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was produced when he was 20 years old. Unable to write these tragedies he conceived well and combined with a perfect understanding of the scene, he could not do without employees. Among the seventeen authors who were kind enough to work with him, several spirited men achieved many successes in the
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After his father died, Boirie became owner of the Théâtre des jeunes
Artistes, but was stripped of his ownership by the imperial decree that abolished many theaters. He then was the dramaturge for four years of the
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Biographie universelle, ancienne et moderne : revue bibliographique universelle, t. 4, Paris, Madame C. Desplaces, 1854, 700 p.
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212:(with Carmouche and Alphonse André Véran), melodrama in 3 acts, théâtre de la Porte-Saint-Martin, 3 October 1822
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After retiring from the théâtre de la Porte-Saint-Martin, Boirie died in a nursing home located in the
72:, real name Jean-Bernard-Eugène Cantiran de Boirie, (22 October 1785 – 14 December 1837) was a French
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in 3 acts and in prose, inspired by the Causes Célèbres, théâtre de la Gaité, 18 November 1815
138:(with P.-J.-A. Bonel), drama in 3 acts, théâtre de la Porte-Saint-Martin, 6 April 1815 :
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Boirie was the son of a chief clerk of the stewardship of Paris, who at the time of the
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160:), melodrama in 3 acts and in prose, théâtre de la Porte-Saint-Martin, December 1815
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226:) to celebrate the return of H.R.H. the duke of Angoulême, music by
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in 1 act, théâtre de la Porte-Saint-Martin, 14 February 1826
218:, tableau militaire in 2 acts (with Jean-Toussaint Merle,
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Jean sans peur, duc de
Bourgogne, ou le Pont de Montereau
230:, théâtre de la Porte-Saint-Martin, 15 December 1823
192:), théâtre de la Porte-Saint-Martin, 6 December 1821
206:, théâtre de la Porte-Saint-Martin, 23 March 1822
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83:, spent the remainder of his fortune buying the
210:Les Deux Forçats, ou la Meunière du Puy-de-Dôme
277:19th-century French dramatists and playwrights
164:Le Banc de sable, ou les Naufragés français
244:L'Oncle et le neveu, ou les Noms supposés
178:Chacun son numéro, ou le Petit Homme gris
140:La Marquise de Gange, ou Les Trois Frères
136:Storb et Verner, ou Les Suites d'un duel
103:, a position he lost at the time of the
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30:Jean-Bernard-Eugène Cantiran de Boirie
282:French theatre managers and producers
216:Les Invalides ou Cent ans de gloire
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113:théâtre de la Porte-Saint-Martin
1:
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236:(with Ferdinand Laloue and
190:Théodore Baudouin d'Aubigny
85:Théâtre des Jeunes-Artistes
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246:(with Pierre Tournemine),
202:), 3-acts melodrama after
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70:Eugène Cantiran de Boirie
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20:Eugène Cantiran de Boirie
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228:Louis Alexandre Piccinni
196:Le Château de Kenilworth
101:théâtre de l’Impératrice
126:neighborhood of Paris.
248:comédie en vaudevilles
182:comédie en vaudevilles
168:Frédéric Dupetit-Méré
115:, at t he request of
107:. In 1822, he became
172:Jean-Toussaint Merle
117:Jean-Toussaint Merle
292:Writers from Paris
238:Constant Ménissier
234:Le Commissionnaire
95:world of theater.
158:Léopold Chandezon
144:Léopold Chandezon
105:First Restoration
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224:Ferdinand Laloue
186:Pierre Carmouche
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47:14 December 1837
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184:in 1 act (with
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90:Boirie's first
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33:22 October 1785
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49:(1837-12-14)
302:1837 deaths
297:1785 births
287:Dramaturges
220:Henri Simon
271:Categories
109:dramaturge
81:Revolution
60:Occupation
148:melodrama
74:dramatist
63:Dramatist
255:Sources
130:Theatre
111:of the
198:(with
166:(with
156:(with
142:(with
54:Paris
37:Paris
222:and
170:and
92:play
44:Died
26:Born
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