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Drishti (film)

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Sandhya is an editor in a publishing house and Nikhil is a research scientist. On their eighth wedding anniversary, a friend of theirs brings his nephew Rahul, who is a classical singer. Sandhya soon develops an attraction towards Rahul and, despite loving her husband, embroils in an affair with him, which lasts a couple of months. Her friend Prabha is the only one who Sandhya confides in and let's know of the affair. Around this time, Sandhya finds out she is pregnant but they abort the child. About a year later, it is Nikhil who notifies Sandhya of his intention to leave, having fallen in love with a much younger Vrinda, his lab assistant. Sandhya is shattered by his decision, and although she pleads for him not to leave, they eventually separate. Four years after the divorce, Nikhil realizes he has never really loved Vrinda and wants to re-enter Sandhya's life. When he finally meets Sandhya after years of separation, wanting to reunite, in a very candid move, she decides to confess to him her affair with Rahul.
483:, author John W. Hood noted the film being a departure for Nihalani, who "explores a notably different approach" as evidenced in the film's "microcosmic" scope and "intense and concentrated" style. Hood praised the film as technically "superb", appreciating "Nihalani's genius for ensuring a relationship between actor and camera that is rarely predictable and never static" as well as his "fastidious concern for detail". According to Wood, "Particularly memorable in this film is the consistency of the direction over the remarkably realistic acting, especially in the brilliant performances of the two women, Dimple Kapadia as Sandhya and Mita Vasisht as Prabha". 312:
is one film where Govind Nihalani decided to shift from socio-political themes on to love and marriage. He explained that this film was "one from the heart". He said he decided to employ an unusual format of "no plot, all peaks" and explained the film's purpose to "redefine the relationship between
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Happily married for eight years, Mumbai-based couple Sandhya and Nikhil live an affluent lifestyle in an urban, intellectual milieu along with their daughter Rashmi. Originally coming from middle-class families, the couple has managed to rise in their professional lives through merit and hard work:
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was originally cast as the male lead in 1989. Nihalani cast Kapadia to play opposite him—the first time he opted for a mainstream actress—calling her a "finely tuned instrument". For Kapadia too, the film was her first tryst with art cinema, and she said she was "totally involved in Sandhya".
31: 467:(1995), wrote that the film shows Nihalani "in a new phase of development", credited the film's "supple pacing" with deepening the film's emotional effect, and believed the direction presented the film as "a mode of inquiry". He further asserted that " 471:
also shows Dimple Kapadia as an actress with hidden resources. Kapadia's Sandhya is vulnerable and intense and full of feminine wiles. It's an intelligent portrayal; at least in this film she appears to have filled the gap left by
877: 205:. The film depicts the marital life of an urban couple from an upper-class milieu in Mumbai and follows their trials and tribulations, infidelity, divorce, and meeting after years of separation. 568: 233: 1290: 851: 679:, listing Kapadia's best films, described the film as "a harsh look at monogamy", and wrote, "Dimple brought out all three facets of Sandhya through her bravura performance". 460:, V. Shankar called the film "a sensitive, often brilliant portrayal of the oldest game in town", and argued that its distinctiveness lies in it being "everybody's film". 2621: 452:
called it a "taut psychological drama" and commended Nihalani's "photographic style", as well as the "sensitive" performances from the main cast, as well as the "haunting
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and soaring songs" composed and performed by Amonkar, all of which make the film "a searching look at upper-class marriages". In another review for
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was a critical success, with the performances, particularly that of Kapadia, drawing praise. N. Krishnaswamy of
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wrote the film's script, her only screenplay. The film was said to be adapted from or inspired by
2257: 1231: 665: 983: 2549: 2078: 1976: 1842: 1350: 333: 953: 2018: 1830: 1544: 1037: 731: 355: 337:(1973). Nihalani constructed the film in eleven movements, each marked by a background song. 2400: 1193: 789: 610: 353:. This was the only Hindi film for which Amonkar composed music, and only the second after 8: 2596: 2525: 2461: 1824: 1757: 1727: 1592: 1580: 1457: 1439: 1318: 1208: 635: 2469: 2305: 1812: 1733: 1427: 448: 1166: 2485: 2293: 2185: 2066: 1892: 1640: 1568: 1374: 1263: 1097: 1070: 959: 906: 737: 2417: 2517: 2365: 2209: 2197: 2090: 1616: 614:
magazine, writing of Kapadia's win of the National Film Award for Best Actress for
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restored the film's negatives, which were in a poor condition. A 2020 article by
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wrote in 2006 that "Drishti brings up an issue that’s universal". In 2018, the
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listed the film as one of the masterpieces of 1990. In a retrospective review,
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man and woman, to show the passage of woman to independence as an individual".
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Nihalani eventually called her "the perfect choice" for the part.
1672: 1604: 1409: 1127:. Directorate of Film Festivals. 1991. p. 62. Archived from 654:, she "carries the film on her fine-boned but sturdy shoulders". 616: 1093:
The Essential Mystery: The Major Filmmakers of Indian Art Cinema
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It is the only film to have music direction by classical singer
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Journal of English Language Teaching and Literary Studies
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Best Hindi Feature Film National Film Award winners
701:"Filmfare recommends: Best films of Dimple Kapadia" 232:, where Dimple Kapadia and Mita Vasisht were named 218:National Film Award for Best Feature Film in Hindi 2588: 230:55th Bengal Film Journalists' Association Awards 1300:National Film Award for Best Hindi Feature Film 736:. Mavrix Infotech Private Limited. p. 35. 1187: 642:, calling it "a sort of take-off on Bergman's 2433: 1284: 899:Rajadhyaksha, Ashish; Willemen, Paul (1999). 1009: 729: 725: 723: 2440: 2426: 1291: 1277: 1069:. Fiji Writers' Association. p. 144. 977: 975: 694: 692: 29: 1062: 849: 1207: 755: 753: 720: 1153: 1151: 1149: 1035: 972: 689: 2589: 1096:. Orient BlackSwan. pp. 339–344. 981: 875: 845: 843: 813: 698: 2421: 1272: 1191:(1993). "1993 National Film Awards". 1110: 925: 876:Shuchi, Agrawal (January–June 2016). 787: 750: 1146: 1089: 1010:Krishnaswamy, N. (13 January 1991). 759: 951: 840: 257:The cast members are listed below: 179: 13: 982:Dhawan, M. L. (17 November 2002). 509: 14: 2643: 2617:Films directed by Govind Nihalani 1251: 850:Das Gupta, Ranjan (8 June 2018). 814:Sharma, Mukul (5 February 1989). 790:"A cerebral, sensitive filmmaker" 345:The film's music was composed by 189:-language drama film directed by 1211:(1993). "Rudali (The Mourner)". 788:Singh, Nonika (28 August 1998). 1219: 1201: 1181: 1083: 1056: 1036:Shankar, V. (4 November 1990). 1029: 1003: 958:. Hay House, Inc. p. 205. 945: 926:Ghosh, Devarsi (4 April 2020). 821:The Illustrated Weekly of India 586:Best Supporting Actress (Hindi) 919: 892: 869: 807: 781: 1: 1496:Jis Desh Mein Ganga Behti Hai 902:Encyclopedia of Indian Cinema 699:Sharma, Deven (8 June 2020). 682: 545:55th Bengal Film Journalists' 340: 304: 984:"Year of filmi masterpieces" 438: 7: 1118:"38th National Film Awards" 760:Jain, Madhu (15 May 1990). 730:Arunachalam, Param (2019). 426:"Megha Jhar Jhar Barsat Re" 10: 2648: 2632:Hindi-language drama films 2602:1990s Hindi-language films 2150:The Legend of Bhagat Singh 905:. Routledge. p. 496. 525:Best Feature Film in Hindi 359:(1964) in which she sang. 2456: 2380: 2129: 1872: 1772: 1527: 1520: 1401: 1331:Jhanak Jhanak Payal Baaje 1313: 1306: 603: 543: 540: 520:38th National Film Awards 508: 505: 502: 499: 496: 493: 486: 222:38th National Film Awards 163: 155: 145: 122: 112: 104: 94: 72: 64: 50: 40: 28: 23: 671:Film Heritage Foundation 131:31 August 1990 1860:Discontinued after 1965 463:Subramani, in his book 252: 243: 238:Best Supporting Actress 2550:Hazaar Chaurasi Ki Maa 2079:Hazaar Chaurasi Ki Maa 1977:Salim Langde Pe Mat Ro 1351:Do Aankhen Barah Haath 1090:Hood, John W. (2000). 1012:"Near, and yet so far" 733:BollySwar: 1991 – 2000 644:Scenes From A Marriage 334:Scenes from a Marriage 240:in the Hindi section. 216:. In 1991, it won the 2019:Suraj Ka Satvan Ghoda 1831:Geet Gaya Patharon Ne 1545:Sahib Bibi Aur Ghulam 356:Geet Gaya Patharon Ne 1773:Certificate of Merit 1402:Certificate of Merit 1209:Dasgupta, Chidananda 1066:Altering Imagination 569:Best Actress (Hindi) 552:5th Best Indian Film 465:Altering Imagination 412:"Ek Hi Sang Hote II" 382:"Bajat Ghan Mridung" 226:5th Best Indian Film 224:, and was named the 2526:Rukmavati Ki Haveli 1797: – 1712:Shatranj Ke Khilari 1703: – 1683: – 1651: – 1486: – 1341: – 1235:. 22 September 2006 1038:"A man and a woman" 952:Raj, Ashok (2009). 636:Chidananda Dasgupta 398:"Ek Hi Sang Hote I" 185:) is a 1990 Indian 2627:Indian drama films 2607:1990s Indian films 2448:Films directed by 2306:Dum Laga Ke Haisha 1063:Subramani (1995). 1042:The Indian Express 1016:The Indian Express 762:"Beloved infidels" 638:made reference to 634:in the same year, 547:Association Awards 479:In his book about 458:The Indian Express 449:The Indian Express 68:Udbhav Productions 2584: 2583: 2415: 2414: 1868: 1867: 1716:The Chess Players 1516: 1515: 1227:"DVD/VCD reviews" 1215:. pp. 30–31. 1169:on 8 January 2010 1103:978-81-250-1870-4 1076:978-982-328-001-1 965:978-93-81398-03-6 912:978-1-135-94325-7 743:978-81-938482-1-0 624:. In a review of 601: 600: 481:Indian art cinema 436: 435: 212:, with lyrics by 171: 170: 2639: 2612:1990 drama films 2442: 2435: 2428: 2419: 2418: 2407: 2395: 2372: 2366:Toolsidas Junior 2360: 2348: 2336: 2324: 2312: 2300: 2288: 2276: 2264: 2252: 2240: 2228: 2216: 2204: 2198:Khosla Ka Ghosla 2192: 2180: 2168: 2156: 2144: 2121: 2109: 2097: 2085: 2073: 2061: 2049: 2037: 2025: 2013: 1995: 1983: 1971: 1959: 1947: 1935: 1923: 1911: 1899: 1887: 1861: 1855: 1837: 1819: 1801: 1793: 1764: 1752: 1740: 1722: 1707: 1699: 1687: 1679: 1667: 1655: 1647: 1635: 1623: 1611: 1599: 1587: 1575: 1563: 1551: 1539: 1525: 1524: 1508: 1490: 1482: 1464: 1446: 1434: 1416: 1393: 1381: 1369: 1357: 1345: 1337: 1325: 1311: 1310: 1293: 1286: 1279: 1270: 1269: 1245: 1244: 1242: 1240: 1223: 1217: 1216: 1205: 1199: 1198: 1185: 1179: 1178: 1176: 1174: 1165:. 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Index


Govind Nihalani
Govind Nihalani
Shashi Deshpande
Dimple Kapadia
Shekhar Kapur
Irrfan
Mita Vasisht
Govind Nihalani
Kishori Amonkar
Hindi
Govind Nihalani
Dimple Kapadia
Shekhar Kapur
Irrfan
Kishori Amonkar
Vasant Dev
National Film Award for Best Feature Film in Hindi
38th National Film Awards
5th Best Indian Film
55th Bengal Film Journalists' Association Awards
Best Actress
Best Supporting Actress
Dimple Kapadia
Shekhar Kapur
Mita Vasisht
Irrfan Khan
Vijay Kashyap
Neena Gupta
Navneet Nishan

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