709:
116:
438:
572:
349:
827:
262:
558:
219:
314:
697:
671:
683:
544:
279:", which originally retailed for £6,500. This unit was first known as the "Digitana" another was later dubbed "The Delaware", after Delaware Rd, Maida Vale, the location of the BBC Radiophonic Workshop. Mounted in a free-standing console cabinet, the Synthi 100 was the third development level of the original VCS3, being in essence 28 VCS3 units by circuit board count. It was driven by twelve VCOs and eight VCF oscillators. Featured a built-in
392:, which retailed for £420 and featured a sequencer and a small keyboard built into the lid. The first 30 AK units featured a black and silver touch pad, a Spin-and-touch random note selector and a resistive touch-sensitive keyboard; these original keyboards proved difficult to use, so they were subsequently replaced with blue capacitive touch-sensitive keyboard with integrated sequencer, and became known as the KS version.
283:, two 60 x 60 patchbays, two joystick controllers, dual five-octave velocity-sensitive keyboard controllers and a 10,000 clock event with 6x6bit D/A outputs. e.g. 256 duophonic events (512 CV events) digital sequencer. About 30 units were built by EMS, and these enjoyed wide use in the 1970s and beyond; one model was sold to the BBC Radiophonic Workshop and was used extensively on BBC productions including
230:
the X-axis of the matrix) to an output (on the Y-axis). This matrix plugboard gave the VCS3 a high degree of inter-connectivity, comparable to that of much larger modular systems, and far greater than similar small synthesisers like the
Minimoog. It was also much easier to examine than the tangle of patch cords used to interconnect other modular systems of the day, such as the
335:
241:, was built later the same year but was never put into production. It comprised two VCS3s side-by-side with a keyboard, mixer and signal processing in front, all in a single wooden cabinet. Although EMS lost track of the instrument in 1983, it survived and in the United States, until 2019 when musician
248:
The company's next project, the Synthi KB1 (1970), designed by
Cockerell, also never went into production. It featured the same synthesis modules as the VCS3, but housed in a horizontal box casing, with a 29-note mini-keyboard controller and two small built in speakers. Only one prototype unit was
229:
A distinctive design feature of the VCS3 (and later EMS systems) was that, rather than using patch cords to route audio and control signals between modules, Cockerell employed a small matrix plugboard (patchboard) into which the user stuck special conductive pins that connected an input (listed on
183:
and retailed for £145. The DK1 was nicknamed "The
Cricklewood" after the London suburb where Cockerell lived. EMS used to have a R&D department based over a DIY shop in Cricklewood Lane, Cricklewood, London, so that could have influenced the name of the mechanical keyboard. It is not widely
170:
EMS' original aim was to create a versatile monophonic synthesiser that would retail for just £100. While this proved unattainable in practice, the company nevertheless succeeded in manufacturing and selling the VCS3 for just £330, less than its nearest
American competitor the
657:, the film is available on DVD (Network 79527630), the equipment was loaned to "The Rank Organisation" by Dartington College in Devon, and the featured Synthi Sequencer 256 was recently sold on the "Vintage Electronic Musical Instrument Auction" VEMIA website in April 2011.
175:(which originally retailed for US$ 1495 when released in 1970) and far cheaper than Moog's modular systems, which cost thousands of dollars. EMS also released the DK1, a velocity sensitive dynamic monophonic keyboard controller for use with VCS3; this included an extra
60:
The founding partners had wide experience in both electronics and music. Cockerell, who was EMS' main equipment designer in its early years, was an electronics engineer and computer programmer. In the mid-1960s
Zinovieff had formed the electronic music group
935:...Chronometer , as I understand it, the sounds of the clock mechanisms and all the rest of it were effectively sampled by an ADC, stored and manipulated by the computer and then spat out again. What was the breakthrough ...
1847:
1854:
1868:
1246:
708:
621:
synthesiser (serial number 4016) up for sale. This instrument, which he believes was the one featured in the "Every Picnic Needs a Synthi" press advertisement, was fully restored by Robin Wood at EMS.
1117:
167:, designed by David Cockerell, was introduced in 1969. It was developed in the basement of Zinovieff's house and was nicknamed "The Putney" after the London suburb where he was living at the time.
938:
Peter kept buying the latest computers that came out and of course the memory increased. Then I built him a hard disc recorder so that one could store some of the sounds on this hard disc. ...
1861:
2031:
2011:
1361:
1262:
1278:
989:
952:
747:
646:
302:
1393:
1377:
1133:
1345:
1835:
1325:
1101:
764:
589:
1786:
799:
793:
650:
388:
attaché case, this unit was even cheaper than the original VCS3 and retailed for just £198. The following year EMS released an expanded version, the
242:
1063:
1301:
805:
1821:
735:
1199:
1891:
1800:
1586:
115:
1957:
385:
1455:
81:
field and built one of the country's first electronic music studios; he also worked widely in film and TV, composing scores for numerous
1403:
921:
1256:
1143:
1127:
399:
featured prominently in music by these artists in the early 1970s; one of the best-known appearances of an AKS on record is the track "
238:
1288:
1387:
1371:
1355:
881:
1272:
1073:
962:
1877:
1226:
1111:
999:
297:
234:
and was many times smaller than the cumbersome Moog patch bays, which used patch cord leads capped with 1/4-inch 'phone' jacks.
1772:
1765:
1480:
852:
837:
463:
1177:
876:- A summary that shows the position of the two PDP computers within the MUSYS system, and all the devices connected to them.
275:
EMS moved into direct competition with Moog in 1971 with the development of its first large-scale modular synthesiser, the "
77:. Cary was a noted composer and a pioneer in electronic music—he was one of the first people in the UK to work in the
2016:
1758:
1735:
1086:
535:"Delaware" owned by the Radiophonic Workshop was used extensively for BBC radio and television productions in the 1970s.
1319:
This page is based upon an article by David Kirk, for FOCUS magazine, although it has be [sic] heavily modified.
1156:
1579:
1884:
1038:
184:
known that EMS electronic equipment was mostly made by another company "Hilton
Electronics" based in Wareham, Dorset.
1986:
1981:
1898:
1793:
1647:
1500:
1432:
437:
571:
1329:
1779:
1240:
1572:
188:
176:
124:
1534:
768:
445:
EMS synthesisers and their London studios were used by many prominent rock and electronic artists including
208:
1703:
502:
419:
1305:
1015:
467:
2026:
2021:
1912:
1710:
1661:
1207:
611:
580:
481:
459:
405:
400:
1828:
1595:
602:
527:
486:
231:
74:
1696:
1689:
180:
1463:
1443:
1976:
809:
847:
Inside story about the beginnings of EMS, studios, non-commercial equipment, people and users.
146:
1807:
1751:
1654:
1558:
348:
1919:
1675:
1547:
8:
1626:
610:
in London and it is clearly visible on its stand on stage. This footage was broadcast on
301:. The sequencer module of the Synthi 100 was also made available as a separate unit, the
1951:
1941:
1905:
975:
908:
455:
204:
138:
1234:
1213:
1496:
1476:
1428:
1421:
929:
912:
779:
514:
396:
864:
826:
417:
during the recording of the album in footage included in the 1st
Director's Cut of
1640:
900:
557:
78:
66:
856:
841:
245:
sold it to the
Goldsmiths College, University of London Electronic Music Studios.
1668:
1607:
1181:
751:
498:
381:
261:
200:
192:
134:
128:
62:
41:
33:
429:, respectively (Gilmour used his to demonstrate the sequence used in the song).
218:
1946:
1814:
1724:
758:
741:
597:
532:
425:
389:
371:
276:
270:
196:
82:
1162:
395:
The Synthi AKS proved very popular and AKS units owned by Eno, Pink Floyd and
2005:
1633:
1495:. Vol. Part One A-M (revised 2nd ed.). Susurreal, Oct 1998, 320pp.
1040:
EMS SYNTHI DK.2 Duo-phonic 37 note
Keyboard - Pictures of DK2 Serial No. 2402
642:
575:
522:
414:
142:
70:
37:
549:
EMS Synthi Hi-Fli (1973), one of the earliest analog multi effect processors
1564:
1055:
904:
775:
729:
696:
618:
607:
410:
377:
367:
291:
280:
211:, level meter, two output amplifiers thus providing a stereo output, and a
86:
313:
1614:
891:
Grogono, Peter (1973). "MUSYS: Software for an electronic music studio".
625:
593:
29:
983:
Media URN: 56894; Film ID: 2071.30; Canister: 68/75; Sort Number: 68/075
578:'s 'EMS Synthi Hi-Fli' (aka 'The Sound Freak'), purchased 1972, used on
1717:
1682:
1233:. Sphere France sarl. 22 April 2011. Sphere item # 8433. Archived from
670:
634:
494:
446:
285:
250:
97:
91:
682:
1744:
1048:
723:
654:
638:
629:
518:
510:
490:
164:
110:
1518:
543:
506:
471:
249:
built and this was subsequently sold to the progressive rock group
212:
172:
49:
1214:
EMS Dr
Zinovieff's original Synthi A (Sphere item # 8024) at VEMIA
1538:
476:
563:
The Groundhogs' Tony McPhee using the Synthi Hi-Fli live in 1974
451:
45:
1526:
89:
productions, and he is well known for his work on the BBC's
1257:
Synthi Sequencer 256 (1971, formerly Synthi Moog Sequencer)
2032:
Musical instrument manufacturing companies based in London
340:
The prototype "Portabella" Synthi A with built-in speakers
2012:
Synthesizer manufacturing companies of the United Kingdom
1936:
1128:
Synthi 100 (1971, formerly Digitana, a.k.a. the Delaware)
376:
In 1971 EMS released a portable version of the VCS3, the
1418:
380:, originally called the "Portabella", a pun on London's
334:
423:
and in the DSOTM episode of the BBC documentary series
592:
analog multi effect processor was used extensively by
441:
Dick Mills, BBC Radiophonic Workshop at the Roundhouse
1231:
Vintage Electronic Musical Instrument Auction (VEMIA)
1836:
Doctor Who: 30 Years at the BBC Radiophonic Workshop
1180:. Cornwall: Electronic Music Studios. Archived from
1079:
855:. Cornwall: Electronic Music Studios. Archived from
840:. Cornwall: Electronic Music Studios. Archived from
308:
1552:
Lecture for the Red Bull Music Academy, London 2010
1060:– duophonic version of DK1, released in 1971.
1787:BBC Sound Effects No. 19: Doctor Who Sound Effects
1420:
1087:"There Was A VCS4 After All - Spend A Day With It"
1885:The John Baker Tapes – Volume 1: BBC Radiophonics
1200:"EMS's Dr Zinovieff's Original Synthi A For Sale"
863:
853:"A Guide to the EMS Product Range - 1969 to 1979"
2003:
1300:
163:The company's first commercial synthesiser, the
1822:The Living Planet: Music from the BBC TV Series
1545:
1801:BBC Sound Effects No. 26: Sci-Fi Sound Effects
624:EMS equipment can be seen in the 1978 British
1580:
1490:
1475:(2nd ed.). Backbeat Books, 2000, 339pp.
660:
1594:
869:musicainformatica.org / musicainformatica.it
606:in 1974. Footage exists of them live at the
32:company formed in Putney, London in 1969 by
688:EMS Spectron (1974) video-synthesized image
1892:BBC Radiophonic Workshop – A Retrospective
1842:Doctor Who at the BBC Radiophonic Workshop
1587:
1573:
1372:Vocoder 5000 (1976, a.k.a. Studio Vocoder)
1304:. AudioVisualizers.com Inc. Archived from
1273:Synthi Hi-Fli (1973, formerly Sound Freak)
1197:
1169:
1033:
1031:
1010:
1008:
215:providing 'X' and 'Y' modulation control.
1967:
1958:Sound Effects No. 13 – Death & Horror
1470:
1427:. Harvard University Press, 2004, 368pp.
1191:
942:as a corner of radio program Sound Lounge
919:
432:
409:(1973), and it can be seen being used by
1487:(Pages 110-114 British Modular Systems).
1227:"EMS Sequencer 256 (Serial Number 6004)"
825:
617:In late 2010 Zinovieff put his original
570:
436:
312:
260:
217:
114:
1878:Music from the BBC Radiophonic Workshop
1519:"Electronic Music Studios (London) Ltd"
1028:
1005:
890:
2004:
1399:
1383:
1367:
1351:
1284:
1268:
1252:
1175:
1139:
1123:
1107:
1069:
995:
958:
850:
835:
676:EMS Synthi Sequencer 256 (1971) panel
1568:
1017:EMS VCS3 and DK1 Cricklewood Keyboard
981:. British Pathé. 15 September 1968.
645:, the equipment featured includes a
305:, which originally sold for £1,100.
298:The Hitchhikers' Guide to the Galaxy
119:Front view of the Synthi (VCS 3) II
1848:Volume 1: The Early Years 1963–1969
1419:Trevor Pinch; Frank Trocco (2004).
920:Cockerell, David (1 October 2013).
836:Hinton, Graham (27 December 2002).
13:
1869:Volume 4: Meglos & Full Circle
1855:Volume 2: New Beginnings 1970–1980
1412:
1000:DK1 (1969, a.k.a. The Cricklewood)
295:and the original radio version of
14:
2043:
1511:
1302:"SPECTRE Color Video Synthesizer"
1289:Spectron (1974, formerly Spectre)
893:Software: Practice and Experience
830:EMS MUSYS 3 (1970) system diagram
309:Synthi A / Synthi AK / Synthi AKS
1561:NAMM Oral History Library (2008)
1493:The A-Z of Analogue Synthesisers
1176:Hinton, Graham (8 August 1998).
707:
695:
681:
669:
556:
542:
347:
333:
237:A live performance version, the
95:, notably on the classic serial
1462:(December 2000). Archived from
1294:
1219:
1149:
851:Hinton, Graham (17 June 2001).
821:
702:EMS Synthi-E synthesizer (1975)
1198:Jack Hertz (2 November 2010).
1158:Groundhogs Light My Light 1974
968:
963:VCS3 (1969, a.k.a. The Putney)
189:voltage-controlled oscillators
1:
1794:BBC Radiophonic Workshop - 21
1178:"Every Advert Needs A Synthi"
1047:(photographs). Archived from
922:"Interview - David Cockerell"
816:
256:
946:
322:equips built-in KS Sequencer
7:
2017:Companies based in Cornwall
1326:"EMS SPECTRE - User Manual"
1241:other EMS exhibits at VEMIA
1089:. Sonic State. 2 March 2020
1024:(photographs). 26 May 2009.
55:
16:British synthesizer company
10:
2048:
1862:Volume 3: The Leisure Hive
1535:"info on EMS VCS3/AKS etc"
661:Timeline of major products
600:and was used on the album
365:
268:
108:
1929:
1913:Burials in Several Earths
1734:
1602:
1559:David Cockerell Interview
1439:(Chapter 14 details EMS.)
976:"Computer Orchestra 1968"
612:The Old Grey Whistle Test
581:The Dark Side of the Moon
460:The Dark Side of the Moon
406:The Dark Side of the Moon
1829:Doctor Who: The Music II
1766:The Radiophonic Workshop
1596:BBC Radiophonic Workshop
748:EMS Synthi Sequencer 256
487:BBC Radiophonic Workshop
324:with capacitive keyboard
232:Moog modular synthesizer
195:, two input amplifiers,
187:The VCS3 consisted of 3
159:(DK1 keyboard not shown)
104:
75:BBC Radiophonic Workshop
22:Electronic Music Studios
1456:"All About EMS: Part 2"
1444:"All About EMS: Part 1"
1161:(video). Archived from
1056:"www.derekrevell.co.uk"
838:"EMS: The Inside Story"
714:EMS Vocoder 5000 (1976)
531:). As noted above, the
384:. Built into a compact
1780:Through A Glass Darkly
1491:Peter Forrest (1998).
1045:Derek Revell's Website
926:These Hopeful Machines
905:10.1002/spe.4380030410
831:
810:polyphonic synthesizer
584:
482:Won't Get Fooled Again
442:
433:In music and the media
325:
266:
226:
160:
1808:Doctor Who: The Music
1752:BBC Radiophonic Music
1546:Dr. Peter Zinovieff.
829:
574:
440:
316:
264:
221:
207:, voltage-controlled
199:, voltage-controlled
118:
44:. It is now based in
1920:Inventions for Radio
1899:Radiophonic Workshop
1676:Richard Yeoman-Clark
1507:(Pages 111-126 EMS).
1473:Vintage Synthesizers
1466:on 8 September 2011.
1187:on 2 September 2012.
789:1975 - EMS Synthi E
647:Synthi Sequencer 256
403:" from Pink Floyd's
303:Synthi Sequencer 256
1627:Maddalena Fagandini
1388:Vocoder 2000 (1977)
1165:on 5 December 2013.
859:on 31 October 2013.
1952:Maida Vale Studios
1906:The Vendetta Tapes
1471:Mark Vail (2000).
1332:on 5 February 2019
1308:on 5 February 2019
832:
585:
464:Wish You Were Here
456:Obscured by Clouds
443:
326:
267:
227:
224:on Synthi VCS 3 II
205:envelope generator
161:
1999:
1998:
1995:
1994:
1773:Out of This World
1548:"7 Deadly Synths"
1541:on 19 April 2014.
1482:978-0-87930-603-8
1404:PolySynthi (1978)
1237:on 8 August 2014.
1144:Synthi AKS (1972)
1112:Synthi KB1 (1970)
1051:on 28 April 2010.
930:Radio New Zealand
780:video synthesizer
765:EMS Synthi Hi-Fli
590:EMS Synthi Hi-Fli
515:Jean Michel Jarre
397:Jean-Michel Jarre
354:Synthi A with DK
222:Matrix plugboard
2039:
2027:Music sequencers
2022:EMS synthesizers
1965:
1964:
1930:Related articles
1759:Fourth Dimension
1704:Elizabeth Parker
1641:Delia Derbyshire
1589:
1582:
1575:
1566:
1565:
1555:
1542:
1537:. Archived from
1530:
1522:
1506:
1486:
1467:
1451:
1450:(November 2000).
1438:
1426:
1407:
1397:
1391:
1381:
1375:
1365:
1359:
1349:
1343:
1341:
1339:
1337:
1328:. Archived from
1322:
1315:
1313:
1298:
1292:
1282:
1276:
1266:
1260:
1250:
1244:
1238:
1223:
1217:
1211:
1210:on 28 July 2013.
1206:. Archived from
1195:
1189:
1188:
1186:
1173:
1167:
1166:
1153:
1147:
1137:
1131:
1121:
1115:
1105:
1099:
1098:
1096:
1094:
1083:
1077:
1067:
1061:
1059:
1052:
1035:
1026:
1025:
1012:
1003:
993:
987:
986:
984:
980:
972:
966:
956:
941:
916:
886:
878:
860:
845:
800:EMS Vocoder 2000
794:EMS Vocoder 5000
711:
699:
685:
673:
560:
546:
351:
337:
323:
320:
225:
152:matrix plugboard
79:musique concrete
67:Delia Derbyshire
2047:
2046:
2042:
2041:
2040:
2038:
2037:
2036:
2002:
2001:
2000:
1991:
1963:
1925:
1730:
1669:Paddy Kingsland
1608:Desmond Briscoe
1598:
1593:
1533:
1525:
1517:
1514:
1503:
1483:
1454:
1442:
1435:
1415:
1413:Further reading
1410:
1398:
1394:
1382:
1378:
1366:
1362:
1356:Synthi E (1975)
1350:
1346:
1335:
1333:
1324:
1311:
1309:
1299:
1295:
1283:
1279:
1267:
1263:
1251:
1247:
1225:
1224:
1220:
1196:
1192:
1185:(advertisement)
1184:
1174:
1170:
1155:
1154:
1150:
1138:
1134:
1122:
1118:
1106:
1102:
1092:
1090:
1085:
1084:
1080:
1068:
1064:
1054:
1037:
1036:
1029:
1014:
1013:
1006:
994:
990:
982:
978:
974:
973:
969:
957:
953:
949:
880:
871:. 16 May 2014.
846:
844:on 21 May 2013.
824:
819:
719:
718:
717:
716:
715:
712:
704:
703:
700:
691:
690:
689:
686:
678:
677:
674:
663:
586:
568:
567:
566:
565:
564:
561:
552:
551:
550:
547:
499:Tangerine Dream
435:
420:Live at Pompeii
382:Portobello Road
374:
366:Main articles:
364:
363:
362:
361:
360:
359:
352:
343:
342:
341:
338:
321:
318:
317:A later-model,
311:
273:
259:
243:Simon Desorgher
223:
201:low-pass filter
193:noise generator
158:
129:noise generator
113:
107:
63:Unit Delta Plus
58:
42:David Cockerell
34:Peter Zinovieff
17:
12:
11:
5:
2045:
2035:
2034:
2029:
2024:
2019:
2014:
1997:
1996:
1993:
1992:
1990:
1989:
1984:
1982:Audio releases
1979:
1973:
1971:
1962:
1961:
1954:
1949:
1947:Dudley Simpson
1944:
1939:
1933:
1931:
1927:
1926:
1924:
1923:
1916:
1909:
1902:
1895:
1888:
1881:
1874:
1873:
1872:
1865:
1858:
1851:
1839:
1832:
1825:
1818:
1815:The Soundhouse
1811:
1804:
1797:
1790:
1783:
1776:
1769:
1762:
1755:
1748:
1740:
1738:
1732:
1731:
1729:
1728:
1725:Richard Attree
1721:
1714:
1711:Jonathan Gibbs
1707:
1700:
1693:
1686:
1679:
1672:
1665:
1662:Malcolm Clarke
1658:
1651:
1644:
1637:
1630:
1623:
1618:
1611:
1603:
1600:
1599:
1592:
1591:
1584:
1577:
1569:
1563:
1562:
1556:
1543:
1531:
1523:
1513:
1512:External links
1510:
1509:
1508:
1501:
1488:
1481:
1468:
1460:Sound on Sound
1452:
1448:Sound on Sound
1440:
1433:
1414:
1411:
1409:
1408:
1392:
1376:
1360:
1344:
1293:
1277:
1261:
1245:
1218:
1204:Synth Magazine
1190:
1168:
1148:
1132:
1116:
1100:
1078:
1062:
1027:
1004:
988:
967:
950:
948:
945:
944:
943:
917:
899:(4): 369–383.
888:
861:
848:
823:
820:
818:
815:
814:
813:
806:EMS PolySynthi
802:
796:
790:
787:
772:
761:
759:EMS Synthi AKS
755:
744:
742:EMS Synthi 100
738:
732:
726:
713:
706:
705:
701:
694:
693:
692:
687:
680:
679:
675:
668:
667:
666:
665:
664:
662:
659:
598:The Groundhogs
594:Tony TS Mcphee
569:
562:
555:
554:
553:
548:
541:
540:
539:
538:
537:
434:
431:
426:Classic Albums
372:EMS Synthi AKS
353:
346:
345:
344:
339:
332:
331:
330:
329:
328:
327:
310:
307:
271:EMS Synthi 100
269:Main article:
265:EMS Synthi 100
258:
255:
197:ring modulator
157:
156:
153:
150:
132:
120:
109:Main article:
106:
103:
83:Ealing Studios
57:
54:
15:
9:
6:
4:
3:
2:
2044:
2033:
2030:
2028:
2025:
2023:
2020:
2018:
2015:
2013:
2010:
2009:
2007:
1988:
1985:
1983:
1980:
1978:
1975:
1974:
1972:
1970:
1966:
1960:
1959:
1955:
1953:
1950:
1948:
1945:
1943:
1940:
1938:
1935:
1934:
1932:
1928:
1922:
1921:
1917:
1915:
1914:
1910:
1908:
1907:
1903:
1901:
1900:
1896:
1894:
1893:
1889:
1887:
1886:
1882:
1880:
1879:
1875:
1871:
1870:
1866:
1864:
1863:
1859:
1857:
1856:
1852:
1850:
1849:
1845:
1844:
1843:
1840:
1838:
1837:
1833:
1831:
1830:
1826:
1824:
1823:
1819:
1817:
1816:
1812:
1810:
1809:
1805:
1803:
1802:
1798:
1796:
1795:
1791:
1789:
1788:
1784:
1782:
1781:
1777:
1775:
1774:
1770:
1768:
1767:
1763:
1761:
1760:
1756:
1754:
1753:
1749:
1746:
1742:
1741:
1739:
1737:
1733:
1727:
1726:
1722:
1720:
1719:
1715:
1713:
1712:
1708:
1706:
1705:
1701:
1699:
1698:
1694:
1692:
1691:
1687:
1685:
1684:
1680:
1678:
1677:
1673:
1671:
1670:
1666:
1664:
1663:
1659:
1657:
1656:
1652:
1650:
1649:
1645:
1643:
1642:
1638:
1636:
1635:
1634:Brian Hodgson
1631:
1629:
1628:
1624:
1622:
1619:
1617:
1616:
1612:
1610:
1609:
1605:
1604:
1601:
1597:
1590:
1585:
1583:
1578:
1576:
1571:
1570:
1567:
1560:
1557:
1553:
1549:
1544:
1540:
1536:
1532:
1528:
1527:"EMS Rehberg"
1524:
1520:
1516:
1515:
1504:
1502:0-9524377-2-4
1498:
1494:
1489:
1484:
1478:
1474:
1469:
1465:
1461:
1457:
1453:
1449:
1445:
1441:
1436:
1434:0-674-01617-3
1430:
1425:
1424:
1417:
1416:
1405:
1401:
1396:
1389:
1385:
1380:
1373:
1369:
1364:
1357:
1353:
1348:
1331:
1327:
1321:
1320:
1307:
1303:
1297:
1290:
1286:
1281:
1274:
1270:
1265:
1258:
1254:
1249:
1242:
1236:
1232:
1228:
1222:
1215:
1209:
1205:
1201:
1194:
1183:
1179:
1172:
1164:
1160:
1159:
1152:
1145:
1141:
1136:
1129:
1125:
1120:
1113:
1109:
1104:
1088:
1082:
1075:
1071:
1066:
1057:
1053:(moved from:
1050:
1046:
1042:
1041:
1034:
1032:
1023:
1022:Synthfind.com
1019:
1018:
1011:
1009:
1001:
997:
992:
977:
971:
964:
960:
955:
951:
940:
939:
936:
931:
927:
923:
918:
914:
910:
906:
902:
898:
894:
889:
885:
884:
877:
875:
870:
866:
862:
858:
854:
849:
843:
839:
834:
833:
828:
811:
807:
803:
801:
797:
795:
791:
788:
785:
781:
777:
773:
770:
766:
762:
760:
756:
753:
749:
745:
743:
739:
737:
736:EMS Synthi AK
733:
731:
727:
725:
721:
720:
710:
698:
684:
672:
658:
656:
652:
648:
644:
643:Susannah York
640:
636:
632:
631:
627:
622:
620:
615:
613:
609:
605:
604:
599:
595:
591:
583:
582:
577:
576:David Gilmour
573:
559:
545:
536:
534:
530:
529:
528:White Noise 2
524:
523:David Vorhaus
520:
516:
512:
508:
504:
500:
496:
492:
488:
484:
483:
478:
474:
473:
469:
465:
461:
457:
453:
448:
439:
430:
428:
427:
422:
421:
416:
415:David Gilmour
412:
408:
407:
402:
398:
393:
391:
387:
383:
379:
373:
369:
357:
350:
336:
315:
306:
304:
300:
299:
294:
293:
288:
287:
282:
278:
272:
263:
254:
252:
246:
244:
240:
235:
233:
220:
216:
214:
210:
209:reverberation
206:
202:
198:
194:
190:
185:
182:
178:
174:
168:
166:
154:
151:
148:
144:
140:
137:/oscillator,
136:
133:
130:
126:
122:
121:
117:
112:
102:
100:
99:
94:
93:
88:
84:
80:
76:
72:
71:Brian Hodgson
68:
64:
53:
51:
47:
43:
39:
38:Tristram Cary
35:
31:
27:
23:
19:
1968:
1956:
1918:
1911:
1904:
1897:
1890:
1883:
1876:
1867:
1860:
1853:
1846:
1841:
1834:
1827:
1820:
1813:
1806:
1799:
1792:
1785:
1778:
1771:
1764:
1757:
1750:
1723:
1716:
1709:
1702:
1697:Peter Howell
1695:
1690:Glynis Jones
1688:
1681:
1674:
1667:
1660:
1653:
1646:
1639:
1632:
1625:
1620:
1613:
1606:
1551:
1539:the original
1492:
1472:
1464:the original
1459:
1447:
1422:
1395:
1379:
1363:
1347:
1334:. Retrieved
1330:the original
1318:
1317:
1310:. Retrieved
1306:the original
1296:
1280:
1264:
1248:
1235:the original
1230:
1221:
1208:the original
1203:
1193:
1182:the original
1171:
1163:the original
1157:
1151:
1135:
1119:
1103:
1091:. Retrieved
1081:
1065:
1049:the original
1044:
1039:
1021:
1016:
991:
970:
954:
937:
934:
933:
925:
896:
892:
882:
873:
872:
868:
857:the original
842:the original
822:Bibliography
783:
776:EMS Spectron
769:multi-effect
730:EMS Synthi A
651:Vocoder 2000
628:
623:
616:
608:Marquee Club
601:
587:
579:
526:
480:
450:
444:
424:
418:
411:Roger Waters
404:
394:
378:EMS Synthi A
375:
368:EMS Synthi A
355:
296:
290:
284:
281:oscilloscope
274:
247:
236:
228:
203:, trapezoid
186:
169:
162:
96:
90:
87:Hammer Films
59:
25:
21:
20:
18:
1987:Soundtracks
1977:Theme music
1942:White Noise
1736:Discography
1615:Daphne Oram
1423:Analog Days
1400:Hinton 2001
1384:Hinton 2001
1368:Hinton 2001
1352:Hinton 2001
1285:Hinton 2001
1269:Hinton 2001
1253:Hinton 2001
1140:Hinton 2001
1124:Hinton 2001
1108:Hinton 2001
1074:VCS4 (1969)
1070:Hinton 2001
996:Hinton 2001
959:Hinton 2001
782:, formerly
626:horror film
501:(all early
125:oscillators
123:three main
30:synthesizer
2006:Categories
1969:Doctor Who
1718:Mark Ayres
1683:Roger Limb
1655:David Cain
1648:John Baker
1621:Dick Mills
1323:(see also
1239:(See also
1212:(See also
817:References
635:Alan Bates
533:Synthi 100
495:Roxy Music
447:Pink Floyd
401:On the Run
390:Synthi AKS
386:Spartanite
319:Synthi AKS
286:Doctor Who
277:Synthi 100
257:Synthi 100
191:(VCOs), a
131:and inputs
98:The Daleks
92:Doctor Who
1745:Time Beat
947:Footnotes
913:206507040
752:sequencer
750:(digital
724:EMS VCS 3
639:John Hurt
633:starring
630:The Shout
614:in 1974.
519:Kraftwerk
511:Tim Blake
491:Brian Eno
358:keyboard
292:Blake's 7
147:ring mod.
111:EMS VCS 3
1336:14 March
1312:14 March
1093:21 April
874:figure 2
619:Synthi A
507:Hawkwind
472:The Wall
213:joystick
173:Minimoog
155:joystick
139:envelope
56:Founders
50:Cornwall
979:(video)
883:figure2
865:"MUSYS"
804:1978 -
798:1977 -
792:1976 -
784:Spectre
774:1974 -
763:1973 -
757:1972 -
746:1971 -
740:1971 -
734:1971 -
728:1971 -
722:1969 -
477:The Who
468:Animals
143:reverb.
73:of the
28:) is a
1499:
1479:
1431:
911:
653:and a
503:albums
452:Meddle
356:series
149:, etc.
135:filter
46:Ladock
909:S2CID
603:SOLID
165:VCS 3
105:VCS 3
65:with
1497:ISBN
1477:ISBN
1429:ISBN
1338:2015
1314:2015
1095:2020
655:VCS3
649:, a
641:and
588:The
521:and
517:and
493:and
413:and
370:and
239:VCS4
179:and
85:and
69:and
40:and
1937:BBC
901:doi
596:of
505:),
485:),
475:),
253:.
251:Yes
181:VCA
177:VCO
26:EMS
2008::
1550:.
1458:.
1446:.
1402:,
1386:,
1370:,
1354:,
1316:.
1287:,
1271:,
1255:,
1229:.
1202:.
1142:,
1126:,
1110:,
1072:,
1043:.
1030:^
1020:.
1007:^
998:,
961:,
932:.
928:.
924:.
907:.
895:.
867:.
812:)
786:)
771:)
754:)
637:,
513:,
509:,
497:,
489:,
470:,
466:,
462:,
458:,
454:,
289:,
145:,
141:,
127:,
101:.
52:.
48:,
36:,
1747:"
1743:"
1588:e
1581:t
1574:v
1554:.
1529:.
1521:.
1505:.
1485:.
1437:.
1406:.
1390:.
1374:.
1358:.
1342:)
1340:.
1291:.
1275:.
1259:.
1243:)
1216:)
1146:.
1130:.
1114:.
1097:.
1076:.
1058:.
1002:.
985:.
965:.
915:.
903::
897:3
887:)
879:(
808:(
778:(
767:(
525:(
479:(
449:(
24:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_II_-_Nerd_heaven_in_Kimito_(2015-05-16_13.04.49_by_Ville_Hyv%C3%B6nen).jpg)