863:
669:
22:
956:
938:
902:
94:
Surface characteristics of the
English Suites strongly resemble those of Bach's French Suites and Partitas, particularly in the sequential dance-movement structural organization and treatment of ornamentation. These suites also resemble the Baroque French keyboard suite typified by the generation of
920:
82:
for keyboard are thought to be the earliest set that Bach composed aside from several miscellaneous suites written when he was much younger. Bach's
English Suites display less affinity with Baroque English keyboard style than do the French Suites to French Baroque keyboard style. It has also been
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382:
This first suite is unusual in that it has two courantes and two doubles for the second courante. This suite also departs from the scheme of the other five, in that the prelude is short and based on a theme from a suite by
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837:
1107:
929:
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875:
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738:
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1305:
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58:) and generally thought to be the earliest of his 19 suites for keyboard (discounting several less well-known earlier suites), the others being the six
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138:
of French lute or keyboard style, however, Bach's preludes in the
English Suites are composed in strict meter.
106:
In the
English Suites especially, Bach's affinity with French lute music is demonstrated by his inclusion of a
1621:
1610:
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1252:
63:
1734:
651:(Gavottes I and II from English Suite No. 6, BWV 811, arr. Fernand Pollain; Naxos Historical 8.110915-16)
1855:
1741:
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for each suite, departing from an earlier tradition of German derivations of French suite (those of
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8:
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major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
635:
629:
623:
605:
515:
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395:
135:
1129:
557:
387:. The preludes of the other five suites in this series are based on the allegro of a
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are examples), which saw a relatively strict progression of the dance movements (
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43:
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1024:
List of compositions by Johann
Sebastian Bach printed during his lifetime
533:
115:
51:
21:
986:
849:
55:
1306:
Canonic
Variations on "Vom Himmel hoch da komm' ich her", BWV 769
193:
1052:
326:
188:
165:
127:
119:
170:
123:
542:(No. 3, Pearl, 1979; No. 2, Arbiter, 1984; No. 5, RCA Japan, 1987)
394:
The key sequence follows the same series of notes as the chorale "
256:
294:
871:
English Suite No. 3 in G minor, performed by Martha
Goldstein
202:
134:) and which did not typically feature a Prelude. Unlike the
131:
566:(Concord Concerto / Labor Records / Tomato Music, 1995–1996)
398:"; it is unestablished whether or not this is coincidental.
1042:
Nicholas Kenyon, "Bach: The Music": 'Bach 333' CD set, 2018
100:
1051:
Grove's
Dictionary of Music and Musicians, 5th ed., 1954,
39:
70:(BWV 831). They probably date from around 1713 or 1714.
16:
Collection of keyboard works by Johann
Sebastian Bach
87:, whose fame was greatest in England, and on whose
1220:Eight Short Preludes and Fugues, BWV 553–560
1837:
1778:Concerto transcriptions, BWV 592–596 and 972–987
1195:Fantasia and Fugue in G minor ("Great"), BWV 542
1185:Toccata and Fugue in D minor ("Dorian"), BWV 538
1678:Capriccio on the departure of a beloved brother
1248:Prelude (Toccata) and Fugue in E major, BWV 566
1215:Prelude and Fugue in E minor ("Wedge"), BWV 548
1253:Fantasia ("Pièce d'Orgue") in G major, BWV 572
1815:List of compositions by Johann Sebastian Bach
1234:Toccata, Adagio and Fugue in C major, BWV 564
1115:
677:English Suite No. 1 in A major, performed by
1820:List of fugal works by Johann Sebastian Bach
1009:Works for keyboard by Johann Sebastian Bach
548:(Nos. 2 & 3, Deutsche Grammophon, 1985)
1825:List of concertos by Johann Sebastian Bach
1122:
1108:
638:(Nos. 1, 3 & 5, Warner Classics, 2014)
572:(No. 3, Video Artists International, 1993)
506:(Nos. 2–4 & 6, Music & Arts, 1950)
99:, and the dance-suite tradition of French
91:Bach's English Suites were in part based.
1263:Passacaglia and Fugue in C minor, BWV 582
1156:Fugue in G minor, BWV 131a
1073:International Music Score Library Project
83:suggested that the name is a tribute to
20:
1838:
1617:Fantasia and Fugue in C minor, BWV 906
1229:Fantasia and Fugue in C minor, BWV 562
1180:Fantasia and Fugue in C minor, BWV 537
1383:Overture in the French style, BWV 831
1344:English Suites, BWV 806–811
1339:Inventions and Sinfonias, BWV 772–801
1239:Toccata and Fugue in D minor, BWV 565
1210:Prelude and Fugue in C minor, BWV 546
1205:Prelude and Fugue in B minor, BWV 544
1200:Prelude and Fugue in A minor, BWV 543
1190:Toccata and Fugue in F major, BWV 540
1175:Prelude and Fugue in D major, BWV 532
1170:Prelude and Fugue in C major, BWV 531
1103:
401:
1349:French Suites, BWV 812–817
1258:Fugue in G minor ("Little"), BWV 578
660:
632:(No. 6, Erato/Warner Classics, 2004)
149:
1321:Wo Gott der Herr nicht bei uns hält
554:(Decca, 1988, 2003 Live in Hungary)
13:
1671:Aria variata alla maniera italiana
1392:Well-Tempered Clavier, BWV 846–893
1096:(video and background information)
985:Problems playing these files? See
861:
848:Problems playing these files? See
667:
590:(No. 2, Deutsche Grammophon, 1979)
530:(No. 3, Deutsche Grammophon, 1975)
524:(Nos. 2 & 3, Andante, 1969–70)
518:(Nos. 1 & 4, Scribendum, 1965)
415:(No. 2, 3 & 5, Pearl, 1928–35)
14:
1867:
1062:
406:
970:
952:
934:
916:
898:
880:
833:
815:
797:
779:
761:
743:
725:
707:
689:
1846:Suites by Johann Sebastian Bach
1722:Prelude, Fugue and Allegro in E
1622:Toccatas, BWV 910–916
1354:Partitas, BWV 825–830
1290:Great Eighteen Chorale Preludes
463:(Archiv Produktion, 1974, 1990)
341:Suite No. 6 in D minor, BWV 811
309:Suite No. 5 in E minor, BWV 810
277:Suite No. 4 in F major, BWV 809
239:Suite No. 3 in G minor, BWV 808
210:Suite No. 2 in A minor, BWV 807
155:Suite No. 1 in A major, BWV 806
46:written by the German composer
1045:
1036:
1:
1029:
141:
1851:Compositions for harpsichord
1611:Chromatic Fantasia and Fugue
68:Overture in the French style
7:
1735:Prelude in C minor, BWV 999
1268:Concertos, BWV 592–597
1002:
642:
497:
10:
1872:
1785:KlavierbĂĽchlein W. F. Bach
1742:Fugue in G minor, BWV 1000
1642:Harpsichord solo concertos
1014:French Suites, BWV 812-817
73:
42:806–811, are a set of six
1810:
1751:
1715:Suite in C minor, BWV 997
1700:Suite in E minor, BWV 996
1695:Suite in G minor, BWV 995
1687:
1331:
1148:
475:(Archiv Production, 1992)
421:(Archiv Produktion, 1956)
1765:: Prelude and Fugue in E
1299:Sei gegrĂĽĂźet, Jesu gĂĽtig
1094:Netherlands Bach Society
655:
445:(Supraphon/Eterna, 1981)
89:Six Suittes de clavessin
1630:, BWV 933–938
276:
62:(BWV 812–817), the six
1800:Twelve Little Preludes
1092:: performances by the
948:V–VI. Gavotte I and II
866:
811:VIII. Bourrée I and II
672:
626:(No. 6, Accord, 1996))
493:(Simax Classics, 2014)
469:(Music&Arts, 1993)
439:(Harmonia Mundi, 1981)
112:Johann Jakob Froberger
97:Jean-Henri d'Anglebert
66:(BWV 825-830) and the
29:
1141:Johann Sebastian Bach
1019:Partitas, BWV 825-830
865:
671:
578:(Sony Classics, 1997)
540:Mieczysław Horszowski
536:(Columbia/Sony, 1977)
427:(EMI Electrola, 1959)
48:Johann Sebastian Bach
27:Johann Sebastian Bach
24:
1314:, BWV 1090–1120
1165:Sonatas, BWV 525–530
481:(Musica Omnia, 1997)
451:(Saphir/Disky, 1982)
449:Christiane Jaccottet
433:(Murray Hill, 1970 )
146:The six suites are:
95:composers including
1792:Notebook A. M. Bach
1648:Goldberg Variations
1628:Six Little Preludes
1312:Neumeister chorales
1090:English Suite No. 4
1086:English Suite No. 3
1082:English Suite No. 2
1078:English Suite No. 1
564:JoĂŁo Carlos Martins
136:unmeasured preludes
1292:, BWV 651–668
1284:, BWV 645–650
1276:, BWV 599–644
1130:Compositions for
867:
673:
636:Piotr Anderszewski
630:Piotr Anderszewski
624:Piotr Anderszewski
606:Sviatoslav Richter
516:Tatiana Nikolayeva
510:Alexander Borovsky
402:Notable recordings
396:Jesu, meine Freude
103:that preceded it.
30:
1856:1715 compositions
1833:
1832:
1763:Clavier-Ăśbung III
1708:
1664:
1657:
1602:
1600:No. 24 in B minor
1595:
1582:
1569:
1556:
1554:No. 12 in F minor
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1542:
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1522:
1509:
1502:
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1462:No. 16 in G minor
1457:
1455:No. 10 in E minor
1450:
1437:
1424:
1411:
1404:
1376:
1369:
1362:
1319:Chorale fantasia
1282:SchĂĽbler Chorales
1244:
1225:
1161:
1136:keyboard and lute
999:
998:
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957:
939:
921:
903:
885:
838:
820:
802:
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730:
712:
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612:Vladimir Feltsman
419:Ralph Kirkpatrick
379:
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1636:Italian Concerto
1598:
1592:
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1579:
1578:
1572:
1566:
1565:
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1552:
1547:No. 6 in D minor
1545:
1540:No. 5 in D major
1538:
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1531:
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1519:
1518:
1512:
1507:No. 2 in C minor
1505:
1500:No. 1 in C major
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1409:No. 2 in C minor
1407:
1402:No. 1 in C major
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1365:
1358:
1297:Chorale partita
1242:
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1117:
1110:
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1100:
1071:: Scores at the
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749:
732:
731:
714:
713:
696:
695:
679:Martha Goldstein
670:
661:
602:(Hyperion, 2003)
584:(Hänssler, 1999)
504:Walter Gieseking
461:Huguette Dreyfus
455:Gustav Leonhardt
443:Zuzana Růžičková
150:
85:Charles Dieupart
1871:
1870:
1866:
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1836:
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1713:
1683:
1662:Gould recording
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979:
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741:
739:IV. Courante II
735:
734:
733:
726:
723:
721:III. Courante I
717:
716:
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705:
699:
698:
697:
690:
687:
681:
674:
668:
658:
645:
608:, (Delos, 2004)
588:Martha Argerich
558:Wolfgang RĂĽbsam
522:Friedrich Gulda
500:
485:Pascal Dubreuil
437:Kenneth Gilbert
413:Wanda Landowska
409:
404:
389:concerto grosso
380:
370:
342:
338:
310:
306:
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240:
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207:
156:
144:
76:
17:
12:
11:
5:
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1738:
1731:
1728:major, BWV 998
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1126:
1119:
1112:
1104:
1098:
1097:
1075:
1069:English Suites
1064:
1063:External links
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796:
793:VII. Sarabande
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627:
621:
615:
614:(Nimbus, 2005)
609:
603:
597:
591:
585:
579:
576:Murray Perahia
573:
570:Rosalyn Tureck
567:
561:
555:
549:
543:
537:
531:
528:Wilhelm Kempff
525:
519:
513:
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496:
495:
494:
491:Ketil Haugsand
488:
482:
479:Peter Watchorn
476:
473:Trevor Pinnock
470:
464:
458:
457:(Virgin, 1984)
452:
446:
440:
434:
431:Martin Galling
428:
422:
416:
408:
407:On harpsichord
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35:English Suites
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1449:
1439:
1436:
1426:
1423:
1413:
1410:
1406:
1403:
1399:
1398:
1396:
1394:
1393:
1389:
1388:
1385:
1384:
1380:
1375:
1371:
1368:
1364:
1361:
1357:
1356:
1355:
1352:
1350:
1347:
1345:
1342:
1340:
1337:
1336:
1334:
1330:
1324:
1322:
1317:
1315:
1313:
1309:
1307:
1304:
1302:
1300:
1295:
1293:
1291:
1287:
1285:
1283:
1279:
1277:
1275:
1274:OrgelbĂĽchlein
1271:
1269:
1266:
1264:
1261:
1259:
1256:
1254:
1251:
1249:
1246:
1240:
1237:
1235:
1232:
1230:
1227:
1221:
1218:
1216:
1213:
1211:
1208:
1206:
1203:
1201:
1198:
1196:
1193:
1191:
1188:
1186:
1183:
1181:
1178:
1176:
1173:
1171:
1168:
1166:
1163:
1157:
1154:
1153:
1151:
1147:
1142:
1137:
1133:
1125:
1120:
1118:
1113:
1111:
1106:
1105:
1102:
1095:
1091:
1087:
1083:
1079:
1076:
1074:
1070:
1067:
1066:
1054:
1048:
1039:
1035:
1025:
1022:
1020:
1017:
1015:
1012:
1010:
1007:
1006:
995:
990:
988:
967:
949:
931:
930:IV. Sarabande
913:
912:III. Courante
895:
894:II. Allemande
877:
857:
853:
851:
830:
812:
794:
776:
775:VI. Double II
758:
740:
722:
704:
703:II. Allemande
686:
680:
663:
662:
650:
647:
646:
637:
634:
631:
628:
625:
622:
620:(Decca, 2012)
619:
618:Ramin Bahrami
616:
613:
610:
607:
604:
601:
600:Angela Hewitt
598:
595:
592:
589:
586:
583:
580:
577:
574:
571:
568:
565:
562:
560:(Naxos, 1995)
559:
556:
553:
552:András Schiff
550:
547:
546:Ivo Pogorelić
544:
541:
538:
535:
532:
529:
526:
523:
520:
517:
514:
511:
508:
505:
502:
501:
492:
489:
487:(Ramée, 2013)
486:
483:
480:
477:
474:
471:
468:
465:
462:
459:
456:
453:
450:
447:
444:
441:
438:
435:
432:
429:
426:
425:Helmut Walcha
423:
420:
417:
414:
411:
410:
399:
397:
392:
390:
386:
375:
366:
363:
360:
357:
354:
351:
348:
345:
344:
340:
334:
331:
328:
325:
322:
319:
316:
313:
312:
308:
302:
299:
296:
293:
290:
287:
284:
281:
280:
274:
273:
272:
264:
261:
258:
255:
252:
249:
246:
243:
242:
238:
232:
229:
226:
223:
220:
217:
214:
213:
209:
204:
201:
198:
195:
192:
190:
187:
184:
181:
178:
175:
172:
169:
167:
164:
162:
159:
158:
154:
153:
152:
151:
147:
139:
137:
133:
129:
125:
121:
117:
113:
109:
104:
102:
98:
92:
90:
86:
81:
71:
69:
65:
61:
60:French Suites
57:
53:
49:
45:
41:
37:
36:
28:
23:
19:
1798:
1762:
1676:
1669:
1646:
1634:
1627:
1609:
1390:
1381:
1343:
1320:
1311:
1298:
1289:
1281:
1273:
1047:
1038:
993:
984:
847:
649:Pablo Casals
596:(Void, 2000)
582:Robert Levin
467:Colin Tilney
393:
381:
373:
332:Passepied II
145:
105:
93:
88:
77:
34:
33:
31:
25:Portrait of
18:
1754:collections
1655:discography
1587:No. 22 in B
1574:No. 18 in G
1561:No. 13 in F
1482:No. 22 in B
1469:No. 21 in B
757:V. Double I
594:Ivo Janssen
534:Glenn Gould
512:(Vox, 1952)
176:Courante II
116:Georg Boehm
52:harpsichord
1840:Categories
1527:No. 4 in C
1514:No. 3 in C
1442:No. 7 in E
1429:No. 4 in C
1416:No. 3 in C
1323:, BWV 1128
1243:(doubtful)
1224:(doubtful)
1160:(doubtful)
1030:References
987:media help
966:VII. Gigue
876:I. Prelude
850:media help
685:I. Prelude
364:Gavotte II
262:Gavotte II
230:Bourrée II
199:Bourrée II
142:The suites
78:These six
56:clavichord
1301:, BWV 768
1053:Eric Blom
829:IX. Gigue
361:Gavotte I
355:Sarabande
349:Allemande
327:Passepied
323:Sarabande
317:Allemande
300:Menuet II
291:Sarabande
285:Allemande
253:Sarabande
247:Allemande
227:Bourrée I
224:Sarabande
218:Allemande
189:Sarabande
185:Double II
166:Allemande
128:Sarabande
120:Allemande
101:lutenists
1768:♭
1725:♭
1590:♭
1577:♯
1564:♯
1530:♯
1517:♯
1485:♭
1472:♭
1445:♭
1432:♯
1419:♯
1332:Keyboard
1003:See also
643:On cello
498:On piano
385:Dieupart
352:Courante
320:Courante
288:Courante
250:Courante
221:Courante
171:Courante
124:Courante
64:Partitas
1706:Bourrée
1495:Book 2
1397:Book 1
346:Prelude
314:Prelude
282:Prelude
257:Gavotte
244:Prelude
215:Prelude
194:Bourrée
161:Prelude
108:prelude
74:History
1241:
1222:
1158:
994:
391:form.
374:
358:Double
295:Menuet
180:Double
80:suites
44:suites
1752:Mixed
1593:minor
1580:minor
1567:major
1533:minor
1520:major
1488:minor
1475:major
1448:major
1435:minor
1422:major
1374:No. 6
1367:No. 4
1360:No. 2
1149:Organ
1132:organ
1055:, ed.
656:Media
367:Gigue
335:Gigue
303:Gigue
265:Gigue
233:Gigue
203:Gigue
132:Gigue
1688:Lute
1088:and
130:and
114:and
54:(or
50:for
32:The
1138:by
40:BWV
1842::
1134:,
1084:,
1080:,
126:,
122:,
38:,
1123:e
1116:t
1109:v
989:.
852:.
329:I
297:I
259:I
196:I
182:I
173:I
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