Emily Dickinson - Knowledge

6385: 485:, about ten miles (16 km) from Amherst. She stayed at the seminary for only ten months. Although she liked the girls at Mount Holyoke, Dickinson made no lasting friendships there. The explanations for her brief stay at Mount Holyoke differ considerably: either she was in poor health, her father wanted to have her at home, she rebelled against the evangelical fervor present at the school, she disliked the discipline-minded teachers, or she was simply homesick. Whatever the reasons for leaving Mount Holyoke, her brother Austin appeared on March 25, 1848, to "bring home at all events". Back in Amherst, Dickinson occupied her time with household activities. She took up baking for the family and enjoyed attending local events and activities in the budding college town. 581: 1123:

unconscious late into the night and weeks of ill health followed. On November 30, 1885, her feebleness and other symptoms were so worrying that Austin canceled a trip to Boston. She was confined to her bed for a few months, but managed to send a final burst of letters in the spring. What is thought to be her last letter was sent to her cousins, Louise and Frances Norcross, and simply read: "Little Cousins, Called Back. Emily". On May 15, 1886, after several days of worsening symptoms, Emily Dickinson died at the age of 55. Austin wrote in his diary that "the day was awful ... she ceased to breathe that terrible breathing just before the whistle sounded for six." Dickinson's chief physician gave the cause of death as

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print. She assured him that publishing was as foreign to her "as Firmament to Fin", but also proposed that "If fame belonged to me, I could not escape her". Dickinson delighted in dramatic self-characterization and mystery in her letters to Higginson. She said of herself, "I am small, like the wren, and my hair is bold, like the chestnut bur, and my eyes like the sherry in the glass that the guest leaves." She stressed her solitary nature, saying her only real companions were the hills, the sundown, and her dog, Carlo. She also mentioned that whereas her mother did not "care for Thought", her father bought her books, but begged her "not to read them – because he fears they joggle the Mind".

68: 1611:: Dickinson left a large number of poems addressed to "Signor", "Sir" and "Master", who is characterized as Dickinson's "lover for all eternity". These confessional poems are often "searing in their self-inquiry" and "harrowing to the reader" and typically take their metaphors from texts and paintings of Dickinson's day. The Dickinson family themselves believed these poems were addressed to actual individuals; scholars frequently reject this view. Farr, for example, contends that the Master is an unattainable composite figure, "human, with specific characteristics, but godlike" and speculates that Master may be a "kind of Christian muse". 1563:

critiqued it for deviating from the style and layout of Dickinson's manuscripts. Meaningful distinctions, these scholars assert, can be drawn from varying lengths and angles of dash, and differing arrangements of text on the page. Several volumes have attempted to render Dickinson's handwritten dashes using many typographic symbols of varying length and angle. R. W. Franklin's 1998 variorum edition of the poems provided alternate wordings to those chosen by Johnson, in a more limited editorial intervention. Franklin also used typeset dashes of varying length to approximate the manuscripts' dashes more closely.

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the imagery is darker and forbidding—castles or prisons, complete with corridors and rooms—to create a dwelling place of "oneself" where one resides with one's other selves. An example that brings together many of these ideas is: "Me from Myself – to banish – / Had I Art – / Impregnable my Fortress / Unto All Heart – / But since myself—assault Me – / How have I peace / Except by subjugating / Consciousness. / And since We're mutual Monarch / How this be / Except by Abdication – / Me – of Me?".

667: 707:, and his wife Mary. They visited the Dickinsons regularly for years to come. During this time Dickinson sent him over three dozen letters and nearly fifty poems. Their friendship brought out some of her most intense writing and Bowles published a few of her poems in his journal. It was from 1858 to 1861 that Dickinson is believed to have written a trio of letters that have been called "The Master Letters". These three letters, drafted to an unknown man simply referred to as "Master", continue to be the subject of speculation and contention amongst scholars. 1638:: Throughout her life, Dickinson wrote poems reflecting a preoccupation with the teachings of Jesus Christ and, indeed, many are addressed to him. She stresses the Gospels' contemporary pertinence and recreates them, often with "wit and American colloquial language". Scholar Dorothy Oberhaus finds that the "salient feature uniting Christian poets ... is their reverential attention to the life of Jesus Christ" and contends that Dickinson's deep structures place her in the "poetic tradition of Christian devotion" alongside 1980: 686:

some little act, which I might forget, should I run away – Mother is much as usual. I Know not what to hope of her". As her mother continued to decline, Dickinson's domestic responsibilities weighed more heavily upon her and she confined herself within the Homestead. Forty years later, Lavinia said that because their mother was chronically ill, one of the daughters had to remain always with her. Dickinson took this role as her own, and "finding the life with her books and nature so congenial, continued to live it".

1680: 1778:—appraised the significance of Dickinson's poetry. As critic Roland Hagenbüchle pointed out, their "affirmative and prohibitive tenets turned out to be of special relevance to Dickinson scholarship". Blackmur, in an attempt to focus and clarify the major claims for and against the poet's greatness, wrote in a landmark 1937 critical essay: "... she was a private poet who wrote as indefatigably as some women cook or knit. Her gift for words and the cultural predicament of her time drove her to poetry instead of 1965: 273: 2221:, who is a distant cousin of Dickinson, described a category of her lyrics and songwriting, affectionally titled "quill pen songs", that are in part inspired by the likes of Dickinson. She stated, "if my lyrics sound like a letter written by Emily Dickinson's great-grandmother while sewing a lace curtain, that's me writing in the Quill genre. I will give you an example from one of my songs I'd categorize as Quill." The aforementioned song, "Ivy", was used in an episode of the Apple TV+ series, 1100: 1400:, was able to date only five of Dickinson's poems as written before 1858. Two of these are mock valentines done in an ornate and humorous style, two others are conventional lyrics, one of which is about missing her brother Austin, and the fifth poem, which begins "I have a Bird in spring", conveys her grief over the feared loss of friendship and was sent to her friend Susan Gilbert. In 1858, Dickinson began to collect her poems in the small hand-sewn books she called fascicles. 1617:: Dickinson's poems reflect her "early and lifelong fascination" with illness, dying and death. Perhaps surprisingly for a New England spinster, her poems allude to death by many methods: "crucifixion, drowning, hanging, suffocation, freezing, premature burial, shooting, stabbing and guillotinage". She reserved her sharpest insights into the "death blow aimed by God" and the "funeral in the brain", often reinforced by images of thirst and starvation. Dickinson scholar 1697:, the poetry received mixed reviews after it was first published in 1890. Higginson himself stated in his preface to the first edition of Dickinson's published work that the poetry's quality "is that of extraordinary grasp and insight", albeit "without the proper control and chastening" that the experience of publishing during her lifetime might have conferred. His judgment that her opus was "incomplete and unsatisfactory" would be echoed in the essays of the 1312: 1996: 1115:". Austin distanced himself from his family as his affair continued and his wife became sick with grief. Dickinson's mother died on November 14, 1882. Five weeks later, Dickinson wrote, "We were never intimate ... while she was our Mother – but Mines in the same Ground meet by tunneling and when she became our Child, the Affection came." The next year, Austin and Susan's third and youngest child, Gilbert—Emily's favorite—died of 592:. Dickinson eventually sent her over three hundred letters, more than to any other correspondent, over the course of their relationship. Susan was supportive of the poet, playing the role of "most beloved friend, influence, muse, and adviser" whose editorial suggestions Dickinson sometimes followed. In an 1882 letter to Susan, Dickinson said, "With the exception of Shakespeare, you have told me of more knowledge than any one living." 2355: 1179: 935:

in 1870 that they met. Later he referred to her, in the most detailed and vivid physical account of her on record, as "a little plain woman with two smooth bands of reddish hair ... in a very plain & exquisitely clean white piqué & a blue net worsted shawl." He also felt that he never was "with any one who drained my nerve power so much. Without touching her, she drew from me. I am glad not to live near her."

439:. Daniel Taggart Fiske, the school's principal at the time, would later recall that Dickinson was "very bright" and "an excellent scholar, of exemplary deportment, faithful in all school duties". Although she took a few terms off due to illness—the longest of which was in 1845–1846, when she was enrolled for only eleven weeks—she enjoyed her strenuous studies, writing to a friend that the academy was "a very fine school". 1605:. Farr notes that one of Dickinson's earlier poems, written about 1859, appears to "conflate her poetry itself with the posies": "My nosegays are for Captives – / Dim – long expectant eyes – / Fingers denied the plucking, / Patient till Paradise – / To such, if they sh'd whisper / Of morning and the moor – / They bear no other errand, / And I, no other prayer". 6404: 923:

and when she was, she was usually clothed in white. Dickinson's one surviving article of clothing is a white cotton dress, possibly sewn circa 1878–1882. Few of the locals who exchanged messages with Dickinson during her last fifteen years ever saw her in person. Austin and his family began to protect Dickinson's privacy, deciding that she was not to be a subject of discussion with outsiders.

1406:: This was her most creative period, and these poems represent her most vigorous and creative work. Her poetic production also increased dramatically during this period. Johnson estimated that she composed 35 poems in 1860, 86 poems in 1861, 366 in 1862, 141 in 1863, and 174 in 1864. It was during this period that Dickinson fully developed her themes concerning nature, life, and mortality. 1083:(1877). Dickinson wrote, "While others go to Church, I go to mine, for are you not my Church, and have we not a Hymn that no one knows but us?" She referred to him as "My lovely Salem" and they wrote to each other religiously every Sunday. Dickinson looked forward to this day greatly; a surviving fragment of a letter written by her states that "Tuesday is a deeply depressed Day". 1047:, in 1872 or 1873 became an acquaintance of Dickinson's. After the death of Lord's wife in 1877, his friendship with Dickinson probably became a late-life romance, though as their letters were destroyed, this is surmised. Dickinson found a kindred soul in Lord, especially in terms of shared literary interests; the few letters that survived contain multiple quotations of 2341: 1650:. In a Nativity poem, Dickinson combines lightness and wit to revisit an ancient theme: "The Savior must have been / A docile Gentleman – / To come so far so cold a Day / For little Fellowmen / The Road to Bethlehem / Since He and I were Boys / Was leveled, but for that twould be / A rugged billion Miles –". 1806:(1976) that Dickinson's identity as a woman poet brought her power: " chose her seclusion, knowing she was exceptional and knowing what she needed ... She carefully selected her society and controlled the disposal of her time ... neither eccentric nor quaint; she was determined to survive, to use her powers, to practice necessary economics." 465:

alone with the great God & to feel that he would listen to my prayers." The experience did not last: Dickinson never made a formal declaration of faith and attended services regularly for only a few years. After her church-going ended, about 1852, she wrote a poem opening: "Some keep the Sabbath going to Church – I keep it, staying at Home".

1949:'s Special Collections department has an Emily Dickinson Collection consisting of approximately seven thousand items, including original manuscript poems and letters, family correspondence, scholarly articles and books, newspaper clippings, theses, plays, photographs and contemporary artwork and prints. The Archives and Special Collections at 880:

corresponded until her death, but her difficulty in expressing her literary needs and a reluctance to enter into a cooperative exchange left Higginson nonplussed; he did not press her to publish in subsequent correspondence. Dickinson's own ambivalence on the matter militated against the likelihood of publication. Literary critic

844: 1134:, ending it with four lines from one of Dickinson's poems: "Morns like these, we parted; Noons like these, she rose; Fluttering first, then firmer, To her fair repose." Lavinia was perfectly satisfied that Susan should arrange everything, knowing it would be done lovingly. Dickinson was buried, laid in a white coffin with 596:

relationship with her lover's wife. However, the notion of a "cruel" Susan—as promoted by her romantic rival—has been questioned, most especially by Dickinson's nieces and nephews (Susan and Austin's surviving children), with whom Dickinson was close. Many scholars interpret the relationship between Emily and Susan as a

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place this at "the interface of murder and suicide". Death and morbidity in Dickinson's poetry is also heavily connected to winter themes. Critic Edwin Folsom analyzes how "winter for Dickinson is the season that forces reality, that strips all hope of transcendence. It is a season of death and a metaphor for death".

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considers these references an autobiographical reflection of Dickinson's "thirsting-starving persona", an outward expression of her needy self-image as small, thin and frail. Dickinson's most psychologically complex poems explore the theme that the loss of hunger for life causes the death of self and

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When Higginson urged her to come to Boston in 1868 so they could formally meet for the first time, she declined, writing: "Could it please your convenience to come so far as Amherst I should be very glad, but I do not cross my Father's ground to any House or town". It was not until he came to Amherst

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Despite her physical seclusion, Dickinson was socially active and expressive through what makes up two-thirds of her surviving notes and letters. When visitors came to either the Homestead or the Evergreens, she would often leave or send over small gifts of poems or flowers. Dickinson also had a good

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titled, "Letter to a Young Contributor". Higginson's essay, in which he urged aspiring writers to "charge your style with life", contained practical advice for those wishing to break into print. Dickinson's decision to contact Higginson suggests that by 1862 she was contemplating publication and that

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The first half of the 1860s, after she had largely withdrawn from social life, proved to be Dickinson's most productive writing period. Modern scholars and researchers are divided as to the cause for Dickinson's withdrawal and extreme seclusion. While she was diagnosed as having "nervous prostration"

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and his wife and frequently corresponded with them. She was a guest at their Springfield home on numerous occasions. Dickinson sent more than ninety letters to the Hollands between 1853 and 1886 in which she shares “the details of life that one would impart to a close family member: the status of the

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Susie, will you indeed come home next Saturday, and be my own again, and kiss me as you used to? (...) I hope for you so much and feel so eager for you, feel that I cannot wait, feel that now I must have you—that the expectation once more to see your face again, makes me feel hot and feverish, and my

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When she was eighteen, Dickinson's family befriended a young attorney by the name of Benjamin Franklin Newton. According to a letter written by Dickinson after Newton's death, he had been "with my Father two years, before going to Worcester – in pursuing his studies, and was much in our family".

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considers that Dickinson saw the mind and spirit as tangible visitable places and that for much of her life she lived within them. Often, this intensely private place is referred to as the "undiscovered continent" and the "landscape of the spirit" and embellished with nature imagery. At other times,

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s punctuation renders "her lines more commonplace". With the increasingly close focus on Dickinson's structures and syntax has come a growing appreciation that they are "aesthetically based". Although Johnson's landmark 1955 edition of poems was relatively unaltered from the original, later scholars

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brought all of Dickinson's known poems together for the first time. Johnson's goal was to present the poems very nearly as Dickinson had left them in her manuscripts. They were untitled, only numbered in an approximate chronological sequence, strewn with dashes and irregularly capitalized, and often

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On June 16, 1874, while in Boston, Edward Dickinson suffered a stroke and died. When the simple funeral was held in the Homestead's entrance hall, Dickinson stayed in her room with the door cracked open. Neither did she attend the memorial service on June 28. She wrote to Higginson that her father's

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From the mid-1850s, Dickinson's mother became effectively bedridden with various chronic illnesses until she died in 1882. Writing to a friend in the summer of 1858, Dickinson said she would visit if she could leave "home, or mother. I do not go out at all, lest father will come and miss me, or miss

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took place in Amherst, resulting in 46 confessions of faith among Dickinson's peers. Dickinson wrote to a friend the following year: "I never enjoyed such perfect peace and happiness as the short time in which I felt I had found my Savior." She went on to say it was her "greatest pleasure to commune

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edited jointly by Mabel Loomis Todd and T. W. Higginson, appeared in November 1890. Although Todd claimed that only essential changes were made, the poems were extensively edited to match punctuation and capitalization to late 19th-century standards, with occasional rewordings to reduce Dickinson's

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As death succeeded death, Dickinson found her world upended. In the fall of 1884, she wrote, "The Dyings have been too deep for me, and before I could raise my Heart from one, another has come." That summer she had seen "a great darkness coming" and fainted while baking in the kitchen. She remained

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Around this time, Dickinson's behavior began to change. She did not leave the Homestead unless it was absolutely necessary, and as early as 1867, she began to talk to visitors from the other side of a door rather than speaking to them face to face. She acquired local notoriety; she was rarely seen,

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On September 7, 1840, Dickinson and her sister Lavinia started together at Amherst Academy, a former boys' school that had opened to female students just two years earlier. At about the same time, her father purchased a house on North Pleasant Street. Dickinson's brother Austin later described this

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has substantial holdings of Dickinson's manuscripts and letters as well as a lock of Dickinson's hair and the original of the only positively identified image of the poet. In 1965, in recognition of Dickinson's growing stature as a poet, the Homestead was purchased by Amherst College. It opened to

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Some scholars question the poet's sexuality, theorizing that the numerous letters and poems that were dedicated to Susan Gilbert Dickinson indicate a lesbian romance, and speculating about how this may have influenced her poetry. Critics such as John Cody, Lillian Faderman, Vivian R. Pollak, Paula

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created greater cultural sympathy for her as a female poet. In the first collection of critical essays on Dickinson from a feminist perspective, she is heralded as the greatest woman poet in the English language. Biographers and theorists of the past tended to separate Dickinson's roles as a woman

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system. The Homestead garden was well known and admired locally in its time. It has not survived, but efforts to revive it have begun. Dickinson kept no garden notebooks or plant lists, but a clear impression can be formed from the letters and recollections of friends and family. Her niece, Martha

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notes that Dickinson, during her lifetime, "was known more widely as a gardener, perhaps, than as a poet". Dickinson studied botany from the age of nine and, along with her sister, tended the garden at Homestead. During her lifetime, she assembled a collection of pressed plants in a sixty-six-page

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Dickinson valued his advice, going from calling him "Mr. Higginson" to "Dear friend" as well as signing her letters, "Your Gnome" and "Your Scholar". His interest in her work certainly provided great moral support; many years later, Dickinson told Higginson that he had saved her life in 1862. They

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Dickinson attended primary school in a two-story building on Pleasant Street. Her education was "ambitiously classical for a Victorian girl". Wanting his children to be well-educated, her father followed their progress even while away on business. When Dickinson was seven, he wrote home, reminding

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Emily Dickinson is now considered a powerful and persistent figure in American culture. Although much of the early reception concentrated on Dickinson's eccentric and secluded nature, she has become widely acknowledged as an innovative, proto-modernist poet. As early as 1891, William Dean Howells

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This highly nuanced and largely theatrical letter was unsigned, but she had included her name on a card and enclosed it in an envelope, along with four of her poems. He praised her work but suggested that she delay publishing until she had written longer, being unaware she had already appeared in

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In early 1850, Dickinson wrote, "Amherst is alive with fun this winter ... Oh, a very great town this is!" Her high spirits soon turned to melancholy after another death. The Amherst Academy principal, Leonard Humphrey, died suddenly of "brain congestion" at age 25. Two years after his death, she

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Although Dickinson was a prolific writer, her only publications during her lifetime were 10 of her nearly 1,800 poems and one letter. The poems published then were usually edited significantly to fit conventional poetic rules. Her poems were unique for her era; they contain short lines, typically

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was published. Using the physical evidence of the original papers, the poems were intended to be published in their original order for the first time. Editor Ralph W. Franklin relied on smudge marks, needle punctures and other clues to reassemble the poet's packets. Since then, many critics have

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Despite Dickinson's prolific writing, only ten poems and a letter were published during her lifetime. After her younger sister Lavinia discovered the collection of nearly 1,800 poems, Dickinson's first volume was published four years after her death. Until Thomas H. Johnson published Dickinson's

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In direct opposition to the immense productivity that she displayed in the early 1860s, Dickinson wrote fewer poems in 1866. Beset with personal loss as well as loss of domestic help, Dickinson may have been too overcome to keep up her previous level of writing. Carlo died during this time after

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kept her promise and burned most of the poet's correspondence. Significantly though, Dickinson had left no instructions about the 40 notebooks and loose sheets gathered in a locked chest. Lavinia recognized the poems' worth and became obsessed with seeing them published. She turned first to her

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While Dickinson consistently described her father warmly, her correspondence suggests that her mother was regularly cold and aloof. In a letter to a confidante, Dickinson wrote she "always ran Home to Awe when a child, if anything befell me. She was an awful Mother, but I liked her better than

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The importance of Dickinson's relationship with Susan Gilbert has widely been overlooked due to a point of view first promoted by Mabel Loomis Todd, who was involved for many years in a relationship with Austin Dickinson and who diminished Gilbert's role in Dickinson's life due to her own poor

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By all accounts, young Dickinson was a well-behaved girl. On an extended visit to Monson when she was two, Dickinson's Aunt Lavinia described her as "perfectly well and contented—She is a very good child and but little trouble." Dickinson's aunt also noted the girl's affinity for music and her

509:, he wrote to her, saying he would like to live until she achieved the greatness he foresaw. Biographers believe that Dickinson's statement of 1862—"When a little Girl, I had a friend, who taught me Immortality – but venturing too near, himself – he never returned"—refers to Newton. 219:

before returning to her family's home in Amherst. Evidence suggests that Dickinson lived much of her life in isolation. Considered an eccentric by locals, she developed a penchant for white clothing and was known for her reluctance to greet guests or, later in life, even to leave her bedroom.

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Late 20th-century scholars are "deeply interested" in Dickinson's highly individual use of punctuation and lineation (line lengths and line breaks). Following the publication of one of the few poems that appeared in her lifetime—"A Narrow Fellow in the Grass", published as "The Snake" in

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Although Dickinson's acquaintances were most likely aware of her writing, it was not until after she died in 1886—when Lavinia, Dickinson's younger sister, discovered her cache of poems—that her work became public. Her first published collection of poetry was made in 1890 by her personal

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having provided sixteen years of companionship; Dickinson never owned another dog. Although the household servant of nine years, Margaret O'Brien, had married and left the Homestead that same year, it was not until 1869 that the Dickinsons brought in another permanent household servant,

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and died in April 1844, Dickinson was traumatized. Recalling the incident two years later, she wrote that "it seemed to me I should die too if I could not be permitted to watch over her or even look at her face." She became so melancholic that her parents sent her to stay with family in

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wrote that "If nothing else had come out of our life but this strange poetry, we should feel that in the work of Emily Dickinson, America, or New England rather, had made a distinctive addition to the literature of the world, and could not be left out of any record of it." Critic

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Withdrawing more and more from the outside world, Dickinson began in the summer of 1858 what would be her lasting legacy. Reviewing poems she had written previously, she began making clean copies of her work, assembling carefully pieced-together manuscript books. The forty

1835:, which stoked public curiosity about her aunt. Bianchi's books perpetrated legends about her aunt in the context of family tradition, personal recollection and correspondence. In contrast, Millicent Todd Bingham's took a more objective and realistic approach to the poet. 572:... some of my friends are gone, and some of my friends are sleeping – sleeping the churchyard sleep – the hour of evening is sad – it was once my study hour – my master has gone to rest, and the open leaf of the book, and the scholar at school 658:

for two weeks to visit family. While in Philadelphia, she met Charles Wadsworth, a famous minister of the Arch Street Presbyterian Church, with whom she forged a strong friendship that lasted until he died in 1882. Despite seeing him only twice after 1855 (he moved to

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After being critically ill for several years, Judge Lord died in March 1884. Dickinson referred to him as "our latest Lost". Two years before this, on April 1, 1882, Dickinson's "Shepherd from 'Little Girl'hood", Charles Wadsworth, also had died after a long illness.

1738: ... But the incoherence and formlessness of her—versicles are fatal ... an eccentric, dreamy, half-educated recluse in an out-of-the-way New England village (or anywhere else) cannot with impunity set at defiance the laws of gravitation and grammar". 505:'s first book of collected poems had a liberating effect. She wrote later that he, "whose name my Father's Law Student taught me, has touched the secret Spring". Newton held her in high regard, believing in and recognizing her as a poet. When he was dying of 1095:

Although she continued to write in her last years, Dickinson stopped editing and organizing her poems. She also exacted a promise from her sister Lavinia to burn her papers. Lavinia, who never married, remained at the Homestead until her own death in 1899.

1579:. However, Farr disagrees with this analysis, saying that Dickinson's "relentlessly measuring mind ... deflates the airy elevation of the Transcendental". Apart from the major themes discussed below, Dickinson's poetry frequently uses humor, puns, 1499:, citing the following example: "Who is the East? / The Yellow Man / Who may be Purple if he can / That carries in the Sun. / Who is the West? / The Purple Man / Who may be Yellow if He can / That lets Him out again." 452:

to recover. With her health and spirits restored, she soon returned to Amherst Academy to continue her studies. During this period, she met people who were to become lifelong friends and correspondents, such as Abiah Root, Abby Wood, Jane Humphrey, and

1945:. The original work was compiled by Dickinson during her years at Amherst Academy, and consists of 424 pressed specimens of plants arranged on 66 pages of a bound album. A digital facsimile of the herbarium is available online. The town of Amherst 1593:: Farr notes that Dickinson's "poems and letters almost wholly concern flowers" and that allusions to gardens often refer to an "imaginative realm ... wherein flowers often emblems for actions and emotions". She associates some flowers, like 1308:

brother's wife and then to Mabel Loomis Todd, his lover, for assistance. A feud ensued, with the manuscripts divided between the Todd and Dickinson houses, preventing the complete publication of Dickinson's poetry for more than half a century.

1716:, a British writer, dismissed Dickinson's work, stating that "if poetry is to exist at all, it really must have form and grammar, and must rhyme when it professes to rhyme. The wisdom of the ages and the nature of man insist on so much". 1197:

between 1858 and 1868. They were published anonymously and heavily edited, with conventionalized punctuation and formal titles. The first poem, "Nobody knows this little rose", may have been published without Dickinson's permission. The

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followed in 1891, running to five editions by 1893; a third series appeared in 1896. One reviewer, in 1892, wrote: "The world will not rest satisfied till every scrap of her writings, letters as well as literature, has been published".

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Although their relationship was probably not romantic, Newton was a formative influence and would become the second in a series of older men (after Humphrey) that Dickinson referred to, variously, as her tutor, preceptor, or master.

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large new home as the "mansion" over which he and Dickinson presided as "lord and lady" while their parents were absent. The house overlooked Amherst's burial ground, described by one local minister as treeless and "forbidding".

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in the 1920s, Dickinson's failure to conform to 19th-century poetic form was no longer surprising nor distasteful to new generations of readers. Dickinson was suddenly referred to by various critics as a great woman poet, and a

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reported on a study in which infrared technology revealed that certain poems of Dickinson's had been deliberately censored to exclude the name "Susan". At least eleven of Dickinson's poems were dedicated to her sister-in-law

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Critical attention to Dickinson's poetry was meager from 1897 to the early 1920s. By the start of the 20th century, interest in her poetry became broader in scope and some critics began to consider Dickinson as essentially

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During the last year of her stay at the academy, Dickinson became friendly with Leonard Humphrey, its popular new young principal. After finishing her final term at the Academy on August 10, 1847, Dickinson began attending

1798:, "Perhaps as a poet could find the fulfillment she had missed as a woman." Feminist criticism, on the other hand, declares that there is a necessary and powerful conjunction between Dickinson being a woman and a poet. 993:

merely by crossing the dining room to the conservatory, where the plants hang in baskets". Dickinson would often send her friends bunches of flowers with verses attached, but "they valued the posy more than the poetry".

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kept the achievement of Emily Dickinson alive. Bianchi promoted Dickinson's poetic achievement. Bianchi inherited The Evergreens as well as the copyright for her aunt's poetry from her parents, publishing works such as

931:" MacGregor (Mac) Jenkins, the son of family friends who later wrote a short article in 1891 called "A Child's Recollection of Emily Dickinson", thought of her as always offering support to the neighborhood children. 1344:, published collections based on the manuscripts held by her mother. These competing editions of Dickinson's poetry, often differing in order and structure, ensured that the poet's work was in the public's eye. 817:, but this is generally regarded as being more speculation than a retrospective diagnosis, and although the theory has been echoed on the internet especially, it has not been advanced by Dickinson scholars. 1711:

for twelve years, noted in 1891 that her poetry had "a strange mixture of rare individuality and originality". Some critics hailed Dickinson's effort but disapproved of her unusual non-traditional style.

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Until 1855, Dickinson had not strayed far from Amherst. That spring, accompanied by her mother and sister, she took one of her longest and farthest trips away from home. First, they spent three weeks in

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Dickinson was troubled from a young age by the "deepening menace" of death, especially the deaths of those who were close to her. When Sophia Holland, her second cousin and a close friend, grew ill from

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beginning in 1870, Holland told Dickinson's childhood friend Emily Fowler Ford that he had “some poems of under consideration for publication —but they really are not suitable—they are too ethereal.”

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also published "A Narrow Fellow in the Grass" as "The Snake", "Safe in their Alabaster Chambers –" as "The Sleeping", and "Blazing in the Gold and quenching in Purple" as "Sunset". The poem "

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Since many of her poems were written in traditional ballad stanzas with ABCB rhyme schemes, some of these poems can be sung to fit the melodies of popular folk songs and hymns that also use the

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it may have become increasingly difficult to write poetry without an audience. Seeking literary guidance that no one close to her could provide, Dickinson sent him a letter, which read in full:

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Dickinson left no formal statement of her aesthetic intentions and, because of the variety of her themes, her work does not fit conveniently into any genre. She has been regarded, alongside

1285:, who had coincidentally been at the academy with Dickinson when they were girls. Jackson was deeply involved in the publishing world, and managed to convince Dickinson to publish her poem " 2510: 1908:, the official publication of the Emily Dickinson International Society—have been founded to examine her work. An 8-cent commemorative stamp in honor of Dickinson was issued by the 1746:. Rather than seeing Dickinson's poetic styling as a result of a lack of knowledge or skill, modern critics believed the irregularities were consciously artistic. In a 1915 essay, 6362: 1149:" placed about it. The funeral service, held in the Homestead's library, was simple and short; Higginson, who had met her only twice, read "No Coward Soul Is Mine", a poem by 1003:"Heart was pure and terrible and I think no other like it exists." A year later, on June 15, 1875, Dickinson's mother also suffered a stroke, which produced a partial lateral 6021: 1111:, an Amherst College faculty wife who had recently moved to the area. Todd never met Dickinson but was intrigued by her, referring to her as "a lady whom the people call the 897:, to replace their former maid-of-all-work. Emily once again was responsible for the kitchen, including cooking and cleaning up, as well as the baking at which she excelled. 232:

and punctuation. Many of her poems deal with themes of death and immortality (two recurring topics in letters to her friends), aesthetics, society, nature, and spirituality.

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in their language. Three years later, Johnson edited and published, along with Theodora Ward, a complete collection of Dickinson's letters, also presented in three volumes.

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The first scholarly publication came in 1955 with a completely new three-volume set edited by Thomas H. Johnson. Forming the basis of later Dickinson scholarship, Johnson's

1340:, the daughter of Susan and Austin Dickinson, published collections of her aunt's poetry based on the manuscripts held by her family, whereas Mabel Loomis Todd's daughter, 1469:. In some of her poems, she varies the meter from the traditional ballad stanza by using trimeter for lines one, two and four; while using tetrameter for only line three. 634:

Susan Gilbert married Austin in 1856 after a four-year courtship, though their marriage was not a happy one. Edward Dickinson built a house for Austin which Gilbert named

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was also a potent influence in her life. Referring to his plays, she wrote to one friend, "Why clasp any hand but this?" and to another, "Why is any other book needed?"

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as editors, between 1852 and 1866. Some scholars believe that Bowles promoted her the most; Dickinson wrote letters and sent her poems to both men. Later, as editor of

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that had been a favorite of Dickinson's. At Dickinson's request, her "coffin not driven but carried through fields of buttercups" for burial in the family plot at

2042:, the poems of Emily Dickinson hold an important place. The final line of the book, as well as in the movie, is borrowed from Emily's poem "Ample Make This Bed". 203:(December 10, 1830 – May 15, 1886) was an American poet. Little-known during her life, she has since been regarded as one of the most important figures in 1878:

classes in the United States from middle school to college. Her poetry is frequently anthologized and has been used as text for art songs by composers such as

317:. In 1813, he built the Homestead, a large mansion on the town's main street, that became the focus of Dickinson family life for the better part of a century. 1507:—Dickinson complained that the edited punctuation (an added comma and a full stop substitution for the original dash) altered the meaning of the entire poem. 2735: 3585: 3458: 1336:

Nearly a dozen new editions of Dickinson's poetry, whether containing previously unpublished or newly edited poems, were published between 1914 and 1945.

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in 1955, Dickinson's poems were considerably edited and altered from their manuscript versions. Since 1890 Dickinson has remained continuously in print.

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called the poet's inspiration "daring" and named her "one of the rarest flowers the sterner New England land ever bore". With the growing popularity of

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vocabulary and imagery, combine to create a body of work that is "far more various in its styles and forms than is commonly supposed". Dickinson avoids

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In September 2012, the Amherst College Archives and Special Collections unveiled this daguerreotype, proposing it to be Dickinson (left) and her friend

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she created from 1858 through 1865 eventually held nearly eight hundred poems. No one was aware of the existence of these books until after her death.

3301: 244:, though they heavily edited the content. A complete collection of her poetry first became available in 1955 when scholar Thomas H. Johnson published 6433: 3480: 1958:

was created in 2003 when ownership of the Evergreens, which had been occupied by Dickinson family heirs until 1988, was transferred to the college.

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in 1862), she variously referred to him as "my Philadelphia", "my Clergyman", "my dearest earthly friend" and "my Shepherd from 'Little Girl'hood".

2584: 1964: 1657: 6772: 5458: 5412: 4965:"Dickinson, Emily, 1830–1886. Herbarium, circa 1839–1846. 1 volume (66 pages) in green cloth case; 37 cm. MS Am 1118.11, Houghton Library" 647: 329: 5476: 5281: 944: 524:, another gift from Newton (after reading it, she gushed "This then is a book! And there are more of them!"). Her brother smuggled a copy of 1687:

The surge of posthumous publication gave Dickinson's poetry its first public exposure. Backed by Higginson and with a favorable notice from

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and impaired memory. Lamenting her mother's increasing physical as well as mental demands, Dickinson wrote that "Home is so far from Home".

8912: 8867: 5440: 5386: 1371:(2001) that "The consequences of the poet's failure to disseminate her work in a faithful and orderly manner are still very much with us". 576:, make the tears come, and I cannot brush them away; I would not if I could, for they are the only tribute I can pay the departed Humphrey. 5154: 779: 754: 4842: 2548: 2460: 1679: 1364:

argued for thematic unity in these small collections, believing the ordering of the poems to be more than chronological or convenient.

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The 1880s were a difficult time for the remaining Dickinsons. Irreconcilably alienated from his wife, Austin fell in love in 1882 with

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rapport with the children in her life. Mattie Dickinson, the second child of Austin and Susan, later said that "Aunt Emily stood for

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Persian translations: Three Persian translations of Emily Dickinson are available from Saeed Saeedpoor, Madeh Piryonesi and Okhovat.

1461:. Sometimes her use of these meters is regular, but oftentimes it is irregular. The regular form that she most often employs is the 1385:

Dickinson's poems generally fall into three distinct periods, the works in each period having certain general characters in common.

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to distraction—a butterfly utopia". In particular, Dickinson cultivated scented exotic flowers, writing that she "could inhabit the

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Comment, Kristin M. 2001. "Dickinson's Bawdy: Shakespeare and Sexual Symbolism in Emily Dickinson's Writing to Susan Dickinson".

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As Farr points out, "snakes instantly notice you"; Dickinson's version captures the "breathless immediacy" of the encounter; and

1601:, with youth and humility; others with prudence and insight. Her poems were often sent to friends with accompanying letters and 4765: 2502: 1295:. The poem, however, was altered to agree with contemporary taste. It was the last poem published during Dickinson's lifetime. 321: 5012: 8897: 8877: 6682: 6321: 6283: 6246: 6216: 6017:

Oberhaus, Dorothy Huff. 1996. " 'Tender pioneer': Emily Dickinson's Poems on the Life of Christ" in Farr (1996) 105–119.

6011: 5985: 5887: 5861: 5820: 5805: 5646: 5627: 5608: 3618: 2542: 1979: 4990: 2620:

Koski, Lena. “Sexual Metaphors in Emily Dickinson's Letters to Susan Gilbert.”The Emily Dickinson Journal 5.2 (1996): 26–31.

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obliquity. The first 115-poem volume was a critical and financial success, going through eleven printings in two years.

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heart beats so fast ( ... ) my darling, so near I seem to you, that I disdain this pen, and wait for a warmer language.

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Dickinson, Emily, et al. Letters to Dr. and Mrs. Josiah Gilbert Holland. United States, Harvard University Press, 1951.

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taken at Mount Holyoke, December 1846 or early 1847; the only authenticated portrait of Dickinson after early childhood

4912: 1782: ... She came ... at the right time for one kind of poetry: the poetry of sophisticated, eccentric vision." 1130:

Lavinia and Austin asked Susan to wash Dickinson's body upon her death. Susan also wrote Dickinson's obituary for the

6124: 6109: 6073: 6055: 5970: 5955: 5940: 5915: 5872: 5846: 5838: 5779: 5753: 5726: 2639: 830: 384:

his children to "keep school, and learn, so as to tell me, when I come home, how many new things you have learned".

6789: 1913: 867:

If I make the mistake – that you dared to tell me – would give me sincerer honor – toward you –

6447: 1664: 1625: 8546: 8009: 6138: 5387:"Taylor Swift Accepts Songwriter-Artist of the Decade Honor at Nashville Songwriter Awards: Read Her Full Speech" 3291: 1206: –" is an example of the edited versions; the last two lines in the first stanza were completely rewritten. 884:, in his review of Civil War literature, surmised that "with encouragement, she would certainly have published". 851: 580: 8887: 6566: 6559: 5495: 5210: 3903: 3575: 3450: 2239: 1426: 5236: 3532: 2574: 1894:. Several schools have been established in her name; for example, Emily Dickinson Elementary Schools exist in 635: 34: 8872: 6696: 6507: 6498: 6474: 5355: 5255: 3204:

Women's Re-visions of Shakespeare: On the Responses of Dickinson, Woolf, Rich, H.D., George Eliot, and Others

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Should you think it breathed – and had you the leisure to tell me, I should feel quick gratitude –

313:—where they prospered. Emily Dickinson's paternal grandfather, Samuel Dickinson, was one of the founders of 8681: 8035: 7913: 6552: 3415: 1909: 6757: 801:

by a physician during her lifetime, some today believe she may have suffered from illnesses as various as

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Samuel Dickinson's eldest son, Edward, was treasurer of Amherst College from 1835 to 1873, served in the

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feelings." She quotes from many of their letters, including one from 1852 in which Dickinson proclaims,

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on August 28, 1971, as the second stamp in the "American Poet" series. Dickinson was inducted into the

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During the 1850s, Dickinson's strongest and most affectionate relationship was with her sister-in-law,

525: 357: 237: 188: 6186: 6162: 5132: 8892: 6535: 6293: 3504:

Leyda, Jay, ed. The Years and Hours of Emily Dickinson. 2 vols. New Haven, CT: Yale UP, 1960. (2:193)

2146: 2035: 310: 30: 5573: 5063: 5038: 2461:"The Emily Dickinson Museum indicates only one letter and ten poems were published before her death" 8882: 8847: 7959: 7863: 7562: 7446: 6618: 6612: 6467: 2730: 1942: 1135: 871:

That you will not betray me – it is needless to ask – since Honor is it's own pawn –

814: 763:

garden, the health and activities of members of the household, references to recently-read books.”

348: 337: 182: 166: 8233: 6176: 6152: 5477:"Signature Reads: Inside an Engineering Student's Quest to Translate Emily Dickinson Into Kurdish" 5086: 4743: 952:. It contained 424 pressed flower specimens that she collected, classified, and labeled using the 8353: 8243: 8096: 7602: 7471: 6939: 6453: 6040:

Pollak, Vivian R. 1996. "Thirst and Starvation in Emily Dickinson's Poetry" in Farr (1996) 62–75.

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Emily Dickinson's life and works have been the source of inspiration to artists, particularly to

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The Mind is so near itself – it cannot see, distinctly – and I have none to ask –

431:

Dickinson spent seven years at the academy, taking classes in English and classical literature,

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Murray, Aífe. 1996. "Kitchen Table Poetics: Maid Margaret Maher and Her Poet Emily Dickinson,"

5301: 2190: 1971: 1955: 1823: 1421: 1341: 789: 759: 703: 651: 621: 461: 292: 288: 208: 94: 6275: 5530: 3553: 220:

Dickinson never married, and most of her friendships were based entirely upon correspondence.

8813: 8500: 8091: 8055: 7893: 7678: 7431: 7390: 7360: 7260: 7255: 7178: 7103: 6741: 6591: 6337: 4846: 3226: 2532: 2468: 2202: 2131: 2115: 1891: 1887: 1717: 1639: 1182:"Safe in their Alabaster Chambers –," titled "The Sleeping," as it was published in the 1154: 869:

I enclose my name – asking you, if you please – Sir – to tell me what is true?

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in January 1892: "It is plain that Miss Dickinson possessed an extremely unconventional and

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appeared on Broadway in 1976, winning several awards; it was later adapted for television.

1918: 1786: 1722: 1693: 1688: 1059: 1044: 835: 325: 8788: 3610:

Writers on the Spectrum: How Autism and Asperger Syndrome Have Influenced Literary Writing

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D'Arienzo (2006); the original is held by Amherst College Archives and Special Collections

1683:

Dickinson wrote and sent this poem ("A Route of Evanescence") to Thomas Higginson in 1880.

8: 8727: 8701: 8040: 8014: 7933: 7928: 7853: 7784: 7774: 7764: 7673: 7597: 7325: 7250: 7193: 7030: 6970: 6960: 6843: 6838: 6026: 2405: 2150: 1899: 1871: 1735: 1572: 1124: 1048: 556: 502: 306:

Two hundred years earlier, her patrilineal ancestors had arrived in the New World—in the

5459:"MiddleEastEye: Student translates literature into Kurdish to celebrate native language" 4489:

Folsom, Edwin (1975). ""The Souls That Snow": Winter in the Poetry of Emily Dickinson".

2772:"Collection: Daniel and Tammy Dickinson Family Papers | Amherst College – ArchivesSpace" 1491:

finds resonances in Dickinson's poetry not only with hymns and song forms but also with

535: 8686: 8637: 8612: 8541: 8485: 8439: 8378: 8363: 8279: 7779: 7729: 7714: 7607: 7577: 7506: 7476: 7461: 7456: 7380: 7310: 7295: 7245: 7225: 7093: 7051: 5328:"Jane Ira Bloom: Wild Lines: Improvising Emily Dickinson album review @ All About Jazz" 5282:"From the Dickinson Collection: Reminiscences by Clarence Dickinson, Part 1: 1873–1898" 5192: 5106: 4872: 4506: 3439:

Ferguson, Margaret. The Norton Anthology of Poetry. United Kingdom, W. W. Norton, 2018.

2921: 2579: 2139: 1934: 1282: 1267: 1076: 1036: 958: 552: 498: 369: 250: 7809: 6424: 2319: 2065:

A character who is a literary scholar at a fictional New England college in the comic

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s influence cannot be measured, but when Dickinson acquired her first and only dog, a

8783: 8747: 8717: 8556: 8368: 8147: 8076: 8060: 8019: 8004: 7974: 7888: 7648: 7632: 7441: 7426: 7209: 6893: 6888: 6642: 6442: 6419: 6380: 6327: 6317: 6301: 6279: 6252: 6242: 6212: 6120: 6105: 6069: 6061: 6051: 6043: 6007: 5981: 5966: 5951: 5936: 5911: 5883: 5857: 5842: 5816: 5801: 5775: 5749: 5722: 5661: 5642: 5623: 5604: 5110: 3614: 2925: 2913: 2645: 2635: 2538: 2259: 1811: 1576: 1477: 1291: 1139: 1108: 982: 953: 767: 671: 584:

The Evergreens, built by Edward Dickinson, was the home of Austin and Susan's family.

517: 241: 4769: 8622: 8505: 8490: 8398: 8388: 8348: 8284: 8264: 8101: 8045: 7989: 7908: 7858: 7744: 7668: 7526: 7395: 7345: 7280: 7275: 7240: 7188: 7119: 6908: 6828: 6606: 6389: 6271: 6229: 5658:

Open me carefully: Emily Dickinson's intimate letters to Susan Huntington Dickinson

5184: 5098: 5016: 4498: 3451:"Editorial: Emily Dickinson's poems found a home on pages of Springfield newspaper" 2905: 2632:

Open me carefully: Emily Dickinson's intimate letters to Susan Huntington Dickinson

2346: 2267: 2263: 2255: 2251: 2247: 2243: 2207: 2107: 2050: 2013: 1930: 1895: 1704: 970: 775: 771: 643: 534:

into the house for her (because her father might disapprove) and a friend lent her

530: 365: 296: 211:, into a prominent family with strong ties to its community. After studying at the 161: 6225: 2287: 2059: 8818: 8691: 8676: 8627: 8617: 8470: 8444: 8383: 8248: 8208: 8167: 8162: 8086: 8081: 7969: 7943: 7878: 7814: 7789: 7759: 7693: 7653: 7592: 7587: 7582: 7491: 7466: 7340: 7315: 7235: 7035: 7014: 7009: 6823: 6721: 6437: 6357: 6297: 6198: 6181: 6157: 5138: 3608: 3533:

Emily Dickinson's 'Nervous Prostration' and Its Possible Relationship to Her Work

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the public for tours, and also served as a faculty residence for many years. The

1950: 1848: 1481: 314: 300: 212: 204: 4794:. Emily Dickinson Elementary School website, Redmond, Washington. Archived from 1814:

have argued that Susan was the central erotic relationship in Dickinson's life.

1353: 1150: 8798: 8793: 8757: 8632: 8551: 8536: 8495: 8419: 8373: 8182: 8131: 8106: 7999: 7979: 7883: 7739: 7734: 7688: 7572: 7567: 7557: 7547: 7531: 7516: 7511: 7496: 7486: 7481: 7385: 7370: 7365: 7290: 7285: 7183: 6913: 6873: 6868: 6648: 5978:

Maid as Muse: How Domestic Servants Changed Emily Dickinson's Life and Language

5332: 4920: 2169: 2157: 2092: 2055: 2039: 2025: 1771: 1763: 1756: 1438: 990: 894: 295:, on December 10, 1830, into a prominent, but not wealthy, family. Her father, 272: 229: 6376: 6256: 5903:

Hecht, Anthony. 1996. "The Riddles of Emily Dickinson" in Farr (1996) 149–162.

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Emily Dickinson Face to Face: Unpublished Letters with Notes and Reminiscences

4964: 2058:) were inspired by the poetry of Emily Dickinson as well as the novels by the 8841: 8773: 8742: 8696: 8592: 8561: 8531: 8515: 8480: 8475: 8449: 8393: 8309: 8304: 8238: 8228: 8187: 8172: 8157: 8152: 8126: 7994: 7804: 7799: 7769: 7698: 7663: 7627: 7521: 7501: 7421: 7355: 7265: 7056: 6934: 6929: 6853: 6848: 6352: 5413:"'Dickinson' Boss on How That Taylor Swift Song Ended Up in Apple TV+ Series" 2917: 2360: 2179: 2111: 2103: 2099: 1946: 1879: 1799: 1731: 1698: 1488: 1462: 1442: 1146: 1116: 881: 843: 660: 607: 72: 6331: 6292:

Emily Dickinson Papers, 1844–1891 (three microfilm reels) are housed at the

5921:

Juhasz, Suzanne. 1996. "The Landscape of the Spirit" in Farr (1996) 130–140.

5815:. Cambridge, Massachusetts & London, England: Harvard University Press. 2893: 2649: 2318:

Translation to Polish: Wiersze, translation by Teresa Pelka, public domain,

1099: 691: 8803: 8778: 8722: 8597: 8576: 8571: 8566: 8454: 8434: 8429: 8358: 8294: 8289: 8274: 8269: 7964: 7938: 7923: 7898: 7873: 7719: 7552: 7451: 7375: 7330: 7139: 7134: 7124: 7077: 7072: 6955: 6883: 6858: 6833: 6787: 6208: 5732: 5714: 5356:"Ancestry Reveals Taylor Swift Is Related to American Poet Emily Dickinson" 5286: 5240: 3580: 2218: 2119: 2088: 2066: 2045: 2018: 1852: 1844: 1840: 1779: 1775: 1473: 655: 597: 506: 6305: 5188: 2909: 8752: 8424: 8223: 8213: 8050: 7984: 7918: 7612: 7411: 7300: 7270: 6878: 6818: 2186:

in February 2016 and was released in the United Kingdom on April 7, 2017.

2135: 2077: 1856: 1720:, a poet and novelist, equally dismissed Dickinson's poetic technique in 1713: 1647: 1643: 1142: 802: 516:

but also contemporary popular literature. She was probably influenced by

5015:. Emily Dickinson Museum website, Amherst, Massachusetts. Archived from 2091:

is an English-to-English translation of her complete poems published by

2007:-oriented artists, of a variety of mediums. A few notable examples are: 1311: 8607: 8602: 8414: 8116: 7903: 7749: 7724: 7416: 7335: 7129: 7098: 6965: 6314:

Visiting Emily: Poems Inspired by the Life and Works of Emily Dickinson

5555: 5441:"CBC: Why a civil engineer is translating Emily Dickinson into Kurdish" 5155:"For Emily, Wherever I May Find Her: On Paul Legault's Emily Dickinson" 5102: 4845:. The Johns Hopkins University Press website, Baltimore. Archived from 4510: 2211: 2178:, a 2016 biographical film about the life of Dickinson. The film stars 1883: 1860: 1767: 1466: 1454: 1446: 1392:: In the period before 1858, the poems are most often conventional and 436: 225: 5196: 2630:

Dickinson, Emily (1998). Ellen Louise Hart; Martha Nell Smith (eds.).

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Emily Dickinson's poetry has been translated into languages including

8737: 8121: 7868: 7305: 4989:. Jones Library, Inc. website, Amherst, Massachusetts. Archived from 3750:

Habegger (2001), 498; Murray (1996), 286–287; Murray (1999), 724–725.

2300:, translated by Selahattin Özpalabıyıklar in 2006, is available from 1995: 1926: 1743: 1727: 1071: 1004: 986: 974: 966: 949: 540: 470: 6004:

Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson

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1–300. Guangzhou, China: South China University of Technology Press.

4502: 8732: 8177: 6398: 6241:. Cambridge, Mass.: The Belknap Press of Harvard University Press. 6102:

Patriotic Gore: Studies in the Literature of the American Civil War

5359: 2004: 1790: 1450: 1348: 806: 6459: 4768:. Emily Dickinson School website, Bozeman, Montana. Archived from 2021:, first exhibited in 1979, features a place setting for Dickinson. 1178: 638:, a stand of which was located on the west side of the Homestead. 619:

The relationship between Emily and Susan is portrayed in the film

555:, she named him "Carlo" after the character St. John Rivers' dog. 368:

and his family, including his grandson, the organist and composer

283:. From the Dickinson Room at Houghton Library, Harvard University. 6409: 6394: 6316:. Illustrator: Barry Moser. Iowa City: University of Iowa Press. 5828:

Heaven Beguiles the Tired: Death in the Poetry of Emily Dickinson

5709:

The Recognition of Emily Dickinson: Selected Criticism Since 1890

3759:

Habegger (2001), 501; Murray (1996) 286–287; Murray (2010) 81–83.

2503:"About Emily Dickinson's Poems: Death, Immortality, and Religion" 2280:

French translation by Charlotte Melançon which includes 40 poems.

1867:

listed her among the 26 central writers of Western civilization.

1602: 1598: 1594: 1458: 1053: 606:

Lena Koski wrote, "Dickinson's letters to Gilbert express strong

307: 6420:

Emily Dickinson poems and texts at the Academy of American Poets

6081:

Emily Dickinson and the Modern Consciousness: A Poet of Our Time

5867:

Grabher, Gudrun, Roland Hagenbüchle and Cristanne Miller. 1998.

2354: 6371: 5746:

Emily Dickinson's Reception in the 1890s: A Documentary History

5711:. Ed. Caesar R. Blake. Ann Arbor: University of Michigan Press. 5576:(in Turkish). Türkiye İş Bankası Kültür Yayınları. July 5, 2006 3768:

Habegger (2001), 502; Murray (1996) 287; Murray (1999) 724–725.

2534:

The Poems of Emily Dickinson—Emily Dickinson, Thomas H. Johnson

2194:, a 2018 American romantic comedy film written and directed by 1794:

and a poet. For example, George Whicher wrote in his 1952 book

1584: 1496: 1492: 1065: 449: 444: 6093:

Wells, Anna Mary. 1929. "Early Criticism of Emily Dickinson",

5854:

Lives Like Loaded Guns: Emily Dickinson and Her Family's Feuds

2098:

Dickinson's work has been set by numerous composers including

6414: 2277:, a Kurdish translation by Madeh Piryonesi published in 2016. 1580: 978: 962: 513: 432: 5898:

Precision and Indeterminacy in the Poetry of Emily Dickinson

5641:. Cambridge: The Belknap Press of Harvard University Press. 5622:. Cambridge: The Belknap Press of Harvard University Press. 5603:. Cambridge: The Belknap Press of Harvard University Press. 5531:"Ann Jäderlund, trans. Emma Warg – Poetry & Translation" 1266:, to raise funds for medical care for Union soldiers in the 568:

revealed to her friend Abiah Root the extent of her sadness:

6425:

Profile and poems of Emily Dickinson, including audio files

6022:"New Feet Within My Garden Go: Emily Dickinson's Herbarium" 5880:

My Wars Are Laid Away in Books: The Life of Emily Dickinson

5679:. Cambridge: The Belknap Press of Harvard University Press. 5496:"Eurodit: Emily Dickinson, 40 poèmes by Charlotte Melançon" 2198:. The film is based on actual events from Dickinson's life. 1434: 1369:

My Wars Are Laid Away in Books: The Life of Emily Dickinson

778:.” Of the ten poems published in Dickinson's lifetime, the 3236: 2270:. A few examples of these translations are the following: 6456:

at the Amherst College Archives & Special Collections

5772:

Inflections of the Pen: Dash and Voice in Emily Dickinson

3448: 1999:"Yesterday is History" as a wall poem in The Hague (2016) 6450:

The Homestead and the Evergreens, Amherst, Massachusetts

2674:"Emily Dickinson "I dwell in Possibility" (Johnson 657)" 1822:

In the early 20th century, Martha Dickinson Bianchi and

1796:

This Was a Poet: A Critical Biography of Emily Dickinson

861:

Are you too deeply occupied to say if my Verse is alive?

6264:

Sánchez-Eppler, Karen; Miller, Cristanne, eds. (2022).

2076:

is intent on proving that Emily Dickinson was a secret

1902:; and New York City. A few literary journals—including 376:

particular talent for the piano, which she called "the

215:

for seven years in her youth, she briefly attended the

6211:. Boston: Bullfinch Press; Little, Brown and Company. 5175:

Dickinson, Peter (1994). "Emily Dickinson and Music".

2328:, a bilingual edition, translated by Margarita Ardanaz 2283:

Mandarin Chinese translation by Professor Jianxin Zhou

5656:

Hart, Ellen Louise; Smith, Martha Nell, eds. (1998).

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In the 1930s, a number of the New Critics—among them

1262:

In 1864, several poems were altered and published in

820: 435:, botany, geology, history, "mental philosophy," and 6263: 6237:

Miller, Cristanne; Mitchell, Domhnall, eds. (2024).

5961:

Mitchell, Domhnall Mitchell and Maria Stuart. 2009.

5599:

Miller, Cristanne; Mitchell, Domhnall, eds. (2024).

3576:"A bomb in her bosom: Emily Dickinson's secret life" 2736:

Biographical Directory of the United States Congress

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Emily Dickinson: An Introduction and Interpretation

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The Western Canon: The Books and School of the Ages

5688:(three-volume set). Boston: Little, Brown & Co. 5256:"Emily Dickinson in Song: A Discography, 1925–2019" 4869:"Emily Dickinson commemorative stamps and ephemera" 4125: 4123: 2525: 1990: 5800:. Prentice Hall International Paperback Editions. 5131: 2400: 2398: 1396:in nature. Thomas H. Johnson, who later published 8903:People of Massachusetts in the American Civil War 5675:Johnson, Thomas H.; Ward, Theodora, eds. (1958). 5592: 5493: 2182:as the reclusive poet. The film premiered at the 1730:fancy. She was deeply tinged by the mysticism of 907:And wear – if God should count me fit – 903:A solemn thing – it was – I said – 8839: 5798:Emily Dickinson: A Collection of Critical Essays 5556:"The Taste of Forbidden Fruit under Publication" 4120: 3554:Interior Chambers: The Emily Dickinson Homestead 2145:A public garden is named in her honor in Paris: 2142:set his first songs to six of her poems in 1898. 1425:Dickinson's handwritten manuscript of her poem " 497:Newton likely introduced her to the writings of 457:(who later married Dickinson's brother Austin). 6312:Tammaro, Thomas; Coghill, Sheila, eds. (2001). 5774:. Lexington: The University Press of Kentucky. 4526: 4524: 4522: 4520: 4363: 4361: 2395: 973:, enough in May to give all the bees of summer 488: 6311: 6236: 5963:The International Reception of Emily Dickinson 5748:. Pittsburgh: University of Pittsburgh Press. 5620:Emily Dickinson's Poems: As She Preserved Them 5598: 5494:Dickinson, Emily; Melançon, Charlotte (1986). 5084: 3970:Habegger (2001: 587); Sewall (1974), 642. 3449:The Republican Editorials (October 26, 2013). 3008: 3006: 2731:"DICKINSON, Edward – Biographical Information" 1804:Vesuvius at Home: The Power of Emily Dickinson 1734:, and strongly influenced by the mannerism of 1367:Dickinson biographer Alfred Habegger wrote in 1103:Emily Dickinson's tombstone in the family plot 6773: 6475: 4744:"Vocal music set to texts by Emily Dickinson" 4540: 4538: 4536: 4207: 4205: 1810:Bennett, Judith Farr, Ellen Louise Hart, and 697:In the late 1850s, the Dickinsons befriended 267: 6068:. Austin, Texas: University of Texas Press. 6030:, June 29, 2007. Retrieved January 18, 2008. 4871:. Harvard University Library. Archived from 4517: 4475: 4473: 4471: 4469: 4445: 4443: 4441: 4439: 4375: 4373: 4358: 3880: 3878: 3876: 3206:. University of Illinois Press. p. 117. 2210:as Emily Dickinson and premiered in 2019 on 276:The Dickinson Children (Emily on the left), 5674: 5244:(TheGuardian.com). Retrieved July 15, 2019. 3003: 330:Massachusetts's 10th congressional district 299:, was a lawyer in Amherst and a trustee of 15: 6780: 6766: 6482: 6468: 5933:The Cambridge Companion to Emily Dickinson 5721:. Broomall, PA: Chelsea House Publishers. 5253: 5235:Cunningham, Valentine (October 19, 2002). 4533: 4312: 4310: 4308: 4253: 4251: 4202: 4095: 4093: 3921: 3919: 3917: 3839: 3837: 2994: 2955: 2953: 1127:and its duration as two and a half years. 957:Dickinson Bianchi, remembered "carpets of 833:, and ex-minister, wrote a lead piece for 562: 287:Emily Elizabeth Dickinson was born at the 66: 16: 6431:Emily Dickinson at Modern American Poetry 6066:Rowing in Eden: Rereading Emily Dickinson 5935:. Cambridge: Cambridge University Press. 5910:. Bloomington: Indiana University Press. 5655: 5385:Nicholson, Jessica (September 21, 2022). 5384: 5279: 5174: 5153:Socarides, Alexandra (October 23, 2012). 5152: 4466: 4459: 4457: 4455: 4436: 4370: 4351: 4349: 4223: 4221: 4219: 4217: 4175: 4168: 4166: 4164: 4162: 3997:Habegger (2001), 592; Sewall (1974), 653. 3873: 3344: 3342: 3332: 3330: 3328: 3242: 3152: 3150: 3113: 3111: 2969: 2967: 2965: 2851: 2849: 2812: 2810: 2629: 2214:. The series focused on Dickinson's life. 1985:Emily Dickinson commemorative stamp, 1971 512:Dickinson was familiar with not only the 351:(1829–1895), known as Austin, Aust or Awe 6361:) is being considered for deletion. See 6050:. New York: Farrar, Straus, and Giroux. 5636: 5435: 5433: 4835: 3375:Habegger (2001), 376; McNeil (1986), 33. 3074: 3072: 2711:Sewall (1974), 337; Wolff (1986), 19–21. 2671: 1994: 1678: 1542:You may have met Him – did you not, 1420: 1310: 1270:. Another appeared in April 1864 in the 1177: 1098: 905:A Woman – White – to be – 842: 665: 579: 414:And seen my Brain – go round – 412:Still! Could themself have peeped – 336:(1853–1855). On May 6, 1828, he married 271: 24:This is an accepted version of this page 6276:10.1093/oxfordhb/9780198833932.001.0001 6196: 6104:. New York: Farrar, Straus and Giroux. 6037:. New York: Holt, Rinehart and Winston. 5793:. Winter 2006. Retrieved June 23, 2009. 5683: 5005: 4305: 4248: 4090: 3914: 3834: 3798: 3416:"Elizabeth Holland (1823–1896), friend" 2950: 2184:66th Berlin International Film Festival 2163:Wild Lines: Improvising Emily Dickinson 1970:The Dickinson Homestead today, now the 1524:You may have met Him – did you not 1416: 1361:The Manuscript Books of Emily Dickinson 1190:A few of Dickinson's poems appeared in 723:And sweetest – in the Gale – is heard – 701:, the owner and editor-in-chief of the 418:For Treason – in the Pound – 360:(1833–1899), known as Lavinia or Vinnie 14: 8840: 6267:The Oxford Handbook of Emily Dickinson 5617: 5353: 5325: 5302:"Square Emily Dickinson – Equipements" 4979: 4718: 4488: 4452: 4382: 4346: 4214: 4159: 3573: 3558:A Journal of Feminist Cultural Studies 3481:"Publications in Dickinson's Lifetime" 3393: 3339: 3325: 3304:from the original on December 11, 2012 3147: 3108: 2962: 2846: 2807: 1575:(whose poems Dickinson admired), as a 717:And sings the tune without the words – 322:Massachusetts House of Representatives 8658: 8330: 7835: 7160: 6991: 6800: 6761: 6683:Emily Dickinson International Society 6463: 6443:Emily Dickinson International Society 5908:Feminist Critics Read Emily Dickinson 5835:The Master Letters of Emily Dickinson 5686:The Complete Poems of Emily Dickinson 5430: 5410: 3904:"The Lost Gardens of Emily Dickinson" 3606: 3574:Gordon, Lyndall (February 12, 2010). 3225:Longenbach, James. (June 16, 2010.) " 3069: 2616: 2614: 2572: 2551:from the original on November 6, 2021 2488: 2486: 2054:and its novelization (co-authored by 1246:Not Frankfort Berries yield the sense 1243:From Tankards scooped in Pearl – 1221:From Tankards scooped in Pearl – 938: 887: 416:They might as wise have lodged a Bird 5693: 5319: 5280:Dickinson, Clarence (June 9, 2008). 4266:McNeil (1986), 34; Blake (1964), 42. 3461:from the original on January 7, 2024 3201: 2604: 2602: 2568: 2566: 1441:in Dickinson's manuscripts, and the 1241:I taste a liquor never brewed – 1219:I taste a liquor never brewed – 1090: 1041:Massachusetts Supreme Judicial Court 784:published five (all unsigned), with 774:,” and her work bridged “the gap to 732:I’ve heard it in the chillest land – 646:, where her father was representing 409:Because they liked me "still" – 8913:Writers from Amherst, Massachusetts 8868:19th-century American women writers 6489: 5980:. University Press of New England. 5411:Lewis, Hilary (December 20, 2021). 5366:from the original on March 14, 2024 5211:"New life for some neglected works" 3588:from the original on March 15, 2022 2891: 2743:from the original on March 21, 2022 2587:from the original on March 26, 2020 2573:Weiss, Philip (November 29, 1998). 2441:from the original on March 21, 2022 2302:Türkiye İş Bankası Kültür Yayınları 1081:Complete Concordance to Shakespeare 752:Dickinson also became friends with 713:“Hope” is the thing with feathers – 654:, after which they would travel to 48: 6631:Susan Huntington Gilbert Dickinson 6522:Because I could not stop for Death 6132: 6088:The Hidden Life of Emily Dickinson 5744:Buckingham, Willis J. (ed). 1989. 2611: 2483: 2080:. His obsession costs him his job. 850:in uniform; he was colonel of the 813:(2010), argues that Dickinson had 257:Susan Huntington Gilbert Dickinson 49: 8924: 6940:Mildred "Babe" Didrikson Zaharias 6386:Works by or about Emily Dickinson 6365:to help reach a consensus. › 6344: 6097:, Vol. 1, No. 3. (November 1929). 5928:. New York: Continuum Publishing. 5900:, Emerson Society Quarterly, 1974 5873:University of Massachusetts Press 5839:University of Massachusetts Press 5700:Bianchi, Martha Dickinson. 1970. 5326:Farbey, Roger (August 27, 2017). 5133:"Books: Midsummer Night's Waking" 5066:. Brooklyn Museum. March 14, 1979 5039:"Brooklyn Museum: Place Settings" 2599: 2563: 2513:from the original on May 12, 2021 1916:in 1973. A one-woman play titled 1476:, employing alternating lines of 1289:" anonymously in a volume called 681:); it has not been authenticated. 364:She was also a distant cousin to 6678:Collected manuscripts and papers 6590: 6546:Hope' is the thing with feathers 6529:There's a certain Slant of light 6402: 5684:Johnson, Thomas H., ed. (1955). 5566: 5562:(in Persian). November 11, 2016. 5548: 5523: 5510: 5487: 5469: 5451: 5404: 5378: 5347: 5294: 5273: 5247: 5229: 5203: 5168: 5146: 5124: 5078: 5056: 5031: 4957: 4935: 4905: 4887: 4861: 4810: 4784: 4758: 4736: 4727: 4709: 4700: 4691: 4682: 4673: 4664: 4655: 4646: 4637: 4628: 4619: 4610: 4601: 4592: 4583: 4574: 4565: 4556: 4547: 4482: 4427: 4418: 4409: 4400: 4391: 4337: 4328: 4319: 4296: 4287: 4278: 4269: 4260: 4239: 4230: 4193: 4184: 4150: 4141: 4132: 4111: 4102: 4081: 4072: 4063: 4054: 4045: 4036: 4027: 4018: 4009: 4000: 3991: 3982: 3973: 3964: 3955: 3946: 3937: 3928: 3896: 3887: 3864: 3855: 3846: 3825: 3816: 3807: 3789: 3780: 3771: 3762: 3753: 3744: 3292:"A New Dickinson Daguerreotype?" 2537:. Belknap Press. December 1955. 2353: 2339: 1991:Modern influence and inspiration 1978: 1963: 1323:The first volume of Dickinson's 766:Emily was a poet “influenced by 727:That could abash the little Bird 407:They put me in the Closet – 395: 8908:Women in the American Civil War 8010:Harriet Williams Russell Strong 6666:Emily Dickinson home and museum 6090:. New York: Simon and Schuster. 6083:. New York: St. Martin's Press. 5660:. Middletown, CT: Paris Press. 5618:Miller, Cristanne, ed. (2016). 5354:Chasan, Aliza (March 4, 2024). 3735: 3726: 3717: 3708: 3699: 3690: 3681: 3672: 3663: 3654: 3645: 3636: 3627: 3613:. Jessica Kingsley Publishers. 3600: 3567: 3546: 3525: 3516: 3507: 3498: 3473: 3442: 3433: 3408: 3399: 3378: 3369: 3360: 3351: 3316: 3284: 3275: 3266: 3257: 3248: 3219: 3210: 3195: 3186: 3177: 3168: 3159: 3138: 3129: 3120: 3099: 3090: 3081: 3060: 3051: 3042: 3033: 3024: 3015: 2985: 2976: 2941: 2932: 2885: 2876: 2867: 2858: 2837: 2828: 2819: 2798: 2789: 2764: 2755: 2723: 2714: 2705: 2696: 2672:Wolphart, Jim (December 1996). 2665: 2656: 2623: 2160:released the 2017 double album 1566: 1427:Wild Nights – Wild Nights! 1173: 852:First South Carolina Volunteers 403:They shut me up in Prose – 7689:Ernestine Louise Potowski Rose 6574:I heard a Fly buzz—when I died 6560:I like to see it lap the Miles 6239:The Letters of Emily Dickinson 6200:Acts of Light: Emily Dickinson 6115:Wolff, Cynthia Griffin. 1986. 6086:Walsh, John Evangelist. 1971. 5830:. University of Alabama Press. 5813:The Gardens of Emily Dickinson 5704:. Hamden, Conn.: Archon Books. 5677:The Letters of Emily Dickinson 5601:The Letters of Emily Dickinson 5593:Editions of poetry and letters 5254:Strickland, Georgiana (2019). 5237:"The Sound of Startled Grass." 5085:Davis Langdell, Cheri (1996). 2892:Chu, Seo-Young Jennie (2006). 2495: 2453: 2423: 2386: 2229: 2074:Night and Silence Who Is Here? 1863:as a major American poet, and 1315:Cover of the first edition of 1160: 1013:Though the great Waters sleep, 815:Autism Spectrum Disorder (ASD) 625:and explored in the TV series 13: 1: 8659: 8331: 7836: 7161: 6992: 6801: 6790:National Women's Hall of Fame 6697:Dickinson Electronic Archives 6508:I taste a liquor never brewed 6410:Dickinson Electronic Archives 6350: 6197:Bledsoe, Robin, ed. (1995) . 6119:. New York. Alfred A. Knopf. 5707:Blake, Caesar R. (ed). 1964. 5637:Franklin, R. W., ed. (1998). 5217:. August 31, 1991. p. 13 4943:"Emily Dickinson's Herbarium" 4899:National Women's Hall of Fame 4843:"The Emily Dickinson Journal" 2634:. Ashfield, MA: Paris Press. 2575:"Beethoven's Hair Tells All!" 2374: 2369:List of Emily Dickinson poems 2326:Emily Dickinson : Poemas 2166:inspired by the poet's works. 1914:National Women's Hall of Fame 1707:, who was literary editor of 1381:List of Emily Dickinson poems 1298: 1224:Not all the Frankfort Berries 1204:I taste a liquor never brewed 1051:'s work, including the plays 1015:That they are still the Deep, 997: 909:Her blameless mystery – 829:, a literary critic, radical 675: 475:Mount Holyoke Female Seminary 328:(1842–1843), and represented 277: 217:Mount Holyoke Female Seminary 139:Mount Holyoke Female Seminary 8898:Mount Holyoke College alumni 8878:Calvinist and Reformed poets 8036:Paulina Kellogg Wright Davis 6581:There is a pain — so utter — 6187:Resources in other libraries 6163:Resources in other libraries 5906:Juhasz, Suzanne (ed). 1983. 5869:The Emily Dickinson Handbook 5639:The Poems of Emily Dickinson 5535:Interim Poetry & Poetics 5518:The poems of Emily Dickinson 4987:"Emily Dickinson Collection" 4967:. Harvard University Library 2275:The Queen of Bashful Violets 1910:United States Postal Service 1829:Emily Dickinson Face to Face 1674: 1538:A narrow Fellow in the Grass 1526:His notice sudden is – 1520:A narrow Fellow in the Grass 1449:, opting more generally for 1398:The Poems of Emily Dickinson 1281:showed Dickinson's poems to 1145:, and a "knot of blue field 725:And sore must be the storm – 489:Early influences and writing 246:The Poems of Emily Dickinson 112:Amherst, Massachusetts, U.S. 7: 8863:19th-century American poets 8219:Martha Coffin Pelham Wright 7623:Josephine St. Pierre Ruffin 6689:The Emily Dickinson Journal 6671:Dickinson Historic District 6515:Success is Counted Sweetest 6427:, at the Poetry Foundation. 6401:(public domain audiobooks) 6270:. Oxford University Press. 6048:The Life of Emily Dickinson 5993:The Emily Dickinson Journal 5741:. New York: Harcourt Brace. 5091:The Emily Dickinson Journal 4302:Grabher (1988), p. 122 4293:Mitchell (2009), p. 75 4284:Grabher (1988), p. 243 3537:The Emily Dickinson Journal 2898:The Emily Dickinson Journal 2894:"Dickinson and Mathematics" 2332: 2217:American singer-songwriter 1939:Emily Dickinson's Herbarium 1937:, was published in 2006 as 1929:, which is now held in the 1905:The Emily Dickinson Journal 1487:Dickinson scholar and poet 1287:Success is counted sweetest 736:Yet – never – in Extremity, 603:The Emily Dickinson Journal 344:. They had three children: 224:lack titles, and often use 10: 8929: 7775:Katharine Dexter McCormick 7073:Mary "Mother" Harris Jones 6637:Thomas Wentworth Higginson 6625:Lavinia Norcross Dickinson 6567:Wild Nights – Wild Nights! 6454:Emily Dickinson Collection 5931:Martin, Wendy (ed). 2002. 5882:. New York: Random House. 4945:. Harvard University Press 4792:"The Real Emily Dickinson" 4688:Grabher (1998), p. 31 3531:McDermott, John F. 2000. " 3233:. Retrieved June 29, 2010. 2085:The Emily Dickinson Reader 1833:Letters of Emily Dickinson 1748:Elizabeth Shepley Sergeant 1654:The Undiscovered Continent 1378: 1136:vanilla-scented heliotrope 1039:, an elderly judge on the 848:Thomas Wentworth Higginson 827:Thomas Wentworth Higginson 809:. Julie Brown, writing in 746:Emily Dickinson, c. 1861 734:And on the strangest Sea – 719:And never stops – at all – 715:That perches in the soul – 526:Henry Wadsworth Longfellow 324:(1838–1839; 1873) and the 268:Family and early childhood 238:Thomas Wentworth Higginson 228:as well as unconventional 189:Lavinia Norcross Dickinson 8766: 8710: 8669: 8665: 8654: 8585: 8524: 8463: 8407: 8341: 8337: 8326: 8257: 8201: 8140: 8069: 8028: 7952: 7846: 7842: 7831: 7707: 7641: 7633:Hannah Greenebaum Solomon 7540: 7404: 7218: 7202: 7171: 7167: 7156: 7112: 7086: 7065: 7044: 7023: 7002: 6998: 6987: 6948: 6922: 6811: 6807: 6796: 6658: 6599: 6588: 6536:A Bird came down the Walk 6497: 6294:Sterling Memorial Library 6182:Resources in your library 6158:Resources in your library 6006:. Yale University Press. 5796:Farr, Judith (ed). 1996. 4190:Habegger (2001), 402–403. 2776:archivesspace.amherst.edu 2036:the film of the same name 1843:has placed her alongside 1817: 1540:Occasionally rides – 1522:Occasionally rides – 1374: 1303:After Dickinson's death, 738:It asked a crumb – of me. 501:, and his gift to her of 201:Emily Elizabeth Dickinson 175: 154: 144: 134: 126: 116: 102: 80: 65: 58: 51:American poet (1830–1886) 7864:Marjory Stoneman Douglas 7674:Wilhelmina Cole Holladay 7447:Charlotte Perkins Gilman 6619:William Austin Dickinson 6613:Emily Norcross Dickinson 6553:I'm Nobody! Who are you? 6395:Works by Emily Dickinson 6377:Works by Emily Dickinson 6363:templates for discussion 5950:. London: Virago Press. 5924:Knapp, Bettina L. 1989. 5878:Habegger, Alfred. 2001. 5785:D'Arienzo, Daria. 2006. 4634:Grabher (1998), 358–359. 4530:Oberhaus (1996), 105–119 3786:Johnson (1960), 123–124. 2465:Emilydickinsonmuseum.org 2379: 2206:is a TV series starring 2147:'square Emily-Dickinson' 1943:Harvard University Press 1338:Martha Dickinson Bianchi 1030:Emily Dickinson, c. 1884 977:. There were ribbons of 916:Emily Dickinson, c. 1861 821:Is "my Verse ... alive?" 729:That kept so many warm – 455:Susan Huntington Gilbert 425:Emily Dickinson, c. 1862 207:. Dickinson was born in 183:William Austin Dickinson 167:Emily Norcross Dickinson 31:latest accepted revision 8354:Dorothy Harrison Eustis 8244:Catherine Filene Shouse 8097:Patricia Roberts Harris 7735:Mary Steichen Calderone 7603:Lillian Moller Gilbreth 7472:Frances Wisebart Jacobs 7276:Martha Wright Griffiths 6415:Emily Dickinson Archive 6079:Stocks, Kenneth. 1988. 6033:Pickard, John B. 1967. 6002:Paglia, Camille. 1990. 5965:. New York: Continuum. 5852:Gordon, Lyndall. 2010. 5013:"History of the Museum" 4746:. The LiederNet Archive 4544:Juhasz (1996), 130–140. 4275:Buckingham (1989), 194. 4211:Sewall (1974), 580–583. 3777:86. Murray (1999), 723. 3732:Wolff (1986), 188, 258. 3705:Sewall (1974), 554–555. 3202:Novy, Marianne (1990). 3165:Sewall (1974), 700–701. 2286:Swedish translation by 2071:Pamela Hansford Johnson 1870:Dickinson is taught in 1250:Such a delirious whirl! 811:Writers on the Spectrum 563:Adulthood and seclusion 262: 8300:Rebecca Talbot Perkins 7795:Eunice Kennedy Shriver 7659:Frances Xavier Cabrini 7573:Elizabeth Hanford Dole 7351:Ellen Swallow Richards 7321:Constance Baker Motley 6971:Elizabeth Bayley Seton 6904:Elizabeth Cady Stanton 6733:Wild Nights with Emily 6448:Emily Dickinson Museum 6436:June 25, 2010, at the 6100:Wilson, Edmund. 1962. 5999:(2). pp. 285–296. 5833:Franklin, R. W. 1998. 5826:Ford, Thomas W. 1966. 5770:Crumbley, Paul. 1997. 5767:(2). pp. 167–181. 5417:The Hollywood Reporter 4917:Emily Dickinson Museum 4607:Wells (1929), 243–259. 4379:Hecht (1996), 153–155. 3642:Wolff (1986), 249–250. 3485:Emily Dickinson Museum 3420:Emily Dickinson Museum 2191:Wild Nights with Emily 2138:. Her composer cousin 2118:, John Clement Adams, 2000: 1972:Emily Dickinson Museum 1956:Emily Dickinson Museum 1824:Millicent Todd Bingham 1684: 1544:His notice sudden is. 1430: 1342:Millicent Todd Bingham 1320: 1228:Yield such an Alcohol! 1195:Springfield Republican 1187: 1184:Springfield Republican 1132:Springfield Republican 1104: 1075:. In 1880 he gave her 1026: 1017:We cannot doubt – 912: 873: 855: 781:Springfield Republican 755:Springfield Republican 742: 704:Springfield Republican 682: 622:Wild Nights with Emily 617: 585: 578: 421: 293:Amherst, Massachusetts 284: 209:Amherst, Massachusetts 95:Amherst, Massachusetts 8888:Deaths from nephritis 8814:Anna Wessels Williams 8501:Carlotta Walls LaNier 8234:Elisabeth Kübler-Ross 8092:Martha Matilda Harper 8056:Mary Engle Pennington 7894:Frances Oldham Kelsey 7679:Anne Morrow Lindbergh 7432:Jane Cunningham Croly 7361:Katherine Siva Saubel 7256:Marian Wright Edelman 7179:Margaret Bourke-White 7104:Harriet Beecher Stowe 6338:Minnesota Book Awards 6020:Parker, Peter. 2007. 5946:McNeil, Helen. 1986. 4479:Pollak (1996), 62–65. 4367:Johnson (1960), viii. 4334:Habegger (2001), 628. 4199:Habegger (2001), 403. 4156:Habegger (2001), 389. 4108:Habegger (2001), 622. 4099:Habegger (2001), 627. 4078:Habegger (2001), 625. 4069:Habegger (2001), 623. 4060:Habegger (2001), 615. 4051:Habegger (2001), 607. 4042:Habegger (2001), 612. 4024:Habegger (2001), 604. 4015:Habegger (2001), 597. 4006:Habegger (2001), 591. 3952:Habegger (2001), 569. 3943:Habegger (2001), 566. 3934:Habegger (2001), 562. 3893:Habegger (2001), 154. 3870:Habegger (2001), 524. 3861:Habegger (2001), 523. 3852:Habegger (2001), 521. 3843:Habegger (2001), 547. 3831:Habegger (2001), 541. 3822:Habegger (2001), 548. 3813:Habegger (2001), 540. 3804:Habegger (2001), 516. 3795:Habegger (2001), 517. 3696:Habegger (2001), 456. 3678:Habegger (2001), 455. 3660:Habegger (2001), 453. 3607:Brown, Julie (2010). 3522:Habegger (2001), 405. 3348:Habegger (2001), 353. 3336:Habegger (2001). 342. 3281:Habegger (2001), 330. 3254:Habegger (2001), 338. 3243:Hart & Smith 1998 3156:Habegger (2001), 226. 3126:Habegger (2001), 218. 3117:Habegger (2001), 221. 3096:Habegger (2001), 216. 3087:Habegger (2001), 213. 3066:Habegger (2001), 211. 3012:Habegger (2001), 168. 2982:Habegger (2001), 172. 2947:Habegger (2001), 148. 2910:10.1353/edj.2006.0017 2882:Habegger (2001). 142. 2855:Habegger (2001), 129. 2702:Sewall (1974), 17–18. 2437:. February 27, 2018. 2324:Spanish translation: 2296:Turkish translation: 2132:Michael Tilson Thomas 2011:The feminist artwork 1998: 1892:Michael Tilson Thomas 1718:Thomas Bailey Aldrich 1682: 1433:The extensive use of 1424: 1314: 1181: 1102: 1023:To put it out – 1010: 981:hedges and drifts of 900: 857: 846: 710: 669: 612: 583: 570: 522:Letters from New York 479:Mount Holyoke College 405:As when a little Girl 400: 342:Monson, Massachusetts 275: 121:Amherst West Cemetery 8873:American women poets 8511:Mary Harriman Rumsey 8349:St. Katharine Drexel 8193:Mary Burnett Talbert 8188:Blanche Stuart Scott 8173:Mother Marianne Cope 8153:Ruth Fulton Benedict 8112:Mildred Robbins Leet 7810:Angelina Grimké Weld 7684:Maria Goeppert Mayer 7654:Charlotte Anne Bunch 7231:Antoinette Blackwell 7210:Gertrude Belle Elion 7140:Ida B. Wells-Barnett 6909:Helen Brooke Taussig 6899:Margaret Chase Smith 6703:The Belle of Amherst 6205:Nancy Ekholm Burkert 5976:Murray, Aífe. 2010. 5811:Farr, Judith. 2005. 4993:on December 25, 2007 4923:on November 24, 2010 4798:on December 20, 2008 4406:Crumbley (1997), 14. 3961:Johnson (1960), 661. 3669:Johnson (1960), vii. 3552:Fuss, Diana. 1998. " 3030:Johnson (1960), 153. 2873:Johnson (1960), 302. 2804:Habegger (2001), 85. 2608:Comment (2001), 167. 2311:through its special 1919:The Belle of Amherst 1723:The Atlantic Monthly 1689:William Dean Howells 1417:Structure and syntax 1330:Poems: Second Series 1272:Brooklyn Daily Union 1157:on Triangle Street. 1060:Antony and Cleopatra 836:The Atlantic Monthly 477:(which later became 326:Massachusetts Senate 8728:Rebecca S. Halstead 8702:Mary Church Terrell 8389:Barbara A. Mikulski 8117:Patsy Takemoto Mink 8102:Stephanie L. Kwolek 8041:Ruth Bader Ginsburg 8015:Emily Howell Warner 7960:Dorothy H. Andersen 7934:Annie Dodge Wauneka 7929:Mary Edwards Walker 7854:Faye Glenn Abdellah 7785:Edith Nourse Rogers 7765:Shirley Ann Jackson 7740:Mary Ann Shadd Cary 7618:Sandra Day O'Connor 7598:Matilda Joslyn Gage 7194:Florence B. Seibert 7031:Carrie Chapman Catt 6961:Juliette Gordon Low 6844:Elizabeth Blackwell 6839:Mary McLeod Bethune 6095:American Literature 6027:The Daily Telegraph 5516:Zhou, J. X.(2013). 5481:Signature-reads.com 5189:10.1093/ml/75.2.241 5177:Music & Letters 5019:on October 23, 2007 4849:on October 19, 2014 4766:"Mission Statement" 4491:American Literature 4355:Pickard (1967), 20. 4236:Pickard (1967), xv. 3988:Sewall (1974), 652. 3979:Sewall (1974), 651. 3741:Wilson (1986), 491. 3651:Sewall (1974), 541. 3366:Sewall (1974), 473. 3357:Sewall (1974), 463. 3272:Sewall (1974), 447. 3263:Sewall (1974), 444. 3227:Ardor and the Abyss 3216:Pickard (1967), 21. 3183:Sewall (1974), 341. 3174:Sewall (1974), 340. 3144:Sewall (1974), 683. 3105:Sewall (1974), 401. 3078:Pickard (1967), 19. 3057:Sewall (1974), 358. 3048:Sewall (1974), 368. 3000:Ford (1966), 47–48. 2938:Sewall (1974), 342. 2834:Sewall (1974), 335. 2816:Sewall (1974), 337. 2795:Sewall (1974), 324. 2739:. October 4, 2019. 2662:Sewall (1974), 321. 2507:www.cliffsnotes.com 2172:directed and wrote 2151:20th arrondissement 1900:Redmond, Washington 1872:American literature 1591:Flowers and gardens 1437:and unconventional 1319:, published in 1890 557:William Shakespeare 503:Ralph Waldo Emerson 21:Page version status 8687:Barbara Rose Johns 8638:Flossie Wong-Staal 8613:Nicole Malachowski 8542:Lorraine Hansberry 8486:Marcia Greenberger 8440:Mary Joseph Rogers 8379:Coretta Scott King 8364:Abby Kelley Foster 8280:Susan Kelly-Dreiss 8168:Rita Rossi Colwell 7944:Frances E. Willard 7780:Rozanne L. Ridgway 7730:Lydia Moss Bradley 7715:Madeleine Albright 7608:Nannerl O. Keohane 7578:Anne Dallas Dudley 7507:Betty Bone Schiess 7477:Susette La Flesche 7462:Zora Neale Hurston 7457:Helen LaKelly Hunt 7381:Madam C. J. Walker 7296:Mary Putnam Jacobi 7246:Jacqueline Cochran 7226:Ethel Percy Andrus 7094:Barbara McClintock 6207:; Introduction by 6171:By Emily Dickinson 6062:Smith, Martha Nell 6044:Sewall, Richard B. 5894:Roland Hagenbüchle 5787:"Looking at Emily" 5103:10.1353/edj.0.0145 5043:Brooklynmuseum.org 4913:"Belle of Amherst" 4895:"Dickinson, Emily" 4772:on October 2, 2007 4670:Juhasz (1983), 10. 4643:Blake (1964), 223. 4625:Blake (1964), 202. 4562:Wolff (1986), 175. 4433:Wolff (1986), 171. 4397:Wolff (1986), 186. 4325:McNeil (1986), 35. 4316:Martin (2002), 17. 4257:Wolff (1986), 537. 4181:Wolff (1986), 245. 4147:McNeil (1986), 33. 4129:Wolff (1986), 535. 4117:Smith (1998), 265. 4087:Wolff (1986), 534. 3908:The New York Times 3723:Wolff (1986), 188. 3714:Wolff (1986), 254. 3633:Johnson (1960), v. 3384:Franklin (1998), 5 3300:. March 21, 2022. 3192:Martin (2002), 53. 2864:Sewall (1974) 322. 2684:on October 4, 2016 2580:The New York Times 2140:Clarence Dickinson 2001: 1935:Harvard University 1685: 1431: 1321: 1283:Helen Hunt Jackson 1188: 1105: 1077:Mary Cowden Clarke 1037:Otis Phillips Lord 1021:Ignited this Abode 1019:No vacillating God 959:lily-of-the-valley 939:Posies and poesies 888:The woman in white 856: 854:from 1862 to 1864. 794:Scribner's Monthly 683: 586: 499:William Wordsworth 370:Clarence Dickinson 334:33rd U.S. Congress 289:family's homestead 285: 251:The New York Times 27: 8835: 8834: 8831: 8830: 8827: 8826: 8789:Kimberlé Crenshaw 8784:Elouise P. Cobell 8748:Katherine Johnson 8718:Octavia E. Butler 8650: 8649: 8646: 8645: 8557:Clare Boothe Luce 8369:Helen Murray Free 8322: 8321: 8318: 8317: 8183:Patricia A. Locke 8148:Florence E. Allen 8132:Sheila E. Widnall 8077:Linda G. Alvarado 8061:Mercy Otis Warren 8020:Victoria Woodhull 8005:Barbara Holdridge 8000:Beatrice A. Hicks 7975:Lydia Maria Child 7889:Leontine T. Kelly 7827: 7826: 7823: 7822: 7649:Louisa May Alcott 7563:Mary Breckinridge 7442:Geraldine Ferraro 7427:Annie Jump Cannon 7152: 7151: 7148: 7147: 6983: 6982: 6979: 6978: 6889:Eleanor Roosevelt 6788:Inductees to the 6755: 6754: 6747: 6737: 6727: 6717: 6707: 6643:Mabel Loomis Todd 6381:Project Gutenberg 6323:978-0-87745-734-3 6285:978-0-19-187227-3 6248:978-0-674-98297-0 6218:978-0-8212-2175-4 6203:. Illustrated by 6139:Library resources 6012:978-0-300-04396-9 5986:978-1-58465-674-6 5888:978-0-679-44986-7 5862:978-0-670-02193-2 5821:978-0-674-01829-7 5806:978-0-13-033524-1 5694:Secondary sources 5648:978-0-674-67622-0 5629:978-0-674-73796-9 5610:978-0-674-98297-0 5463:Middleeasteye.net 5087:"Pain of Silence" 4733:Bloom (1994), 226 4715:Blake (1964), 24. 4706:Martin (2002), 2. 4697:Martin (2002), 1. 4679:Martin (2002), 58 4661:Juhasz (1983), 9. 4652:Juhasz (1983), 1. 4616:Blake (1964), 89. 4598:Blake (1964), vi. 4589:Blake (1964), 55. 4580:Blake (1964), 37. 4571:Blake (1964), 28. 4553:Blake (1964), 12. 4463:Farr (1996), 7–8. 4449:Farr (2005), 1–7. 4415:Bloom (1998), 18. 4033:Walsh (1971), 26. 3884:Farr (2005), 3–6. 3687:Blake (1964), 45. 3620:978-1-84310-913-6 3322:Walsh (1971), 87. 3245:, pp. 35–37. 3135:Knapp (1989), 59. 2959:Wolff (1986), 77. 2843:Wolff (1986), 45. 2761:Wolff (1986), 36. 2720:Wolff (1986), 14. 2544:978-0-674-67600-8 2492:McNeil (1986), 2. 2471:on August 7, 2018 2431:"Emily Dickinson" 2410:Poetry Foundation 2406:"Emily Dickinson" 2156:Jazz saxophonist 1812:Martha Nell Smith 1694:Harper's Magazine 1668: 1629: 1577:Transcendentalist 1551: 1550: 1478:iambic tetrameter 1457:and, less often, 1305:Lavinia Dickinson 1292:A Masque of Poets 1258: 1257: 1109:Mabel Loomis Todd 1091:Decline and death 1031: 917: 768:transcendentalism 758:Assistant Editor 747: 672:Kate Scott Turner 518:Lydia Maria Child 462:religious revival 426: 242:Mabel Loomis Todd 198: 197: 91:December 10, 1830 39:16 September 2024 18: 8920: 8893:Dickinson family 8667: 8666: 8656: 8655: 8623:Louise Slaughter 8547:Victoria Jackson 8506:Philippa Marrack 8491:Barbara Iglewski 8399:Kathrine Switzer 8394:Donna E. Shalala 8339: 8338: 8328: 8327: 8285:Allie B. Latimer 8265:Louise Bourgeois 8239:Judith L. Pipher 8046:Katharine Graham 7990:Marian de Forest 7909:Anna Howard Shaw 7859:Emma Smith DeVoe 7844: 7843: 7833: 7832: 7745:Joan Ganz Cooney 7669:Oveta Culp Hobby 7664:Mary A. Hallaren 7527:Sarah Winnemucca 7396:Gloria Yerkovich 7391:Rosalyn S. Yalow 7346:Jeannette Rankin 7326:Georgia O'Keeffe 7281:Fannie Lou Hamer 7241:Shirley Chisholm 7189:Billie Jean King 7169: 7168: 7158: 7157: 7120:Gwendolyn Brooks 7000: 6999: 6989: 6988: 6829:Susan B. Anthony 6809: 6808: 6798: 6797: 6782: 6775: 6768: 6759: 6758: 6746:(2019 TV series) 6745: 6735: 6725: 6715: 6705: 6607:Edward Dickinson 6594: 6545: 6484: 6477: 6470: 6461: 6460: 6406: 6405: 6390:Internet Archive 6335: 6289: 6260: 6233: 6230:Internet Archive 6222: 5791:Amherst Magazine 5689: 5680: 5671: 5667:978-0-96381836-2 5652: 5633: 5614: 5586: 5585: 5583: 5581: 5570: 5564: 5563: 5552: 5546: 5545: 5543: 5541: 5527: 5521: 5514: 5508: 5507: 5491: 5485: 5484: 5473: 5467: 5466: 5455: 5449: 5448: 5437: 5428: 5427: 5425: 5423: 5408: 5402: 5401: 5399: 5397: 5382: 5376: 5375: 5373: 5371: 5351: 5345: 5344: 5342: 5340: 5323: 5317: 5316: 5314: 5312: 5298: 5292: 5291: 5277: 5271: 5270: 5268: 5266: 5251: 5245: 5233: 5227: 5226: 5224: 5222: 5215:The Boston Globe 5207: 5201: 5200: 5172: 5166: 5165: 5163: 5161: 5150: 5144: 5143: 5142:. 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Pollak 1609:The Master poems 1561: 1517:Original wording 1512: 1511: 1216:Original wording 1211: 1210: 1125:Bright's disease 1032: 1029: 918: 915: 772:dark romanticism 748: 745: 680: 677: 550: 536:Charlotte Brontë 427: 424: 366:Baxter Dickinson 358:Lavinia Norcross 297:Edward Dickinson 282: 279: 162:Edward Dickinson 109: 98: 90: 88: 70: 56: 55: 8928: 8927: 8923: 8922: 8921: 8919: 8918: 8917: 8883:Christian poets 8848:Emily Dickinson 8838: 8837: 8836: 8823: 8819:Serena Williams 8762: 8706: 8692:Henrietta Lacks 8682:Barbara Hillary 8677:Aretha Franklin 8661: 8642: 8628:Sonia Sotomayor 8581: 8520: 8471:Tenley Albright 8459: 8445:Bernice Sandler 8403: 8384:Lilly Ledbetter 8359:Loretta C. Ford 8333: 8314: 8253: 8249:Henrietta Szold 8209:Eleanor K. Baum 8197: 8163:Hillary Clinton 8136: 8087:Gertrude Ederle 8082:Donna de Varona 8065: 8024: 7970:Rosalynn Carter 7948: 7924:Wilma L. Vaught 7879:Crystal Eastman 7874:Sylvia A. Earle 7838: 7819: 7815:Chien-Shiung Wu 7790:Felice Schwartz 7760:Julia Ward Howe 7703: 7694:Maria Tallchief 7637: 7593:Margaret Fuller 7588:Ella Fitzgerald 7583:Mary Baker Eddy 7536: 7492:Antonia Novello 7467:Anne Hutchinson 7400: 7341:Esther Peterson 7316:Wilma Mankiller 7236:Emily Blackwell 7214: 7198: 7163: 7144: 7108: 7082: 7061: 7040: 7036:Frances Perkins 7019: 7015:Sojourner Truth 7010:Margaret Sanger 6994: 6975: 6944: 6918: 6864:Emily Dickinson 6824:Marian Anderson 6803: 6792: 6786: 6756: 6751: 6723:A Quiet Passion 6713:Emily Dickinson 6654: 6633:(sister-in-law) 6595: 6586: 6543: 6493: 6491:Emily Dickinson 6488: 6438:Wayback Machine 6403: 6368:Emily Dickinson 6366: 6347: 6324: 6298:Yale University 6286: 6249: 6223: 6219: 6193: 6192: 6191: 6168: 6167: 6147: 6146: 6144:Emily Dickinson 6142: 6135: 6133:Further reading 6130: 6117:Emily Dickinson 5948:Emily Dickinson 5926:Emily Dickinson 5719:Emily Dickinson 5696: 5668: 5649: 5630: 5611: 5595: 5590: 5589: 5579: 5577: 5574:"Seçme Şiirler" 5572: 5571: 5567: 5554: 5553: 5549: 5539: 5537: 5529: 5528: 5524: 5515: 5511: 5492: 5488: 5475: 5474: 5470: 5457: 5456: 5452: 5439: 5438: 5431: 5421: 5419: 5409: 5405: 5395: 5393: 5383: 5379: 5369: 5367: 5352: 5348: 5338: 5336: 5324: 5320: 5310: 5308: 5300: 5299: 5295: 5278: 5274: 5264: 5262: 5252: 5248: 5234: 5230: 5220: 5218: 5209: 5208: 5204: 5173: 5169: 5159: 5157: 5151: 5147: 5130: 5129: 5125: 5115: 5113: 5083: 5079: 5069: 5067: 5064:"Tour and Home" 5062: 5061: 5057: 5047: 5045: 5037: 5036: 5032: 5022: 5020: 5011: 5010: 5006: 4996: 4994: 4985: 4984: 4980: 4970: 4968: 4963: 4962: 4958: 4948: 4946: 4941: 4940: 4936: 4926: 4924: 4911: 4910: 4906: 4893: 4892: 4888: 4878: 4876: 4867: 4866: 4862: 4852: 4850: 4841: 4840: 4836: 4826: 4824: 4822:Schools.nyc.gov 4818:"Find a School" 4816: 4815: 4811: 4801: 4799: 4790: 4789: 4785: 4775: 4773: 4764: 4763: 4759: 4749: 4747: 4742: 4741: 4737: 4732: 4728: 4724:Bloom (1999), 9 4723: 4719: 4714: 4710: 4705: 4701: 4696: 4692: 4687: 4683: 4678: 4674: 4669: 4665: 4660: 4656: 4651: 4647: 4642: 4638: 4633: 4629: 4624: 4620: 4615: 4611: 4606: 4602: 4597: 4593: 4588: 4584: 4579: 4575: 4570: 4566: 4561: 4557: 4552: 4548: 4543: 4534: 4529: 4518: 4503:10.2307/2925338 4487: 4483: 4478: 4467: 4462: 4453: 4448: 4437: 4432: 4428: 4423: 4419: 4414: 4410: 4405: 4401: 4396: 4392: 4387: 4383: 4378: 4371: 4366: 4359: 4354: 4347: 4342: 4338: 4333: 4329: 4324: 4320: 4315: 4306: 4301: 4297: 4292: 4288: 4283: 4279: 4274: 4270: 4265: 4261: 4256: 4249: 4245:Wolff (1986), 6 4244: 4240: 4235: 4231: 4227:Farr (1996), 3. 4226: 4215: 4210: 4203: 4198: 4194: 4189: 4185: 4180: 4176: 4171: 4160: 4155: 4151: 4146: 4142: 4137: 4133: 4128: 4121: 4116: 4112: 4107: 4103: 4098: 4091: 4086: 4082: 4077: 4073: 4068: 4064: 4059: 4055: 4050: 4046: 4041: 4037: 4032: 4028: 4023: 4019: 4014: 4010: 4005: 4001: 3996: 3992: 3987: 3983: 3978: 3974: 3969: 3965: 3960: 3956: 3951: 3947: 3942: 3938: 3933: 3929: 3924: 3915: 3910:. May 17, 2016. 3902: 3901: 3897: 3892: 3888: 3883: 3874: 3869: 3865: 3860: 3856: 3851: 3847: 3842: 3835: 3830: 3826: 3821: 3817: 3812: 3808: 3803: 3799: 3794: 3790: 3785: 3781: 3776: 3772: 3767: 3763: 3758: 3754: 3749: 3745: 3740: 3736: 3731: 3727: 3722: 3718: 3713: 3709: 3704: 3700: 3695: 3691: 3686: 3682: 3677: 3673: 3668: 3664: 3659: 3655: 3650: 3646: 3641: 3637: 3632: 3628: 3621: 3605: 3601: 3591: 3589: 3572: 3568: 3551: 3547: 3543:(1). pp. 71–86. 3530: 3526: 3521: 3517: 3512: 3508: 3503: 3499: 3489: 3487: 3479: 3478: 3474: 3464: 3462: 3447: 3443: 3438: 3434: 3424: 3422: 3414: 3413: 3409: 3404: 3400: 3392: 3388: 3383: 3379: 3374: 3370: 3365: 3361: 3356: 3352: 3347: 3340: 3335: 3326: 3321: 3317: 3307: 3305: 3297:Amherst College 3290: 3289: 3285: 3280: 3276: 3271: 3267: 3262: 3258: 3253: 3249: 3241: 3237: 3224: 3220: 3215: 3211: 3200: 3196: 3191: 3187: 3182: 3178: 3173: 3169: 3164: 3160: 3155: 3148: 3143: 3139: 3134: 3130: 3125: 3121: 3116: 3109: 3104: 3100: 3095: 3091: 3086: 3082: 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1820: 1759:began to form. 1709:The Independent 1691:, an editor of 1677: 1661: 1622: 1569: 1559: 1543: 1541: 1539: 1537: 1525: 1523: 1521: 1519: 1482:iambic trimeter 1419: 1383: 1377: 1301: 1248: 1244: 1242: 1240: 1226: 1222: 1220: 1218: 1176: 1163: 1093: 1034: 1028: 1025: 1022: 1020: 1018: 1016: 1014: 1000: 941: 920: 914: 911: 908: 906: 904: 890: 870: 868: 866: 864: 862: 860: 825:In April 1862, 823: 750: 744: 741: 739: 737: 735: 733: 731: 730: 728: 726: 724: 722: 720: 718: 716: 714: 678: 565: 548: 491: 429: 423: 420: 417: 415: 413: 411: 410: 408: 406: 404: 398: 354:Emily Elizabeth 315:Amherst College 311:Great Migration 301:Amherst College 280: 270: 265: 213:Amherst Academy 205:American poetry 194: 171: 135:Alma mater 111: 107: 93: 92: 86: 84: 76: 61: 60:Emily Dickinson 52: 47: 46: 45: 44: 43: 42: 26: 12: 11: 5: 8926: 8916: 8915: 8910: 8905: 8900: 8895: 8890: 8885: 8880: 8875: 8870: 8865: 8860: 8855: 8850: 8833: 8832: 8829: 8828: 8825: 8824: 8822: 8821: 8816: 8811: 8806: 8801: 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6440: 6428: 6422: 6417: 6412: 6407: 6392: 6383: 6374: 6346: 6345:External links 6343: 6342: 6341: 6322: 6309: 6290: 6284: 6261: 6247: 6234: 6217: 6190: 6189: 6184: 6179: 6173: 6169: 6166: 6165: 6160: 6155: 6149: 6148: 6137: 6136: 6134: 6131: 6129: 6128: 6113: 6098: 6091: 6084: 6077: 6059: 6041: 6038: 6031: 6018: 6015: 6000: 5989: 5974: 5959: 5944: 5929: 5922: 5919: 5904: 5901: 5891: 5876: 5865: 5850: 5831: 5824: 5809: 5794: 5783: 5768: 5757: 5742: 5730: 5712: 5705: 5697: 5695: 5692: 5691: 5690: 5681: 5672: 5666: 5653: 5647: 5634: 5628: 5615: 5609: 5594: 5591: 5588: 5587: 5565: 5547: 5522: 5509: 5486: 5468: 5450: 5429: 5403: 5377: 5346: 5333:All About Jazz 5318: 5293: 5272: 5246: 5228: 5202: 5183:(2): 241–245. 5167: 5145: 5123: 5097:(2): 197–201. 5077: 5055: 5030: 5004: 4978: 4956: 4934: 4904: 4886: 4860: 4834: 4809: 4783: 4757: 4735: 4726: 4717: 4708: 4699: 4690: 4681: 4672: 4663: 4654: 4645: 4636: 4627: 4618: 4609: 4600: 4591: 4582: 4573: 4564: 4555: 4546: 4532: 4516: 4497:(3): 361–376. 4481: 4465: 4451: 4435: 4426: 4417: 4408: 4399: 4390: 4381: 4369: 4357: 4345: 4336: 4327: 4318: 4304: 4295: 4286: 4277: 4268: 4259: 4247: 4238: 4229: 4213: 4201: 4192: 4183: 4174: 4158: 4149: 4140: 4131: 4119: 4110: 4101: 4089: 4080: 4071: 4062: 4053: 4044: 4035: 4026: 4017: 4008: 3999: 3990: 3981: 3972: 3963: 3954: 3945: 3936: 3927: 3913: 3895: 3886: 3872: 3863: 3854: 3845: 3833: 3824: 3815: 3806: 3797: 3788: 3779: 3770: 3761: 3752: 3743: 3734: 3725: 3716: 3707: 3698: 3689: 3680: 3671: 3662: 3653: 3644: 3635: 3626: 3619: 3599: 3566: 3545: 3524: 3515: 3506: 3497: 3472: 3441: 3432: 3407: 3398: 3396:, p. 150. 3386: 3377: 3368: 3359: 3350: 3338: 3324: 3315: 3283: 3274: 3265: 3256: 3247: 3235: 3218: 3209: 3194: 3185: 3176: 3167: 3158: 3146: 3137: 3128: 3119: 3107: 3098: 3089: 3080: 3068: 3059: 3050: 3041: 3032: 3023: 3014: 3002: 2993: 2984: 2975: 2961: 2949: 2940: 2931: 2884: 2875: 2866: 2857: 2845: 2836: 2827: 2818: 2806: 2797: 2788: 2763: 2754: 2722: 2713: 2704: 2695: 2678:Itech.fgcu.edu 2664: 2655: 2640: 2622: 2610: 2598: 2562: 2543: 2524: 2494: 2482: 2452: 2422: 2394: 2384: 2383: 2381: 2378: 2376: 2373: 2372: 2371: 2365: 2364: 2350: 2334: 2331: 2330: 2329: 2322: 2316: 2298:Selected Poems 2294: 2291: 2284: 2281: 2278: 2231: 2228: 2227: 2226: 2215: 2199: 2187: 2170:Terence Davies 2167: 2158:Jane Ira Bloom 2154: 2143: 2096: 2083:The 2012 book 2081: 2063: 2060:Brontë sisters 2056:Kate Pullinger 2043: 2040:Alan J. Pakula 2028:'s 1979 novel 2026:William Styron 2022: 1992: 1989: 1988: 1987: 1984: 1977: 1975: 1969: 1962: 1819: 1816: 1772:Cleanth Brooks 1764:R. P. Blackmur 1757:cult following 1701:in the 1930s. 1676: 1673: 1658:Suzanne Juhasz 1568: 1565: 1557:The Republican 1553: 1552: 1549: 1548: 1546: 1528: 1505:The Republican 1439:capitalization 1418: 1415: 1414: 1413: 1407: 1401: 1379:Main article: 1376: 1373: 1300: 1297: 1277:In the 1870s, 1260: 1259: 1256: 1255: 1253: 1231: 1192:Samuel Bowles' 1175: 1172: 1168:Complete Poems 1162: 1159: 1140:lady's slipper 1092: 1089: 1011: 1009: 999: 996: 965:, platoons of 948:leather-bound 940: 937: 901: 899: 895:Margaret Maher 889: 886: 822: 819: 790:Josiah Holland 711: 709: 636:the Evergreens 564: 561: 544:in late 1849. 490: 487: 401: 399: 397: 394: 362: 361: 355: 352: 349:William Austin 338:Emily Norcross 269: 266: 264: 261: 236:acquaintances 230:capitalization 196: 195: 193: 192: 186: 179: 177: 173: 172: 170: 169: 164: 158: 156: 152: 151: 146: 142: 141: 136: 132: 131: 128: 124: 123: 118: 114: 113: 110:(aged 55) 104: 100: 99: 82: 78: 77: 71: 63: 62: 59: 50: 28: 22: 19: 17: 9: 6: 4: 3: 2: 8925: 8914: 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Wharton 7697: 7695: 7692: 7690: 7687: 7685: 7682: 7680: 7677: 7675: 7672: 7670: 7667: 7665: 7662: 7660: 7657: 7655: 7652: 7650: 7647: 7646: 7644: 7640: 7634: 7631: 7629: 7628:Pat Schroeder 7626: 7624: 7621: 7619: 7616: 7614: 7611: 7609: 7606: 7604: 7601: 7599: 7596: 7594: 7591: 7589: 7586: 7584: 7581: 7579: 7576: 7574: 7571: 7569: 7566: 7564: 7561: 7559: 7556: 7554: 7551: 7549: 7546: 7545: 7543: 7539: 7533: 7530: 7528: 7525: 7523: 7522:Oprah Winfrey 7520: 7518: 7515: 7513: 7510: 7508: 7505: 7503: 7502:Wilma Rudolph 7500: 7498: 7495: 7493: 7490: 7488: 7485: 7483: 7480: 7478: 7475: 7473: 7470: 7468: 7465: 7463: 7460: 7458: 7455: 7453: 7450: 7448: 7445: 7443: 7440: 7438: 7435: 7433: 7430: 7428: 7425: 7423: 7422:Myra Bradwell 7420: 7418: 7415: 7413: 7410: 7409: 7407: 7403: 7397: 7394: 7392: 7389: 7387: 7384: 7382: 7379: 7377: 7374: 7372: 7369: 7367: 7364: 7362: 7359: 7357: 7356:Elaine Roulet 7354: 7352: 7349: 7347: 7344: 7342: 7339: 7337: 7334: 7332: 7329: 7327: 7324: 7322: 7319: 7317: 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1893: 1889: 1885: 1881: 1880:Aaron Copland 1877: 1873: 1868: 1866: 1862: 1858: 1854: 1850: 1846: 1842: 1836: 1834: 1830: 1825: 1815: 1813: 1807: 1805: 1802:theorized in 1801: 1800:Adrienne Rich 1797: 1792: 1788: 1783: 1781: 1780:antimacassars 1777: 1773: 1769: 1765: 1760: 1758: 1753: 1749: 1745: 1739: 1737: 1733: 1729: 1725: 1724: 1719: 1715: 1710: 1706: 1702: 1700: 1696: 1695: 1690: 1681: 1672: 1666: 1659: 1655: 1651: 1649: 1645: 1641: 1637: 1633: 1627: 1620: 1616: 1612: 1610: 1606: 1604: 1600: 1596: 1592: 1588: 1586: 1582: 1578: 1574: 1564: 1558: 1547: 1545: 1536: 1534: 1529: 1527: 1518: 1514: 1513: 1510: 1509: 1508: 1506: 1500: 1498: 1494: 1490: 1489:Anthony Hecht 1485: 1483: 1479: 1475: 1470: 1468: 1464: 1463:ballad stanza 1460: 1456: 1452: 1448: 1444: 1443:idiosyncratic 1440: 1436: 1428: 1423: 1411: 1408: 1405: 1402: 1399: 1395: 1391: 1388: 1387: 1386: 1382: 1372: 1370: 1365: 1362: 1357: 1355: 1350: 1345: 1343: 1339: 1334: 1331: 1326: 1318: 1313: 1309: 1306: 1296: 1294: 1293: 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Holland 757: 756: 749: 740: 708: 706: 705: 700: 699:Samuel Bowles 695: 693: 687: 673: 668: 664: 662: 661:San Francisco 657: 653: 649: 648:Massachusetts 645: 639: 637: 632: 630: 629: 624: 623: 616: 611: 609: 605: 604: 599: 593: 591: 590:Susan Gilbert 582: 577: 575: 569: 560: 558: 554: 547: 543: 542: 537: 533: 532: 527: 523: 519: 515: 510: 508: 504: 500: 495: 486: 484: 480: 476: 472: 466: 463: 458: 456: 451: 446: 440: 438: 434: 428: 419: 396:Teenage years 393: 389: 385: 381: 379: 373: 371: 367: 359: 356: 353: 350: 347: 346: 345: 343: 339: 335: 331: 327: 323: 318: 316: 312: 309: 304: 302: 298: 294: 290: 274: 260: 258: 253: 252: 247: 243: 239: 233: 231: 227: 221: 218: 214: 210: 206: 202: 190: 187: 184: 181: 180: 178: 174: 168: 165: 163: 160: 159: 157: 153: 150: 149:List of poems 147: 145:Notable works 143: 140: 137: 133: 129: 125: 122: 119: 117:Resting place 115: 105: 101: 96: 83: 79: 74: 73:Daguerreotype 69: 64: 57: 54: 40: 36: 32: 25: 20: 8804:Loretta Ross 8779:Ruby Bridges 8723:Judy Chicago 8618:Rose O'Neill 8598:Angela Davis 8577:Alice Waters 8572:Janet Rowley 8567:Carol Mutter 8455:Emma Willard 8435:Nancy Pelosi 8430:Kate Millett 8295:Ruth Patrick 8290:Emma Lazarus 8275:Karen DeCrow 8270:Mildred Cohn 7965:Lucille Ball 7939:Eudora Welty 7914:Sophia Smith 7899:Kate Mullany 7755:Sarah Grimké 7720:Maya Angelou 7553:Ann Bancroft 7532:Fanny Wright 7452:Grace Hopper 7376:Lillian Wald 7331:Annie Oakley 7311:Mary Mahoney 7135:Mary Risteau 7125:Willa Cather 7078:Bessie Smith 6956:Dorothea Dix 6884:Helen Keller 6863: 6859:Mary Cassatt 6834:Clara Barton 6742: 6732: 6722: 6712: 6702: 6687: 6490: 6356: 6313: 6266: 6238: 6209:Jane Langton 6199: 6177:Online books 6170: 6153:Online books 6143: 6116: 6101: 6094: 6087: 6080: 6065: 6047: 6034: 6025: 6003: 5996: 5992: 5977: 5962: 5947: 5932: 5925: 5907: 5879: 5868: 5853: 5834: 5827: 5812: 5797: 5790: 5771: 5764: 5760: 5745: 5736: 5718: 5708: 5701: 5685: 5676: 5657: 5638: 5619: 5600: 5578:. 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