182:
29:
222:
or λ. The features that the
Lathams produced were of poor quality and lacked the tilts and pans that other features were beginning to utilize. Unfortunately, the company did not last long since disputes over the copyrights from The Eidoloscope Company shareholders brought the Lathams' demise in 1896.
197:
Woodville Latham, one of the creators of the
Eidoloscope, was originally a chemistry professor. Woodville's sons were in the business of showing boxing matches and would frequently hear complaints from patrons about how someone should make a machine that projects film on a screen. That way, more
210:
at the same time, joined the
Lathams and their project to help raise finances and the knowledge of how to move forward in the business. The Eidoloscope was engineered mainly by Lauste, who also assisted with the design of the
173:
and the jerky motion of the intermittent movement. This relieved strain on the filmstrip and so enabled the shooting and projection of much longer motion pictures than had previously been possible.
161:
of 1.85 to 1. It had a film gauge of 51 mm and an aperture of 37 mm by 20 mm. It was instrumental in the history of film in that it created what became known as the "
145:
in 1894 and 1895. The
Eidoloscope was demonstrated for members of the press on April 21, 1895, and opened to the paying public on Broadway on May 20.
328:
298:
202:. It was a much more efficient method of exhibition that would reduce startup costs, since each parlor would need only one machine instead of six.
448:
366:
93:
65:
453:
263:
112:
72:
426:
203:
50:
79:
382:
46:
320:
290:
17:
61:
193:
starring
Rosabel Morrison. The production was probably the first stage-and-screen hybrid in the US.
39:
134:
350:
253:
166:
232:
185:
Using the
Eidoloscope, a 15-minute film of a bullfight was integrated into the last act of
181:
158:
8:
86:
153:
Originally called the
Pantoptikon (also spelled 'Panoptikon'), it is perhaps the first
422:
362:
358:
259:
190:
138:
130:
442:
207:
142:
421:. Vol. 1 (first ed.). New York City: Charles Scribner & Sons.
212:
199:
162:
198:
people could view the film at the same time, as they could not with the
154:
170:
351:"'Half Real–Half Reel': Alternation Format Stage-and-Screen Hybrids"
28:
353:. In Gaudreault, André; Dulac, Nicolas; Hidalgo, Santiago (eds.).
215:. (Later, Dickson would credit Lauste with the loop's invention).
218:
The
Lathams named their company after the Greek letter for "L":
141:
and his two sons through their business, the Lambda
Company, in
219:
165:", which are two loops of film, one on each side of the
419:
The
Emergence of Cinema: The American Screen to 1907
255:
Fight Pictures: A History of Boxing and Early Cinema
169:, which act as a buffer between continuously moving
189:(1896), a stage dramatization of Prosper Mérimée's
53:. Unsourced material may be challenged and removed.
16:"Panoptikon" redirects here. For other uses, see
440:
258:. University of California Press. p. 46.
318:
288:
113:Learn how and when to remove this message
412:
410:
408:
406:
404:
251:
180:
441:
416:
321:"Happy 125th Birthday, Cinema! Part 2"
291:"Happy 125th Birthday, Cinema! Part 1"
401:
389:. Lincoln, Nebraska. January 23, 1897
348:
284:
282:
51:adding citations to reliable sources
22:
176:
13:
319:Domankiewicz, Peter (2020-05-20).
289:Domankiewicz, Peter (2020-05-20).
14:
465:
449:Audiovisual introductions in 1895
279:
27:
331:from the original on 2020-06-06
301:from the original on 2020-06-07
252:Streible, Dan (11 April 2008).
38:needs additional citations for
375:
342:
325:William Friese-Greene & Me
312:
295:William Friese-Greene & Me
245:
1:
238:
7:
355:A Companion to Early Cinema
226:
18:Panopticon (disambiguation)
10:
470:
148:
15:
454:Film and video technology
349:Waltz, Gwendolyn (2012).
417:Musser, Charles (1990).
194:
135:Eugene Augustin Lauste
184:
167:intermittent movement
157:film format, with an
233:List of film formats
47:improve this article
195:
133:system created by
368:978-1-118-29387-4
206:, an employee of
123:
122:
115:
97:
461:
433:
432:
414:
399:
398:
396:
394:
379:
373:
372:
346:
340:
339:
337:
336:
316:
310:
309:
307:
306:
286:
277:
276:
274:
272:
249:
177:Early beginnings
139:Woodville Latham
118:
111:
107:
104:
98:
96:
55:
31:
23:
469:
468:
464:
463:
462:
460:
459:
458:
439:
438:
437:
436:
429:
415:
402:
392:
390:
383:"Announcements"
381:
380:
376:
369:
361:. p. 360.
359:Wiley-Blackwell
347:
343:
334:
332:
317:
313:
304:
302:
287:
280:
270:
268:
266:
250:
246:
241:
229:
179:
151:
119:
108:
102:
99:
56:
54:
44:
32:
21:
12:
11:
5:
467:
457:
456:
451:
435:
434:
427:
400:
374:
367:
341:
311:
278:
264:
243:
242:
240:
237:
236:
235:
228:
225:
178:
175:
150:
147:
131:motion picture
121:
120:
35:
33:
26:
9:
6:
4:
3:
2:
466:
455:
452:
450:
447:
446:
444:
430:
424:
420:
413:
411:
409:
407:
405:
388:
384:
378:
370:
364:
360:
356:
352:
345:
330:
326:
322:
315:
300:
296:
292:
285:
283:
267:
265:9780520940581
261:
257:
256:
248:
244:
234:
231:
230:
224:
221:
216:
214:
209:
208:Thomas Edison
205:
204:W.K.L Dickson
201:
192:
188:
183:
174:
172:
168:
164:
160:
156:
146:
144:
143:New York City
140:
136:
132:
129:was an early
128:
117:
114:
106:
95:
92:
88:
85:
81:
78:
74:
71:
67:
64: –
63:
62:"Eidoloscope"
59:
58:Find sources:
52:
48:
42:
41:
36:This article
34:
30:
25:
24:
19:
418:
391:. Retrieved
386:
377:
354:
344:
333:. Retrieved
324:
314:
303:. Retrieved
294:
269:. Retrieved
254:
247:
217:
196:
186:
159:aspect ratio
152:
126:
124:
109:
100:
90:
83:
76:
69:
57:
45:Please help
40:verification
37:
387:The Courier
213:Latham loop
200:kinetoscope
163:Latham loop
127:Eidoloscope
443:Categories
428:0684184133
393:January 8,
335:2020-05-23
305:2020-05-23
239:References
155:widescreen
103:March 2014
73:newspapers
171:sprockets
329:Archived
299:Archived
227:See also
191:novella
149:History
87:scholar
425:
365:
271:16 May
262:
220:lambda
187:Carmen
89:
82:
75:
68:
60:
94:JSTOR
80:books
423:ISBN
395:2019
363:ISBN
273:2016
260:ISBN
125:The
66:news
49:by
445::
403:^
385:.
357:.
327:.
323:.
297:.
293:.
281:^
137:,
431:.
397:.
371:.
338:.
308:.
275:.
116:)
110:(
105:)
101:(
91:·
84:·
77:·
70:·
43:.
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.