing on keyboard and guitar, respectively. However, Gray departed after only three years to begin a solo career. Exile began a transition to

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Exile is noted for their successful transition from pop and rock music to country music. Writing for AllMusic, Steve Huey stated that "Among rock listeners, Exile is remembered as the

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Gray left the band at this point, as he wanted to become a solo artist. As a result, Pennington and Taylor became the band's two lead vocalists. After writing a number of songs for

283:(bass guitar, background vocals), Marlon Hargis (keyboards), and Steve Goetzman (drums). With a founding membership including original lead singer Jimmy Stokley, the band played 357:

between 1990 and 1991. During the early 1990s, both Pennington and Taylor recorded as solo artists. Exile disbanded in 1995, after which LeMaire recorded one album in the band

1688:'s touring band, the Fabulous Superlatives, before touring with his wife and four children as the Martin Family Circus. Carroll joined his brother in franchising a number of 1883:

Most of the band's sound is defined by the songwriting, composition, and singing of Pennington and LeMaire. Westbrook noted Pennington's sense of melody, such as the use of

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The band's lineup after switching to country in the early 1980s, and again since 2008 (L-R): Sonny LeMaire, Les Taylor, Marlon Hargis, Steve Goetzman, and J.P. Pennington.

1680:, which released one album on Curb Records. Martin chose to pursue a solo career, but after proving unsuccessful in this regard, he found work as a backing musician for 828:, who signed the band as he thought "Kiss You All Over" had potential to become a hit. The band's contract consisted of four albums, with Curb handling promotion and 1559:", co-written by Pennington and LeMaire and featuring Martin on lead vocals. The song was a top-20 country hit in early 1990. An uncredited review of the single in 353:

Hargis, Pennington, and Taylor left the band between 1987 and 1989, with LeMaire and multi-instrumentalist Paul Martin alternating on lead vocals for two albums on

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honored the band in 2009 for "extraordinary talent", which led to them performing for members of the state of Kentucky legislature. This lineup self-released an

2065: 1840:. "Rough Around the Edges" was released as a single from the album. Also in 2023, former member Billy Luxon released a memoir of the band's early years, titled 604:. He was replaced by Bernie Faulkner, who had played with them at Speck's. In addition to the keyboard, Faulkner contributed on guitar and saxophone. Smith was 584:, after a truck delivering instruments to the show broke down. They continued to tour on Caravan of Stars throughout October and November, backing acts such as 497:

there. As Luxon, Pennington, Cornelison, and Howard all contributed backing vocals, the Exiles began incorporating cover songs with more vocal harmony, such as

740:. It included two songs written by Pennington and one by Johns, while the rest of the album was once more composed of cover songs. Among the covers was one of 325:

in the beginning of the 1980s, with Pennington and Taylor as vocalists alongside LeMaire, Hargis, and Goetzman. This lineup was featured on their 1983 album

4616: 1921:, as well as Pennington and LeMaire's dominance as songwriters on the album, would help the band stand out among their contemporaries. Ellen Creager of the 964:, in late 1978 before releasing it in 1979. During the sessions, Chapman faced increasing difficulty recording Stokley's voice, as the singer had developed 441:

Originally, Stokley and Hall alternated as lead vocalists. However, the other band members thought Stokley was "much more dynamic" and fired Hall in 1964.

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Curb released "Kiss You All Over" as the album's first single. While the band noted that it was initially unpopular at live shows, it began climbing the

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In late 1965, Richbourg took the band to Nashville to record material he had selected and produced, including the single "Alligator Time". It featured

846:, who knew Hargis through a number of cover bands the two had worked with in the early 1970s. LeMaire played and sang backing vocals on two tracks on 1612:

Both Taylor and Pennington began their solo careers during Exile's tenure on Arista Nashville. Taylor released two albums for Epic as a solo artist:

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Nashville, signed the band in 1983. By this point, the band consisted of Pennington, LeMaire, Taylor, Hargis, and Goetzman. Their first Epic album,

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charts due to radio airplay. Westbrook attributes the song's success to its sexually suggestive lyrics, an observation also made by Tom Breihan of

1571:", the band's final top-ten country hits. Both were co-written and sung by LeMaire, accounting for his first contributions as lead vocalist since 461:

in Richmond, with a lineup consisting of Stokley, Howard, Smith, Davenport, Pennington, and Luxon. Most of their other early performances were at

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that the addition of Martin to the lineup "opened up what we are capable of doing onstage" due to his ability to play other instruments such as

5336: 5341: 4473: 1118:" (written by Chapman and Chinn), which entered the Bubbling Under Hot 100 singles chart upon release. This song would later be covered by 1369:

wrote that the "playing is efficient and economical", highlighting the number of up-tempo tracks and the album's relatively short length.

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stated of the song, "Hot guitar and piano licks strike like lightning throughout this lively, tightly performed number." After it were "

1600:". DuBois had suggested "Somebody's Telling Her Lies" as a replacement, but Westbrook thought that the song failed due to it lacking a 1422:(1987). Pennington thought that employing a pop producer would help the band change their sound, as he had noted the crossover success 887:

Hot 100 in September 1978 and held the position for four weeks. The song was also an international success, reaching number one on the

707:. As they thought "the Exiles" sounded "dated", the band shortened its name to Exile. Their first Wooden Nickel album, the self-titled 3101: 1024:, and had therefore lost interest in promoting and writing songs for Exile. In addition, due to his involvement with these bands, his 5192: 1349: 921:. "Never Gonna Stop" did not chart, while "You Thrill Me" reached number 40 on the Hot 100. "Never Gonna Stop" was later recorded by 1442:. Westbrook describes the album as "uneven" due to Scheiner's involvement and Carroll's use of synthesizers. While the lead single " 5346: 5301: 5291: 411: 790:, an Australian record producer who was looking to begin working with American artists. Working with Chapman, the band recorded a 4139: 4721: 1430:" on pop formats. Scheiner selected three songs by outside writers: the title track, "Fly on the Wall" (written by Hornsby and 1241:(CMA) for Vocal Group of the Year in every year from 1984 to 1987, as well as Instrumental Group of the Year in 1984 and 1985. 1664:

After this album, Exile officially disbanded in 1995. Both Jones and Goetzman became artist managers, the former working with

719:, the entire album was recorded in only one take. Despite this, Traut selected most of the material, which included covers of 5296: 4907: 4885: 2755: 32: 1717:. Meanwhile, LeMaire had further success as a songwriter in the first decade of the 21st century, including Diamond Rio's " 1357:

Taylor sing it, due to him having a higher vocal range than Pennington. In addition, the track "Music" features Pennington

668:, who also wanted to record a song with them. This song, "Put Your Hands Together", featured the Exiles accompanied by the 715:

served as producer. He allowed the band to perform all of the instruments and vocals by themselves; except for some vocal

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After Jones joined and Martin was promoted to lead singer, the band began seeking a new recording contract. Radio host

1438:'s "She's Already Gone", all of which were sung by Taylor. The album was recorded in June 1987 at Scheiner's studio in 981: 934: 4755: 5306: 5258: 5220: 4866: 3141: 2297: 2230: 2074: 1718: 1556: 86: 4220: 1122:, whose version was a top-ten pop hit in 1983. "What Kind of Love Is This" was also a single, but it did not chart. 1008:, who also contributed on keyboards and guitar, respectively. Chapman had recommended Gray after discovering him in 1143:

in Lexington, Kentucky, before moving to another club called Breeding's. The band also played a number of shows in

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Founding member Jimmy Stokley was the band's lead singer at the time of their first major hit "Kiss You All Over".

5351: 4963: 5213: 5136: 1455: 1221: 984:" nor "Too Proud to Cry" charted in the United States, although the former was a minor chart hit in Australia. 661: 5321: 5316: 5044: 2145: 1458:" were minor chart entries as well. Carroll attributed the single's failures to the success of the Judds and 1328: 1052:

charts in the early 1980s. In 1981, Cornelison left the band as he "became more and more estranged" from the

644: 5129: 5058: 5023: 2161: 2103: 1543: 1217: 838: 3588: 1237:(ACM), a nomination they would receive again in 1984, 1985, and 1987. They would also be nominated by the 5199: 5185: 5122: 5083: 1769:

the five members decided to begin performing officially as Exile once more. Following their reunion, the

1443: 1427: 1345: 1332:. Pennington and LeMaire wrote the entirety of the album, and it accounted for five singles. These were " 1115: 622: 1520:

Tim DuBois signed Exile to Arista Nashville in 1989 and co-produced both of their albums for that label.

5206: 1597: 1451: 295:. After a series of failed singles on various labels, Exile achieved mainstream success in 1978 with " 5264: 3707: 1828:

via Clearwater Records in 2023. Pennington and LeMaire wrote most of the album except for a cover of

1770: 1478: 1301: 1280: 1238: 1038: 851: 1037:", both made the Bubbling Under Hot 100 singles chart in 1980. Both the latter and the album track " 5030: 3681: 3553: 2129: 1802: 1508:. In the same article, Hurst thought that Martin's singing voice was very similar to Pennington's. 1234: 1203: 677:

result, Kennon departed and Weir switched to bass. Westbrook noted that this lineup allowed a more

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After three months in New York, the Exiles returned to Kentucky and resumed performing at Speck's.

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touring revue. The Exiles rehearsed with female backing vocalists for a performance of his single "

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musicians, an observation also made by Pennington. Similarly, Walter Tunis thought in a review of

1450:, the later releases were unsuccessful. "Feel Like Foolin' Around" only reached number 60, while " 832:

handling distribution. Exile began recording more songs written by Chapman and English songwriter

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Exile in 2013. L–R: Steve Goetzman, Les Taylor, Marlon Hargis, Sonny LeMaire, and J.P. Pennington.

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The band released multiple projects in the 2010s and 2020s. First was a Christmas album titled

1463: 1418: 669: 648: 4581: 2216: 1551:, a songwriter who had success with Restless Heart and also wrote several songs on the album. 5241: 5164: 5065: 4590: 2169: 1585: 1580: 1529: 1439: 1362: 1333: 906: 704: 538: 445:

joined soon after; he was previously in a local band called the Le Sabers, whose lead singer

135: 1829: 1706: 1297: 1163: 829: 554: 458: 383: 337: 300: 145: 4290: 1793:. Following their reunion, author Randy Westbrook released a biography of the band titled 8: 5270: 5227: 5150: 4991: 4956: 4170: 3202: 1969: 1677: 1564: 1268: 1170:") were co-written by LeMaire. Gray died of undisclosed causes at the age of 64 in 2016. 1167: 1033:

the best of the band's Warner albums. The album's two singles, "You're Good for Me" and "

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York and left again in early 1969. Soon afterward, Howard was also drafted and served in

596:. These featured the Exiles solely as vocalists, with the instruments played entirely by 581: 358: 276: 214: 181: 4696:"In Its 60th Anniversary Year, Country Rock Band Exile Release 'Rough Around the Edges'" 4617:"Exile: From starving garage band to 'Kiss You All Over' rock stars, country innovators" 1279:

for "She's a Miracle", which was one of the first to be aired on the television network

5157: 5006: 4830: 2000: 1923: 1871: 1657: 1645: 1272: 1229: 1193:

Through Morey, the band arranged a meeting with Nashville-based producer and publisher

1001: 766: 745: 407: 318: 268: 165: 61: 1988:

Buzz Cornelison - keyboards, backing vocals, saxophone, trumpet (1964–1967, 1969–1981)

1816:, consisting of re-recordings of their hit singles. This was followed a year later by 5101: 4936: 4903: 4881: 4862: 4029:

Rowe, Norman (December 13, 1987). "Exile is currently riding high on the charts...".

3157: 3137: 2751: 2293: 2226: 2218:

A Century of American Popular Music: 2000 Best-Loved and Remembered Songs (1899-1999)

1710: 1049: 965: 888: 814: 806: 799: 772: 498: 341: 296: 836:, along with six by Pennington. These became the band's first Warner and Curb album 453:". The Exiles persuaded Pennington to play bass guitar, allowing Smith to switch to 4671:"Exile Shares the Stories Behind the Songs on Their First Studio Album in 30 Years" 1876: 1786: 1537: 1392: 1155: 926: 892: 820:

Through a connection with music journalist Nola Leone, Chapman was able to contact

720: 657: 597: 565: 550: 542: 530: 481: 435: 367: 354: 292: 160: 130: 120: 529:. The single was credited to Jimmy Stokley and the Exiles, and was issued through 5037: 4984: 2137: 1963: 1892: 1820:, which included various demos from their early years. A second Christmas album, 1782: 1738: 1607: 1496: 1405: 1289: 1246: 938: 601: 522: 466: 442: 379: 346: 272: 198: 4949: 4621: 1918: 1853: 1689: 1633: 1423: 1372: 1092: 1042: 1025: 1017: 922: 732: 533:. Grigsby also contacted Peggy Rogers, a manager for radio and television host 510: 502: 387: 371: 4528: 4313: 3883: 3810: 3760: 3293: 3197: 2931: 2529: 1899:

album track "Promises, Promises". Additionally, Westbrook found influences of

1173: 588:. John Caldwell, a Caravan of Stars manager, encouraged the band to travel to 5285: 4998: 4895: 4825: 4722:"Luxon, founding member of Exile, writes tell all to be released this spring" 4165: 3136:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 106. 1957: 1904: 1900: 1798: 1774: 1669: 1629: 1625: 1593: 1473: 1431: 1409: 1140: 1132: 843: 761: 728: 614: 589: 585: 537:. After seeing the band perform at Speck's, she encouraged them to travel to 454: 446: 322: 280: 209: 72: 1789:", as well as a re-recording of "Kiss You All Over" with a guest vocal from 1584:, which also featured DuBois and Sharp as producers. While the lead single " 1516: 1139:. This led to them playing a country set at the Rebel Room, a club inside a 5115: 4645:"Exile Makes A 'Joyful Noise' This Holiday Season With New Christmas Album" 1833: 1797:. The same year, the Kentucky Music Hall of Fame inducted Exile along with 1790: 1693: 1685: 1681: 1601: 1459: 1208: 1198: 1194: 1151: 1144: 1136: 1106: 1034: 973: 930: 914: 896: 821: 795: 787: 724: 626: 618: 605: 593: 546: 485: 477: 450: 431: 332: 155: 150: 140: 125: 3198:"Rising stars in 'Exile' beaming with new success, showing myriad talents" 1997:

Bernie Faulkner - keyboards, backing vocals, guitar, saxophone (1966–1973)

1078: 909:, a talent agency that assisted in booking the band as an opening act for 509:

to take advantage of Stokley's "raspy" voice, which Westbrook compared to

291:

for a number of years before becoming a backing band on the touring revue

4826:"Sound Judgment: Country: A group good-natured enough for anyone to love" 1884: 1761: 1742: 1730: 1722: 1641: 1589: 1548: 1435: 1276: 1057: 1009: 989: 833: 741: 716: 652: 636: 577: 576:

In 1966, Rogers asked the Exiles to accompany a Caravan of Stars show at

470: 395: 391: 4781: 1311: 1308:) and took their rendition to number one on the country charts in 1985. 1069: 5234: 4932: 1837: 1746: 1568: 1533: 1525: 1413: 1293: 712: 673: 665: 569: 560: 534: 506: 494: 423: 284: 1326:

This was followed in 1986 by the release of Exile's third Epic album,

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charts. In 1970, the band was recommended to songwriter and producer

311: 307: 76: 1644:

after that band reached number one in 1991 with their debut single "

4769: 4166:"Out of Exile: A turmoil-wracked group gets its act together again" 2264: 1752: 1501: 867: 683: 660:

and became the band's first chart entry, making number four on the

462: 288: 3811:"Even back in Richmond, Stokley appeared lost after quitting band" 1941:

List of current and former members of Exile, in alphabetical order

1250:, was released in 1984. It was their only number-one album on the 3509: 3233: 1358: 1158:

in 1983 as a solo artist. He charted five top-ten singles on the

748:", arranged by Cornelison. Also included was a live recording of 700: 631: 335:. Between then and 1987, Exile had ten number-one singles on the 4337: 4335: 1101:

Exile finished their contract with Warner and Curb in 1981 with

777: 516: 484:, whose owner, David Grigsby, encouraged the Exiles to submit a 1836:". One track, "Down in Cold Water", features guest vocals from 1352:". Of these, all except "Super Love" went to number one on the 1147:, where "Kiss You All Over" had become popular in the interim. 526: 2474: 2426: 2063: 1608:

Early-mid 1990s: Solo careers, 30-year anniversary, and hiatus

1296:" due to him also being a producer on that song. In addition, 4436: 4424: 4383: 4359: 4332: 4270: 4234: 4076: 4052: 3998: 3986: 3950: 3902: 3791: 3395: 3245: 2974: 2962: 2024:

Billy Luxon - trumpet, backing vocals, percussion (1963–1974)

1578:

Their second and final album for Arista Nashville was 1991's

1505: 1185: 988:

covered "The Part of Me That Needs You Most" in 1980, as did

859: 813:, where he presented them with a song he had written called " 791: 427: 4402: 4400: 4398: 4203: 4201: 4110: 4108: 4106: 4093: 4091: 4044:

Tucker, Ken (Oct 11, 1987). "Exile Shelter from the Night".

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Epic Records dropped the band in 1989 due to the failure of

1224:" both went to number one between late 1983 and early 1984. 3460: 3458: 3276: 3274: 3272: 3223: 3221: 3068: 3066: 3029: 3027: 3025: 2836: 2402: 2030:

Paul Smith Jr. - rhythm guitar, bass guitar (1963–ca. 1967)

863: 489: 465:

and high school dances, where they covered artists such as

419: 3639: 3637: 3635: 3633: 2877: 2875: 2800: 2776: 2718: 2706: 2646: 2634: 2586: 2510: 2486: 2450: 2390: 2354: 1713:, in 2005, and that concert was issued as an album titled 410:, in 1963 as the Exiles, by a group of students attending 4925: 4805: 4793: 4736: 4448: 4412: 4395: 4371: 4347: 4258: 4246: 4198: 4186: 4120: 4103: 4088: 4064: 4010: 3974: 3962: 3938: 3926: 3914: 3829: 3737: 3722: 3649: 3407: 2366: 2330: 2306: 1982:

Roger BonDurant - guitar, backing vocals (touring) (1989)

1087:

Early single releases by Exile were later successful for

760:. He also released one single in 1983 as a member of the 4941: 4474:"Exile Ends Theirs, Releases First New Music in Decades" 3884:"After two years at top, Exile has nowhere to go but up" 3606: 3521: 3497: 3470: 3455: 3419: 3371: 3347: 3335: 3323: 3269: 3218: 3078: 3063: 3051: 3039: 3022: 2998: 2986: 2950: 2911: 2887: 457:. They performed publicly for the first time in 1964 at 3630: 3568: 3311: 2872: 2860: 2848: 2824: 2812: 2788: 2764: 2694: 2682: 2670: 2658: 2622: 2610: 2598: 2574: 2562: 2550: 2498: 2462: 2438: 2414: 2378: 883:

in 2020. "Kiss You All Over" reached number one on the

3858: 3846: 3779: 2342: 2318: 1511: 1446:" accounted for the band's tenth number-one single on 699:

In 1972, the band was offered a recording contract by

434:

or exile of Cubans to the United States following the

1162:

country charts between 1984 and 1986, two of which ("

317:

After Stokley was fired due to his declining health,

4878:

50 Years of Exile: The Story of a Band in Transition

2530:"Popular artists booked for 'Miss Teen-Age' contest" 2051:

Kenny Weir - guitar, bass guitar (ca. 1972–ca. 1974)

1917:

that the album's lack of studio musicians such as a

1859:

50 Years of Exile: The Story of a Band in Transition

1795:

50 Years of Exile: The Story of a Band in Transition

625:. After the 1968 tour ended, they were contacted by 416:

50 Years of Exile: The Story of a Band in Transition

1812:in 2017. In 2018, they released a new album titled 905:. Rogers also made arrangements to sign Exile with 694: 344:charts, as well as a number-one country album with 331:, their first as a country band and their first on 249: 1416:, among others, to produce their final Epic album 960:Exile began working on their second Warner album, 640:Faulkner also played saxophone and rhythm guitar. 4555:"Exile, Davis, HeadHunters to join Kentucky hall" 3586: 1842:Exiled: The Climax and Surrender of Jimmy Stokley 5283: 4642: 1895:chord progressions of "Woke Up in Love" and the 3195: 2741: 2739: 2737: 2735: 2733: 1396:Elliot Scheiner produced the band's 1987 album 995:Due to the difficulties experienced during the 711:, was released in 1973. Wooden Nickel co-owner 3102:"The Number Ones: Exile's 'Kiss You All Over'" 1699: 1536:, a record executive who had just started the 773:1975–1978: "Try It On" and "Kiss You All Over" 4957: 4859:The Billboard Book of Number One Country Hits 4823: 4579: 4526: 4471: 4467: 4465: 4463: 2027:Paul Martin - lead vocals, guitar (1989–1995) 2018:Mark Jones - harmony vocals, guitar (1989–93) 1781:in 2012. The project featured a rendition of 1652:, while they, Carroll, and Goetzman recorded 643:Alan booked the Exiles as an opening act for 517:1965–1972: Caravan of Stars and early singles 4668: 4311: 3881: 3589:"LifeNotes: Hit Songwriter Mark Gray Passes" 3095: 3093: 2730: 2287: 1672:. In 1997, LeMaire and Beeson joined former 1547:, in early 1990. DuBois co-produced it with 370:. Songs of theirs have also been covered by 4614: 3099: 2929: 891:charts in Australia, and number six on the 306:. This iteration of the band mostly played 4964: 4950: 4460: 4163: 3758: 3754: 3752: 3551: 2254: 2252: 2250: 2248: 2246: 2244: 2242: 1476:and rhythm and blues, while Ken Tucker of 1472:thought the album contained influences of 476:One of the band's recurring gigs was at a 449:was later known for his 1966 novelty hit " 4875: 4811: 4799: 4787: 4775: 4742: 4610: 4608: 4522: 4520: 4454: 4442: 4430: 4418: 4406: 4389: 4377: 4365: 4353: 4341: 4288: 4276: 4264: 4252: 4240: 4207: 4192: 4159: 4157: 4126: 4114: 4097: 4082: 4070: 4058: 4016: 4004: 3992: 3980: 3968: 3956: 3944: 3932: 3920: 3908: 3877: 3875: 3873: 3840: 3797: 3743: 3731: 3664: 3624: 3612: 3539: 3527: 3515: 3503: 3476: 3464: 3449: 3437: 3425: 3401: 3389: 3377: 3365: 3353: 3341: 3329: 3280: 3263: 3251: 3239: 3227: 3183: 3090: 3084: 3072: 3057: 3045: 3033: 3016: 3004: 2992: 2980: 2968: 2956: 2917: 2905: 2893: 2881: 2854: 2842: 2830: 2818: 2806: 2794: 2782: 2770: 2724: 2712: 2700: 2688: 2676: 2664: 2652: 2640: 2628: 2616: 2604: 2592: 2580: 2568: 2556: 2516: 2504: 2492: 2480: 2468: 2456: 2444: 2432: 2420: 2408: 2396: 2384: 2372: 2360: 2348: 2336: 2324: 2312: 1283:. Tom Carter of the Lexington, Kentucky, 731:, and he wanted the band to perform in a 4894: 4748: 3803: 3643: 3574: 3413: 3317: 2866: 2745: 2290:The Virgin Encyclopedia of Country Music 2283: 2281: 2045:Danny Williams - bass guitar (1974–1977) 1751: 1515: 1462:, both of whom were having success with 1391: 1184: 895:. Its success led to Exile appearing on 776: 559: 53:The Exiles, Jimmy Stokley and the Exiles 4529:"Hit-makers Exile to perform in Benton" 4314:"Songwriter Pennington back from Exile" 3749: 2932:"Exile survival reads like fairy story" 2239: 2085:List of studio albums released by Exile 2042:Jimmy Stokley - lead vocals (1963–1979) 2012:Bobby Johns - drums (ca. 1971–ca. 1977) 1125: 968:on his vocal cords and was weakened by 937:". "Stay with Me" was later covered by 564:Early on, Exile was a backing band for 5284: 4856: 4605: 4517: 4154: 4043: 3870: 3864: 3852: 3785: 3761:"Exile fortifying solid country sound" 3587:Robert K. Oermann (December 5, 2016). 3189: 3124: 3122: 2258: 1991:Mack Davenport - drums (1963–ca. 1971) 917:. Warner issued two more singles from 279:(guitar, lead and background vocals), 5337:Musical groups disestablished in 1995 4945: 4643:Lorie Hollabaugh (December 7, 2021). 4584:Wrapped Up in Your Arms for Christmas 4140:"Music, Not Name, The Key With Exile" 3158:"EXILE - full Official Chart History" 2923: 2750:. Record Research, Inc. p. 299. 2292:. London: Virgin Books. p. 142. 2278: 2214: 2177:Wrapped Up In Your Arms for Christmas 1875:in 1984, "It originally started as a 1810:Wrapped Up in Your Arms for Christmas 1756:Exile member Sonny LeMaire co-wrote " 1408:, a pop producer who had worked with 5342:Musical groups reestablished in 2005 4028: 3695: 3670: 3196:Bruce Westbrook (October 12, 1978). 3128: 1994:Larry Davis - bass guitar (ca. 1967) 798:, which charted at number 97 on the 386:, and LeMaire has written songs for 234: 4037: 3882:Walter Tunis (September 15, 1985). 3119: 2058: 1985:Lee Carroll - keyboards (1987–1995) 1824:, followed in 2021. Exile released 1512:1989–1991: Move to Arista Nashville 689: 13: 5332:Musical groups established in 1963 5312:Country music groups from Kentucky 5109:The Part of Me That Needs You Most 4824:Ellen Creager (January 27, 1985). 4527:Vince Hoffard (November 8, 2018). 4142:. The Oklahoman. February 17, 1989 3817:. August 15, 1985. pp. B1, B3 3150: 2930:Zach Dunkin (September 29, 1978). 2538:. October 8, 1966. pp. 2 Teen 2036:Randy Rickman - lead vocals (1979) 2003:- lead vocals, keyboards (1979–82) 1935: 1174:1984–1985: Switch to country with 982:The Part of Me That Needs You Most 14: 5363: 5221:Keep It in the Middle of the Road 4917: 4615:Cindy Watts (February 13, 2019). 3759:Tom Carter (September 30, 1984). 2075:Exile (American band) discography 1847: 1684:. Later on, he became bassist in 1557:Keep It in the Middle of the Road 1244:The band's second country album, 287:and local events in the state of 267:, is an American band founded in 87:Exile (American band) discography 4817: 4714: 4688: 4662: 4636: 4573: 4547: 4491: 4305: 4282: 4230:. December 16, 1989. p. 73. 4213: 4132: 4022: 2079: 2021:Bill Kennon - bass guitar (1972) 2009:Mike Howard - guitar (1963–1969) 2006:Ronnie Hall - vocals (1963–1964) 1676:member Kurt Howell in the group 1528:heard them perform at a show in 1466:at the time. Norman Rowe of the 1312:1985–1986: Death of Stokley and 1216:country charts, its follow-ups " 1077: 1068: 695:1972–1975: Wooden Nickel Records 271:, in 1963. The band consists of 31: 5347:Rock music groups from Kentucky 5302:American soft rock music groups 5292:1963 establishments in Kentucky 4669:Annie Reuter (25 August 2023). 4472:Chuck Dauphin (June 22, 2012). 4164:Jack Hurst (February 4, 1990). 3580: 3545: 3493:. November 7, 1981. p. 81. 3482: 3286: 3134:Australian Chart Book 1970–1992 3100:Tom Breihan (January 3, 2020). 2522: 2039:Ray Salyer - bass guitar (2005) 1624:, was also released in 1991 on 1228:also reached number ten on the 414:. Randy Westbrook, in the book 4900:Hot Country Songs 1944 to 2017 4850: 2208: 2068: 1532:, and recommended the band to 662:Bubbling Under Hot 100 Singles 299:", a number-one single on the 16:American rock and country band 1: 4790:, p. 186, 187, 192, 249. 4312:Walter Tunis (May 19, 1991). 3294:"Chart history for Jay Black" 2201: 2048:Jason Witt - keyboards (2005) 2033:Steve Richmond - drums (2005) 645:Tommy James and the Shondells 5297:American country rock groups 1275:". The band also produced a 1263:country charts. These were " 1045:, whose versions topped the 794:song called "Try It On" for 568:, a touring revue hosted by 275:(lead vocals, lead guitar), 7: 5137:I Don't Want to Be a Memory 1700:Late 1990s–present: Reunion 1555:was led off by the single " 1365:(BMI). Walter Tunis of the 1222:I Don't Want to Be a Memory 623:Paul Revere and the Raiders 488:to Nashville radio station 10: 5368: 5327:Intersound Records artists 3703:"Search results for Exile" 3678:"Search results for Exile" 2072: 2015:Doug Jones - guitar (1963) 1259:reached number one on the 850:: "Never Gonna Stop" and " 401: 5251: 5093: 5075: 5015: 4979: 4971: 4876:Westbrook, Randy (2013). 4724:. WBON TV. March 28, 2023 4046:The Philadelphia Inquirer 3708:Country Music Association 2748:Top Pop Singles 1955–2010 1954:Marlon Hargis - keyboards 1771:Kentucky General Assembly 1715:Live at Billy Bob's Texas 1588:" (composed by Sharp and 1479:The Philadelphia Inquirer 1350:She's Too Good to Be True 1239:Country Music Association 1041:" were later recorded by 854:". Released in mid-1978, 244: 240: 227: 223: 191: 187: 177: 110: 92: 82: 68: 57: 47: 42: 30: 23: 5307:Arista Nashville artists 5200:I Can't Get Close Enough 4902:. Record Research, Inc. 4778:, p. 127, 184, 190. 3682:Academy of Country Music 2215:Jasen, David A. (2002). 1803:the Kentucky Headhunters 1741:). He collaborated with 1541:Arista Nashville album, 1444:I Can't Get Close Enough 1428:I'll Still Be Loving You 1235:Academy of Country Music 5172:I Could Get Used to You 5144:Give Me One More Chance 4765:: NF3. August 25, 1984. 4533:The Southern Illinoisan 4499:"Kentucky honors Exile" 4318:Lexington Herald-Leader 4031:Richmond Times-Dispatch 3888:Lexington Herald-Leader 3765:Lexington Herald-Leader 3518:, p. 179-180, 182. 3242:, p. 122-123, 125. 3163:Official Charts Company 2746:Whitburn, Joel (2011). 2535:The Cincinnati Enquirer 2117:Don't Leave Me This Way 1910:Lexington Herald-Leader 1727:She Thinks She Needs Me 1469:Richmond Times-Dispatch 1367:Lexington Herald-Leader 1338:I Could Get Used to You 1265:Give Me One More Chance 1120:Huey Lewis and the News 1089:Huey Lewis and the News 1031:Don't Leave Me This Way 1014:Don't Leave Me This Way 951:Don't Leave Me This Way 651:, in 1969. Lead singer 525:lyrics and spoken-word 376:Huey Lewis and the News 5352:Warner Records artists 5193:She's Too Good to True 5052:Shelter from the Night 4291:"Les Taylor biography" 2154:Shelter from the Night 1951:Steve Goetzman - drums 1887:on the title track of 1765: 1521: 1491:Shelter from the Night 1464:neotraditional country 1419:Shelter from the Night 1401: 1398:Shelter from the Night 1375:Shelter from the Night 1190: 782: 670:Atlanta Rhythm Section 649:Baton Rouge, Louisiana 592:in 1967 to record for 573: 43:Background information 5165:Hang On to Your Heart 5045:Hang On to Your Heart 4591:Country Standard Time 4559:Country Standard Time 4503:Country Standard Time 3554:"Mark Gray biography" 2936:The Indianapolis News 2288:Colin Larkin (1998). 2195:A Million Miles Later 2146:Hang On to Your Heart 1960:- bass guitar, vocals 1927:wrote in a review of 1915:Hang On to Your Heart 1897:Hang On to Your Heart 1826:A Million Miles Later 1755: 1692:pizza restaurants in 1530:Hot Springs, Arkansas 1519: 1440:Stamford, Connecticut 1395: 1383:Hang On to Your Heart 1377:and departing members 1363:Broadcast Music, Inc. 1334:Hang On to Your Heart 1329:Hang On to Your Heart 1319:After the release of 1314:Hang On to Your Heart 1188: 1154:, Gray was signed to 907:William Morris Agency 858:featured elements of 780: 705:Wooden Nickel Records 563: 549:at a stop on Clark's 539:Cincinnati Music Hall 406:Exile was founded in 5322:Epic Records artists 5317:Curb Records artists 4857:Roland, Tom (1991). 4756:"New faces to watch" 3489:"Top Single Picks". 2483:, p. 32-33, 35. 2435:, p. 16-17, 28. 1830:Tennessee Ernie Ford 1760:", a hit single for 1668:and the latter with 1298:the Forester Sisters 1164:Left Side of the Bed 1126:Country music career 925:, whose version was 902:The Midnight Special 830:Warner Bros. Records 505:. They also covered 459:Irvine-McDowell Park 384:the Forester Sisters 5151:Crazy for Your Love 4861:. Billboard Books. 4675:American Songwriter 4580:Andrew Greenhalgh. 4171:The Chicago Tribune 3815:The Courier-Journal 3404:, p. 166, 167. 3254:, p. 125, 126. 3203:The Daily Oklahoman 2983:, p. 108, 109. 2971:, p. 105, 107. 1737:" (also covered by 1654:Latest and Greatest 1598:For My Broken Heart 1269:Crazy for Your Love 1168:Diamond in the Dust 811:Covington, Kentucky 758:Lexington, Kentucky 582:Lexington, Kentucky 412:Madison High School 106:–1995, 2005–present 5076:Compilation albums 4831:Detroit Free Press 4445:, p. 260-261. 4433:, p. 259-260. 4392:, p. 257-258. 4368:, p. 254-255. 4344:, p. 258-259. 4279:, p. 252-254. 4243:, p. 248-249. 4085:, p. 242-243. 4061:, p. 239-240. 4007:, p. 236-237. 3995:, p. 235-236. 3959:, p. 233-234. 3911:, p. 226-227. 3800:, p. 188-189. 3627:, p. 182-184. 3542:, p. 181-182. 3452:, p. 171-172. 3440:, p. 170-171. 3392:, p. 167-169. 3368:, p. 161-163. 3266:, p. 126-127. 3186:, p. 118-120. 3019:, p. 111-112. 2908:, p. 102-103. 1924:Detroit Free Press 1766: 1658:Intersound Records 1646:Meet in the Middle 1618:Blue Kentucky Wind 1522: 1402: 1230:Top Country Albums 1191: 1039:The Closer You Get 980:Hot 100. Neither " 783: 767:Somerset, Kentucky 746:We Can Work It Out 574: 493:them becoming the 408:Richmond, Kentucky 269:Richmond, Kentucky 62:Richmond, Kentucky 5279: 5278: 5102:Kiss You All Over 4909:978-0-89820-229-8 4887:978-1-938905-22-3 4880:. Acclaim Press. 4535:. pp. B1, B3 4320:. pp. C1, C3 2845:, p. 64, 97. 2757:978-0-89820-188-8 2411:, p. 25, 26. 2363:, p. 18, 25. 2261:"Exile biography" 1891:, as well as the 1711:Fort Worth, Texas 1707:Billy Bob's Texas 1661:Spells Trouble". 1622:Whatever It Takes 1292:'s mid-1985 hit " 1050:Hot Country Songs 889:Kent Music Report 815:Kiss You All Over 598:session musicians 555:Lightnin' Strikes 499:the Young Rascals 368:session musicians 342:Hot Country Songs 297:Kiss You All Over 258: 257: 5359: 5271:Burnin' Daylight 5252:Related articles 5228:Nobody's Talking 4966: 4959: 4952: 4943: 4942: 4929: 4928: 4926:Official website 4913: 4891: 4872: 4844: 4843: 4841: 4839: 4821: 4815: 4809: 4803: 4797: 4791: 4785: 4779: 4773: 4767: 4766: 4760: 4752: 4746: 4740: 4734: 4733: 4731: 4729: 4718: 4712: 4711: 4709: 4707: 4702:. August 1, 2023 4692: 4686: 4685: 4683: 4681: 4666: 4660: 4659: 4657: 4655: 4640: 4634: 4633: 4631: 4629: 4612: 4603: 4602: 4600: 4598: 4577: 4571: 4570: 4568: 4566: 4561:. March 13, 2012 4551: 4545: 4544: 4542: 4540: 4524: 4515: 4514: 4512: 4510: 4505:. March 10, 2009 4495: 4489: 4488: 4486: 4484: 4469: 4458: 4452: 4446: 4440: 4434: 4428: 4422: 4416: 4410: 4404: 4393: 4387: 4381: 4375: 4369: 4363: 4357: 4351: 4345: 4339: 4330: 4329: 4327: 4325: 4309: 4303: 4302: 4300: 4298: 4286: 4280: 4274: 4268: 4262: 4256: 4250: 4244: 4238: 4232: 4231: 4225: 4217: 4211: 4205: 4196: 4190: 4184: 4183: 4181: 4179: 4161: 4152: 4151: 4149: 4147: 4136: 4130: 4124: 4118: 4112: 4101: 4095: 4086: 4080: 4074: 4068: 4062: 4056: 4050: 4049: 4041: 4035: 4034: 4026: 4020: 4014: 4008: 4002: 3996: 3990: 3984: 3978: 3972: 3966: 3960: 3954: 3948: 3942: 3936: 3930: 3924: 3918: 3912: 3906: 3900: 3899: 3897: 3895: 3879: 3868: 3862: 3856: 3850: 3844: 3838: 3827: 3826: 3824: 3822: 3807: 3801: 3795: 3789: 3783: 3777: 3776: 3774: 3772: 3756: 3747: 3741: 3735: 3729: 3720: 3719: 3717: 3715: 3699: 3693: 3692: 3690: 3688: 3674: 3668: 3662: 3647: 3641: 3628: 3622: 3616: 3610: 3604: 3603: 3601: 3599: 3584: 3578: 3572: 3566: 3565: 3563: 3561: 3552:Sandra Brennan. 3549: 3543: 3537: 3531: 3525: 3519: 3513: 3507: 3501: 3495: 3494: 3486: 3480: 3474: 3468: 3462: 3453: 3447: 3441: 3435: 3429: 3423: 3417: 3416:, p. 17-18. 3411: 3405: 3399: 3393: 3387: 3381: 3375: 3369: 3363: 3357: 3351: 3345: 3339: 3333: 3327: 3321: 3315: 3309: 3308: 3306: 3304: 3290: 3284: 3278: 3267: 3261: 3255: 3249: 3243: 3237: 3231: 3225: 3216: 3215: 3213: 3211: 3193: 3187: 3181: 3175: 3174: 3172: 3170: 3154: 3148: 3147: 3126: 3117: 3116: 3114: 3112: 3097: 3088: 3082: 3076: 3070: 3061: 3055: 3049: 3043: 3037: 3031: 3020: 3014: 3008: 3002: 2996: 2990: 2984: 2978: 2972: 2966: 2960: 2954: 2948: 2947: 2945: 2943: 2927: 2921: 2915: 2909: 2903: 2897: 2891: 2885: 2879: 2870: 2864: 2858: 2852: 2846: 2840: 2834: 2828: 2822: 2816: 2810: 2809:, p. 60-61. 2804: 2798: 2792: 2786: 2785:, p. 57-58. 2780: 2774: 2768: 2762: 2761: 2743: 2728: 2727:, p. 55-56. 2722: 2716: 2715:, p. 54-55. 2710: 2704: 2698: 2692: 2686: 2680: 2674: 2668: 2662: 2656: 2655:, p. 50-51. 2650: 2644: 2643:, p. 49-50. 2638: 2632: 2626: 2620: 2614: 2608: 2602: 2596: 2595:, p. 41-43. 2590: 2584: 2578: 2572: 2566: 2560: 2554: 2548: 2547: 2545: 2543: 2526: 2520: 2519:, p. 35-36. 2514: 2508: 2502: 2496: 2495:, p. 33-34. 2490: 2484: 2478: 2472: 2466: 2460: 2459:, p. 30-31. 2454: 2448: 2442: 2436: 2430: 2424: 2418: 2412: 2406: 2400: 2399:, p. 24-25. 2394: 2388: 2382: 2376: 2375:, p. 18-19. 2370: 2364: 2358: 2352: 2346: 2340: 2339:, p. 17-18. 2334: 2328: 2322: 2316: 2315:, p. 15-16. 2310: 2304: 2303: 2285: 2276: 2275: 2273: 2271: 2256: 2237: 2236: 2212: 2183:The Garage Tapes 2086: 2059:Members Timeline 1972:- guitar, vocals 1966:- guitar, vocals 1942: 1877:rhythm and blues 1818:The Garage Tapes 1787:People Get Ready 1779:People Get Ready 1678:Burnin' Daylight 1674:Southern Pacific 1640:more heavily on 1565:Nobody's Talking 1538:Arista Nashville 1373:Mid-late 1980s: 1304:" (a track from 1156:Columbia Records 1111:Heart & Soul 1103:Heart & Soul 1081: 1072: 955:Heart & Soul 939:Dave & Sugar 893:UK Singles Chart 721:Seals and Crofts 690:Pop music career 658:Columbia Records 566:Caravan of Stars 551:Caravan of Stars 543:Cincinnati, Ohio 531:Monument Records 482:Martin, Kentucky 436:Cuban Revolution 380:Dave & Sugar 359:Burnin' Daylight 355:Arista Nashville 293:Caravan of Stars 254: 251: 230: 182:Burnin' Daylight 161:Arista Nashville 105: 103: 95: 50: 35: 21: 20: 5367: 5366: 5362: 5361: 5360: 5358: 5357: 5356: 5282: 5281: 5280: 5275: 5247: 5158:She's a Miracle 5130:Woke Up in Love 5094:Notable singles 5089: 5071: 5038:Kentucky Hearts 5011: 4985:J.P. Pennington 4975: 4970: 4924: 4923: 4920: 4910: 4888: 4869: 4853: 4848: 4847: 4837: 4835: 4822: 4818: 4810: 4806: 4798: 4794: 4786: 4782: 4774: 4770: 4758: 4754: 4753: 4749: 4741: 4737: 4727: 4725: 4720: 4719: 4715: 4705: 4703: 4694: 4693: 4689: 4679: 4677: 4667: 4663: 4653: 4651: 4641: 4637: 4627: 4625: 4613: 4606: 4596: 4594: 4578: 4574: 4564: 4562: 4553: 4552: 4548: 4538: 4536: 4525: 4518: 4508: 4506: 4497: 4496: 4492: 4482: 4480: 4470: 4461: 4453: 4449: 4441: 4437: 4429: 4425: 4417: 4413: 4405: 4396: 4388: 4384: 4376: 4372: 4364: 4360: 4352: 4348: 4340: 4333: 4323: 4321: 4310: 4306: 4296: 4294: 4289:Johnny Loftus. 4287: 4283: 4275: 4271: 4263: 4259: 4251: 4247: 4239: 4235: 4223: 4219: 4218: 4214: 4206: 4199: 4191: 4187: 4177: 4175: 4162: 4155: 4145: 4143: 4138: 4137: 4133: 4125: 4121: 4113: 4104: 4096: 4089: 4081: 4077: 4069: 4065: 4057: 4053: 4042: 4038: 4027: 4023: 4015: 4011: 4003: 3999: 3991: 3987: 3979: 3975: 3967: 3963: 3955: 3951: 3943: 3939: 3931: 3927: 3919: 3915: 3907: 3903: 3893: 3891: 3880: 3871: 3863: 3859: 3851: 3847: 3839: 3830: 3820: 3818: 3809: 3808: 3804: 3796: 3792: 3784: 3780: 3770: 3768: 3757: 3750: 3742: 3738: 3730: 3723: 3713: 3711: 3701: 3700: 3696: 3686: 3684: 3676: 3675: 3671: 3663: 3650: 3642: 3631: 3623: 3619: 3611: 3607: 3597: 3595: 3585: 3581: 3573: 3569: 3559: 3557: 3550: 3546: 3538: 3534: 3526: 3522: 3514: 3510: 3502: 3498: 3488: 3487: 3483: 3475: 3471: 3463: 3456: 3448: 3444: 3436: 3432: 3424: 3420: 3412: 3408: 3400: 3396: 3388: 3384: 3376: 3372: 3364: 3360: 3352: 3348: 3340: 3336: 3328: 3324: 3316: 3312: 3302: 3300: 3292: 3291: 3287: 3279: 3270: 3262: 3258: 3250: 3246: 3238: 3234: 3226: 3219: 3209: 3207: 3194: 3190: 3182: 3178: 3168: 3166: 3156: 3155: 3151: 3144: 3127: 3120: 3110: 3108: 3098: 3091: 3083: 3079: 3071: 3064: 3056: 3052: 3044: 3040: 3032: 3023: 3015: 3011: 3003: 2999: 2991: 2987: 2979: 2975: 2967: 2963: 2955: 2951: 2941: 2939: 2928: 2924: 2916: 2912: 2904: 2900: 2892: 2888: 2880: 2873: 2865: 2861: 2853: 2849: 2841: 2837: 2829: 2825: 2817: 2813: 2805: 2801: 2793: 2789: 2781: 2777: 2769: 2765: 2758: 2744: 2731: 2723: 2719: 2711: 2707: 2699: 2695: 2687: 2683: 2675: 2671: 2663: 2659: 2651: 2647: 2639: 2635: 2627: 2623: 2615: 2611: 2603: 2599: 2591: 2587: 2579: 2575: 2567: 2563: 2555: 2551: 2541: 2539: 2528: 2527: 2523: 2515: 2511: 2503: 2499: 2491: 2487: 2479: 2475: 2467: 2463: 2455: 2451: 2443: 2439: 2431: 2427: 2419: 2415: 2407: 2403: 2395: 2391: 2383: 2379: 2371: 2367: 2359: 2355: 2347: 2343: 2335: 2331: 2323: 2319: 2311: 2307: 2300: 2286: 2279: 2269: 2267: 2257: 2240: 2233: 2225:. p. 114. 2213: 2209: 2204: 2138:Kentucky Hearts 2084: 2082: 2077: 2071: 2066: 2064: 2061: 2055: 1964:J.P. Pennington 1940: 1938: 1936:List of members 1929:Kentucky Hearts 1893:Southern gospel 1850: 1783:Curtis Mayfield 1739:Kimberley Locke 1702: 1614:That Old Desire 1610: 1514: 1497:Chicago Tribune 1406:Elliot Scheiner 1404:The band chose 1379: 1321:Kentucky Hearts 1317: 1306:Kentucky Hearts 1290:Ronnie McDowell 1273:She's a Miracle 1257:Kentucky Hearts 1247:Kentucky Hearts 1218:Woke Up in Love 1183: 1180:Kentucky Hearts 1128: 1099: 1098: 1097: 1096: 1084: 1083: 1082: 1074: 1073: 958: 775: 697: 692: 602:musical theater 545:, to accompany 523:double entendre 519: 467:the Temptations 443:J.P. Pennington 404: 347:Kentucky Hearts 273:J.P. Pennington 248: 235:List of members 228: 219: 199:J.P. Pennington 173: 101: 99: 93: 48: 38: 26: 17: 12: 11: 5: 5365: 5355: 5354: 5349: 5344: 5339: 5334: 5329: 5324: 5319: 5314: 5309: 5304: 5299: 5294: 5277: 5276: 5274: 5273: 5268: 5261: 5255: 5253: 5249: 5248: 5246: 5245: 5238: 5231: 5224: 5217: 5214:It's You Again 5210: 5203: 5196: 5189: 5182: 5175: 5168: 5161: 5154: 5147: 5140: 5133: 5126: 5123:Heart and Soul 5119: 5112: 5105: 5097: 5095: 5091: 5090: 5088: 5087: 5079: 5077: 5073: 5072: 5070: 5069: 5062: 5059:Still Standing 5055: 5048: 5041: 5034: 5027: 5024:Mixed Emotions 5019: 5017: 5013: 5012: 5010: 5009: 5003: 5002: 4995: 4988: 4980: 4977: 4976: 4969: 4968: 4961: 4954: 4946: 4940: 4939: 4930: 4919: 4918:External links 4916: 4915: 4914: 4908: 4896:Whitburn, Joel 4892: 4886: 4873: 4867: 4852: 4849: 4846: 4845: 4816: 4814:, p. 183. 4812:Westbrook 2013 4804: 4802:, p. 225. 4800:Westbrook 2013 4792: 4788:Westbrook 2013 4780: 4776:Westbrook 2013 4768: 4747: 4745:, p. 179. 4743:Westbrook 2013 4735: 4713: 4687: 4661: 4635: 4622:The Tennessean 4604: 4572: 4546: 4516: 4490: 4459: 4457:, p. 259. 4455:Westbrook 2013 4447: 4443:Westbrook 2013 4435: 4431:Westbrook 2013 4423: 4421:, p. 258. 4419:Westbrook 2013 4411: 4409:, p. 263. 4407:Westbrook 2013 4394: 4390:Westbrook 2013 4382: 4380:, p. 255. 4378:Westbrook 2013 4370: 4366:Westbrook 2013 4358: 4356:, p. 254. 4354:Westbrook 2013 4346: 4342:Westbrook 2013 4331: 4304: 4281: 4277:Westbrook 2013 4269: 4267:, p. 252. 4265:Westbrook 2013 4257: 4255:, p. 249. 4253:Westbrook 2013 4245: 4241:Westbrook 2013 4233: 4212: 4210:, p. 248. 4208:Westbrook 2013 4197: 4195:, p. 247. 4193:Westbrook 2013 4185: 4153: 4131: 4129:, p. 246. 4127:Westbrook 2013 4119: 4117:, p. 245. 4115:Westbrook 2013 4102: 4100:, p. 244. 4098:Westbrook 2013 4087: 4083:Westbrook 2013 4075: 4073:, p. 241. 4071:Westbrook 2013 4063: 4059:Westbrook 2013 4051: 4036: 4033:. p. J13. 4021: 4019:, p. 240. 4017:Westbrook 2013 4009: 4005:Westbrook 2013 3997: 3993:Westbrook 2013 3985: 3983:, p. 235. 3981:Westbrook 2013 3973: 3971:, p. 234. 3969:Westbrook 2013 3961: 3957:Westbrook 2013 3949: 3947:, p. 233. 3945:Westbrook 2013 3937: 3935:, p. 232. 3933:Westbrook 2013 3925: 3923:, p. 228. 3921:Westbrook 2013 3913: 3909:Westbrook 2013 3901: 3869: 3867:, p. 447. 3857: 3855:, p. 469. 3845: 3843:, p. 190. 3841:Westbrook 2013 3828: 3802: 3798:Westbrook 2013 3790: 3788:, p. 424. 3778: 3748: 3746:, p. 188. 3744:Westbrook 2013 3736: 3734:, p. 187. 3732:Westbrook 2013 3721: 3694: 3669: 3667:, p. 186. 3665:Westbrook 2013 3648: 3646:, p. 123. 3629: 3625:Westbrook 2013 3617: 3615:, p. 182. 3613:Westbrook 2013 3605: 3579: 3577:, p. 147. 3567: 3544: 3540:Westbrook 2013 3532: 3530:, p. 180. 3528:Westbrook 2013 3520: 3516:Westbrook 2013 3508: 3506:, p. 177. 3504:Westbrook 2013 3496: 3481: 3479:, p. 172. 3477:Westbrook 2013 3469: 3467:, p. 173. 3465:Westbrook 2013 3454: 3450:Westbrook 2013 3442: 3438:Westbrook 2013 3430: 3428:, p. 169. 3426:Westbrook 2013 3418: 3406: 3402:Westbrook 2013 3394: 3390:Westbrook 2013 3382: 3380:, p. 165. 3378:Westbrook 2013 3370: 3366:Westbrook 2013 3358: 3356:, p. 161. 3354:Westbrook 2013 3346: 3344:, p. 128. 3342:Westbrook 2013 3334: 3332:, p. 123. 3330:Westbrook 2013 3322: 3320:, p. 358. 3310: 3285: 3283:, p. 127. 3281:Westbrook 2013 3268: 3264:Westbrook 2013 3256: 3252:Westbrook 2013 3244: 3240:Westbrook 2013 3232: 3230:, p. 178. 3228:Westbrook 2013 3217: 3188: 3184:Westbrook 2013 3176: 3149: 3142: 3118: 3089: 3087:, p. 118. 3085:Westbrook 2013 3077: 3075:, p. 116. 3073:Westbrook 2013 3062: 3060:, p. 115. 3058:Westbrook 2013 3050: 3048:, p. 113. 3046:Westbrook 2013 3038: 3036:, p. 167. 3034:Westbrook 2013 3021: 3017:Westbrook 2013 3009: 3007:, p. 110. 3005:Westbrook 2013 2997: 2995:, p. 109. 2993:Westbrook 2013 2985: 2981:Westbrook 2013 2973: 2969:Westbrook 2013 2961: 2959:, p. 106. 2957:Westbrook 2013 2949: 2922: 2920:, p. 105. 2918:Westbrook 2013 2910: 2906:Westbrook 2013 2898: 2896:, p. 100. 2894:Westbrook 2013 2886: 2882:Westbrook 2013 2871: 2869:, p. 161. 2859: 2855:Westbrook 2013 2847: 2843:Westbrook 2013 2835: 2831:Westbrook 2013 2823: 2819:Westbrook 2013 2811: 2807:Westbrook 2013 2799: 2795:Westbrook 2013 2787: 2783:Westbrook 2013 2775: 2771:Westbrook 2013 2763: 2756: 2729: 2725:Westbrook 2013 2717: 2713:Westbrook 2013 2705: 2701:Westbrook 2013 2693: 2689:Westbrook 2013 2681: 2677:Westbrook 2013 2669: 2665:Westbrook 2013 2657: 2653:Westbrook 2013 2645: 2641:Westbrook 2013 2633: 2629:Westbrook 2013 2621: 2617:Westbrook 2013 2609: 2605:Westbrook 2013 2597: 2593:Westbrook 2013 2585: 2581:Westbrook 2013 2573: 2569:Westbrook 2013 2561: 2557:Westbrook 2013 2549: 2521: 2517:Westbrook 2013 2509: 2505:Westbrook 2013 2497: 2493:Westbrook 2013 2485: 2481:Westbrook 2013 2473: 2469:Westbrook 2013 2461: 2457:Westbrook 2013 2449: 2445:Westbrook 2013 2437: 2433:Westbrook 2013 2425: 2421:Westbrook 2013 2413: 2409:Westbrook 2013 2401: 2397:Westbrook 2013 2389: 2385:Westbrook 2013 2377: 2373:Westbrook 2013 2365: 2361:Westbrook 2013 2353: 2349:Westbrook 2013 2341: 2337:Westbrook 2013 2329: 2325:Westbrook 2013 2317: 2313:Westbrook 2013 2305: 2298: 2277: 2238: 2231: 2206: 2205: 2203: 2200: 2199: 2198: 2192: 2186: 2180: 2174: 2166: 2162:Still Standing 2158: 2150: 2142: 2134: 2126: 2123:Heart and Soul 2120: 2114: 2108: 2104:Mixed Emotions 2100: 2094: 2081: 2078: 2073:Main article: 2070: 2067: 2062: 2060: 2057: 2053: 2052: 2049: 2046: 2043: 2040: 2037: 2034: 2031: 2028: 2025: 2022: 2019: 2016: 2013: 2010: 2007: 2004: 1998: 1995: 1992: 1989: 1986: 1983: 1979: 1978: 1974: 1973: 1967: 1961: 1955: 1952: 1948: 1947: 1937: 1934: 1919:string section 1854:one-hit wonder 1849: 1848:Musical styles 1846: 1749:on all three. 1719:Beautiful Mess 1701: 1698: 1634:When She Cries 1628:. Produced by 1609: 1606: 1553:Still Standing 1544:Still Standing 1513: 1510: 1456:It's You Again 1424:Restless Heart 1378: 1371: 1316: 1310: 1182: 1172: 1127: 1124: 1116:Heart and Soul 1086: 1085: 1076: 1075: 1067: 1066: 1065: 1064: 1063: 1026:sound engineer 957: 943: 935:All Eyez on Me 923:Linda Clifford 919:Mixed Emotions 856:Mixed Emotions 848:Mixed Emotions 839:Mixed Emotions 774: 771: 733:blue-eyed soul 696: 693: 691: 688: 518: 515: 511:Wilson Pickett 503:the Beach Boys 403: 400: 388:Restless Heart 256: 255: 246: 242: 241: 238: 237: 231: 225: 224: 221: 220: 218: 217: 212: 207: 206:Steve Goetzman 204: 201: 195: 193: 189: 188: 185: 184: 179: 175: 174: 172: 171: 168: 163: 158: 153: 148: 143: 138: 133: 128: 123: 118: 114: 112: 108: 107: 96: 90: 89: 84: 80: 79: 70: 66: 65: 59: 55: 54: 51: 45: 44: 40: 39: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 5364: 5353: 5350: 5348: 5345: 5343: 5340: 5338: 5335: 5333: 5330: 5328: 5325: 5323: 5320: 5318: 5315: 5313: 5310: 5308: 5305: 5303: 5300: 5298: 5295: 5293: 5290: 5289: 5287: 5272: 5269: 5266: 5262: 5260: 5257: 5256: 5254: 5250: 5243: 5239: 5236: 5232: 5229: 5225: 5222: 5218: 5215: 5211: 5208: 5207:Just One Kiss 5204: 5201: 5197: 5194: 5190: 5187: 5183: 5180: 5176: 5173: 5169: 5166: 5162: 5159: 5155: 5152: 5148: 5145: 5141: 5138: 5134: 5131: 5127: 5124: 5120: 5117: 5113: 5110: 5106: 5103: 5099: 5098: 5096: 5092: 5086: 5085: 5084:Greatest Hits 5081: 5080: 5078: 5074: 5068: 5067: 5063: 5061: 5060: 5056: 5054: 5053: 5049: 5047: 5046: 5042: 5040: 5039: 5035: 5033: 5032: 5028: 5026: 5025: 5021: 5020: 5018: 5016:Studio albums 5014: 5008: 5005: 5004: 5001: 5000: 4999:Sonny LeMaire 4996: 4994: 4993: 4989: 4987: 4986: 4982: 4981: 4978: 4974: 4967: 4962: 4960: 4955: 4953: 4948: 4947: 4944: 4938: 4934: 4931: 4927: 4922: 4921: 4911: 4905: 4901: 4897: 4893: 4889: 4883: 4879: 4874: 4870: 4868:0-8230-7553-2 4864: 4860: 4855: 4854: 4838:September 20, 4834:. pp. 7E 4833: 4832: 4827: 4820: 4813: 4808: 4801: 4796: 4789: 4784: 4777: 4772: 4764: 4757: 4751: 4744: 4739: 4728:September 20, 4723: 4717: 4701: 4697: 4691: 4676: 4672: 4665: 4654:September 20, 4650: 4646: 4639: 4628:September 19, 4624: 4623: 4618: 4611: 4609: 4597:September 20, 4593: 4592: 4587: 4585: 4576: 4565:September 20, 4560: 4556: 4550: 4539:September 20, 4534: 4530: 4523: 4521: 4509:September 20, 4504: 4500: 4494: 4483:September 19, 4479: 4475: 4468: 4466: 4464: 4456: 4451: 4444: 4439: 4432: 4427: 4420: 4415: 4408: 4403: 4401: 4399: 4391: 4386: 4379: 4374: 4367: 4362: 4355: 4350: 4343: 4338: 4336: 4319: 4315: 4308: 4297:September 19, 4292: 4285: 4278: 4273: 4266: 4261: 4254: 4249: 4242: 4237: 4229: 4222: 4216: 4209: 4204: 4202: 4194: 4189: 4178:September 20, 4173: 4172: 4167: 4160: 4158: 4146:September 20, 4141: 4135: 4128: 4123: 4116: 4111: 4109: 4107: 4099: 4094: 4092: 4084: 4079: 4072: 4067: 4060: 4055: 4048:. p. 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Thomas 945:1978–1981: 834:Nicky Chinn 742:the Beatles 717:overdubbing 653:Tommy James 637:post office 578:Stoll Field 471:James Brown 396:Clay Walker 392:Diamond Rio 285:cover songs 263:, formerly 83:Discography 5286:Categories 5179:Super Love 4992:Les Taylor 4324:January 8, 4293:. AllMusic 3556:. AllMusic 2542:August 22, 2270:August 22, 2202:References 2097:Stage Pass 1970:Les Taylor 1838:the Isaacs 1747:Clay Mills 1534:Tim DuBois 1526:Lon Helton 1426:had with " 1414:Steely Dan 1381:Following 1342:Super Love 1294:Love Talks 1006:Les Taylor 1000:vocalists 807:Roadmaster 738:Stage Pass 713:Bill Traut 674:California 666:Buddy Buie 570:Dick Clark 535:Dick Clark 507:soul music 495:house band 277:Les Taylor 265:the Exiles 215:Les Taylor 170:Clearwater 166:Intersound 5007:Mark Gray 4478:Billboard 4228:Billboard 4221:"Reviews" 3491:Billboard 3298:Billboard 3106:Stereogum 2223:Routledge 2001:Mark Gray 1863:hard rock 1666:Pat Green 1650:Dollywood 1561:Billboard 1448:Billboard 1387:the Judds 1354:Billboard 1300:covered " 1261:Billboard 1252:Billboard 1214:Billboard 1160:Billboard 1054:soft rock 1047:Billboard 1022:the Knack 1002:Mark Gray 992:in 1985. 986:Jay Black 978:Billboard 970:hepatitis 941:in 1985. 911:Aerosmith 885:Billboard 880:Stereogum 875:Billboard 826:Mike Curb 801:Billboard 750:Jeff Beck 679:hard rock 463:sock hops 451:I'm a Nut 350:in 1984. 338:Billboard 319:Mark Gray 312:pop music 308:soft rock 302:Billboard 77:soft rock 5242:Even Now 4898:(2017). 4649:MusicRow 3593:MusicRow 3169:April 2, 3132:(1993). 2265:AllMusic 1861:, found 1586:Even Now 1502:mandolin 1348:", and " 1271:", and " 1095:(right). 899:such as 868:pop rock 684:bar band 289:Kentucky 178:Spinoffs 131:Columbia 121:Monument 5066:Justice 4763:Cashbox 4706:June 3, 2170:Justice 1946:Current 1872:Cashbox 1777:titled 1729:", and 1581:Justice 1567:" and " 1454:" and " 1434:), and 1359:rapping 1220:" and " 1166:" and " 1093:Alabama 1043:Alabama 1018:Blondie 966:nodules 927:sampled 803:Hot 100 703:-based 701:Chicago 632:Vietnam 606:drafted 527:ad-libs 402:History 372:Alabama 304:Hot 100 245:Website 192:Members 100: ( 73:Country 4906: 4884: 4865: 3140: 2754: 2296: 2229: 2197:(2023) 2191:(2021) 2185:(2019) 2179:(2016) 2173:(1991) 2165:(1990) 2157:(1987) 2149:(1985) 2141:(1984) 2133:(1983) 2125:(1981) 2119:(1980) 2113:(1979) 2107:(1978) 2099:(1973) 2093:(1973) 1977:Former 953:, and 866:, and 824:owner 727:, and 621:, and 426:, and 394:, and 382:, and 146:Warner 111:Labels 69:Genres 64:, U.S. 58:Origin 5031:Exile 4973:Exile 4933:Exile 4759:(PDF) 4700:Occhi 4224:(PDF) 2130:Exile 2091:Exile 1506:Dobro 1226:Exile 1204:Exile 1176:Exile 915:Heart 860:disco 792:disco 709:Exile 428:blues 328:Exile 261:Exile 250:exile 117:Jimbo 25:Exile 4937:IMDb 4904:ISBN 4882:ISBN 4863:ISBN 4840:2023 4730:2023 4708:2024 4682:2023 4656:2023 4630:2023 4599:2023 4567:2023 4541:2023 4511:2023 4485:2023 4326:2024 4299:2023 4180:2023 4148:2023 3896:2023 3823:2023 3773:2023 3716:2023 3689:2023 3600:2023 3562:2023 3305:2023 3212:2023 3171:2022 3138:ISBN 3113:2023 2944:2023 2752:ISBN 2544:2023 2294:ISBN 2272:2023 2227:ISBN 1903:and 1832:'s " 1814:Hits 1801:and 1785:'s " 1758:Fall 1745:and 1735:Fall 1733:'s " 1725:'s " 1656:for 1602:hook 1596:'s " 1504:and 1412:and 1344:", " 1340:", " 1336:", " 1267:", " 1178:and 1135:and 1056:and 1020:and 1004:and 933:'s " 913:and 864:funk 744:'s " 501:and 490:WLAC 486:demo 469:and 424:soul 420:jazz 310:and 252:.biz 233:See 156:Epic 151:Curb 141:Atco 126:Date 102:1963 98:1963 5235:Yet 4935:at 1721:", 1709:in 1636:". 1569:Yet 1281:CMT 929:on 686:". 580:in 541:in 480:in 5288:: 4828:. 4761:. 4698:. 4673:. 4647:. 4619:. 4607:^ 4588:. 4557:. 4531:. 4519:^ 4501:. 4476:. 4462:^ 4397:^ 4334:^ 4316:. 4226:. 4200:^ 4168:. 4156:^ 4105:^ 4090:^ 3886:. 3872:^ 3831:^ 3813:. 3763:. 3751:^ 3724:^ 3705:. 3680:. 3651:^ 3632:^ 3591:. 3457:^ 3296:. 3271:^ 3220:^ 3200:. 3160:. 3121:^ 3104:. 3092:^ 3065:^ 3024:^ 2934:. 2874:^ 2732:^ 2532:. 2280:^ 2263:. 2241:^ 2221:. 1844:. 1805:. 1696:. 1604:. 1109:. 949:, 870:. 862:, 723:, 617:, 438:. 422:, 398:. 390:, 378:, 374:, 314:. 75:, 5267:" 5263:" 5244:" 5240:" 5237:" 5233:" 5230:" 5226:" 5223:" 5219:" 5216:" 5212:" 5209:" 5205:" 5202:" 5198:" 5195:" 5191:" 5188:" 5184:" 5181:" 5177:" 5174:" 5170:" 5167:" 5163:" 5160:" 5156:" 5153:" 5149:" 5146:" 5142:" 5139:" 5135:" 5132:" 5128:" 5125:" 5121:" 5118:" 5114:" 5111:" 5107:" 5104:" 5100:" 4965:e 4958:t 4951:v 4912:. 4890:. 4871:. 4842:. 4732:. 4710:. 4684:. 4658:. 4632:. 4601:. 4586:" 4582:" 4569:. 4543:. 4513:. 4487:. 4328:. 4301:. 4182:. 4150:. 3898:. 3825:. 3775:. 3718:. 3691:. 3602:. 3564:. 3307:. 3214:. 3173:. 3146:. 3115:. 2946:. 2760:. 2546:. 2302:. 2274:. 2235:. 1764:. 1400:. 1114:" 572:. 104:)

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