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Most electric violinists use standard guitar amplifiers. The advantage with using guitar amps is that they have been used for years and their sound is reliable, though not all guitar amps will give a desired tone. Some prefer the more mellow tone of tube amps over solid state amps and digital PA's for violins. Similar to how electric guitar amplifiers are typically used for electric violins, guitar effect pedals, or
871:. This design was later refined and turned into a commercial product. Unlike most pickup designs of the time, the Zeta pickup has the ability to output the signal from each string to a separate audio channel. Using a multi-pin cable to their pitch-to-MIDI converter, this allows for polyphonic MIDI control, and each string may be set to an independent MIDI channel.
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bridge vibrations are sensed. Some piezo setups have a separate pickup (or two, or even four in the case of some
Barbera Transducer Systems pickups) within the bridge under each string. A few systems use transducers oriented in various directions to differentiate between bowed and plucked string motion. Operating a switch then selects the preferred mode.
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Generally, piezoelectric pickups are inexpensive and more common. Piezo elements come in the shape of ceramic discs, cylinders or a plastic film. They detect physical vibrations directly, sometimes placed in or on the body, or in some cases actual string vibrations directly, but more commonly general
230:
Barcus Berry have been producing electric violins since the mid-1960s and in the early 1970s Max
Mathews began developing an electric violin which reached completion in 1984 During the 1980s more companies were formed producing their own brand of electric violin, such as RAAD or The Amazing Electric
422:
Acoustic 5-string violins are becoming more common, and it is not unusual for an electric violin to have 5, 6, 7 or more strings. The typical solid body also accommodates the extra tension caused by more strings without stressing the instrument too much. The extra strings are usually a low C string
522:
Essentially, amplifying an electric violin is exactly the same as amplifying a guitar. They both produce an audio output which is transferred through an audio cable into an amp or PA. For this reason, there are few amps that are specifically for violin, and even those can be repurposed for guitar.
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have popularized violin "looping". Instead of playing strictly with a band or as a traditional soloist, these musicians use a loop pedal to layer sound and effectively become a one-man band. Using a variety of pedals and techniques on the violin, these musicians yield a wide array of sounds,
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bridge or body pickup, or a magnetic pickup attached to the fingerboard end. Alternatively, an electrodynamic pickup can be installed under an acoustic violin's fingerboard avoiding interference with any tone-producing parts of the violin, and therefore keeping its acoustic resonances and tone
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In 2010, Keith McMillen, a founder of Zeta Music, announced the StringPort polyphonic string-to-USB 2.0 converter for the Zeta polyphonic pickup and other polyphonic pickup systems. While no other, dedicated, polyphonic, violin-to-MIDI systems are manufactured, there are a number of general,
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guitar-style magnetic systems are available, The small body size and arced string arrangement of a violin limit the amount of space available for coil placement. One unusual acoustic/electric violin system uses the string itself as a linear active pickup element. Made to fit standard acoustic
361:(tone color) of a standard unamplified violin is due in large part to these resonances, but so depending on how the signal is picked up, an electric violin may have a "rawer" or "sharper" sound than an acoustic. This raw sound is often preferred in rock, pop and some
513:
is best). This buffers the signal to avoid low frequency loss and microphonic noise pickup in the instrument cable. Preamplification is often done by an external signal processor, but some electric violin body designs provide internal housing for preamp circuitry.
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Daiana Mazza is another violinist from Brazil. She appears in works of Rock, Brazilian Music, Brazilian Gospel, Jazz and Folk, like Braia, Kernunna, Carol Carolo, Os
Minervas, Leonardo Araujo, Transfonika Orkestra, Sagrado Coração da Terra, etc.
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Today electric violins are even being used to reinvigorate music education. NBC, for example, recently featured a "music camp that combines rock and orchestra" by Mark Wood, who was chosen as the "person of the day" and featured on
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In Brazil, the
Electric Violin appears in the work of Marcus Viana, like "Sagrado Coração da Terra" (Sacred Heart of Earth), a Symphonic Prog/Progressive Rock, and Transfonika Orkestra (soundtracks), besides many others.
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operation—only one pitch can be detected and digitised at a time— but through the use of proprietary pickups, some MIDI polyphony can be achieved. Some pitch to MIDI interfaces from Axon/
231:
Violin and ZETA. There has been a great deal more commercial success for manufacturers of electric violins since the 1990s, both for well known, established companies and new independent makers too.
365:
genres. Several "semi-hollow" designs exist, containing a sealed, but hollow resonating chamber that provides some approximation of acoustic violin sound while reducing susceptibility to feedback.
883:
have been available for decades, and may be adapted to standard, electric violins. Without polyphonic instrument output, these systems tend to be monophonic, allowing only
187:
equipped with an electronic output of its sound. The term most properly refers to an instrument intentionally made to be electrified with built-in pickups, usually with a
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pitch-to-MIDI violin systems, and general pitch-to-MIDI computer accessories available today. General, monophonic pickup-to-MIDI systems, such as those manufactured by
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for bringing fresh interest to music education with rock performances all on electric violins where proceeds are donated back to school music programs.
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advertised an electric violin in 1958 (first production model pictured at the head of this page) but withdrew it at the point of production. After
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stated "The perfect blend of classical instruments and rock and roll is giving kids across the country a whole new appreciation for music."
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To avoid feedback from the resonances of the hollow body under high amplification on stage, many instruments have a solid body instead. The
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violins, the only requisite is that the string is electrically conducting, so the common synthetic or steel core strings can be used.
436:, in the same way as an electric guitar, to achieve a desired sound. This could include delay, reverb, chorus, distortion, or other
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1431:- A survey and review of the violin today, including patents, makers, players, recordings, articles and resources for technique.
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A Case For An
Electronically Adjusted ("Electric") Violin" by Dr. Eugene Gratovich, The Strad magazine Vol.84 #999 pg.171-174
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design to keep weight down. Lately, materials such as kevlar, glass and carbon fibres, are used in the build process.
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have adopted electric instruments. The fiddle is quite prominently featured in such bands as the Celtic punk bands
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1261:"Terry Riley on giving up self-publishing and his new concerto for electric violin, being performed this weekend"
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allowing original compositions and arrangements for electric looping violin of popular rock and hip hop tunes.
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1419:— website linking many electric violin players, makers, equipment, and other resources. Not updated since 2001
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Electronic Violin: A Research Tool", M.V.Mathews, Journal of the Violin
Society of America, Nov. 1984 Vol.8 #1
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is generally credited as being one of the first performers to adapt pickups and amplifiers to violins. The
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Electrically amplified violins have been used in one form or another since the 1920s; jazz and blues artist
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1961:
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has also made extensive use of the electric violin, particularly on her instrumental Laced/Unlaced album.
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645:'s electric violin parts. It has also found its way into modern musical theater, a recent example being
1236:"Feb. 4: Electronic violinist Tracy Silverman — Minnesota State University, Mankato (MSU) – 2013-02-05"
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World's first
Electric Strings university degree program (University of Illinois at Urbana-Champaign)
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479:
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578:. The electric violin is more frequently used by non-classical musicians in popular genres such as
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instruments surviving today first found listed in sales catalogues and contemporaneous advertising
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also puts a lot of emphasis on the electric violin in their compositions. Finnish folk metal band
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of some type, although "amplified violin" or "electro-acoustic violin" are more accurate then.
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will give full per-string polyphony, interfacing with multi-pin output from Zeta MIDI pickup.
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1982:
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415:. Also the instrument features an extra pickup in the tail piece for extra amplification of
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1425:— podcast focusing on new music for bowed string instruments (particularly electric ones)
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1036:"David Bush, Brian Lepine, Michael Zimmerman. Amazing Electric Violin. 1989 | MoMA"
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407:. The strings on this instrument are clustered in four groups of three strings tuned
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Listings begin again in 1969 Fender Sales
Catalogues and contemporaneous advertising
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1212:"Vector Electric Instruments – Frequently Asked Questions About Electric Violins"
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was bought by CBS, the electric violin went into production in 1969 until 1975.
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They are often seen as "experimental" instruments, being less established than
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Commissioned by the
Nashville Symphony for electric violinist Tracy Silverman.
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A traditional acoustic violin and a modern electronic violin from Marc
Capuano
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used the instrument to original effect in the mid 1970s; also using baritone
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fiddle (which ZETA later marketed as the "Eileen Ivers Signature Series").
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Notable artists who have performed using a MIDI-enabled violin include
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269: in this section. Unsourced material may be challenged and removed.
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Richard Smith, "Fender: The Sound Heard Around The World" (pg.180-181)
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1091:"Plugging Into the Volta Standard 4-String Acoustic-Electric Violin"
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Written for Thomas Gould, Nicholas Collon, and the Aurora Orchestra.
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1117:"Barbera ultra high performance pickups for stringed instruments"
1025:"The Shock Of The New", The Strad magazine Vol.94 #1126 pg698-700
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800:"Palmian Chord Riddle", concerto for six string electric violin.
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Inspired by the talents of (and written for) electric violinist
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Acoustic-electric violin bridge with piezoelectric element inlay
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In the mid-1980s, Zeta Music developed a prototype violin for
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Solid-body electric violins typically have a non-traditional,
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for 5-strings, a low C and low F for 6, and a low C, F and B
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653:. Several popular bands that use the electric violin are
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Although the violin is an instrument used extensively in
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during the 1990s, later switching to a custom-made blue
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Electric violin signals usually pass through electronic
191:. It can also refer to a violin fitted with an electric
829:, for six-string electric violin and chamber orchestra.
485:. Guitar/coil type magnetic pickups require the use of
403:
built a 12 string electric violin for the Belgian band
964:
Forrest White, "Fender: The Inside Story" (pg.108-109)
395:" strings that sound an octave lower than normal, and
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Electric Fiddler: home for the electric violin player
1389:"Six Exquisites International Sound Arts Festival II"
1306:"Nico Muhly: Seeing is Believing / Aurora Orchestra"
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Webpage showing a 1948 homebuilt Australian violin.
863:. Through a custom pickup and interface, it sends
49:. Unsourced material may be challenged and removed.
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219:sold electric violins in the 1930s and 1940s;
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341:Acoustic violins may be used with an add-on
814:Concerto for Amplified Violin and Orchestra
625:; one prominent exponent in the area being
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766:Concerto for electric violin and orchestra
527:can be and are used for electric violins.
910:, Gregory Docenko, Dorothy Martirano and
329:Learn how and when to remove this message
109:Learn how and when to remove this message
845:for electric violin and live processing.
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501:Piezo pickups have a high (capacitive)
209:Electro Stringed Instrument Corporation
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735:electric fiddle during her tours with
213:National String Instrument Corporation
133:Front, back and headstock detail of a
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867:data, allowing the violin to control
1440:Fiddle and Alternative Strings Forum
783:, for electric violin and orchestra.
267:adding citations to reliable sources
238:
47:adding citations to reliable sources
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16:Amplified violin, string instrument
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1093:. Strings Magazine. Archived from
848:Written for Electroacoustic Wales.
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704:Classically trained violinist
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2086:Electric musical instruments
1089:Olwell, Greg (August 2013).
576:contemporary classical music
7:
1429:The Digital Violin Database
1259:Colter, Seth (2012-12-05).
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537:List of electric violinists
10:
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1368:Keith McMillen Instruments
1193:. Electric Violin Lutherie
1191:"Electric Violin Lutherie"
621:It is used extensively in
548:playing an electric violin
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1364:"KMI Releases StringPort"
1167:"Jordan Electric Violins"
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470:Electric violins may use
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1814:(changing string tuning)
1393:Newsense-intermedium.com
1287:. Nico Muhly. 2008-01-07
1040:The Museum of Modern Art
1335:"Electroacoustic Wales"
152:Bowed string instrument
1121:Barberatransducers.com
698:Daniel Bernard Roumain
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2035:Violin musical styles
1983:History of the violin
1619:Electric upright bass
1285:"Seeing is Believing"
1216:Vectorinstruments.com
780:The Dharma at Big Sur
647:Whistle Down the Wind
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1886:Double bass concerto
1061:"It's been 21 years"
263:improve this article
43:improve this article
1915:Related instruments
1829:and genres of music
1795:Finger substitution
1310:Auroraorchestra.com
827:Seeing is Believing
651:Andrew Lloyd Webber
397:sympathetic strings
161:Related instruments
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1520:Five-string violin
1265:Capitalnewyork.com
916:Dave Matthews Band
768:(1993, rev. 2019).
741:ZETA Music Systems
683:Doctors of Madness
616:experimental music
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546:Ed Alleyne-Johnson
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138:'s Electric Violin
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1417:Bowed Electricity
1067:. 23 January 2013
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1932:Hardanger fiddle
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692:Artists such as
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1027:
1018:
1009:
1000:
984:"Barcus Berry"
975:
966:
957:
948:
938:
937:
935:
932:
931:
930:
928:Electric cello
923:
920:
900:Jean-Luc Ponty
896:L. Subramaniam
856:
853:
852:
851:
850:
849:
846:
835:
834:
833:
830:
819:
818:
817:
806:
805:
804:
801:
793:
792:
791:
784:
771:
770:
769:
756:
753:
731:played a blue
721:Flogging Molly
717:Irish fiddlers
627:Dave Swarbrick
532:
529:
519:
516:
487:violin strings
480:electrodynamic
459:
456:
337:
336:
251:
249:
242:
236:
233:
200:
197:
175:
174:
173:
172:
164:
163:
157:
156:
155:
154:
147:
145:Classification
141:
140:
132:
117:
116:
31:
29:
22:
15:
9:
6:
4:
3:
2:
2098:
2087:
2084:
2082:
2079:
2078:
2076:
2061:
2060:
2051:
2050:
2047:
2041:
2038:
2036:
2033:
2031:
2028:
2026:
2023:
2021:
2018:
2016:
2013:
2011:
2008:
2004:
2001:
1999:
1996:
1994:
1991:
1990:
1989:
1986:
1984:
1981:
1979:
1976:
1975:
1973:
1969:
1963:
1960:
1958:
1955:
1953:
1950:
1948:
1945:
1943:
1940:
1938:
1935:
1933:
1930:
1928:
1925:
1923:
1920:
1919:
1917:
1913:
1907:
1904:
1902:
1899:
1897:
1894:
1892:
1891:Violin sonata
1889:
1887:
1884:
1882:
1879:
1877:
1874:
1872:
1869:
1867:
1864:
1862:
1859:
1857:
1854:
1852:
1851:String sextet
1849:
1847:
1844:
1842:
1839:
1837:
1834:
1833:
1831:
1825:
1819:
1816:
1813:
1810:
1808:
1805:
1801:
1798:
1797:
1796:
1793:
1791:
1788:
1786:
1783:
1781:
1778:
1776:
1773:
1769:
1766:
1764:
1761:
1759:
1756:
1754:
1751:
1749:
1748:
1744:
1742:
1739:
1738:
1737:
1734:
1733:
1731:
1729:
1725:
1719:
1716:
1714:
1711:
1709:
1706:
1704:
1703:Shoulder rest
1701:
1699:
1696:
1694:
1691:
1689:
1686:
1684:
1681:
1679:
1676:
1674:
1671:
1669:
1666:
1662:
1659:
1658:
1657:
1654:
1652:
1649:
1648:
1646:
1644:
1640:
1630:
1627:
1625:
1622:
1620:
1617:
1616:
1614:
1612:
1608:
1602:
1599:
1597:
1594:
1592:
1589:
1587:
1584:
1582:
1579:
1578:
1576:
1574:
1570:
1564:
1561:
1559:
1558:Viola pomposa
1556:
1554:
1551:
1550:
1548:
1546:
1542:
1536:
1533:
1531:
1528:
1526:
1523:
1521:
1518:
1516:
1513:
1511:
1508:
1507:
1505:
1503:
1499:
1496:
1492:
1488:
1487:Violin family
1481:
1476:
1474:
1469:
1467:
1462:
1461:
1458:
1452:
1449:
1447:
1444:
1441:
1438:
1436:
1433:
1430:
1427:
1424:
1421:
1418:
1415:
1414:
1394:
1390:
1384:
1369:
1365:
1359:
1345:on 2016-03-21
1344:
1340:
1336:
1330:
1316:on 2011-03-12
1315:
1311:
1307:
1301:
1286:
1280:
1266:
1262:
1255:
1241:
1237:
1231:
1217:
1213:
1207:
1192:
1186:
1172:
1168:
1162:
1146:
1142:
1136:
1122:
1118:
1112:
1096:
1092:
1085:
1083:
1066:
1062:
1056:
1041:
1037:
1031:
1022:
1013:
1004:
990:on 2019-07-03
989:
985:
979:
970:
961:
952:
943:
939:
929:
926:
925:
919:
917:
913:
909:
905:
901:
897:
892:
890:
886:
882:
878:
872:
870:
866:
862:
847:
844:
841:
840:
839:
836:
831:
828:
825:
824:
823:
820:
815:
812:
811:
810:
807:
802:
799:
798:
797:
794:
789:
785:
782:
781:
777:
776:
775:
772:
767:
764:
763:
762:
759:
758:
752:
748:
746:
742:
738:
734:
730:
726:
725:The Levellers
722:
718:
713:
709:
707:
706:Emilie Autumn
702:
699:
695:
690:
688:
684:
680:
676:
672:
668:
664:
660:
656:
652:
648:
644:
640:
636:
632:
628:
624:
619:
617:
613:
609:
605:
601:
597:
593:
589:
585:
581:
577:
573:
564:
558:
554:
547:
543:
538:
528:
526:
525:effects units
518:Amplification
515:
512:
508:
504:
499:
495:
492:
488:
484:
481:
477:
476:piezoelectric
473:
464:
455:
453:
449:
448:
441:
439:
435:
430:
420:
418:
414:
410:
406:
402:
398:
394:
390:
389:machine heads
386:
382:
378:
373:
371:
366:
364:
360:
351:
347:
344:
343:piezoelectric
333:
330:
322:
311:
308:
304:
301:
297:
294:
290:
287:
283:
280: –
279:
275:
274:Find sources:
268:
264:
258:
257:
252:This section
250:
246:
241:
240:
232:
228:
226:
222:
218:
214:
210:
206:
196:
194:
190:
186:
182:
171:
168:
167:
165:
162:
158:
153:
150:
149:
148:
146:
142:
137:
130:
125:
113:
110:
102:
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
2057:
2040:Violin octet
2020:Stradivarius
1901:Cello sonata
1896:Viola sonata
1856:String octet
1745:
1563:Tenor violin
1535:Stroh violin
1509:
1397:. Retrieved
1395:. 1997-07-25
1392:
1383:
1371:. Retrieved
1367:
1358:
1347:. Retrieved
1343:the original
1339:Bangor.ac.uk
1338:
1329:
1318:. Retrieved
1314:the original
1309:
1300:
1289:. Retrieved
1279:
1268:. Retrieved
1264:
1254:
1243:. Retrieved
1239:
1230:
1219:. Retrieved
1215:
1206:
1195:. Retrieved
1185:
1174:. Retrieved
1170:
1161:
1149:. Retrieved
1145:the original
1135:
1124:. Retrieved
1120:
1111:
1099:. Retrieved
1095:the original
1069:. Retrieved
1064:
1055:
1043:. Retrieved
1039:
1030:
1021:
1012:
1003:
992:. Retrieved
988:the original
978:
969:
960:
951:
942:
912:Boyd Tinsley
908:Drew Tretick
893:
873:
869:synthesizers
858:
842:
826:
813:
778:
765:
755:Compositions
749:
733:Barcus-Berry
729:Eileen Ivers
714:
710:
703:
691:
663:Doll Factory
620:
569:
521:
500:
496:
469:
451:
446:
442:
431:
421:
401:Yuri Landman
374:
370:minimalistic
367:
356:
340:
325:
316:
306:
299:
292:
285:
273:
261:Please help
256:verification
253:
229:
217:Vega Company
202:
180:
178:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
2010:Jazz violin
1952:Nyckelharpa
1937:Hurdy-gurdy
1841:String trio
1785:Double stop
1688:Fingerboard
1611:Double bass
1581:Bass violin
1494:Instruments
1423:Bowed Radio
855:MIDI violin
796:Terry Riley
675:Urban Blitz
639:Korpiklaani
604:jazz fusion
557:Mia Zabelka
491:single-coil
411:creating a
363:avant-garde
319:August 2017
235:Description
205:Stuff Smith
2075:Categories
1922:Arpeggione
1812:Scordatura
1741:Bow stroke
1728:Techniques
1718:Tuning peg
1708:Sound post
1399:2016-07-09
1349:2016-07-09
1320:2016-07-09
1291:2016-07-09
1270:2016-07-09
1245:2016-07-09
1221:2016-07-09
1197:2016-07-09
1176:2016-07-09
1126:2016-07-09
994:2018-01-15
934:References
885:monophonic
822:Nico Muhly
774:John Adams
737:Riverdance
681:rock band
671:Yellowcard
631:Folk metal
535:See also:
434:processing
399:. Luthier
289:newspapers
189:solid body
136:Leo Fender
69:newspapers
2003:Slap bass
1988:Jazz bass
1827:Ensembles
1807:Pizzicato
1800:Bariolage
1790:Fingering
1780:Harmonics
1747:Col legno
1713:Tailpiece
843:Crosswire
838:Ed Wright
687:Violectra
679:protopunk
623:folk rock
99:July 2016
2059:Category
1998:Big band
1957:Pochette
1775:Arpeggio
1763:Spiccato
1673:Chinrest
1651:Bass bar
1629:Octobass
1515:Pochette
1373:19 April
1240:Mnsu.edu
1101:9 August
1071:19 April
1045:19 April
922:See also
889:TerraTec
743:Strados
715:Several
667:pop punk
472:magnetic
426:♭
393:baritone
346:intact.
2081:Violins
1962:Quinton
1927:Baryton
1818:Vibrato
1768:Tremolo
1758:Portato
1753:Martelé
1624:Violone
1596:Cellone
1151:May 24,
816:— 1972.
635:Turisas
612:new-age
608:country
588:hip hop
483:pickups
458:Pickups
438:effects
429:for 7.
303:scholar
199:History
83:scholar
1947:Lirone
1736:Bowing
1698:Scroll
1683:F-hole
1678:Endpin
1668:Bridge
1502:Violin
881:Yamaha
877:Roland
723:, and
665:, and
614:, and
531:Genres
507:preamp
413:chorus
409:unison
359:timbre
305:
298:
291:
284:
276:
225:Fender
221:Fender
193:pickup
185:violin
170:Violin
85:
78:
71:
64:
56:
2015:Rosin
1971:Other
1643:Parts
1573:Cello
1545:Viola
914:from
669:band
633:band
580:metal
478:, or
452:Today
447:Today
385:frets
310:JSTOR
296:books
183:is a
90:JSTOR
76:books
2025:Viol
1661:Frog
1375:2021
1153:2006
1103:2013
1073:2021
1047:2021
879:and
865:MIDI
696:and
600:jazz
584:rock
405:DAAU
381:bass
282:news
215:and
62:news
1693:Nut
1656:Bow
677:of
655:Zox
649:by
596:pop
509:(a
391:, "
379:or
265:by
179:An
45:by
2077::
1391:.
1366:.
1337:.
1308:.
1263:.
1238:.
1214:.
1169:.
1119:.
1081:^
1063:.
1038:.
918:.
906:,
902:,
898:,
727:.
689:.
673:.
661:,
657:,
629:.
618:.
610:,
606:,
598:,
594:,
590:,
586:,
582:,
474:,
440:.
419:.
211:,
1479:e
1472:t
1465:v
1402:.
1377:.
1352:.
1323:.
1294:.
1273:.
1248:.
1224:.
1200:.
1179:.
1155:.
1129:.
1105:.
1075:.
1049:.
997:.
790:.
602:/
332:)
326:(
321:)
317:(
307:·
300:·
293:·
286:·
259:.
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
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