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330:. This period became an important influence for his later work. For example, the influence of Giacometti and many of the original Surrealists he met in Paris can be felt in the group of lost-wax sculptures made by Paolozzi in the mid-1950s. Their surfaces, studded with found objects and machine parts, were to gain him recognition.
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is considered the earliest standard bearer representing Pop Art. He always described his work as surrealist art and, while working in a wide range of media though his career, became more closely associated with sculpture. Paolozzi is recognized for producing largely lifelike statuary works, but with
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to display this collection. The gallery displays a recreation of
Paolozzi's studio, with its contents evoking the original London and Munich locations and also houses Scottish-Italian a restaurant, Paolozzi's Kitchen, which was created by Heritage Portfolio in homage to the local artist.
471:
Paolozzi's graphic work of the 1960s was highly innovative. In a series of works he explored and extended the possibilities and limits of the silkscreen medium. The resulting prints are characterised by Pop culture references and technological imagery. These series are:
452:. Paolozzi was fond of Munich and many of his works and concept plans were developed in a studio he kept there, including the mosaics of the Tottenham Court Road Station in London. He took a stab at industrial design in the 1970s with a 500-piece run of the upscale
558:(ICAEW) commissioned a set of three tapestries from Paolozzi to represent 'present day and future societies in relation to the role played by ICAEW', as part of the institute's centenary celebrations. The three highly distinctive pieces - which Paolozzi wanted to
342:. The studio was a workshop filled with hundreds of found objects, models, sculptures, materials, tools, toys and stacks of books. Paolozzi was interested in everything and would use a variety of objects and materials in his work, particularly his
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374:, he was instrumental in pointing her towards her future career as a textile designer. Paolozzi came to public attention in the 1950s by producing a range of striking
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517:(Penguin, 1972). As recently as 2009, the reference to Kahn was discovered by Uta and Thilo von Debschitz during their research of work and life of Fritz Kahn.
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211:; 7 March 1924 – 22 April 2005) was a Scottish artist, known for his sculpture and graphic works. He is widely considered to be one of the pioneers of
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his father, grandfather and uncle, who had also been detained, were among the 446 Italians who drowned when the ship carrying them to Canada, the
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region. Paolozzi's parents, Rodolfo and
Carmela, ran an ice cream shop. Paolozzi used to spend all his summers at his grandparents place in
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671:, London, and Paolozzi's most extensive work. Escalator entrance murals were removed as part of redevelopment, and were donated to the
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640:(6 July −13 October 2013), featuring more than 100 of the artist's works, including sculpture, drawings, textile, film, ceramics and
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In the 1960s and 1970s, Paolozzi artistically processed man-machine images from popular science books by German doctor and author
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from 1974 as part of the Berlin Artist
Programme of the German Academic Exchange Programme. He was a professor at the
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484:(100 prints, eight signed, in an acrylic box; published as a limited edition of 500 by Editions Alecto, 1967);
560:"depict our world of today in a manner using the same bold pictorial style as the Bayeux tapestries in France"
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that he had died. The illness made him a wheelchair user, and he died in a hospital in London in April 2005.
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644:. Pallant House Gallery has an extensive collection of Paolozzi's work given and loaned by the architect
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and first to display the word "pop". Paolozzi showed the collage in 1952 as part of his groundbreaking
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and grew up bilingual. In June 1940, when Italy declared war on the United
Kingdom, Paolozzi was
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in 1952, which is regarded as the precursor to the mid-1950s
British and late 1950s American
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rectilinear (often cubic) elements added or removed, or the human form deconstructed in a
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a large body of his works, and much of the content of his studio. In 1999 the
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1087:"Artists' Llives: Sir Eduardo Paolozzi Interviewed by Frank Whitford C466/17"
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After Paris, he moved back to London eventually establishing his studio in
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He taught sculpture and ceramics at several institutions, including the
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A photograph of
Paolozzi's large, well-worn right hand was selected by
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in illustrating a world thought to be determined by mathematical laws.
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Mosaic murals for the platforms, passages and escalator entrances of
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1469:"Tube station mosaics to be seen in new light in artist's home city"
310:. While in Paris from 1947 to 1949, Paolozzi became acquainted with
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476:(12 prints on the theme of Paolozzi's interest in the philosopher
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432:. Paolozzi had a long association with Germany, having worked in
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1493:"Paolozzi mosaic restoration work starts in ECA Sculpture Court"
815:. The sculptures incorporate display cases for ancient artefacts
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by
Eduardo Paolozzi, Talbot Rice Centre, Edinburgh, August 1979
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533:. Location shown is the Central Line westbound platform (1982).
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though most mosaics remain in situ and were restored in 2017.
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in 1986, which he held until his death. He also received an
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sculpture in the foyer of the John McIntosh Arts Centre at
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1375:"Chartered Accountants' Hall: Inside a piece of history"
1142:"Eduardo Paolozzi (1924–2005) – Jonathan Clark Fine Art"
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concourse, London, until 2019, present location unknown
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Institute of
Chartered Accountants in England and Wales
1401:"Heriot-Watt University Edinburgh: Honorary Graduates"
1224:"'I was a Rich Man's Plaything', Sir Eduardo Paolozzi"
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at the west end of the
Princess of Wales Conservatory
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from 1977 to 1981, and later taught sculpture at the
346:. In 1955 he moved with his family to the village of
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Secrets of Life – The Human
Machine and How it Works
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Ceiling panels and window tapestry at Cleish Castle
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1687:Academic staff of the Academy of Fine Arts, Munich
233:(1947) is considered the first standard bearer of
460:that Paolozzi decorated for the German Rosenthal
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795:from 1987, removed 2012 present location unknown
571:Her Majesty's Sculptor in Ordinary for Scotland
249:Eduardo Paolozzi was born on 7 March 1924, in
1732:Commanders of the Order of the British Empire
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1247:"Report by Eduardo Paolozzi, 23 October 1961"
738:, looking towards Paolozzi's birthplace Leith
306:from 1944 to 1947, after which he worked in
1363:(Supplement). 29 December 1967. p. 11.
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1439:(Supplement). 30 December 1988. p. 1.
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541:in 1968 and in 1979 he was elected to the
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1692:Academics of Saint Martin's School of Art
1126:″Paolozzi Arches Noah″, Exhibit Catalog,
956:Junk and the New Arts and Crafts Movement
946:by Eduardo Paolozzi, Lelpra, London, 1962
783:sculpture at the University of Birmingham
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648:, who commissioned Paolozzi's sculpture
617:In 2001, Paolozzi suffered a near-fatal
551:, which began a lifelong collaboration.
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16:Scottish sculptor and artist (1924–2005)
1211:Hefte der Akademie der Bildenden Künste
952:by Eduardo Paolozzi, Tate, London, 1971
931:Photographs by Snowdon: A Retrospective
904:Eduardo Paolozzi played a deaf-mute in
892:Scottish National Gallery of Modern Art
661:
603:Scottish National Gallery of Modern Art
1712:Alumni of the Slade School of Fine Art
1707:Alumni of the Edinburgh College of Art
1702:Alumni of Saint Martin's School of Art
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422:Hochschule für bildende Künste Hamburg
1697:Academics of the Royal College of Art
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1209:"Eduardo Paolozzi", Exhibit Catalog,
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964:by Eduardo Paolozzi, Rizzoli (1984),
206:
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1303:Uta and Thilo von Debschitz (2009).
1117:, The National Archives of Scotland.
390:movements. His seminal 1947 collage
1240:Where he taught the 'fifth Beatle'
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638:Eduardo Paolozzi: Collaging Culture
382:sculpture. He was a founder of the
241:series presentation at the initial
13:
1782:Scottish people of Italian descent
1451:"Pop artist Paolozzi dies aged 81"
426:University of California, Berkeley
14:
1803:
1512:
1501:. 26 October 2015. Archived from
1276:"Faenza-Goldmedaille für SUOMI".
1200:, New York: Harry N. Abrams, Inc.
1171:, National Galleries of Scotland.
875:, at the University of Birmingham
669:Tottenham Court Road tube station
569:He was promoted to the office of
1677:20th-century British printmakers
1519:Eduardo Paolozzi Gallery website
1183:″Mythologies″, Exhibit Catalog,
929:as the cover image for his book
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725:, 1995, in the forecourt of the
507:(1970), or the cover design for
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828:The Manuscript of Monte Cassino
732:The Manuscript of Monte Cassino
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408:Paolozzi sculpture (1982) near
1682:20th-century British sculptors
1477:. 28 July 2015. Archived from
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607:National Galleries of Scotland
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1772:Scottish contemporary artists
1306:Man Machine / Maschine Mensch
1198:Pop Art: A Continuing History
898:
705:Cast aluminium doors for the
446:Akademie der Bildenden Künste
592:in 1989 as Knight Bachelor (
531:Tottenham Court Road Station
529:Paolozzi mosaic designs for
393:I was a Rich Man's Plaything
296:Saint Martin's School of Art
230:I was a Rich Man's Plaything
7:
1762:People from Thorpe-le-Soken
975:
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813:National Museum of Scotland
636:held a major retrospective
601:In 1994, Paolozzi gave the
564:Chartered Accountants' Hall
10:
1808:
1309:. Springer Wien New York.
1016:Collins English Dictionary
997:
744:sculpture in front of the
486:Universal Electronic Vacuu
156:Sir Eduardo Luigi Paolozzi
1566:
1381:(46): 20–21. October 2010
982:Art of the United Kingdom
776:The London Oratory School
623:incorrect magazine report
333:
304:University College London
298:in 1944, and then at the
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1752:British modern sculptors
1498:Edinburgh College of Art
1474:Edinburgh College of Art
1196:Livingstone, M. (1990),
944:Metafisikal Translations
918:, alongside the painter
843:The Artist as Hephaestus
788:The Artist as Hephaestus
300:Slade School of Fine Art
292:Edinburgh College of Art
290:Paolozzi studied at the
120:Slade School of Fine Art
112:Edinburgh College of Art
1777:Scottish male sculptors
1727:British collage artists
1167:6 February 2011 at the
1053:Oxford University Press
809:Scotland's Early People
673:University of Edinburgh
537:Paolozzi was appointed
116:University of Edinburgh
1717:Artists from Edinburgh
1115:"NAS gets behind bars"
1067:"Sir Eduardo Paolozzi"
579:Heriot-Watt University
534:
494:Moonstrips Empire News
482:Moonstrips Empire News
417:
246:
1481:on 15 September 2015.
1094:National Life Stories
1049:UK English Dictionary
707:University of Glasgow
630:Pallant House Gallery
528:
428:(in 1968) and at the
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360:Hammer Prints Limited
226:
1787:Scottish printmakers
1185:The Scottish Gallery
1128:Münchner Stadtmuseum
662:Notable public works
646:Colin St John Wilson
562:- currently hang in
514:Lost in the Funhouse
430:Royal College of Art
294:in 1943, briefly at
208:[paoˈlɔttsi]
25:Sir Eduardo Paolozzi
1722:British pop artists
1524:Independent Gallery
1148:on 3 November 2012.
1047:Oxford Dictionaries
1042:"Paolozzi, Eduardo"
754:A Maximis Ad Minima
490:General Dynamic Fun
478:Ludwig Wittgenstein
320:Constantin Brâncuși
1792:Scottish sculptors
1767:Royal Academicians
1505:on 20 August 2016.
1436:The London Gazette
1360:The London Gazette
722:Newton after Blake
713:, commissioned by
678:Cover artwork for
651:Newton After Blake
590:Queen Elizabeth II
575:Honorary Doctorate
535:
418:
414:London Underground
312:Alberto Giacometti
247:
245:meeting in London.
1757:People from Leith
1654:
1653:
1606:Robert Clatworthy
1316:978-3-211-99181-7
1257:on 4 January 2017
1162:"Paolozzi Studio"
1096:. British Library
970:978-0-8478-0573-0
742:Head of Invention
719:Bronze sculpture
715:William Whitfield
711:Hunterian Gallery
685:Red Rose Speedway
384:Independent Group
370:graphics student
243:Independent Group
153:
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1747:Scottish knights
1742:Knights Bachelor
1737:Geometry of Fear
1646:William Turnbull
1636:Eduardo Paolozzi
1576:Kenneth Armitage
1560:Geometry of Fear
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1457:. 22 April 2005.
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1411:on 18 April 2016
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1253:. Archived from
1251:liverpoolmuseums
1242:Stuart Sutcliffe
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1187:, 2–26 May 1990.
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987:Modern sculpture
962:Recurring themes
950:Eduardo Paolozzi
906:Lorenza Mazzetti
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62:7 March 1924
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1672:2005 deaths
1667:1924 births
1626:John Hoskin
1586:Ralph Brown
1581:John Berger
1431:"No. 51578"
1355:"No. 44484"
1284:: 8. 1976.
910:Free Cinema
768:Town Centre
764:Mosaics in
759:Kew Gardens
698:sculpture,
609:opened the
424:(1960–62),
368:Trinidadian
227:Paolozzi's
219:Early years
1661:Categories
1591:Reg Butler
1011:"Paolozzi"
899:Other work
890:, 1998–9,
751:Sculpture
736:Leith Walk
634:Chichester
509:John Barth
501:Fritz Kahn
474:As Is When
92:2005-04-23
79:, Scotland
66:1924-03-07
1339:ignored (
1329:cite book
1290:0004-3842
1261:3 January
682:'s album
628:In 2013,
581:in 1987.
511:'s novel
462:porcelain
261:, in the
255:Edinburgh
253:in north
134:Sculpture
108:Education
102:, England
96:(aged 81)
77:Edinburgh
1455:BBC News
1228:Tate Etc
1165:Archived
1100:15 March
976:See also
938:Writings
915:Together
908:'s 1956
766:Redditch
695:Piscator
654:for the
586:knighted
464:maker's
401:manner.
380:Art brut
344:collages
316:Jean Arp
271:interned
259:Viticuso
204:Italian:
144:Movement
43:follows
1415:6 April
1213:, 1977.
1130:, 1990.
998:Sources
873:Faraday
781:Faraday
442:Cologne
412:of the
388:Pop Art
340:Chelsea
235:Pop Art
213:pop art
148:Pop art
90: (
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860:, 1986
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619:stroke
450:Munich
434:Berlin
416:system
399:cubist
334:Career
100:London
50:Newton
40:Newton
1379:Vital
1278:Artis
1090:(PDF)
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912:film
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454:Suomi
352:Essex
308:Paris
263:Lazio
251:Leith
239:Bunk!
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1417:2016
1387:2019
1341:help
1311:ISBN
1286:ISSN
1263:2017
1102:2022
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59:Born
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