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Drive, He Said

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398:, and triumphantly carry Hector off. At the same time, Gabriel breaks into Olive's house while she is bathing and physically assaults her. She fends off his attack, eventually running outdoors with Gabriel in pursuit just as Hector drives up. Gabriel, aware of Hector's trysts with Olive, screams at Hector that Olive prefers him over Richard, then runs off when Richard arrives home. Hector confronts Richard, telling him Olive should be with him; a shaken Olive asserts her independence, saying "I'm not going with anybody, anywhere". Richard warns Hector "I'll kill you", then escorts Olive back into their house. 373:, and a turbulent affair with Olive, the wife of Richard, a professor and friend. His coach pays special attention to him, given Hector's abilities, but is unsure how to get him to focus and fulfill his potential. Hector's attitude, and his coach's frustration, is exemplified by a meeting before an important late-season game where the coach instructs him to "play it straight out there tonight, I don't want any fooling around at all"; to his coach's exasperation, Hector replies "Why not?" 618:, looking back on the film in 1978, called it "perhaps the most ambitious, chaotic, and daring of the counterculture films—it had a deranged, dissociated vitality. Though Nicholson couldn't pace it or bring it together, he did seem to have control of the actors, and you knew that nobody was just trying to charm you—they were all trying to get something new on the screen." A later assessment from Steven H. Scheuer found the film "utterly downbeat, and unfortunately dated". 611:
wrote "While it's not an untalented picture, it is an exasperating and finally insufferable one, because none of its potentially interesting themes or characters ever takes hold...For short periods of time it's possible to persuade yourself that something interesting might come of the athletic theme
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gave the film three stars out of four and called it "a disorganized but occasionally brilliant movie," with the performances being "the best thing in the movie. Nicholson himself is a tremendously interesting screen actor, and he directs his actors to achieve a kind of intimacy and intensity that is
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The next morning Gabriel, completely naked, runs into a biology lab and frees snakes, an iguana, mice and other vermin. Eventually campus police and white-coated attendants arrive with a straitjacket; Gabriel rebuffs them, insisting he is both "right and sane". They cloak him in a blanket and lead
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reported that the movie "set off the most violently negative reaction from an audience at the festival this year. As the lights came up, the people hooted, screamed and whistled. Some got to their feet and waved indignant fists toward where Nicholson and his two actors, William Tepper and Michael
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decided to operate his own personal casting couch to find the perfect girl. Nicholson had the most beautiful starlets in Hollywood come to his office and made each disrobe for him. Some were more eager than others, but all disrobed and endured Jack's near-medical examination. He saw more than 100
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wrote of Nicholson's direction: "I think it is an unusually impressive debut. What is least surprising, I suppose, is that Nicholson works extremely well with his actors and has evoked several performances of outstanding quality." Gary Arnold of
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wrote "It is not a great film, but it is an often intelligent one, and it is so much better than all of the rest of the campus junk Hollywood has manufactured that it can be indulged in its sentimental conventions." Gene Siskel of the
622:'s home video guide awarded two-and-a-half stars out of four and found the film "confusing", and while he also praised the acting performances, he found that the film "loses itself in its attempt to cover all the bases". 554:
due to its profanity and sexual content. Among the scenes criticized were several locker room sequences displaying full-frontal male nudity; a protracted sequence in which Margotta's character, Gabriel, goes
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gave the film his highest grade of four stars and wrote "The dialog and acting are of the highest calibre...The script respects each character, and the actors deliver fresh, unpredictable performances."
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called it "an uneven film" with "a bombastic, racy, pellmell style touching on all that has gone before, but with a modern ring which may appeal to youthful audiences." Charles Champlin of the
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Hector Bloom is a laconic, libidinous college basketball star distracted by obligations and current events: the misadventures of his volatile roommate Gabriel, a potential pro career,
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him into a padded van. Hector, seeing this, jumps onto the back of the van, demanding they open it. As the van pulls away, he jumps off, yelling to Gabriel that his mother called.
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During a confrontation in a grocery store, Olive informs Hector that she is pregnant, implies he is not the father, and tells him their affair is over. Hector replies that he has "
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genuinely rare. But if Nicholson is good on the nuances, he's weak on the overall direction of his film. It doesn't hang together for us as a unified piece of work."
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Gabriel, a vulgar borderline psychotic, is far more troubled and committed to rebellion than Hector. He abuses drugs, disrupts a basketball game with a
947: 1334: 908: 303:, the film follows a disenchanted college basketball player who is having an affair with a professor's wife, as well as dealing with his 1329: 735: 357:, which a character recites in the opening scene. It also serves as a cryptic reference to basketball, the movie's dominant milieu. 1212: 524:
During a break in the filming of this movie, which he directed and which required a brief non-sexual nude scene for an actress,
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for its profanity and sexual content, including numerous scenes featuring full-frontal male nudity.
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through the campus; and a sex scene in which Karen Black's character, Olive, has an orgasm.
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issued a standalone DVD as part of the Sony Pictures "Choice" Collection on June 4, 2013.
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or the romantic theme or the political theme, but the movie never takes you up on it."
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Five Easy Decades: How Jack Nicholson Became the Biggest Movie Star in Modern Times
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stunt, goes crazy during an induction physical, ransacks his apartment, espouses
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The film holds a score of 57% on Rotten Tomatoes based on 14 reviews.
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Champlin, Charles (June 30, 1971). "Nicholson Makes Director Debut".
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That night, Hector leads his team to a huge victory; the fans
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Kael, Pauline (December 11, 1978). "The Current Cinema".
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In 2010, the film was issued on DVD and Blu-ray by the
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Arnold, Gary (September 28, 1971). "Drive, He Said".
342:and other nearby locations. After screening at the 856: 832:Jack's Life: A Biography of Jack Nicholson, p. 180 1301: 964:Siskel, Gene (July 26, 1971). "Drive, He Said". 353:The title comes from the poem "I Know a Man" by 315:. The film features supporting performances by 1147:. Hoboken, New Jersey: John Wiley & Sons. 550:unsuccessfully attempted to grant the film an 384:views about everything, and drifts aimlessly. 299:. Based on the 1964 novel of the same name by 1206: 1054:Leonard Maltin's Movie and Video Guide 1992 571:, where it encountered a stormy reception; 505:Eric Johnson as Private First Class Johnson 307:roommate's preoccupation with avoiding the 1213: 1199: 27: 279:, in his directorial debut, and starring 1335:Films with screenplays by Jack Nicholson 1142: 897:. p. 11 – via Newspapers.com. 850: 758: 948:"Screen: Nicholson's 'Drive, He Said'". 1302: 1128:from the original on November 8, 2020. 886: 748:from the original on November 8, 2020. 724:from the original on November 8, 2020. 521:Filming took place in Eugene, Oregon. 1194: 795: 702: 700: 548:Motion Picture Association of America 348:Motion Picture Association of America 864:"Festival de Cannes: Drive, He Said" 728: 562: 1106:from the original on July 22, 2012. 673:Columbia TriStar Home Entertainment 13: 1220: 697: 466:Lynette Bernay as Dance Instructor 14: 1371: 1162: 1043:, Bamtam Books, New York. p. 294. 907:Grenier, Cynthia (May 25, 1971). 887:Harvey, Duston (August 4, 1971). 499:Kenneth Payne as President Wallop 1330:Films directed by Jack Nicholson 979:"Film Reviews: Drive, He Said". 946:Canby, Vincent (June 14, 1971). 472:Harry Gittes as Second Announcer 338:took place on the campus of the 1110: 1086: 1059: 1046: 1033: 1018: 1003: 988: 973: 958: 940: 918: 901: 469:Joseph Walsh as First Announcer 1041:Movies on TV and Videocassette 880: 824: 764: 567:The film was entered into the 1: 690: 628: 541: 516: 1355:1970s English-language films 1350:1971 directorial debut films 1345:Films shot in Eugene, Oregon 803:"Filmed in Oregon 1908-2015" 713:AFI Catalog of Feature Films 511:as team manager's girlfriend 7: 1340:Films scored by David Shire 1056:, Signet, New York. p. 325. 678: 496:I.J. Jefferson as Secretary 16:1971 film by Jack Nicholson 10: 1376: 1136: 1039:Scheuer, Steven H. (1990) 536: 502:Cathy Bradford as Rosemary 493:B.J. Merholz as Pro Lawyer 1325:American basketball films 1271: 1240:(1963; additional scenes) 1228: 1143:McDougal, Dennis (2008). 569:1971 Cannes Film Festival 256: 248: 240: 230: 191: 181: 163: 153: 133: 123: 77: 65: 48: 38: 33:Theatrical release poster 26: 21: 1099:The Criterion Collection 685:List of basketball films 576:Margotta, were seated." 463:as Director of Athletics 1052:Maltin, Leonard (1991) 937:Retrieved May 12, 2019. 718:American Film Institute 405: 360: 215:June 30, 1971 812:. Oregon State Library 529:girls before he chose 200:May 24, 1971 176:Drive Productions Inc. 668:The Last Picture Show 1360:1970s American films 1320:American drama films 1118:"Drive, He Said DVD" 635:Criterion Collection 344:Cannes Film Festival 340:University of Oregon 1012:The Washington Post 985:. June 2, 1971. 15. 868:festival-cannes.com 853:, pp. 137–138. 810:Oregon Film Council 744:. October 5, 2017. 609:The Washington Post 579:Roger Ebert of the 271:is a 1971 American 970:. Section 2, p. 9. 952:The New York Times 912:The New York Times 741:Deadline Hollywood 590:The New York Times 573:The New York Times 488:David Ogden Stiers 382:anti-establishment 317:David Ogden Stiers 141:Christopher Holmes 1297: 1296: 1154:978-0-471-72246-5 997:Los Angeles Times 777:Poetry Foundation 604:Los Angeles Times 581:Chicago Sun-Times 563:Critical response 378:guerrilla theatre 264: 263: 186:Columbia Pictures 1367: 1315:1971 drama films 1272:Related articles 1215: 1208: 1201: 1192: 1191: 1158: 1130: 1129: 1114: 1108: 1107: 1094:"Drive, He Said" 1090: 1084: 1083: 1081: 1079: 1067:"Drive, He Said" 1063: 1057: 1050: 1044: 1037: 1031: 1022: 1016: 1007: 1001: 1000:. 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Wolfe 146: 142: 140: 119: 72: 59:Terrence Malick 57: 55: 34: 17: 12: 11: 5: 1373: 1363: 1362: 1357: 1352: 1347: 1342: 1337: 1332: 1327: 1322: 1317: 1312: 1295: 1294: 1292: 1291: 1286: 1281: 1275: 1273: 1269: 1268: 1266: 1265: 1257: 1249: 1245:Drive, He Said 1241: 1232: 1230: 1229:Films directed 1226: 1225: 1222:Jack Nicholson 1218: 1217: 1210: 1203: 1195: 1189: 1188: 1181:Drive, He Said 1177: 1170:Drive, He Said 1164: 1163:External links 1161: 1160: 1159: 1153: 1138: 1135: 1132: 1131: 1109: 1085: 1058: 1045: 1032: 1027:The New Yorker 1017: 1002: 987: 972: 957: 939: 934:RogerEbert.com 927:Drive, He Said 917: 900: 879: 855: 840: 823: 794: 772:"I Know A Man" 763: 761:, p. 137. 751: 727: 695: 694: 692: 689: 688: 687: 680: 677: 630: 627: 620:Leonard Maltin 564: 561: 543: 540: 538: 535: 531:June Fairchild 526:Jack Nicholson 518: 515: 513: 512: 509:Cindy Williams 506: 503: 500: 497: 494: 491: 485: 479: 473: 470: 467: 464: 458: 455:June Fairchild 452: 449:Michael Warren 446: 440: 434: 428: 422: 416: 413:William Tepper 409: 407: 404: 362: 359: 355:Robert Creeley 336:Drive, He Said 325:Michael Warren 321:Cindy Williams 305:counterculture 281:William Tepper 277:Jack Nicholson 268:Drive, He Said 262: 261: 258: 254: 253: 250: 246: 245: 242: 238: 237: 234: 231: 228: 227: 225: 224: 213: 197: 195: 192: 189: 188: 183: 182:Distributed by 179: 178: 171: 169: 164: 161: 160: 155: 151: 150: 135: 131: 130: 125: 124:Cinematography 121: 120: 118: 117: 115:Michael Warren 112: 107: 102: 97: 92: 87: 85:William Tepper 81: 79: 75: 74: 73:Jack Nicholson 67: 63: 62: 56:Jack Nicholson 50: 46: 45: 43:Jack Nicholson 40: 36: 35: 32: 24: 23: 22:Drive, He Said 15: 9: 6: 4: 3: 2: 1372: 1361: 1358: 1356: 1353: 1351: 1348: 1346: 1343: 1341: 1338: 1336: 1333: 1331: 1328: 1326: 1323: 1321: 1318: 1316: 1313: 1311: 1308: 1307: 1305: 1290: 1287: 1285: 1284:Jack Torrance 1282: 1280: 1277: 1276: 1274: 1270: 1263: 1262: 1261:The Two Jakes 1258: 1255: 1254: 1250: 1247: 1246: 1242: 1239: 1238: 1234: 1233: 1231: 1227: 1223: 1216: 1211: 1209: 1204: 1202: 1197: 1196: 1193: 1187: 1183: 1182: 1178: 1176: 1172: 1171: 1167: 1166: 1156: 1150: 1146: 1141: 1140: 1127: 1123: 1119: 1113: 1105: 1101: 1100: 1095: 1089: 1074: 1073: 1068: 1062: 1055: 1049: 1042: 1036: 1029: 1028: 1021: 1014: 1013: 1006: 999: 998: 991: 984: 983: 976: 969: 968: 961: 954: 953: 949: 943: 936: 935: 930: 928: 924:Ebert, Roger 921: 914: 913: 909: 904: 896: 895: 890: 883: 869: 865: 859: 852: 851:McDougal 2008 847: 845: 838: 835:, p. 180, at 834: 833: 827: 811: 804: 798: 783: 779: 778: 773: 767: 760: 759:McDougal 2008 755: 747: 743: 742: 737: 731: 723: 719: 715: 714: 709: 703: 701: 696: 686: 683: 682: 676: 674: 671:(also 1971). 670: 669: 664: 663: 658: 657: 652: 651: 646: 645: 640: 636: 626: 623: 621: 617: 613: 610: 605: 601: 596: 591: 587: 586:Vincent Canby 582: 577: 574: 570: 560: 558: 553: 549: 534: 532: 527: 522: 510: 507: 504: 501: 498: 495: 492: 489: 486: 483: 480: 477: 474: 471: 468: 465: 462: 459: 456: 453: 450: 447: 444: 441: 438: 435: 432: 429: 426: 423: 420: 417: 414: 411: 410: 403: 399: 397: 392: 390: 385: 383: 379: 374: 372: 371:campus unrest 368: 358: 356: 351: 349: 345: 341: 337: 332: 330: 326: 322: 318: 314: 310: 306: 302: 301:Jeremy Larner 298: 294: 290: 286: 282: 278: 274: 270: 269: 259: 255: 251: 247: 244:United States 243: 239: 235: 229: 214: 211: 199: 198: 196: 193:Release dates 190: 187: 184: 180: 174: 170: 162: 159: 156: 152: 149: 145: 139: 136: 132: 129: 126: 122: 116: 113: 111: 108: 106: 103: 101: 98: 96: 93: 91: 88: 86: 83: 82: 80: 76: 71: 70:Steve Blauner 68: 64: 60: 54: 53:Jeremy Larner 51: 47: 44: 41: 37: 30: 25: 20: 1259: 1251: 1244: 1243: 1235: 1180: 1169: 1144: 1121: 1112: 1097: 1088: 1076:. 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Index


Jack Nicholson
Jeremy Larner
Terrence Malick
Steve Blauner
William Tepper
Karen Black
Michael Margotta
Bruce Dern
Robert Towne
Henry Jaglom
Michael Warren
Bill Butler
Donn Cambern
Pat Somerset
Robert L. Wolfe
David Shire
BBS Productions
Columbia Pictures
Cannes
independent film
Jack Nicholson
William Tepper
Karen Black
Bruce Dern
Robert Towne
Henry Jaglom
Jeremy Larner
counterculture
draft

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