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many figures in each scene with their chiaroscuro effect, show a richness of surface, motion, and narrative. On the middle-level statuettes of the
Evangelists and Prophets announce the salvation of mankind. The pulpit itself is the earliest remaining work in the cathedral. The staircase dates from 1543 and was built by Bartolomeo Neroni. At the same time, the pulpit was moved from the choir to its present location.
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1833:. In the middle of the chapel is a 15th-century baptismal font. But most impressive in this chapel are the eight frescoes by Pinturicchio, which were commissioned by Alberto Aringhieri and painted between 1504 and 1505. Two of the frescoes were repainted in the 17th century, while a third was completely replaced in 1868. The original paintings in the chapel are:
602:. The bell tower has six bells, where the oldest one was cast in 1149. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with the addition of red marble on the façade. Black and white are the symbolic colors of Siena,
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Also at this level under the Duomo is a crypt excavated beginning in 1999, which contains relics of Siena's key patron saints and frescoes from the 12th and 13th centuries. A small glass-covered opening in the floor of the left transept peers down into it. The crypt can be accessed by visitors with a
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and several other artists. This pulpit expresses the northern Gothic style adopted by Pisano, while still showing his classical influences. The whole message of the pulpit is concerned with the doctrine of
Salvation and the Last Judgment. In the top level, seven scenes narrate the Life of Christ. The
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in 1348. Basic errors in the construction were already evident by then, however, and the work was never resumed. The outer walls, remains of this extension, can now be seen to the south of the Duomo. The floor of the uncompleted nave now serves as a parking lot and museum, and, though unfinished, the
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in 1594. The presbytery keeps also the beautiful wooden choir stalls, made between 1363–1397 and extended in the 16th century. Originally there were more than ninety choir stalls, arranged in double rows. The remaining 36 stalls are each crowned by the bust of a saint in a pointed niche. Their backs
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was able to oversee his work until about 1296 when he abruptly left Siena, reportedly over creative differences with the Opera del Duomo, the group that oversaw the construction and maintenance of the Siena cathedrals. Pisano's work on the lower façade was continued under the direction of
Camaino di
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The cathedral was designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The dome rises from a hexagonal base with supporting columns. The dome was completed in 1264. The lantern
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and assistant depicting prophets, philosophers and apostles, the more Gothic statuary adorning the upper portion—including the half-length statues of the patriarchs in the niches around the rose window—are works of later, unattributed, sculptors. Almost all the statuary adorning the cathedral today
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of the upper portion do not continue from the columns flanking the central portal as they normally would in such cathedrals. Instead, they are substantially offset, resulting in a vertical discontinuity which is uncommon in cathedrals of the time as it can lead to structural weakness. To adjust for
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The bronze central door is a recent addition to the cathedral, replacing the original wooden one. The large door, known as the Porta della
Riconoscenza, was commissioned in 1946 near the end of the German occupation of Siena. Sculpted by Vico Consorti and cast by Enrico Manfrini, the scenes on the
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of Siena
Cathedral is one of the most fascinating in all of Italy and certainly one of the most impressive features in Siena. Each of the cardinal points (west, east, north, and south) has its own distinct work; by far the most impressive of these is the west façade. Acting as the main entryway to
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The inlaid marble mosaic floor is one of the most ornate of its kind in Italy, covering the whole floor of the cathedral. This undertaking went on from the 14th to the 16th centuries, and about forty artists made their contribution. The floor consists of 56 panels in different sizes. Most have a
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altarpiece, some panels of which are scattered around the world or lost. Duccio's large stained glass window, original to the building, was removed out of precaution during WWII for fear of shattering from bombs or fire. A replica has been installed in the Duomo ever since. The glass depicts a
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and himself in several of them. This masterpiece is full of striking detail and vivacious colours. Each scene is explained in Latin by the text below. They depict ten remarkable events from the secular and religious career of pope Pius II, first as a high prelate, then bishop, a cardinal and
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in 1427. It shows the dead prelate laid out in a concave bier in highly illusionistic low relief. Looking at it obliquely from the end of the tomb, gives the impression of a three-dimensionality. It was originally located in front of the high altar and moved to the present location in 1506.
925:, are based on Giovanni Pisano's original designs, as are much of the sculpture and orientation surrounding the entrances. The areas around and above the doors, as well as the columns between the portals, are richly decorated with acanthus scrolls, allegorical figures and biblical scenes.
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There is debate as to when work on the upper façade was completed. Most scholars agree that it was finished sometime between 1360 and 1370, though when it began again is not known. The work continued to use Pisano's plans for the façade with some adaptations under the direction of
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this imbalance, the towers on each side of the cathedral were opened by adding windows, reducing the weight they needed to support. The upper portion also features heavy Gothic decoration, a marked contrast to the simple geometric designed common to Tuscan
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were constructed in 1259–1260. In 1259 Manuello di
Ranieri and his son Parri carved some wooden choir stalls, which were replaced about 100 years later and have now disappeared. In 1264, Rosso Padellaio was paid for the copper sphere on top of the dome.
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A second massive addition of the main body of the cathedral was planned in 1339. It would have more than doubled the size of the structure by means of an entirely new nave and two aisles ranged perpendicular to the existing nave and centered on the
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One of the two 18 m (60 ft) tall flagpoles in the Siena
Cathedral. During the battle of Montaperti (1260), Bocca degli Abati, a Sienese spy, brought the Florence flag down causing panic among the Florentine soldiers and ultimately their
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The uncovered floor can only be seen for a period of six to ten weeks each year, generally including the month of
September. The rest of the year, the pavements near the altar are covered, and only some near the entrance may be viewed.
770:, was put in charge of the construction of a new cathedral. Works were started with the north–south transept and it was planned to add the main, larger body of the cathedral later, but this enlargement was never accomplished.
1900:(4 September 1260) against Florence, the city of Siena had dedicated itself to the Madonna. The victory of the Sienese, against all odds, over the much more numerous Florentines was ascribed to her miraculous protection.
1734:, held aloft on the shoulders of four statues. Above the sarcophagus, two angels draw apart a curtain, revealing the cardinal lying on his deathbed, accompanied by two guardian angels. The monument is crowned by a spired
1730:. He had succeeded his father as the master-builder of the Siena cathedral. The marble monument in the left transept is the earliest example of 14th-century funeral architecture. It is composed of a richly decorated
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The small Chigi Chapel (or
Cappella della Madonna del Voto) is situated in the right transept. It is the last, most luxurious sculptural addition to the Duomo, and was commissioned in 1659 by the Sienese Chigi pope
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By 1215 there were already daily masses said in the new church. There are records from 1226 onwards of the transport of black and white marble, probably for the construction of the façade and the bell tower. The
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of Siena. The capitals of the columns in the west bays of the nave are sculpted with allegorical busts and animals. The horizontal molding around the nave and the presbytery contains 172 plaster busts of
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The Chapel of Saint John the
Baptist is situated in the left transept. At the back of this chapel, amidst the rich renaissance decorations, is the bronze statue of St. John the Baptist by
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In 1480 Alberto Aringhieri was appointed superintendent of the works. From then on, the mosaic floor scheme began to make serious progress. Between 1481 and 1483 the ten panels of the
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coffers were painted in blue with golden stars in the late 15th century. The colonnade in the drum is adorned with images and statues of 42 patriarchs and prophets, painted in 1481 by
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610:. There are thirty-five statues of prophets and patriarchs grouped around the virgin. The finest Italian artists of that era completed works in the cathedral. These artists were
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The origins of the first structure are obscure and shrouded in legend. There was a 9th-century church with the bishop's palace at the present location. In December 1058 a
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was popular in Siena, because he resided there for ten months on his way to Rome for his coronation. Next to this panel, is the composition in 1447 (probably) by
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In the interior the pictorial effect of the black and white marble stripes on the walls and columns strikes the eye. Black and white are the colours of the civic
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were used. This technique of marble inlay also evolved during the years, finally resulting in a vigorous contrast of light and dark, giving it an almost modern,
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and commissioned by the city of Siena. Work on the west façade came to an abrupt end in 1317 when the Opera del Duomo redirected all efforts to the east façade.
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The wall tomb of bishop Tommaso Piccolomini del Testa is set above the small door leading to the bell tower. It is the work of the Sienese painter and sculptor
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Adjoining the cathedral is the Piccolomini Library, housing precious illuminated choir books and frescoes painted by the Umbrian Bernardino di Betto, called
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remains are a testament to Sienese power, ambition, and artistic achievement. One of the walls can be climbed by narrow stairs for a high view of the city.
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The entrance is a finely carved marble monument with two openings with round arches, executed in 1497 by Lorenzo di Mariano. It contains a round relief of
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1134:. It is one of the earliest remaining examples of Italian stained glass. The round stained-glass window in the façade dates from 1549 and represents the
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typical Sienese religious subject- three panels of the death, Assumption, and Coronation of Mary, flanked by the city's most important patron saints,
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style it emphasizes a horizontal unity of the area around the portals at the expense of the vertical bay divisions. The three portals, surmounted by
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Three large mosaics on the gables of the façade were made in Venice in 1878. The large central mosaic, the Coronation of the Virgin, is the work of
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collection of his uncle. The ceiling is covered with painted panels of mythological subjects. They were executed between 1502 and 1503 by
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between 1501 and 1504: Saint Peter, Saint Paul, Saint Gregory (with the help of an assistant) and Saint Pius. On top of the altar is the
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It was the episcopal seat of the Diocese of Siena, and from the 15th century that of the Archdiocese of Siena. It is now the seat of the
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Frescos of Enea Silvio Piccolomini presenting Eleanora of Portugal to the emperor Frederick III and receiving the cardinal's hat in 1456
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exhibit the busts of 36 emperors. The vaulted roof is decorated in blue with golden stars, replacing frescoes on the ceiling, while the
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1230:, across the square, and brought to the cathedral in 1506). At the sides of the high altar, the uppermost angels are masterpieces by
1637:, the most renowned Sienese artist of his time, worked on cartoons for the floor for thirty years (1518–1547). Half of the thirteen
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The changes were probably needed to accommodate the raised nave and di Cecco's more elaborate design scheme, heavily influenced by
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Crescentino, but a number of changes were made to the original plan. These included raising the façade due to the raising of the
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is located underneath the eastern bays of the choir of the Duomo. The construction of the interior was largely performed under
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The frescoes tell the story of the life of Siena's favorite son, cardinal Enea Silvio Piccolomini, who eventually became Pope
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ESP, bishop of Siena, presents emperor Frederick III with his bride-to-be Eleanora of Portugal at the Porta Camollia in Siena.
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and Aschius, sons of Remus and founders of Siena, left Rome with the statue, stolen from the Temple of Apollo in Rome.
902:, the west façade is a beautiful example of Sienese workmanship. Work began on the lower part around 1284. Built using
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Houton, K. (2010). Eucharistic and Baptismal Allusions in Late Medieval Italian Images of the Massacre of Innocents.
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1927:). The eight marble columns are originally from the Lateran Palace in Rome. The bronze gate at the entrance is by
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containing important late 13th-century frescoes (probably about 1280) was found and excavated in 1999–2003. The
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1970:. He was the uncle of cardinal Francesco Todeschini Piccolomini (then archbishop of Siena and the future pope
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Gillerman, D. M. (1999). "Cosmopolitanism and Campanilismo: Gothic and Romanesque in the Siena Duomo Facade."
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Gillerman, D. M. (1999). "Cosmopolitanism and Campanilismo: Gothic and Romanesque in the Siena Duomo Facade."
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In the pavement, in front of this monument, lies the bronze tombstone of Bishop Giovanni di Bartolomeo Pecci,
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in 1483. This altarpiece is remarkable because of the four sculptures in the lower niches, made by the young
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Johnson, Geraldine A. (September 1995). "Activating the effigy: Donatello's Pecci tomb in Siena Cathedral".
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and was completed about 1325. The main attraction is the hexagonal baptismal font, containing sculptures by
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in 1462–1463. His basin for the Blessing of Holy Water was later transferred to the chapel of San Giovanni.
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architecture, which caused the apparent division of the upper portion of the cathedral. Most noticeably the
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Parsons, G. (2001). "O Maria, la tua siena difendi": the Porta della riconscenza of Siena Cathedral.
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1412:, allegories and virtues. Most are still in their original state. The earliest scenes were made by a
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rectangular shape, but the later ones in the transept are hexagons or rhombuses. They represent the
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Pinturicchio painted this cycle of frescoes around the library between 1502 and 1507, representing
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The pulpit is made of Carrara marble and was sculpted between the end of 1265 and November 1268 by
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by the sculptor Alberto di Betto da Assisi in 1421. Above this marble monument is a fresco of the
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and his fellow workers. They were the craftsmen who executed the cartoons of Sienese painters.
1022:. Next to the façade stands a column with a statue of the Contrade Lupa, a wolf breast-feeding
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964:. The façade needed to be much higher than foreseen as the nave had, once again, been raised.
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Slides of Siena Cathedral by Branson DeCou from the UC Santa Cruz Library Digital Collections
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Many of the Duomo's furnishings, reliquaries, and artwork, have been removed to the adjacent
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While most of the sculpture decorating the lower level of the lavish façade was sculpted by
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The lower portion of the façade is designed from Giovanni's original plans. Built in Tuscan
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was built, this under-church was filled with rubble. The narthex is now open to the public.
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in 1504, was the last one commissioned by Aringhieri. This panel also gives a depiction of
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technique: drilling tiny holes and scratching lines in the marble and filling these with
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On the left corner pier of the façade is a 14th-century inscription marking the grave of
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were executed between 1466 and 1478 and later carried on by other Sienese illuminators.
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was laid in 1531. His final contribution was the panel in front of the main altar: the
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1180:. The eight stucco statues in the spandrels beneath the dome were sculpted in 1490 by
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dating from the 15th and 16th centuries starting with St. Peter and ending with
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Carli, Enzo – Siena Cathedral and the cathedral museum; Scala publications 1999
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The stained-glass round window in the choir was made in 1288 to the designs of
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1974:), who commissioned this library in 1492 as a repository of the books and the
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of the cathedral's sacristy are on display. These exquisite illuminations by
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whose work on the Duomo's façade and the pulpit was influenced by his father
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1876:. This circular chapel with a gilded dome was built by the German architect
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1711:, decorated a side altar of the church until 1799, when it was moved to the
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Two of the four marble sculptures in the niches, are by Bernini himself:
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Unlike Florence or Pisa, Siena did not build a separate baptistry. The
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2433:(Siena Cathedral). Retrieved April 28, 2012, from sacred destinations
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door represent the Glorification of the Virgin, Siena's patron saint.
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are copies. The originals are kept in the Crypt of the Statues in the
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with statues of the Madonna and Child, Saint Peter and Saint Paul.
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linked to black and white horses of the legendary city's founders,
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were worked out. A few are ascribed to eminent artists, such as
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2026:. The storm scene in the background is a first in western art.
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Aringhieri with the cloak of the Order of the Knights of Malta
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Story of King David, David the Psalmist, and David and Goliath
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Next to the first two pillars, there are two fonts, carved by
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The belltower has six bells, the oldest one was cast in 1149.
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Stained-glass window above altar depicting the life of Mary
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1853:. These two portraits show us a very detailed background.
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make it an extraordinary museum of Italian sculpture. The
1226:(1467–1472, originally commissioned for the church of the
1511:(Imperatore Sigismundo in trono). The Holy Roman Emperor
1465:) probably dates from 1373 (also restored in 1864). The
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1245:(1548–1550), He also painted the frescoes, representing
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Against the pillars of the presbytery, there are eight
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The 2007 dates (August 18 to October 27) are given by
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Metropolitan Cathedral of Saint Mary of the Assumption
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13th-century Roman Catholic church buildings in Italy
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History of medieval Arabic and Western European domes
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was held in this church resulting in the election of
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13th-century establishments in the Republic of Siena
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http://www.sacred-destinations.com/italy/siena-duomo
807:. The construction was begun under the direction of
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1469:(Temperanza, Prudenza, Giustizia and Fortezza) and
1162:The hexagonal dome is topped with Bernini's gilded
887:); the central one is capped by a bronze-work sun.
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Archdiocese of Siena-Colle di Val d'Elsa-Montalcino
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Archdiocese of Siena-Colle di Val d'Elsa-Montalcino
57:. Unsourced material may be challenged and removed.
2004:In the middle of the library is the famous statue
1645:was executed by him in 1525. The bordering panel,
2601:"Crypt – Sites – Siena Opera della Metropolitana"
1696:Annunciation between St. Ansanus and St. Margaret
1675:The cathedral's valuable pieces of art including
1607:(Strage degli Innocenti) is probably the work of
1480:The first known artist working on the panels was
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1810:, and in four corners are the Four Evangelists.
2032:ESP crowned court poet by emperor Frederick III
1583:are from the hand of the obscure German artist
1115:. The spandrels of the round arches below this
936:of the church and the installation of a larger
883:the Duomo proper, it boasts three portals (see
858:Upper façade mosaic – Coronation of the Virgin.
171:Cattedrale Metropolitana di Santa Maria Assunta
2467:. Laurence King Publishing. pp. 100–112.
2193:Stained-glass window depicting the Last Supper
1262:are decorated with carved panels, the work of
1042:Plan of Siena Cathedral. 1) Antonio Federighi
890:Built in two stages and combining elements of
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2022:Enea Silvio Piccolomini (ESP) leaves for the
1581:Cumaean, Delphic, Persian and Phrygian Sibyls
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1722:(Siena 1250 - Genoa 1314, a jurisconsult of
1461:with the emblems of the confederate cities (
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2461:Paoletti, John T.; Radke, Gary M. (2005).
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2405:Southeastern College Art Conference Review
2047:ESP, enters the Lateran as pontiff in 1458
1094:16) Piccolomini Library 17) Andrea Bregno
790:Unfinished nave extension of the cathedral
190:
1463:Lupa senese e simboli delle città alleate
1383:Learn how and when to remove this message
1066:8) Wooden Choir 9) Duccio di Buoninsegna
732:Learn how and when to remove this message
117:Learn how and when to remove this message
2978:
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579:, dedicated from its earliest days as a
2524:
2439:
2044:ESP receives the cardinal's hat in 1456
1621:The Story of Fortuna, or Hill of Virtue
1534:(Liberazione di Betulia) (probably) by
14:
3122:
2050:Pius II convokes a Diet of Princes at
1934:
1498:Victory of Samson over the Philistines
1492:, completed between 1424 and 1426 the
1054:. 4) Bell Tower 5) Gian Luigi Bernini
2952:
2639:
2118:ticket like the rest of the complex.
2029:ESP, ambassador at the Scottish Court
2010:, a Roman copy of a Greek original.
1615:(Cacciata di Erode), was designed by
1457:), laid in 1372 (restored in 1864).
1449:The earliest panel was probably the
1321:adding citations to reliable sources
1292:
670:adding citations to reliable sources
641:
55:adding citations to reliable sources
26:
2133:List of Gothic Cathedrals in Europe
1993:and, below the altar, a polychrome
1856:
1488:. His successor as superintendent,
1228:Hospital of Santa Maria della Scala
24:
3145:Roman Catholic cathedrals in Italy
2094:Battistero di San Giovanni (Siena)
2035:ESP makes an act of submission to
1718:The funeral monument for cardinal
1643:Moses Striking water from the Rock
25:
3181:
2610:
2572:. Siena Opera della Metropolitana
2429:sacred-destinations.com. (2008).
2407:, 2010, Vol. 15 Issue 5, 536–542.
2367:. Wondermondo. 29 September 2012.
2054:to proclaim a new crusade in 1459
1845:. He also painted two portraits:
1206:Pillars with angels and the altar
906:marble, the work was overseen by
129:Medieval church in Tuscany, Italy
3140:Roman Catholic churches in Siena
3104:Siena Baptistery of San Giovanni
2804:
2365:"Siena Cathedral of Santa Maria"
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1814:Chapel of Saint John the Baptist
1755:Neroccio di Bartolomeo de' Landi
1611:in 1481. The large panel below,
1565:Neroccio di Bartolomeo de' Landi
1526:The next panel dates from 1473:
1297:
646:
637:
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2593:
2584:
2518:
2489:Zeitschrift fur Kunstgeschichte
1959:, probably based on designs by
1656:
1528:Stories from the Life of Judith
1399:The pulpit and the mosaic floor
1308:needs additional citations for
1288:
866:Gargoyles and Saints on façade.
762:In 1196, the cathedral masons’
657:needs additional citations for
42:needs additional citations for
2994:Camposanto Monumentale di Pisa
2494:
2481:
2423:
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2397:
2384:
2379:The City: building reputations
2371:
2357:
2169:Façade, bell tower, and column
2138:Roman Catholic Marian churches
1839:John the Baptist in the desert
1639:Scenes from the Life of Elijah
1623:(Allegoria della Fortuna), by
1605:The Slaughter of the Innocents
1546:The Slaughter of the Innocents
1192:, but later, in 1704, gilded.
13:
1:
2782:San Sebastiano in Vallepiatta
2295:Frescos, scenes 7-10 and the
1517:Pietro di Tommaso del Minella
1503:In 1434 the renowned painter
1210:The marble high altar of the
3150:Gothic architecture in Siena
2762:San Pellegrino alla Sapienza
2087:
1999:Papal Coronation of Pius III
1835:Nativity of John the Baptist
1776:, a sculpture (probably) by
1482:Domenico di Niccolò dei Cori
1232:Francesco di Giorgio Martini
1026:. According to local legend
581:Roman Catholic Marian church
7:
3160:Church buildings with domes
2121:
2001:by Pinturicchio in 1504.
1943:Piccolomini Library ceiling
1509:Emperor Sigismund Enthroned
1507:continued with a new panel
1033:
598:atop the dome was added by
583:, and now dedicated to the
10:
3186:
3130:Churches completed in 1215
3064:Piazza del Duomo, Florence
2742:Battistero di San Giovanni
2631:The Gargoyles of the Duomo
2420:, Vol. 81, No. 3, 437–455.
2394:, Vol. 81, No. 3, 437–455.
2143:
2091:
2072:Beneath the frescoes, the
1843:John the Baptist preaching
1785:Museo dell'Opera del Duomo
1273:
998:Museo dell'Opera del Duomo
752:and the deposition of the
571:) is a medieval church in
485:UNESCO World Heritage Site
2984:
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2895:Gardens or public squares
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1851:Kneeling Knight in Armour
1787:. This includes Duccio's
1269:
1241:in the form of angels by
1166:, like a golden sun. The
1098:18) Pavement 19) Sacristy
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2989:Basilica of San Frediano
2792:Santo Stefano alla Lizza
2747:Oratorio di Sant'Antonio
2464:Art in Renaissance Italy
2377:Sciences, F. F. (2004).
2351:
2241:Siena Cathedral interior
2229:Siena Cathedral interior
2059:Saint Catherine of Siena
1921:Saint Catherine of Siena
1276:Pulpit (Siena Cathedral)
1255:Assumption of the Virgin
1080:Angel Candelabra Holders
798:The interior of the dome
545:Europe and North America
495:Historic Centre of Siena
132:Church in Tuscany, Italy
3099:Santa Maria della Pieve
2886:Santa Maria della Scala
2767:San Pietro alla Magione
2283:Frescos, scenes 5 and 6
1987:St. John the Evangelist
1670:Michelangelo Buonarroti
1264:Fra’ Giovanni da Verona
1188:. Originally they were
1140:Pastorino de' Pastorini
1078:12) Domenico Beccafumi
1070:10) Baldassare Peruzzi
1062:7) Alessandro Casolani
1056:Madonna del Voto Chapel
978:Romanesque architecture
896:Romanesque architecture
831:depict scenes from the
420:77 metres (253 ft)
3049:Piazza Dante, Grosseto
2104:Camaino di Crescentino
2068:to launch the crusade.
1952:
1944:
1868:
1826:
1823:Saint John the Baptist
1762:Piccolomini Altarpiece
1672:
1613:the Expulsion of Herod
1548:
1532:Liberation of Bethulia
1523:(Morte di Assalonne).
1446:
1400:
1218:. The enormous bronze
1207:
1159:
1150:
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1096:Piccolomini Altarpiece
988:
952:
900:Classical architecture
875:
874:Siena Cathedral façade
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347:Camaino di Crescentino
170:
149:
3170:Cathedrals in Tuscany
3155:Unfinished cathedrals
3029:Leaning Tower of Pisa
2916:Events and traditions
2772:San Pietro alle Scale
2726:Santa Maria dei Servi
2566:"Piccolomini Library"
2322:The interior of Duomo
1950:
1942:
1864:
1821:
1664:
1617:Benvenuto di Giovanni
1573:Benvenuto di Giovanni
1544:
1459:The She-Wolf of Siena
1444:The She-Wolf of Siena
1442:
1398:
1214:was built in 1532 by
1205:
1186:Bastiano di Francesco
1178:Benvenuto di Giovanni
1156:
1148:
1041:
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950:
942:Duccio di Buoninsegna
885:Portal (architecture)
873:
865:
857:
797:
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453:Antonio Buoncristiani
2979:Landmarks of Tuscany
2881:Pinacoteca Nazionale
2346:Interior of the dome
2112:Jacopo della Quercia
1982:and his assistants.
1911:. The other two are
1898:battle of Montaperti
1886:Gian Lorenzo Bernini
1778:Jacopo della Quercia
1647:Moses on Mount Sinai
1601:Guidoccio Cozzarelli
1317:improve this article
1174:Guidoccio Cozzarelli
1138:. It is the work of
1123:(half ribs) and the
1092:St. John the Baptist
1086:14) Francesco Vanni
1068:Stained Glass Window
1048:St. Francis de Sales
940:based on designs by
809:Giovanni di Agostino
768:Opera di Santa Maria
666:improve this article
600:Gian Lorenzo Bernini
337:Giovanni di Agostino
51:improve this article
3054:Piazza dei Miracoli
3009:Florence Baptistery
2570:Operaduomo.siena.it
2502:the Comune of Siena
2310:Piccolomini Library
2270:Hermes Trismegistus
2255:Hermes Trismegistus
2082:Girolamo da Cremona
2064:Pius II arrives in
1991:Giovanni di Stefano
1935:Piccolomini Library
1569:Hellespontine Sibyl
1505:Domenico di Bartolo
1455:Ruota della Fortuna
1216:Baldassarre Peruzzi
1182:Ventura di Giuliano
1076:Bishop Pecci's Tomb
1046:2) Raffaello Vanni
291:operaduomo.siena.it
224:43.3177°N 11.3290°E
220: /
3079:Pistoia Cathedral
3019:Giotto's Campanile
3014:Florence Cathedral
2938:March of the Palio
2507:2007-09-27 at the
2268:inlaid details of
2078:Liberale da Verona
2057:Pius II canonizes
1953:
1945:
1892:(by a follower of
1869:
1827:
1743:bishop of Grosseto
1724:Pope Boniface VIII
1699:, a masterwork of
1678:The Feast of Herod
1673:
1651:Sacrifice of Isaac
1635:Domenico Beccafumi
1609:Matteo di Giovanni
1591:was originally by
1557:Matteo di Giovanni
1549:
1447:
1408:, scenes from the
1401:
1243:Domenico Beccafumi
1208:
1160:
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1100:
1082:13) Nicola Pisano
1009:Alessandro Franchi
989:
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608:Senius and Aschius
585:Assumption of Mary
531:Reference no.
356:Architectural type
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2945:
2923:Contrade of Siena
2800:
2799:
2513:Agriturismo Siena
2474:978-1-85669-439-1
2381:(motion picture).
2018:ultimately pope:
1878:Johann Paul Schor
1804:Saint Crescentius
1774:Madonna and Child
1593:Antonio Federighi
1536:Urbano da Cortona
1494:Victory of Joshua
1393:
1392:
1385:
1367:
1332:"Siena Cathedral"
1197:Antonio Federighi
1060:Saint Crescentius
1058:6) Luigi Mussini
1044:Holy Water Stoups
1024:Romulus and Remus
962:Orvieto Cathedral
958:Giovanni di Cecco
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681:"Siena Cathedral"
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66:"Siena Cathedral"
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3059:Piazza del Campo
3044:Palazzo Pubblico
3039:Malaspina Castle
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2907:Piazza del Campo
2831:Bottini of Siena
2826:Fortezza Medicea
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2693:Cathedral Pulpit
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2619:Official website
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1913:Saint Bernardine
1890:Madonna del Voto
1866:Madonna del Voto
1857:The Chigi Chapel
1720:Riccardo Petroni
1589:Erythraean Sibyl
1561:The Samian Sibyl
1521:Death of Absolom
1490:Paolo di Martino
1475:Marchese d'Adamo
1451:Wheel of Fortune
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1050:3) Pier Dandini
987:Façade sculpture
835:and the life of
823:of the Duomo, a
750:pope Nicholas II
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1929:Giovanni Artusi
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1701:Gothic painting
1685:, and works by
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1599:by the painter
1577:Albunenan Sibyl
1430:impressionistic
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1222:is the work of
1052:Saint Catherine
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1020:Giovanni Pisano
993:Giovanni Pisano
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908:Giovanni Pisano
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819:Underneath the
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2037:Pope Eugene IV
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1925:Ercole Ferrata
1909:Mary Magdalene
1894:Guido da Siena
1858:
1855:
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1705:Simone Martini
1689:and the young
1658:
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1619:in 1484–1485.
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1274:Main article:
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1090:15) Donatello
1074:11) Donatello
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3042:
3040:
3037:
3035:
3032:
3030:
3027:
3025:
3024:Guinigi Tower
3022:
3020:
3017:
3015:
3012:
3010:
3007:
3005:
3002:
3000:
2997:
2995:
2992:
2990:
2987:
2986:
2983:
2974:
2969:
2967:
2962:
2960:
2955:
2954:
2951:
2939:
2936:
2934:
2931:
2929:
2926:
2924:
2921:
2920:
2918:
2914:
2908:
2905:
2903:
2902:Orto Botanico
2900:
2899:
2897:
2893:
2887:
2884:
2882:
2879:
2878:
2876:
2872:
2866:
2863:
2861:
2858:
2856:
2855:del Magnifico
2853:
2851:
2848:
2847:
2845:
2843:
2838:
2832:
2829:
2827:
2824:
2822:
2819:
2818:
2816:
2812:
2807:
2793:
2790:
2788:
2787:Santo Spirito
2785:
2783:
2780:
2778:
2775:
2773:
2770:
2768:
2765:
2763:
2760:
2758:
2755:
2753:
2752:Sant'Agostino
2750:
2748:
2745:
2743:
2740:
2739:
2737:
2733:
2727:
2724:
2722:
2721:San Francesco
2719:
2717:
2714:
2712:
2709:
2708:
2706:
2702:
2694:
2691:
2690:
2689:
2686:
2685:
2683:
2679:
2676:
2672:
2668:
2661:
2656:
2654:
2649:
2647:
2642:
2641:
2638:
2632:
2629:
2627:
2624:
2620:
2615:
2614:
2602:
2596:
2587:
2571:
2567:
2561:
2559:
2557:
2548:
2544:
2540:
2536:
2532:
2528:
2521:
2514:
2510:
2506:
2503:
2497:
2490:
2484:
2476:
2470:
2466:
2465:
2457:
2455:
2453:
2451:
2449:
2447:
2445:
2443:
2436:
2432:
2426:
2419:
2413:
2406:
2400:
2393:
2387:
2380:
2374:
2366:
2360:
2356:
2342:
2337:
2330:
2325:
2318:
2313:
2306:
2301:
2298:
2291:
2286:
2279:
2274:
2271:
2264:
2259:
2256:
2253:Floor panel,
2249:
2244:
2237:
2232:
2225:
2220:
2213:
2208:
2201:
2196:
2189:
2184:
2177:
2172:
2165:
2160:
2153:
2148:
2147:
2139:
2136:
2134:
2131:
2129:
2126:
2125:
2119:
2115:
2113:
2109:
2105:
2101:
2095:
2085:
2083:
2079:
2075:
2067:
2063:
2060:
2056:
2053:
2049:
2046:
2043:
2040:
2038:
2034:
2031:
2028:
2025:
2021:
2020:
2019:
2016:
2011:
2009:
2008:
2002:
2000:
1996:
1992:
1988:
1983:
1981:
1977:
1973:
1969:
1964:
1962:
1958:
1949:
1941:
1932:
1930:
1926:
1922:
1918:
1917:Antonio Raggi
1914:
1910:
1906:
1901:
1899:
1895:
1891:
1887:
1883:
1879:
1875:
1874:Alexander VII
1867:
1863:
1854:
1852:
1848:
1844:
1840:
1836:
1832:
1824:
1820:
1811:
1809:
1805:
1801:
1800:Saint Sabinus
1797:
1796:Saint Ansanus
1792:
1791:
1786:
1781:
1779:
1775:
1771:
1767:
1766:Andrea Bregno
1763:
1758:
1756:
1751:
1748:
1744:
1739:
1737:
1733:
1729:
1725:
1721:
1716:
1715:of Florence.
1714:
1710:
1706:
1702:
1698:
1697:
1692:
1688:
1684:
1680:
1679:
1671:
1667:
1663:
1654:
1652:
1648:
1644:
1640:
1636:
1632:
1630:
1626:
1622:
1618:
1614:
1610:
1606:
1602:
1598:
1594:
1590:
1586:
1585:Vito di Marco
1582:
1578:
1574:
1570:
1566:
1562:
1558:
1554:
1547:
1543:
1539:
1537:
1533:
1529:
1524:
1522:
1518:
1514:
1510:
1506:
1501:
1499:
1495:
1491:
1487:
1483:
1478:
1476:
1472:
1468:
1464:
1460:
1456:
1452:
1445:
1441:
1437:
1433:
1432:composition.
1431:
1427:
1423:
1419:
1415:
1411:
1410:Old Testament
1407:
1397:
1387:
1384:
1376:
1365:
1362:
1358:
1355:
1351:
1348:
1344:
1341:
1337:
1334: –
1333:
1329:
1328:Find sources:
1322:
1318:
1312:
1311:
1306:This section
1304:
1300:
1295:
1294:
1286:
1283:
1282:Nicola Pisano
1277:
1267:
1265:
1260:
1256:
1252:
1248:
1244:
1240:
1235:
1234:(1439–1502).
1233:
1229:
1225:
1221:
1217:
1213:
1204:
1200:
1198:
1193:
1191:
1187:
1183:
1179:
1175:
1171:
1170:
1165:
1155:
1149:Nave and dome
1147:
1143:
1141:
1137:
1133:
1128:
1126:
1122:
1118:
1114:
1110:
1105:
1097:
1093:
1089:
1088:Saint Ansanus
1085:
1081:
1077:
1073:
1069:
1065:
1061:
1057:
1053:
1049:
1045:
1040:
1031:
1029:
1025:
1021:
1016:
1012:
1010:
1006:
1005:Luigi Mussini
1001:
999:
994:
985:
981:
979:
974:
970:
969:French Gothic
965:
963:
959:
949:
945:
943:
939:
935:
930:
926:
924:
920:
915:
913:
912:Nicola Pisano
909:
905:
901:
897:
893:
892:French Gothic
888:
886:
881:
872:
864:
856:
847:
844:
842:
838:
834:
833:Old Testament
830:
826:
822:
817:
814:
810:
806:
796:
788:
784:
781:
777:
771:
769:
765:
760:
758:
755:
751:
747:
736:
733:
725:
714:
711:
707:
704:
700:
697:
693:
690:
686:
683: –
682:
678:
677:Find sources:
671:
667:
661:
660:
655:This section
653:
649:
644:
643:
638:Early history
635:
633:
629:
625:
621:
617:
613:
609:
605:
604:etiologically
601:
595:
593:
588:
586:
582:
578:
574:
570:
566:
562:
553:
549:
546:
543:
539:
536:
533:
529:
524:
518:
514:
510:
506:
502:
498:
494:
492:Official name
490:
486:
481:
477:
473:
471:
467:
463:
461:
457:
454:
451:
449:
445:
440:
437:
434:
432:
428:
423:
419:
415:
411:
407:
402:
398:
394:
390:
388:
384:
381:
377:
373:
370:
368:
364:
361:
358:
354:
348:
345:
343:
340:
338:
335:
334:
332:
330:
326:
321:
317:
315:
311:
308:
305:
301:
296:
292:
288:
284:
281:
278:
276:
272:
269:
266:
264:
260:
256:
252:
249:
245:
242:
238:
233:
204:
200:
193:
188:
179:
172:
168:
167:
163:
158:
151:
146:
141:
136:
121:
118:
110:
99:
96:
92:
89:
85:
82:
78:
75:
71:
68: –
67:
63:
62:Find sources:
56:
52:
46:
45:
40:This article
38:
34:
29:
28:
19:
3108:
3084:Poppi Castle
2841:
2777:San Raimondo
2711:San Domenico
2687:
2595:
2586:
2574:. Retrieved
2569:
2530:
2526:
2520:
2496:
2488:
2483:
2463:
2430:
2425:
2417:
2412:
2404:
2399:
2391:
2386:
2378:
2373:
2359:
2297:Three Graces
2296:
2269:
2254:
2116:
2114:and others.
2097:
2071:
2012:
2007:Three Graces
2005:
2003:
1998:
1994:
1986:
1984:
1980:Pinturicchio
1965:
1957:Pinturicchio
1954:
1920:
1912:
1908:
1905:Saint Jerome
1904:
1902:
1889:
1870:
1865:
1850:
1846:
1842:
1838:
1834:
1828:
1825:by Donatello
1822:
1808:Saint Victor
1789:
1782:
1773:
1770:Michelangelo
1759:
1752:
1740:
1717:
1694:
1691:Michelangelo
1676:
1674:
1665:
1657:Works of art
1650:
1646:
1642:
1638:
1633:
1625:Pinturicchio
1620:
1612:
1604:
1597:Libyan Sibyl
1596:
1580:
1576:
1568:
1560:
1552:
1550:
1545:
1531:
1527:
1525:
1520:
1508:
1502:
1497:
1493:
1485:
1479:
1470:
1467:Four Virtues
1466:
1462:
1458:
1454:
1450:
1448:
1443:
1434:
1402:
1379:
1370:
1360:
1353:
1346:
1339:
1327:
1315:Please help
1310:verification
1307:
1289:Mosaic floor
1279:
1254:
1250:
1246:
1236:
1209:
1194:
1169:trompe-l'œil
1167:
1161:
1129:
1104:coat of arms
1101:
1095:
1091:
1087:
1083:
1079:
1075:
1071:
1067:
1063:
1059:
1055:
1051:
1047:
1043:
1017:
1013:
1002:
990:
966:
954:
951:Upper façade
927:
916:
889:
877:
845:
818:
801:
772:
767:
761:
743:
728:
719:
709:
702:
695:
688:
676:
664:Please help
659:verification
656:
624:Pinturicchio
596:
589:
560:
559:
329:Architect(s)
323:Architecture
263:Denomination
113:
104:
94:
87:
80:
73:
61:
49:Please help
44:verification
41:
2840:Palaces or
2757:San Martino
2431:Siena Duomo
1884:designs of
1732:sarcophagus
1709:Lippo Memmi
1420:or mineral
1239:candelabras
1190:polychromed
1136:Last Supper
938:rose window
813:Black Death
431:Archdiocese
314:Consecrated
227: /
3124:Categories
2821:Fonte Gaia
2716:Osservanza
2576:28 October
2491:, 153–176.
2217:High altar
1976:manuscript
1745:, made by
1736:tabernacle
1666:Saint Paul
1343:newspapers
1224:Vecchietta
1212:presbytery
1125:tiercerons
1113:Lucius III
1072:Main Altar
919:Romanesque
904:polychrome
805:high altar
757:Benedict X
692:newspapers
516:Designated
470:Archdeacon
448:Archbishop
376:Romanesque
280:Roman Rite
215:11°19′44″E
212:43°19′04″N
77:newspapers
2865:Salimbeni
2681:Cathedral
2674:Religious
2108:Donatello
2100:baptistry
2088:Baptistry
1831:Donatello
1757:in 1483.
1747:Donatello
1683:Donatello
1513:Sigismund
1266:in 1503.
1121:formerets
973:pinnacles
894:, Tuscan
841:baptistry
620:Donatello
511:i, ii, iv
396:Completed
380:Classical
307:Cathedral
275:Tradition
2860:Pubblico
2735:Churches
2704:Basilica
2505:Archived
2122:See also
2074:psalters
1972:Pius III
1653:(1547).
1629:Socrates
1530:and the
1426:intarsia
1414:graffito
1251:Paradise
1220:ciborium
1064:Nativity
1034:Interior
923:lunettes
829:frescoes
780:transept
778:and the
754:antipope
508:Criteria
503:Cultural
268:Catholic
240:Location
2874:Museums
2842:Palazzi
2547:3046120
2144:Gallery
2061:in 1461
2015:Raphael
1968:Pius II
1961:Raphael
1882:baroque
1880:to the
1687:Bernini
1579:). The
1519:of the
1418:bitumen
1357:scholar
1164:lantern
1158:defeat.
1117:cornice
825:narthex
706:scholar
632:Bernini
565:Italian
523:session
460:Provost
298:History
286:Website
254:Country
248:Tuscany
178:Italian
157:Italian
91:scholar
3069:Pienza
2545:
2471:
2066:Ancona
2052:Mantua
1919:) and
1806:; and
1790:Maestà
1713:Uffizi
1595:, the
1587:. The
1571:) and
1553:Sibyls
1406:sibyls
1359:
1352:
1345:
1338:
1330:
1270:Pulpit
1247:Saints
1132:Duccio
1084:Pulpit
1028:Senius
898:, and
880:façade
850:Façade
837:Christ
776:vaults
766:, the
708:
701:
694:
687:
679:
630:, and
612:Nicola
541:Region
521:(19th
442:Clergy
417:Height
409:Length
360:Church
303:Status
174:
153:
93:
86:
79:
72:
64:
2814:Other
2667:Siena
2543:JSTOR
2352:Notes
1995:Pietà
1471:Mercy
1422:pitch
1364:JSTOR
1350:books
1109:popes
821:choir
764:guild
746:synod
713:JSTOR
699:books
577:Italy
573:Siena
519:1995
367:Style
257:Italy
244:Siena
98:JSTOR
84:books
2578:2022
2511:and
2469:ISBN
2334:Dome
2080:and
1907:and
1849:and
1841:and
1760:The
1707:and
1496:and
1336:news
1249:and
1184:and
1176:and
934:nave
878:The
685:news
614:and
500:Type
399:1348
391:1196
318:1215
70:news
2535:doi
1703:by
1681:by
1668:by
1563:),
1319:by
1257:by
668:by
535:717
53:by
3126::
2568:.
2555:^
2541:.
2531:77
2529:.
2441:^
2110:,
1963:.
1931:.
1837:,
1802:;
1798:;
1780:.
1631:.
1538:.
1500:.
1142:.
1011:.
1000:.
980:.
914:.
759:.
634:.
626:,
622:,
618:,
594:.
587:.
575:,
567::
378:,
374:,
246:,
2972:e
2965:t
2958:v
2659:e
2652:t
2645:v
2603:.
2580:.
2549:.
2537::
2515:.
2477:.
1923:(
1915:(
1575:(
1567:(
1559:(
1453:(
1386:)
1380:(
1375:)
1371:(
1361:·
1354:·
1347:·
1340:·
1313:.
735:)
729:(
724:)
720:(
710:·
703:·
696:·
689:·
662:.
563:(
525:)
180:)
176:(
159:)
155:(
120:)
114:(
109:)
105:(
95:·
88:·
81:·
74:·
47:.
20:)
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