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Dub poetry

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is built into dub poems, yet dub poets generally perform without backing music, delivering chanted speech with pronounced rhythmic accentuation and dramatic stylization of gesture. Sometimes dub music effects such as echo and reverb are dubbed spontaneously by a poet into live versions of a poem.
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are among the founding mothers of the Canadian dub poetry legacy. The Dub Poets Collective, established in Toronto in 2003, organized a total of five dub poetry festivals, three national and two international, between the years of 2004 and 2010.
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appears, but dub poetry is predominantly concerned with politics and social justice, commonly voiced through a commentary on current events (thus sharing these elements with dancehall and "conscious" or "roots"
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dee jay. In musical setting, the dub poet usually appears on stage with a band performing music specifically written to accompany each poem, rather than simply performing over the top of dub plates, or
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LKJ still runs LKJ Records in the UK, a label that publishes both his own books and music, and that of other musicians and poets.
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Many dub poets have published their work as volumes of written poetry as well as albums of poetry with music.
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Dub poetry has established itself as a major form of black popular art and its breakthrough was made through
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continued to publish in the UK. He wrote novels as well as poetry. He was put forward for the post of
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Sakolsky, Ron (Summer 2004). "Summer Festivals 2004: International Dub Poetry Festival".
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over reggae rhythms, originally found on the backing or "version" side of a 12 or 7 inch
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Dub poetry has been a vehicle for political and social commentary, with none of the
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Us/them: Translation, Transcription and Identity in Post-colonial Literary Cultures
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Verbal Riddim: The Politics and Aesthetics of African-Caribbean Dub Poetry
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in 1979 was the first Jamaican recording of a dub poem, followed by
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immigrants. The term "Dub Poetry" was coined by Dub artist
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often associated with the dancehall. The odd love-song or
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Heavy Words Lightly Thrown: The Reason Behind Rhyme
49:. Unsourced material may be challenged and removed. 681:"Sound, Rhythm, and Power: Legends of Dub Poetry" 186:, Canada, cities which have large populations of 1361: 567: 565: 649: 882: 787:"Dub Poetry as a Black Atlantic Body-Archive" 562: 194:in 1976, and further popularized by artist 889: 875: 472: 344:in 1999, and in 2003 was also offered an 109:Learn how and when to remove this message 842:(Kingston: Ian Randle Publishers, 1998). 766: 507:Morris, Mervyn (1997). "'Dub Poetry'?". 274:, which was released in the UK in 1978. 151: 840:Is English We Speaking and Other Essays 605: 571: 1362: 705: 506: 1242:Caribbean music in the United Kingdom 870: 784: 780: 778: 655: 632: 419: 417: 1143:Reggae bands from the Virgin Islands 771:(5): 36–37, 41 – via ProQuest. 476:Recalling Recitation in the Americas 47:adding citations to reliable sources 18: 678: 549: 463:, last on-line access in 9/17/2012. 238: 13: 1108:Reggae Grammy winners 1985-present 829: 775: 760: 739: 414: 14: 1391: 846: 439:last on-line access in 9/17/2012. 325: 259: 1340: 23: 733: 34:needs additional citations for 599: 543: 521:10.1080/00086495.1997.11671853 500: 442: 393: 178:, in the 1970s, as well as in 1: 785:Antwi, Phanuel (2015-12-02). 386: 235:devices to engage audiences. 170:origin, which evolved out of 578:. Brill Rodopi. p. 21. 226:, in the dancehall fashion. 7: 572:Habekos, Christian (1993). 354: 231:Many dub poets also employ 10: 1396: 896: 338:Oxford Professor of Poetry 301: 16:Form of performance poetry 1335: 1224: 1151: 1138:Jamaican record producers 1100: 1044: 906: 403:, Thorndike Press, 2006 ( 142: 128: 123: 1370:Jamaican styles of music 1232:List of reggae festivals 803:10.1215/07990537-3341825 606:Collier, Gordon (1992). 1287:Sound system (Jamaican) 706:Hirsch, Edward (2014). 687:. University of Vermont 450:"History of Dub Poetry" 371:Postcolonial literature 288:Revolutionary Tea Party 635:"Dread Beat an' Blood" 268:(LKJ)'s seminal album 266:Linton Kwesi Johnson's 156: 1123:Reggae fusion artists 1004:Alternative reggaeton 633:Zephaniah, Benjamin. 473:Neigh, Janet (2017). 348:, which he declined. 155: 1128:Roots reggae artists 838:, "Dub Poetry?", in 340:in 1989 and British 319:Ahdri Zhina Mandiela 271:Dread Beat an' Blood 198:, which consists of 192:Linton Kwesi Johnson 43:improve this article 1118:Reggae rock artists 743:Poetry Kaleidoscope 509:Caribbean Quarterly 1277:Dance Hall (venue) 863:14, November 2013. 656:Rawlinson, Nancy. 461:roots-archives.com 455:2012-08-30 at the 429:2011-12-11 at the 361:Performance poetry 334:Benjamin Zephaniah 292:Benjamin Zephaniah 164:performance poetry 157: 1357: 1356: 1292:Sound system (DJ) 1101:People and groups 977:Reggae en Español 753:978-1-312-78020-0 740:Sfetcu, Nicolae. 709:A Poet's Glossary 280:Reflection In Red 233:call-and-response 176:Kingston, Jamaica 150: 149: 129:Stylistic origins 119: 118: 111: 93: 1387: 1380:Genres of poetry 1350: 1345: 1344: 1343: 1302:Jamaican English 1247:Music of Jamaica 1113:Reggae musicians 962:Nyabinghi rhythm 910: 900: 891: 884: 877: 868: 867: 823: 822: 782: 773: 772: 764: 758: 757: 737: 731: 730: 728: 726: 703: 697: 696: 694: 692: 676: 670: 669: 667: 665: 660:. 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"Dub poetry"
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Dub
spoken word

performance poetry
Jamaican
dub music
Kingston, Jamaica
London
Toronto
Caribbean
Linton Kwesi Johnson
Oku Onoura
spoken word
vinyl record
deejaying
extemporized
dancehall
riddims
Musicality

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