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Elizabeth Peyton

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Peyton works from both life and photography, generally using painting, drawing, or printmaking, and often exploring successive degrees of removal from her source material, such as in her paintings of Camille Claudel's sculptures in which Peyton creates paintings of photographs of sculptures. In her
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is already decided. In another manner of reworking, Peyton will revisit an image that she has previously used, cropping it in different dimensions and thus altering the amount of context given. This manipulation of context is significant to Peyton because of its effect on the feelings of proximity
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tradition, often featuring cropped portraits in complex compositions with flowers, statuary, and other motifs associated with the genre. This exploration, beginning around 2007, represented a reorientation of attention from the figure to the broader context of the individual's environment and the
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Peyton's artwork, mainly figurative, can be characterized by a coupling of understatement and intensity, depicting subjects from her own life and beyond with both startling immediacy and her signature richly modulated surfaces. Peyton draws much inspiration from the creative work of historical
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magazine commissioned her to create a lithograph, Peyton has created a broad range of prints, including monotypes, lithographs, and woodcuts. Experimenting with different techniques, she also uses a variety of diverse and handmade papers as well as various colored and monochromatic inks.
85:(born 1965) is an American contemporary artist working primarily in painting, drawing, and printmaking. Best known for figures from her own life and those beyond it, including close friends, historical personae, and icons of contemporary culture, Peyton's 896: 239:
on a series of monotypes which develop upon the concepts of plants and flowers as motifs of love and death, resulting in a series of paintings, prints, drawings, sculptures and photographs, as well as a collaborative artists book.
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Andreas Beyer: "What can a face do? Notes on the work of the portraitist Elizabeth Peyton", in #2/21 21: Inquiries into Art, History, and the Visual – Beiträge zur Kunstgeschichte und visuellen Kultur
283:, Maastricht (2009–10). This first survey of Peyton's work in an American institution included her latest portraits, which revealed a greater emphasis on the psychology of subjects such as 1150:"amfAR :: In The Spotlight :: Award of Excellence for Artistic Contributions to the Fight Against AIDS :: The Foundation for AIDS Research :: HIV / AIDS Research" 372:
in which works by the artists, born a century apart, are shown alongside each other, creating a dialogue between their distinct approaches to portraiture. The same year,
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In 2006, Peyton was the recipient of the 14th Annual Larry Aldrich Award honoring an artist who has had a significant impact on visual culture. She was honored with
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magazine, Peyton expressed that when she chooses to paint from another artist's work, it allows her to explore "harder-to-reach things inside herself" because the
1149: 507:(2019) is Peyton's most recent publication, made in close collaboration with the artist to accompany a major exhibition at the National Portrait Gallery. 1224: 470:
in New York has acquired about 30 Peyton drawings and paintings over the last 25 years. Private owners of Peyton’s work include billionaire businessman
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in 1965 as the youngest of five children, Peyton began drawing and painting people at a young age. Between 1984 and 1987, she studied fine arts at the
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in London from October 2019 to January 2020. Organized with National Portrait Gallery, Elizabeth Peyton's first solo show in China will be on view at
338:, a retrospective of the artist's prints, was presented concurrently with the same exhibition at the Opelvillen in RĂĽsselsheim, Germany (2011); 1060: 1368: 1358: 1243: 1373: 339: 1197: 851: 679: 1363: 1353: 487: 876: 940: 1327: 252:(mainly drawings) in 1993. People who wished to see the exhibition would ask the hotel reception for the key to Room 828; 327: 300: 926: 709: 1378: 447: 435: 295:'s election to the U.S. presidency, a new painting, created in August 2008, was added to the exhibition, representing 1293: 597: 392: 150:, etc. who look at subjects and portray them with an economy of expression to unite passive sensation with emotion. 396: 264:, and other portraits of European historical figures, but this show succeeded in bringing her into the public eye. 910: 411: 373: 617: 463: 331: 268: 771: 832: 439: 1102: 323: 319: 159: 985: 964: 799: 756: 1057: 816: 384: 1317: 1198:"The New Museum Hosts Its Spring Gala Honoring Cecily Brown, Julie Mehretu, and Elizabeth Peyton" 836: 733: 351: 1348: 451: 423: 311: 1077: 1117: 1081: 635: 431: 102: 60: 1033: 1343: 1220: 467: 98: 48: 511:, New York, has also published monographs of Peyton's work with the most recent one being 30: 8: 508: 276: 147: 123: 1098: 783: 676: 135: 127: 1262: 639: 562: 528: 455: 343: 1009: 1299: 1289: 1125: 786: 355: 280: 272: 236: 155: 354:. In 2014, she contributed to another Gallery Met show, this time on the subject of 1322: 546: 342:, New York (2011 and 2016). The second in a series of four Ring-inspired shows for 261: 119: 653: 126:, and she has expressed that she is part of a lineage of artists and writers like 1064: 683: 459: 427: 131: 1229: 941:"Elizabeth Peyton & Camille Claudel: Eternal Idol - Announcements - e-flux" 819: 315: 296: 284: 253: 224: 566: 1337: 1303: 1129: 570: 535: 443: 307: 249: 248:
One of Peyton's first exhibitions in New York City was held in a room of the
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A Popular Couple Charge Into the Future of Art, but in Opposite Directions
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Elizabeth Peyton: Dark Incandescence, November 18, 2014 - January 16, 2015
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In addition to portraits, Peyton also produces work that engages with the
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Collector's Edition: Elizabeth Peyton - Camille Claudel Flowers and Books
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Peyton's works have been collected by many major institutions, including
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Elizabeth Peyton and Taylor Russell on Portraiture and Self-Protection
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have regularly featured artists, writers, musicians, and actors.
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Bell, Kirsty."Peyton After Peyton: On Reality and Archetype,"
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Her work has also been the subject of solo exhibitions at the
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published on the occasion of her first solo show in Iceland;
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speculated that about 50 people visited Peyton's drawings of
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expression of feelings. Examples featured in Peyton's 2017
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Live Forever: Elizabeth Peyton / New Museum, New York, USA
1118:"A Painter's Social Network, Traced in Her Photographs" 1093: 1091: 515:(2017). Other publications include the limited edition 1284:
Grosenick, Uta; Riemschneider, Burkhard, eds. (2005).
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in New York City in October 2008, and traveled to the
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A Painter's Social Network, Traced in Her Photographs
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Elizabeth Peyton & Camille Claudel: Eternal Idol
380:, the first major survey of Peyton's art in Japan. 267:A mid-career exhibition of her work started at the 1099:Elizabeth Peyton: The exceptional portrait painter 710:"Eternal Idol, Elizabeth Peyton - Camille Claudel" 406:Peyton's work was included in the 2022 exhibition 822:, London congratulations you made it to the end . 1335: 1263:Pati Hertling: Lawyer by Day, Curator by Night 868: 654:"Ghost: Elizabeth Peyton | Kemper Art Museum" 592: 590: 1318:Elizabeth Peyton Interview at IndexMagazine 458:; Walker Art Center, Minneapolis, USA; the 399:from June to October 2020, under the title 92: 587: 565:and has been in relationships with artist 350:included works inspired by the composer's 29: 1115: 618:"Artist of the week 36: Elizabeth Peyton" 1058:Elizabeth Peyton, May 27 - July 28, 2011 734:"Elizabeth Peyton on Historic Portraits" 677:Elizabeth Peyton, 30 April - 30 May 2009 231:, an art project on the Greek island of 202:Camille Claudel and Flowers (Still Life) 849: 569:and lawyer Pati Hertling. She lives in 1336: 980: 978: 206:Actaeon, Justin Bieber and Grey Roses 1369:21st-century American women painters 1359:20th-century American women painters 1249:T: The New York Times Style Magazine 1244:Out There: Pati Hertling’s Night Job 1097:Caroline Roux (Autumn/Winter 2013), 817:Secret Life, 7 June - 25 August 2012 615: 603:T: The New York Times Style Magazine 561:Peyton was married to fellow artist 198:Flaubert + Madame Bovary (Elephants) 774:Hatje Cantz Publishing, Ostfildern. 501:https://doi.org/10.11588/xxi.2021.2 301:2008 Democratic National Convention 13: 1277: 975: 831:Calvin Tomkins (October 6, 2008), 448:San Francisco Museum of Modern Art 330:, Ridgefield, Connecticut (2008); 223:In 2009, Peyton collaborated with 14: 1390: 1311: 634:Karen Rosenberg (July 11, 2008), 596:Jenny Comita (16 February 2023), 505:Elizabeth Peyton: Aire and Angels 214:Berlin, Hyacinth and Black Teapot 1374:People from Danbury, Connecticut 1014:UCCA Center for Contemporary Art 909:Carol Vogel (January 16, 2014), 897:"Metropolitan Opera - Error 404" 556: 326:, Easthampton, New York (2006); 1255: 1242:Kevin McGarry (29 March 2012), 1236: 1214: 1190: 1166: 1142: 1116:Rosenberg, Karen (2008-07-11). 1109: 1076:Rachel Wolff (April 13, 2010), 1070: 1051: 1038:Modern Art Museum of Fort Worth 1002: 957: 933: 919: 903: 889: 869:Maura M Lynch (November 2008), 862: 843: 825: 810: 792: 777: 765: 533:Live Forever: Elizabeth Peyton, 412:Modern Art Museum of Fort Worth 374:Hara Museum of Contemporary Art 328:Aldrich Contemporary Art Museum 210:Flowers, Lichtenstein, Parsifal 1364:21st-century American painters 1354:20th-century American painters 1078:Gavin Brown: The Heir Apparent 850:Purcell, Andrew (2009-07-01). 750: 726: 702: 689: 670: 646: 628: 609: 553:, Walther Konig, Koln (1998). 481: 464:Whitney Museum of American Art 417: 332:Mildred Lane Kemper Art Museum 269:New Museum of Contemporary Art 243: 1: 658:www.kemperartmuseum.wustl.edu 580: 493: 875:, W magazine, archived from 872:Michelle Obama at the Museum 616:Lack, Jessica (2009-04-08). 517:Universe of the World-Breath 378:Elizabeth Peyton: Still Life 314:, Salzburg, Austria (2002); 218:Universe of the World-Breath 7: 45:1965 (age 58–59) 10: 1395: 1323:Peyton Paints Pete Doherty 1261:Fan Zhong (24 July 2013), 833:The Artist of the Portrait 699:, New York: Rizzoli, 2017. 542:Rizzoli, New York (2005); 436:Museum fĂĽr Gegenwartskunst 320:Irish Museum of Modern Art 1379:Painters from Connecticut 393:National Portrait Gallery 70: 56: 37: 28: 21: 1067:Gagosian Gallery, Paris. 299:and her daughter at the 235:. She later worked with 93:Early life and education 686:Sadie Coles HQ, London. 551:Elizabeth Peyton: Craig 549:, New York (2001); and 525:Ghost: Elizabeth Peyton 428:Centre Georges Pompidou 383:Most recently, a major 336:Ghost: Elizabeth Peyton 112: 1330:Video at VernissageTV. 1063:June 24, 2011, at the 1034:"Women Painting Women" 852:"Manhattan rhapsodies" 682:7 January 2011 at the 452:Saint Louis Art Museum 424:Carnegie Museum of Art 312:Salzburger Kunstverein 1082:The New York Observer 531:, Ostfildern (2011); 432:Kunstmuseum Wolfsburg 103:School of Visual Arts 61:School of Visual Arts 1223:(2 September 1997), 1221:Judith H. Dobrzynski 911:Operatic Inspiration 468:Museum of Modern Art 408:Women Painting Women 318:, Hamburg, Germany; 291:. The day following 99:Danbury, Connecticut 83:Elizabeth Joy Peyton 49:Danbury, Connecticut 42:Elizabeth Joy Peyton 538:, New York (2008); 440:Museum of Fine Arts 277:Whitechapel Gallery 124:John Singer Sargent 1122:The New York Times 1010:"Elizabeth Peyton" 914:The New York Times 697:Dark Incandescence 640:The New York Times 563:Rirkrit Tiravanija 513:Dark Incandescence 462:, Berlin; and the 456:Seattle Art Museum 446:, Miami, Florida; 387:of her portraits, 368:in Rome exhibited 346:in 2011, her show 340:Metropolitan Opera 310:in London (2002); 183:Dark Incandescence 804:www.artreview.com 787:Barbara Gladstone 544:Elizabeth Peyton, 540:Elizabeth Peyton, 356:Alexander Borodin 281:Bonnefantenmuseum 273:Walker Art Center 237:Jonathan Horowitz 166:Since 1998, when 80: 79: 1386: 1307: 1271: 1259: 1253: 1240: 1234: 1218: 1212: 1211: 1209: 1208: 1194: 1188: 1187: 1185: 1184: 1178:www.hamptons.com 1170: 1164: 1163: 1161: 1160: 1146: 1140: 1139: 1137: 1136: 1113: 1107: 1095: 1086: 1074: 1068: 1055: 1049: 1048: 1046: 1044: 1030: 1024: 1023: 1021: 1020: 1006: 1000: 999: 997: 996: 982: 973: 972: 961: 955: 954: 952: 951: 937: 931: 930: 923: 917: 907: 901: 900: 893: 887: 886: 885: 884: 866: 860: 859: 847: 841: 829: 823: 814: 808: 807: 796: 790: 781: 775: 769: 763: 754: 748: 747: 745: 744: 730: 724: 723: 721: 720: 706: 700: 693: 687: 674: 668: 667: 665: 664: 650: 644: 632: 626: 625: 613: 607: 594: 547:powerHouse Books 466:, New York. The 460:Boros Collection 401:Elizabeth Peyton 262:Marie Antoinette 148:Georgia O'Keeffe 120:Gustave Flaubert 33: 23:Elizabeth Peyton 19: 18: 16:American painter 1394: 1393: 1389: 1388: 1387: 1385: 1384: 1383: 1334: 1333: 1314: 1296: 1280: 1278:Further reading 1275: 1274: 1260: 1256: 1241: 1237: 1219: 1215: 1206: 1204: 1196: 1195: 1191: 1182: 1180: 1172: 1171: 1167: 1158: 1156: 1148: 1147: 1143: 1134: 1132: 1114: 1110: 1103:The Gentlewoman 1096: 1089: 1075: 1071: 1065:Wayback Machine 1056: 1052: 1042: 1040: 1032: 1031: 1027: 1018: 1016: 1008: 1007: 1003: 994: 992: 984: 983: 976: 969:www.art-it.asia 963: 962: 958: 949: 947: 939: 938: 934: 925: 924: 920: 908: 904: 895: 894: 890: 882: 880: 867: 863: 848: 844: 830: 826: 815: 811: 798: 797: 793: 782: 778: 770: 766: 762:MoMA, New York. 755: 751: 742: 740: 732: 731: 727: 718: 716: 708: 707: 703: 694: 690: 684:Wayback Machine 675: 671: 662: 660: 652: 651: 647: 633: 629: 614: 610: 595: 588: 583: 559: 496: 484: 420: 391:, was shown at 389:Aire and Angels 364:. In 2017, the 275:, Minneapolis; 254:Calvin Tompkins 246: 154:interview with 132:Camille Claudel 115: 95: 52: 46: 44: 43: 24: 17: 12: 11: 5: 1392: 1382: 1381: 1376: 1371: 1366: 1361: 1356: 1351: 1346: 1332: 1331: 1325: 1320: 1313: 1312:External links 1310: 1309: 1308: 1294: 1279: 1276: 1273: 1272: 1254: 1235: 1230:New York Times 1213: 1189: 1165: 1141: 1108: 1087: 1069: 1050: 1025: 1001: 990:www.npg.org.uk 974: 956: 945:www.e-flux.com 932: 918: 902: 888: 861: 842: 837:The New Yorker 824: 820:Sadie Coles HQ 809: 791: 776: 764: 749: 725: 701: 688: 669: 645: 627: 608: 585: 584: 582: 579: 558: 555: 495: 492: 483: 480: 426:, Pittsburgh; 419: 416: 316:Deichtorhallen 297:Michelle Obama 285:Matthew Barney 279:, London; and 245: 242: 225:Matthew Barney 194:Balzac + Roses 163:and intimacy. 114: 111: 94: 91: 78: 77: 72: 71:Known for 68: 67: 58: 54: 53: 47: 41: 39: 35: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 1391: 1380: 1377: 1375: 1372: 1370: 1367: 1365: 1362: 1360: 1357: 1355: 1352: 1350: 1349:Living people 1347: 1345: 1342: 1341: 1339: 1329: 1326: 1324: 1321: 1319: 1316: 1315: 1305: 1301: 1297: 1295:9783822840931 1291: 1287: 1282: 1281: 1269: 1268: 1264: 1258: 1251: 1250: 1245: 1239: 1232: 1231: 1226: 1222: 1217: 1203: 1199: 1193: 1179: 1175: 1169: 1155: 1154:www.amfar.org 1151: 1145: 1131: 1127: 1123: 1119: 1112: 1105: 1104: 1100: 1094: 1092: 1084: 1083: 1079: 1073: 1066: 1062: 1059: 1054: 1039: 1035: 1029: 1015: 1011: 1005: 991: 987: 981: 979: 970: 966: 960: 946: 942: 936: 928: 922: 915: 912: 906: 898: 892: 879:on 2009-03-23 878: 874: 873: 865: 857: 853: 846: 839: 838: 834: 828: 821: 818: 813: 805: 801: 795: 788: 785: 780: 773: 768: 761: 759: 753: 739: 735: 729: 715: 711: 705: 698: 692: 685: 681: 678: 673: 659: 655: 649: 642: 641: 637: 631: 623: 619: 612: 605: 604: 599: 593: 591: 586: 578: 576: 572: 571:New York City 568: 564: 557:Personal life 554: 552: 548: 545: 541: 537: 534: 530: 527:published by 526: 522: 518: 514: 510: 506: 502: 491: 489: 479: 477: 473: 469: 465: 461: 457: 453: 449: 445: 444:Rubell Museum 441: 437: 433: 429: 425: 415: 413: 409: 404: 402: 398: 394: 390: 386: 385:retrospective 381: 379: 375: 371: 367: 363: 362: 357: 353: 349: 345: 341: 337: 333: 329: 325: 321: 317: 313: 309: 308:Royal Academy 304: 302: 298: 294: 290: 286: 282: 278: 274: 270: 265: 263: 259: 255: 251: 250:Hotel Chelsea 241: 238: 234: 230: 226: 221: 219: 215: 211: 207: 203: 199: 195: 191: 187: 184: 179: 174: 171: 170: 164: 161: 157: 151: 149: 145: 141: 137: 133: 129: 125: 121: 118:figures like 110: 108: 107:New York City 104: 100: 90: 88: 84: 76: 73: 69: 66: 65:New York City 62: 59: 55: 50: 40: 36: 32: 27: 20: 1285: 1265: 1257: 1247: 1238: 1228: 1216: 1205:. 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London. 438:, Basel; 186:monograph 144:Giorgione 136:Delacroix 87:portraits 57:Education 1061:Archived 680:Archived 334:, where 322:(2009); 258:Napoleon 220:(2018). 212:(2011), 208:(2010), 204:(2009), 200:(2008), 196:(2008), 192:(2007), 188:include 97:Born in 75:Painting 1286:Art Now 536:Phaidon 509:Rizzoli 410:at the 169:Parkett 1302:  1292:  1246:  1227:  1128:  1043:15 May 760:(1998) 738:Frieze 600:  519:(2018) 348:Wagner 156:Frieze 128:Balzac 51:, U.S. 1202:Vogue 758:Bosie 488:amfAR 233:Hydra 1300:OCLC 1290:ISBN 1126:ISSN 1045:2022 287:and 190:Pati 122:and 113:Work 38:Born 573:’s 358:'s 227:on 105:in 1340:: 1298:. 1200:. 1176:. 1152:. 1124:. 1120:. 1090:^ 1036:. 1012:. 988:. 977:^ 967:. 943:. 854:. 802:. 736:. 712:. 656:. 620:. 589:^ 577:. 503:., 478:. 454:; 450:; 414:. 403:. 303:. 260:, 146:, 142:, 138:, 134:, 130:, 109:. 63:, 1306:. 1270:. 1267:W 1252:. 1233:. 1210:. 1186:. 1162:. 1138:. 1106:. 1085:. 1047:. 1022:. 998:. 971:. 953:. 929:. 916:. 899:. 840:. 806:. 746:. 722:. 666:. 643:. 606:. 521:,

Index


Danbury, Connecticut
School of Visual Arts
New York City
Painting
portraits
Danbury, Connecticut
School of Visual Arts
New York City
Gustave Flaubert
John Singer Sargent
Balzac
Camille Claudel
Delacroix
Isa Genzken
Giorgione
Georgia O'Keeffe
Frieze
composition
Parkett
still-life
monograph
Matthew Barney
Hydra
Jonathan Horowitz
Hotel Chelsea
Calvin Tompkins
Napoleon
Marie Antoinette
New Museum of Contemporary Art

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