255:
201:
110:
66:, has said he believes ECAD used legal pressure on their critics and described them as a "litigation machine". Lemos claimed that leaked documents from ECAD showed that they planned to sue him.
56:
In 2012, fifteen officials were indicted after an investigation by the
Brazilian Senate found that some at ECAD had allegedly taken money intended for artists and had engaged in price fixing.
107:
154:
266:
213:
292:
239:
311:
316:
326:
138:
321:
285:
63:
331:
232:
181:
17:
158:
278:
45:. It is made up of six partner organisations: ABRAMUS, AMAR, ASSIM, SBACEM, SICAM, SOCINPRO and UBC.
225:
83:
128:
8:
134:
114:
262:
209:
182:
Not just the pirates: Brazilian rights holders indicted for ripping off artists
305:
59:
126:
48:
ECAD also produce a Radio
Ranking of music based on radio airplay.
254:
200:
42:
127:
Maristela Basso; Edson Beas
Rodrigues Junior (2010).
208:This article about an organisation in Brazil is a
41:) is the national copyright collection agency in
303:
30:Escritório Central de Arrecadação e Distribuição
120:
39:Central Bureau for Collection and Distribution
286:
233:
133:. Kluwer Law International. pp. 42–43.
293:
279:
240:
226:
155:"Ecad Direitos Autorais :: Rankings"
261:This article about Brazilian music is a
14:
304:
177:
175:
84:"Ecad Direitos Autorais :: Ecad"
249:
194:
130:Intellectual Property Law in Brazil
24:
172:
25:
343:
253:
199:
51:
312:Copyright collection societies
147:
101:
76:
13:
1:
317:Music licensing organizations
69:
327:Brazilian organisation stubs
265:. You can help Knowledge by
212:. You can help Knowledge by
7:
10:
348:
248:
193:
322:Brazilian music industry
64:Fundação Getúlio Vargas
37:; can be translated as
332:Brazilian music stubs
62:, an academic from
113:2016-03-03 at the
274:
273:
221:
220:
140:978-90-411-3378-6
16:(Redirected from
339:
295:
288:
281:
257:
250:
242:
235:
228:
204:
203:
195:
185:
179:
170:
169:
167:
166:
157:. Archived from
151:
145:
144:
124:
118:
105:
99:
98:
96:
94:
80:
21:
347:
346:
342:
341:
340:
338:
337:
336:
302:
301:
300:
299:
247:
246:
198:
191:
189:
188:
180:
173:
164:
162:
153:
152:
148:
141:
125:
121:
115:Wayback Machine
106:
102:
92:
90:
82:
81:
77:
72:
54:
33:(also known as
23:
22:
15:
12:
11:
5:
345:
335:
334:
329:
324:
319:
314:
298:
297:
290:
283:
275:
272:
271:
258:
245:
244:
237:
230:
222:
219:
218:
205:
187:
186:
184:, Ars Technica
171:
146:
139:
119:
117:, PRS for Musi
100:
74:
73:
71:
68:
53:
50:
9:
6:
4:
3:
2:
344:
333:
330:
328:
325:
323:
320:
318:
315:
313:
310:
309:
307:
296:
291:
289:
284:
282:
277:
276:
270:
268:
264:
259:
256:
252:
251:
243:
238:
236:
231:
229:
224:
223:
217:
215:
211:
206:
202:
197:
196:
192:
183:
178:
176:
161:on 2013-10-17
160:
156:
150:
142:
136:
132:
131:
123:
116:
112:
109:
104:
89:
85:
79:
75:
67:
65:
61:
60:Ronaldo Lemos
57:
52:Controversies
49:
46:
44:
40:
36:
32:
31:
19:
18:ECAD (Brazil)
267:expanding it
260:
214:expanding it
207:
190:
163:. Retrieved
159:the original
149:
129:
122:
103:
91:. Retrieved
87:
78:
58:
55:
47:
38:
34:
29:
28:
26:
108:ECADonomics
88:ecad.org.br
306:Categories
165:2013-11-11
70:References
111:Archived
93:18 July
137:
43:Brazil
263:stub
210:stub
135:ISBN
95:2018
35:ECAD
27:The
308::
174:^
86:.
294:e
287:t
280:v
269:.
241:e
234:t
227:v
216:.
168:.
143:.
97:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
