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218:. Henze also met Montejo, and noted afterwards: "I had never seen a man that old. He was as tall as a tree, walked slowly and very erect; his eyes were alive; he radiated dignity; he seemed to be sure he was a historical personality." On his second visit, Barnet gave him the German edition of his documentary . Enzensberger prepared a
423:
Henze's score features aleatoric elements, "fields" in which pitches and sounds are specified, but leaving tempo and dynamics to be determined by the performers, passages for improvisation, as well as sections in the classical manner. The traditional instruments are supplemented by
Caribbean and
214:, who at the time lived in Cuba, took care of inviting Henze to Cuba; the first visit was from 21 March 1969 to 16 April. Henze met Barnet, who arranged meetings with Cuban artists and introduced him to the
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African instruments, such as
Trinidad steel drum, marimbula, log drums, octobans, temple bells, congas and bongos. Some instruments highlight the drama, such as an iron chain in No. 3.
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for Henze, based on the documentary. Henze sketched its first movement on 18 December that year. He completed the work in
February 1970 at his home in
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with the same forces, followed by a tour to festivals in
Spoleto, Munich, Edinburgh, Berlin and Avignon. The Australian premiere was performed at the
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which are essentially songs. Some scenes reflect on historical events, others on personal views of the former slave:
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Henze described the score as a "recital for four musicians". They consist of a
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252:, with the composer conducting. The UK premiere was in June 1970 at the
152:, written when the composer lived in Cuba in 1969–1970. It is subtitled
268:(flute), Roger Glanville-Hicks (guitar), and Colin Piper (percussion).
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was a term for a runaway slave. The former slave on which Henze's
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408:), as well as the four conventional orchestral flutes. He made
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Becker-Carsten, Wolfgang (1971). "Current
Chronicle: Berlin".
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Der langwierige Weg in die
Wohnung der Natascha Ungeheuer
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for ethnobiographical, social and psychological studies.
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is based on the oral autobiography related in 1963 to
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260:on 14 March 1976, conducted by the composer, with
154:Biographie des geflohenen Sklaven Esteban Montejo
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172:by Montejo, who was also a veteran of the
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700:L'Upupa und der Triumph der Sohnesliebe
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144:) is a scenic vocal composition by the
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245:The work received its premiere at the
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884:Compases para preguntas ensimismadas
412:on the singer, including laughter,
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226:, Italy. He began rehearsing with
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1043:Works by Hans Magnus Enzensberger
1038:Compositions by Hans Werner Henze
924:Five Scenes from the Snow Country
840:The Lost Honour of Katharina Blum
276:The work is divided into fifteen
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987:
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156:(Biography of the runaway slave
940:Requiem: 9 geistliche Konzerte
826:Muriel ou le Temps d'un retour
1:
427:
230:, a Cuban guitarist, flutist
184:In Cuba in the 19th century,
382:who portrays El Cimarrón, a
202:, who made it a documentary
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350:Die Schlacht von Mal Tiempo
271:
10:
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461:www.elcimarronensemble.com
416:, shouting, screaming and
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817:
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625:Elegie für junge Liebende
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234:, Japanese percussionist
174:Cuban War of Independence
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212:Hans Magnus Enzensberger
166:Hans Magnus Enzensberger
59:Hans Magnus Enzensberger
410:extensive vocal demands
892:Heliogabalus imperator
620:Elegy for Young Lovers
204:
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135:
76:oral autobiography of
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612:Der Prinz von Homburg
502:10.1093/mq/LVII.2.314
489:The Musical Quarterly
869:Fantasia for Strings
668:We Come to the River
573:List of compositions
453:"Hans Werner Henze:
354:Battle of Mal Tiempo
320:Die falsche Freiheit
238:and American singer
48:The composer in 1960
876:Das Floß der Medusa
527:Deutsche Grammophon
948:Sebastian im Traum
932:Royal Winter Music
916:Royal Winter Music
684:Das verratene Meer
588:Boulevard Solitude
525:, CD liner notes,
366:Die Freundlichkeit
360:Der schlechte Sieg
254:Aldeburgh Festival
1033:1970 compositions
998:
997:
564:Hans Werner Henze
258:Adelaide Festival
150:Hans Werner Henze
142:The Runaway Slave
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130:
36:Hans Werner Henze
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976:Postmodern music
857:Sonata per archi
755:Kammerkonzert 05
692:Venus und Adonis
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483:
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400:and the Italian
266:Geoffrey Collins
264:as El Cimarrón,
262:Lyndon Terracini
232:Karlheinz Zöller
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863:Doppio Concerto
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676:The English Cat
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513:Further reading
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402:scacciapensieri
322:(False Freedom)
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250:Berlin Festival
240:William Pearson
216:Yoruba religion
196:Esteban Montejo
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158:Esteban Montejo
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78:Esteban Montejo
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644:Der junge Lord
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637:Die Bassariden
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519:Walsh, Stephen
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496:(2): 314–317.
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368:(Friendliness)
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362:(Evil Victory)
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332:Die Maschinen
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296:Die Sklaverei
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200:Miguel Barnet
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194:is based was
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170:Miguel Barnet
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82:Miguel Barnet
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604:König Hirsch
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596:Ein Landarzt
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464:. Retrieved
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359:
349:
344:Der Aufstand
343:
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295:
291:Der Cimarrón
290:
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15:
971:Moment form
850:Other works
818:Film scores
652:El Cimarrón
523:El Cimarrón
466:26 November
455:El Cimarrón
338:Die Pfarrer
314:Die Geister
287:(The World)
228:Leo Brouwer
205:El Cimarrón
191:El Cimarrón
176:(1895–98).
160:), and the
136:El Cimarrón
32:vocal music
23:El Cimarrón
1027:Categories
746:Symphonies
428:References
406:Jew's harp
372:Das Messer
346:(Uprising)
334:(Machines)
326:Die Frauen
302:Die Flucht
124:percussion
895:(1972/86)
414:whistling
384:guitarist
316:(Spirits)
298:(Slavery)
148:composer
88:Performed
992:Category
639:) (1965)
627:) (1961)
418:falsetto
388:flautist
380:baritone
340:(Clergy)
310:(Forest)
308:Der Wald
304:(Flight)
285:Die Welt
278:tableaux
272:Tableaux
220:libretto
186:Cimarrón
162:libretto
115:baritone
73:Based on
65:Language
959:Related
900:Tristan
753:No. 1 (
716:Gisela!
708:Phaedra
521:(1996)
397:ryūteki
374:(Knife)
328:(Women)
180:History
109:Scoring
94: (
30:Scenic
1003:Portal
951:(2004)
943:(1993)
935:(1979)
927:(1978)
919:(1976)
911:(1973)
908:Voices
903:(1973)
887:(1970)
879:(1968)
871:(1966)
865:(1966)
859:(1958)
802:No. 10
738:(1957)
735:Ondine
727:Ballet
719:(2010)
711:(2007)
703:(2003)
695:(1995)
687:(1989)
679:(1983)
671:(1976)
663:(1971)
655:(1971)
647:(1964)
615:(1958)
607:(1955)
599:(1951)
591:(1951)
580:Operas
390:and a
224:Marino
146:German
118:guitar
102:Berlin
68:German
797:No. 9
792:No. 8
787:No. 7
782:No. 6
777:No. 5
772:No. 4
767:No. 3
762:No. 2
121:flute
494:LVII
468:2022
386:, a
247:1970
96:1970
92:1970
54:Text
498:doi
164:by
80:to
57:by
34:by
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404:(
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352:(
140:(
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