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scenes on coloured backgrounds. Wedgwood first chose one of her designs in 1783, and his 1787 catalogue referred to her as having "exquisite taste" and "charming groups". Several of the designs
Wedgwood used have a feminine or domestic theme. She also painted in watercolours and sculpted in clay. Of
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particular note were her sculptures of family, including grandchildren. A famous bust was made of her son-in-law the
Marquess of Bristol.
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192:.google.co.uk/books?id=wyHzsSLLd9oC& Bryan's Dictionary of Painters and Engravers, vol 5, 1921 edition
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Victoria and Albert Museum: comments about vase with bas-relief designed by
Elizabeth, Lady Templetown
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Born in
Herefordshire, she was the third daughter of Shuckburgh Boughton and granddaughter of
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Lady
Templetown stayed in Rome a lot towards the end of her life, dying in 1823. Her brother,
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the potter. She specialised in detailed cut-paper work which adapted well to
Wedgwood's
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Elizabeth Albana Upton, who married
Frederick, 1st Marquess of Bristol
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Victoria and Albert Museum: designs by
Elizabeth, Lady Templetown
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September 1823) was an
English artist whose designs were used by
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London, England, Church of
England Deaths and Burials, 1813â1980
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belt clasp designed by Lady Templeton and Miss Crew for
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137:. London, England. 1 October 1823. p. 4.
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