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Dust in the Sun

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Ken in. And you know ... Ken was y'know, a bit dicey. And the thing I didn't like about Ken was his voice. And it's not generally known that Ken's entire performance was post-synched in London by Alan White. And that should not be known, because that's not fair to Ken. Because he agreed that Whitey - He agreed that there was an abrasive character in his voice, Ken; and that Whitey's soft voice could add to his performance. And very few people know that that was ever done.
650:" so far as its story goes, but nevertheless finds a valid excuse to introduce typical Australian types and explore superb scenery. Jill Adams wins little sympathy, but is easy on the eyes as Julie, Ken Wayne sits a horse well as Justin, and Robert Tudawali cuts a striking figure as the ebony Emu Foot, and the rest show willing. To return to its terrain, & equals anything furnished by American " oaters and definitely tips the scales in the opus's favour." 600: 670:"barely competent technically and dreadfully leaden in its pace... Mr Robinson appears unable to win any sort of vitality or spontaneous response from his cast... Some good visual and narrative material goes to waste." Bennett gave the film another poor review the following week in an article on the state of the Australian film industry, saying "as a B picture Western quickie, 715:– Wayne is a solid no nonsense public servant dealing with troublesome natives and snarly whites. It's a little bit progressive but not exactly PC – Tudawli's character has a chain around his neck for a lot of the film and is talked about as if he's a dog. Still, the location filming helps and Tudawali has charisma to burn." 393:. Robinson said later "they wanted us to do the next picture with them. They wouldn't do another one with us; it had to be their second choice. So we said, 'Well in that case, you'll have to wait a little while, because we're committed to this picture . It's all scheduled and it's ready to go." And that's how 701:
is very good. It's the native attack thing and all that. Reel one, you say, "This is it, this is the Australian picture." It never holds up to it from that point on... performances are all ... You know, there was a hell of a problem in the fifties to get a group of actors together who could act for
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Lee Robinson later reflected, "I don't think it was a good script and I don't think that we had a very strong supporting cast and it was the first picture that we had done in which Chips didn't play the lead... I think our mistake there was to make a picture not geared for Chips." He said in another
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It did not perform well at the box office. In 1964, Rafferty said of his later films with Robinson, "These were good films, but they were all 90-minute pictures, designed to be shown in theatres. TV finished the 90-minute programme film, which has practically disappeared from the face of the earth."
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Wouldn't play the role the way that he was directed to play the role. There were a number of confrontations with Walter. And it eventually got to a head, and he was fired. And I forget what all the ramifications were, but there were other things to Other issues. When he was fired, we re-cast and put
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said "Southern International wastes rich material" with the film "for the human drama is awkwardly handled, taken at a lead-heavy pace and acted, with three exceptions, by a wincingly stagy group." The exceptions, according to the critic, were Wayne, Tudawali and Henry Murdoch. It felt the scenery
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Robinson said "We went all over the bloody place," to find actors. "We went to Sydney, Melbourne and Adelaide trying to cast the picture. And there were not film actors in Australia. You look at 'Showcast' today - It's that thick. But at that time there were four of five people who could say that
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to play the second lead, a station manager. According to Tingwell, Rafferty decided against playing the lead when Robinson wanted to increase the emphasis on the romantic subplot involving Bayard as he thought he was too old. Tingwell says Robinson then offered the lead to Tingwell, who claimed he
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to be tried for a tribal killing. They are attacked by some Aboriginals and forced to take refuge at an isolated cattle station. Julie, the bored wife of the station owner Tad Kirkbridge, sets Emu Foot free and is later murdered. Bayard romances stockman's daughter Chris. Emu Foot is killed by
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I don't think it was good enough. I remember sitting in screenings with the Americans. And one bloke told me - I think it was Red Silverstein at Metro. He said, "At the end of the first reel, I was trying to work out how much I could try and gyp you for." For the first reel in
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The movie was not released in general cinemas until 1960. "Couldn't get it released," said Robinson. "This was the television problem at that time... there was absolutely no market. Nobody would release an Australian picture. Wouldn't."
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The script was written by Bill Lipscomb, a very experienced screenwriter who had done a number of Australian-themed movies and was friendly with Robinson. He said Lipscomb wrote the script "as a favour" to him for very little money.
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they were compete film actors. There just weren't the people to cast.. And that is one of the reasons why nobody really came through that period as a director. This was because a director was really an acting coach... When you see
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By 1956 Lee Robinson and Chips Rafferty had made three successful feature films together as producers, all starring Rafferty and directed by Robinson. In May 1956 they bought the film studios at Bondi which were once owned by
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Three weeks into filming Robinson and Rafferty decided to fire Brown because he seemed "too soft". They offered his role to Tingwell, who declined, and then cast Ken Wayne. Robinson later recalled that Brown:
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were going to be released by Universal in Australia. Robinson said, "I consider this deal is a relevant comment on recent statements that the Australian film industry is failing for lack of support."
31: 540: 543:. In September 1956 he signed to play his role at £40 a week plus a bonus of £50 if the film was televised. Robinson says "he played very much the character he played in 385:
had also gone terribly well in England. England was a very strong market for us at that time. In fact it was probably a better market for us than the United States.
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According to Raffety's biographer "with television making serious inroads into movie attendances world wide and no Chips Rafferty to exploit for distribution,
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which had been published in 1955 and already adapted for radio in 1956. Robinson said " it was very much more a 'story' film than the others were", adding:
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Cleary had little to do with the film even though director Lee Robinson had worked for him in the Army; as late as 2006 he claimed he had never seen it.
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was "strikingly captured" but that Robinson "has no feeling... for outback people." It was shown in Melbourne in February 1961 on a double bill with
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called it "the worst film shown" at the festival with "a cheap, improbable story... crudely acted and edited, lapsing at times into absurd cliches."
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later called the film "a kind-of Western that should have been more of a Western. It has a whiff of the white man's burden movie about it like
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Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, 226.
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Robinson said "this was the first picture that Chips wasn't in. There was no possibility. There was nothing there for Chips to play. In
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John Forrest was a newsreader from Adelaide. Rafferty later announced he would star in the next Robinson-Rafferty film,
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On that film we were aiming to do very well in the English market, because we had always done well there. For instance
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was imported from England to play the female lead. Robinson said he cast her on the basis of her performance in
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was just another badly made independent cheapie, and gathered its own dust on the shelf for some four years."
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earned much more than its production cost out of England whilst it earned its production cost in Australia.
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Maureen Lanagan was a Sydney model making her first film – Robinson also used models turned actors in
2484: 2422: 1428: 511:, you realise that you've not been a director at all. You've been a coach and a technical director." 131: 653:
It did not achieve a general release in Australia until August 1960 when it screened in Sydney. The
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was the last film that really served the function of what Chips really designed the operation for."
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Jill Adams flew out of Sydney on 13 September 1956 for seven weeks of filming near Alice Springs.
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but the first one in which Rafferty did not act, although he was originally meant to, with
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would pass muster. As the only feature film Australia can show in years, it will not do."
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Robinson said the film was not released "anywhere else. Couldn't get it out in America."
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was released in England in July 1960 as "a circuit release" on a double bill with
2248: 2008: 1965: 1541: 530: 406: 316: 272: 103: 2406: 2032: 1992: 1874: 1834: 1533: 1525: 1444: 1045:. Vol. 24, no. 26. Australia, Australia. 28 November 1956. p. 29 837:(Oral history). Interviewed by Graham Shirley. National Film and Sound Archive. 539:. His contract was negotiated by Southern International, Actors Equity and the 492: 433: 260: 85: 59: 2517: 2147: 1858: 1063: 1036: 963: 935: 782: 750: 599: 578: 502: 365: 334: 288: 247: 70: 2283: 2216: 2200: 1493: 1436: 463: 409:
thing. So then we did the next one with them. We also did a picture called
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said "The picture is very "paper back" and, despite its "A" certificate, "
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Henniger, Paul (24 December 1965). "He Flipped a Coin and Won a Career".
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Lenton, Bob (30 September 1956). "Tide Turns for Black Film Star".
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Bennett, Colin (20 February 1961). "A heavy hand in the outback".
30: 559:. And we kept the same look of him, because that was his image." 340: 577:
Shooting took place in the studio at Bondi and on location near
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policeman, is escorting an Aboriginal warrior, Emu Foot, to
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The movie was the first job in the Australian industry for
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Robinson and Rafferty had worked with French producers on
920:"Movieland Events: Aaustralian Film Bids for Ericson". 441:
was too short and wrong for the role, and he suggested
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Vagg, Stephen (24 July 2019). "50 Meat Pie Westerns".
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Jon Cleary Interviewed by Stephen Vagg: Oral History
1202:"The Australian Feature Film: A Historical Tragedy" 401:was done straight after it. Then their choice was 292:Aboriginals and Bayard exposes Julie's murderer. 2515: 905:"English Film Actress to Play Australian Girl". 702:a film... There just weren't the people to cast. 766: 462:(In August 1956 it was reported American star 1759: 1342: 1227: 1073: 622:on 3 October 1958 at Sydney University. The 1284:Chips: The Life and Films of Chips Rafferty 1766: 1752: 1349: 1335: 1053:– via National Library of Australia. 980:– via National Library of Australia. 952:– via National Library of Australia. 846: 844: 799:– via National Library of Australia. 29: 739:Australian Cinema: The First Eighty Years 607:On 23 August 1958 Lee Robinson announced 1228:Hetherington, John (26 September 1964). 1119:"Iron curtain films dominate festival". 832: 598: 1773: 1199: 1184: 841: 2516: 1064:"Drama of out back: DUST IN THE SUN." 1005: 900: 898: 896: 791:. Melbourne. 22 August 1956. p. 5 455:. Brown had just appeared on stage in 1747: 1330: 1104:"World premiere at Sydney festival". 972:. Melbourne. 9 August 1956. p. 3 828: 826: 1255: 1212: 824: 822: 820: 818: 816: 814: 812: 810: 808: 806: 16:1958 Australian film by Lee Robinson 2549:Films set in the Northern Territory 1200:Bennett, Colin (25 February 1961). 1159:. 24 December 1959. pp. 32–33. 893: 869: 466:was sought to play the lead role.) 271:and an Indigenous Australian actor 13: 2534:Films based on works by Jon Cleary 936:"New Hope for Stars of the Future" 147:Southern International Productions 14: 2575: 1290: 1141:. 8 October 1958. pp. 25–26. 803: 428:This was the fourth feature from 363:They optioned Jon Cleary's novel 263:. The film stars British actress 2564:Australian films based on novels 1356: 1108:. 21 September 1958. p. 96. 995:. 14 September 1956. p. 16. 909:. 12 September 1956. p. 12. 833:Robinson, Lee (15 August 1976). 737:Graham Shirley and Brian Adams, 346:Alan Light as Inspector Prichett 1314:National Film and Sound Archive 1264: 1249: 1240: 1221: 1193: 1178: 1163: 1145: 1127: 1112: 1097: 1082: 1057: 1029: 1021:"French star in Pacific film". 1014: 999: 991:"Robert Tudawali in New Film". 984: 956: 928: 913: 880:National Film and Sound Archive 313:Maureen Lanagan as Chris Palady 2544:Films directed by Lee Robinson 1712:Skippy: Adventures in Bushtown 924:. 20 August 1956. p. A11. 884: 775: 760: 751:"A Serial You Mut Not Miss!." 744: 731: 618:The film premiered at the 5th 581:in October and November 1956. 350: 1: 1174:. 14 August 1960. p. 96. 1093:. 24 August 1958. p. 31. 1066:The Australian Women's Weekly 1042:The Australian Women's Weekly 941:The Australian Women's Weekly 725: 569: 473:there was nothing for Chips. 445:. Tingwell went on to act in 2554:1950s English-language films 2458:You Can't See 'Round Corners 2399:You Can't See 'round Corners 1808:You Can't See 'Round Corners 1123:. 2 October 1958. p. 2. 964:""Jedda" star to rise again" 666:critic Colin Bennett called 541:Department of Native Affairs 255:and produced by the team of 245:adapted from the 1955 novel 7: 1478:Darwin Gateway to Australia 1421:The Restless and the Damned 741:, Currency Press, 1989 p203 566:, but this did not happen. 457:Teahouse of the Autumn Moon 278: 10: 2580: 1025:. 19 May 1957. p. 67. 594: 533:'s second film role after 423: 2476: 2433: 2330: 2259: 2158: 2075: 1984: 1893: 1826: 1791: 1782: 1722: 1639: 1469: 1364: 1121:The Sydney Morning Herald 1070:accessed 16 December 2011 1023:The Sydney Morning Herald 1008:The Sydney Morning Herald 993:The Sydney Morning Herald 907:The Sydney Morning Herald 757:accessed 16 December 2011 222: 214: 206: 196: 161: 153: 137: 127: 119: 109: 91: 81: 65: 47: 37: 28: 23: 2529:Australian mystery films 2168:(1990) (reprint of 1950 2124:The City of Fading Light 1664:Skippy the Bush Kangaroo 1276: 944:. 9 May 1956. p. 23 181:12 August 1960 170:3 October 1958 1910:The Country of Marriage 295: 2559:1950s Australian films 2501:The Climate of Courage 1851:The Climate of Courage 1803:(1946) (short stories) 1629:The Legend of Lasseter 1580:Kondom Agaundo, M.L.C. 1456:(1983) (producer only) 1448:(1981) (producer only) 1440:(1971) (producer only) 1424:(1959) (producer only) 704: 604: 592: 387: 2466:Spearfield's Daughter 2392:The High Commissioner 2379:The Diamond Smugglers 2347:The Siege of Pinchgut 2292:Degrees of Connection 2108:Spearfield's Daughter 1942:The High Commissioner 1612:The Dawn Fraser Story 1596:District Commissioner 1486:Namatjira the Painter 1460:Skippy Saves Bushtown 1413:The Siege of Pinchgut 1381:King of the Coral Sea 753:The Argus (Melbourne) 712:Where No Vultures Fly 694: 602: 587: 523:King of the Coral Sea 376:King of the Coral Sea 371: 358:Cinesound Productions 157:Universal (Australia) 2539:1958 adventure films 2316:Four-Cornered Circle 2132:Dragons at the Party 2065:The Beaufort Sisters 2041:A Sound of Lightning 1934:The Fall of an Eagle 1926:A Flight of Chariots 1918:Forests of the Night 1373:The Phantom Stockman 1157:Kinematograph Weekly 642:Kinematograph Weekly 620:Sydney Film Festival 547:. He even had a red 517:The Phantom Stockman 2442:Knife in the Family 2387:Nobody Runs Forever 1974:Remember Jack Hoxie 1950:The Pulse of Danger 1902:North from Thursday 1800:These Small Glories 1656:Adventure Unlimited 1416:(1959) (story only) 1089:"Deal in 2 Films". 397:was done, and then 2423:High Road to China 2300:Miss Ambar Regrets 2276:Yesterday's Shadow 2140:Now and Then, Amen 2084:A Very Private War 2049:High Road to China 1588:Antarctic Pioneers 1573:Water: Our Problem 1558:Bring Out a Briton 1389:Walk Into Paradise 605: 475:Walk into Paradise 391:Walk into Paradise 382:Walk into Paradise 304:as Julie Kirkbride 285:Northern Territory 2511: 2510: 2371:Damon and Pythias 2326: 2325: 2092:The Faraway Drums 2001:Mask of the Andes 1741: 1740: 1688:This is Your Life 1620:In Song and Dance 1604:The Unknown Ocean 1502:Crocodile Hunters 1453:The Highest Honor 1172:Sydney Sun Herald 1153:"Dust in the Sun" 1106:Sydney Sun Herald 1091:Sydney Sun Herald 922:Los Angeles Times 890:Larkins p 111-112 769:Los Angeles Times 655:Sydney Sun Herald 638:Follow that Horse 555:) like he had in 283:Justin Bayard, a 230: 229: 2571: 2363:The Green Helmet 2241:Five Ring Circus 2233:A Different Turf 2116:The Phoenix Tree 2100:The Golden Sabre 1958:The Long Pursuit 1867:The Green Helmet 1789: 1788: 1768: 1761: 1754: 1745: 1744: 1550:The Power Makers 1351: 1344: 1337: 1328: 1327: 1286:, MacMillan 1986 1271: 1268: 1262: 1261: 1253: 1247: 1244: 1238: 1237: 1230:"Chips Rafferty" 1225: 1219: 1216: 1210: 1209: 1197: 1191: 1190: 1182: 1176: 1175: 1167: 1161: 1160: 1149: 1143: 1142: 1131: 1125: 1124: 1116: 1110: 1109: 1101: 1095: 1094: 1086: 1080: 1077: 1071: 1061: 1055: 1054: 1052: 1050: 1033: 1027: 1026: 1018: 1012: 1011: 1003: 997: 996: 988: 982: 981: 979: 977: 960: 954: 953: 951: 949: 932: 926: 925: 917: 911: 910: 902: 891: 888: 882: 873: 867: 866: 864: 862: 848: 839: 838: 830: 801: 800: 798: 796: 779: 773: 772: 764: 758: 748: 742: 735: 438:Charles Tingwell 325:as Tad Kirkbride 310:as Justin Bayard 189: (Australia) 188: 186: 177: 175: 33: 21: 20: 2579: 2578: 2574: 2573: 2572: 2570: 2569: 2568: 2514: 2513: 2512: 2507: 2472: 2429: 2339:Dust in the Sun 2322: 2255: 2185:Pride's Harvest 2154: 2071: 1980: 1966:Season of Doubt 1889: 1883:Strike Me Lucky 1822: 1816:The Long Shadow 1778: 1772: 1742: 1737: 1718: 1635: 1542:Switch On Bigga 1465: 1397:Dust in the Sun 1360: 1355: 1320:Dust in the Sun 1309:Dust in the Sun 1298:Dust in the Sun 1293: 1279: 1274: 1269: 1265: 1254: 1250: 1245: 1241: 1226: 1222: 1217: 1213: 1198: 1194: 1183: 1179: 1169: 1168: 1164: 1151: 1150: 1146: 1133: 1132: 1128: 1118: 1117: 1113: 1103: 1102: 1098: 1088: 1087: 1083: 1078: 1074: 1068:23 Jan 1957: 40 1062: 1058: 1048: 1046: 1037:"Film Fan-Fare" 1035: 1034: 1030: 1020: 1019: 1015: 1004: 1000: 990: 989: 985: 975: 973: 962: 961: 957: 947: 945: 934: 933: 929: 919: 918: 914: 904: 903: 894: 889: 885: 874: 870: 860: 858: 850: 849: 842: 831: 804: 794: 792: 781: 780: 776: 765: 761: 749: 745: 736: 732: 728: 686:Dust in the Sun 672:Dust in the Sun 668:Dust in the Sun 660:The Leech Woman 647:Boys' Own Paper 634:Dust in the Sun 609:Dust in the Sun 597: 572: 531:Robert Tudawali 426: 407:Georges Simenon 353: 317:Robert Tudawali 298: 281: 273:Robert Tudawali 234:Dust in the Sun 199: 192: 184: 182: 178: (premiere) 173: 171: 164: 149: 142: 140: 104:Robert Tudawali 102: 98: 58: 54: 24:Dust in the Sun 17: 12: 11: 5: 2577: 2567: 2566: 2561: 2556: 2551: 2546: 2541: 2536: 2531: 2526: 2509: 2508: 2506: 2505: 2497: 2493:The Sundowners 2489: 2480: 2478: 2474: 2473: 2471: 2470: 2462: 2454: 2453:(1961) (2 eps) 2446: 2437: 2435: 2431: 2430: 2428: 2427: 2419: 2411: 2407:Sidecar Racers 2403: 2395: 2383: 2375: 2367: 2359: 2355:The Sundowners 2351: 2343: 2334: 2332: 2328: 2327: 2324: 2323: 2321: 2320: 2312: 2308:Morning's Gone 2304: 2296: 2288: 2280: 2272: 2263: 2261: 2257: 2256: 2254: 2253: 2245: 2237: 2229: 2221: 2213: 2205: 2197: 2189: 2181: 2173: 2170:Just Let Me Be 2162: 2160: 2156: 2155: 2153: 2152: 2144: 2136: 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Index


Lee Robinson
Lee Robinson
Joy Cavill
W. P. Lipscomb
Justin Bayard
Jon Cleary
Chips Rafferty
Jill Adams
Ken Wayne
Robert Tudawali
Carl Kayser
Wilbur Sampson
Southern International Productions
Eastmancolor
mystery film
Justin Bayard
Jon Cleary
Lee Robinson
Chips Rafferty
Jill Adams
Ken Wayne
Robert Tudawali
Northern Territory
Alice Springs
Jill Adams
Ken Wayne
Robert Tudawali
James Forrest
Jack Hume

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