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491:. They organized performances of their sketches and routines by themselves, but could not get people to listen, even if tickets were free. Matsumoto describes these early years as hell, showing his immense frustration and stress during this period. They even considered quitting at one point. Neither made enough money to live on their own, so they had to live with their parents, commuting to the city by train for performance opportunities. Ironically, Matsumoto had to search for a part-time job in a magazine printed by the printing company that he had originally been supposed to enter after graduating high school.
560:
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507:-like popularity in the region (music singles, videos and photo books in which they posed like fashion models were released), especially among high school girls. After a tearful farewell concert, they ended the show and moved to Tokyo in 1989, making various appearances on low rating TV programs before making their big break with their long-running
434:
partner, Itō, had an argument with Hamada which escalated into a street fight. Hamada won, and prompted
Matsumoto to leave with him. Matsumoto was unsure of what to do, but started walking in the same direction as Hamada because it was the opposite direction from Itō's house. This incident marked the
637:
But occasionally, they switch their roles as a skit about Hamada being immortal, had Hamada in the Boke and
Matsumoto in the Tsukkomi role. With Hamada telling stories about how he survived several accidents which would have put any other in the hospital and with Matsumoto addressing the audience in
442:
Hamada entered was very strict, and Hamada attempted to escape several times. Whenever he escaped successfully, he called
Matsumoto for help, hiding at his home for several days before being caught by his teachers. Hamada repeated the cycle of escaping, calling Matsumoto to borrow money to buy food,
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This does not mean, however, they do not get along outside of work. Though they do not consider each other to be friends, their deep business relationship and respect for each other is evident. Hamada has said if they ever parted ways, he would "never do comedy again," as there is no one else he
712:
Though
Matsumoto and Hamada are now regarded as "geniuses" of their respective roles, it is unjust to laud them only for their talent. Matsumoto made a change from being a quieter character to his current, ill-tempered style, while Hamada had to repeatedly apologize for brash comments in variety
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will never be the same after
Downtown, and many aspiring comedians have copied parts of Downtown's style. It is notable that Downtown never had a mentor (it was common for younger comedians to be "trained" by older, more experienced comedians) which was essential to the development of their own,
720:
Another important aspect of
Downtown's comedy is their willingness to make themselves the butt of the joke. While many popular manzai comedians become elevated to the level where poking fun at them is out of the question, Downtown has always taken ridiculous roles in shows, even after becoming
800:
In a 1990 interview, Hamada and
Matsumoto revealed that they had gone through very tense moments, and that their second year as a comedy duo saw their relationship at its worst. They revealed that during that period, just before they were scheduled to perform at the Umeda Hall in Osaka on
819:
They find it extremely awkward and uncomfortable being left alone together in a room. As was showcased during the "500 questions for Hamada
Masatoshi" segment showed. Matsumoto won the challenge and sat there in awkward silence as Hamada offered him a
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and being caught again, throughout his high school years. Matsumoto, on the other hand, entered a local tech school, and became the leader of the school band, but quickly started skipping school to hang out with his girlfriend from middle school.
684:. In his press conference, Shimada cited Downtown as the major reason for his retirement, but the press ignored the comment, since the duo had very little popularity at the time, writing instead that Shimada had felt outclassed by a different
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numbers, as they see no need to phone one another. Matsumoto has phoned Hamada's cell phone just once: when Hamada fractured his right leg (after kicking a locker out of rage) and was taken to a hospital. He had to ask a staff member for his
484:. Their first stage name was "Matsumoto Hamada". Other names they had were "Hitoshi Masashi", "Teruo-Haruo", and The "Wright Brothers", before settling as "Downtown", a name they picked from a magazine. They made their major debut in 1983.
850:, he was impressed by how the two singers spend time together as friends despite having to work together all the time as a duo—he turned to Hamada and told him, "I'd rather eat off the floor than go out to dinner with you."
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racer. Hamada invited
Matsumoto to join him to become a comedian. At the time, Matsumoto had a job offer from local publishing company, but he decided to join Hamada. Although Matsumoto's comedy talent agency of choice was
795:
Although they appear to be best friends on their shows, Hamada and
Matsumoto admit they are not as close as one may think. On their many hosted shows and interviews, the two have made the following revelations:
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In the group's early years, many recognized Downtown's talent, but doubted Downtown would ever succeed due to their sluggish style, which was so drastically different from that of mainstream
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shows. Upon hearing that many fans regarded Hamada as the crux of the group, Matsumoto embarked upon an array of solo skits to prove himself, while Hamada relentlessly studied other groups'
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comedian, had been one of the doubters until he saw one of Downtown's performances. Shimada was startled by how funny and complex Downtown was, and immediately announced his retirement from
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LINCOLN, 松本プレゼンツ「浜田との壁を取り除こうのコーナー」Episode aired on 2005-11-29. A large group of younger comedians express their fear of Hamada, which Matsumoto tries to help over come in this episode.
729:. Generally, these roles are reserved for younger, less popular comedians, but Matsumoto and Hamada relish these roles even after becoming part of the elite of Japanese entertainment.
805:, the two had an argument which devolved into a violent fight, but when their turn to perform arrived, they went up to the stage and performed their act as if nothing had happened.
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Retrieved on 2008-2-08. "Thanks to the huge popularity they have enjoyed these Kansai natives have made the region's dialect almost the de-facto language of comedy in Japan."
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is his forte, but he can slip into exaggerated reactions as well. He is the "M" or masochistic of the duo, and was referred to as Mattsun by Hamada while they were younger.
389:. They did not become friends until their second year in Amagasaki Taisei Junior High School, where they both joined the school's broadcasting club and called each other
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Despite the hardships, they gradually increased their fan-base and status. In April 1987 (four years after their debut) they began hosting a local television show called
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at the same time. When Matsumoto saw Hamada, he avoided him. When later asked by Hamada why he did not say anything, he replied that it would have been "too awkward".
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in the late 1980s and early 1990s. Downtown and Shimada have developed a close bond over the years, and Matsumoto co-hosts a TV talk show ("Matsushin") with Shimada.
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Matsumoto and Hamada received positive comments from older comedians in NSC, but went without a single chuckle from the audience, sometimes receiving insults from
1772:[Lincoln to end after a history of eight years. To be followed by a Downtown education and variety show] (in Japanese). Mainichi Simbun. September 4, 2013
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incident. The moment Matsumoto phoned Hamada was filmed and shown on the show. For weeks afterwards, Hamada appeared on television with a cast and crutches.
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facing the audience, Downtown would face each other as if they were simply conversing, ignoring the presence of the audience. Their contribution to
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613:-like responses to Downtown's questions. In a very recent skit where Downtown and the other Gaki members were presented with the autonomous robot
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Matsumoto and Hamada have never lost the dialect and have used it to their benefit. They use it in the titles of their TV shows—translations of
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846:, Matsumoto stated they see each other so often at work, the thought of meeting in private never crosses their mind. During an interview with
415:. It is then Matsumoto joked about becoming a comedy duo together and planted the idea into their heads. At the time, Matsumoto was part of a
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They do not travel together, even going as far as arranging for one to travel by plane and another by train to avoid meeting by chance.
1718:[What's the real truth about the rumours? Downtown and Ninety-Nine to co-star for the first time in 14 years] (in Japanese).
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652:, but Downtown took the opposite approach, using a slow, mumbling tone which baffled older comedians. While other duos performed
1745:["Akan Keisatsu" ends after a two and a half year run. Final show ends with a collection of video clips] (in Japanese).
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216:. Formed in 1982, they are one of the most influential and prolific comedy duos in Japan today. They are best known for their
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comedy school reportedly noted that 70 percent of students name Matsumoto and Hamada as being among their key inspirations.
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1691:["Lincoln" ends after eight years. Will there be a "Comedian Big Sports Day" in a year's time!?] (in Japanese).
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cannot be found in a standard dictionary. Downtown's popularity have turned these expressions into common vocabulary.
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17:
315:, and tendency to whap people on their heads are notorious in the Japanese comedy world. He is often described as "
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Matsumoto has said that even if they quit Downtown, they likely would not be able to return to being friends.
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Matsumoto has said that if the duo ever split up, they would like to perform their manzai one last time at
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would like to make his partner, Matsumoto has expressed similar views. He has also said he saves his best
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reports seeing Matsumoto become visibly concerned whenever Hamada is sick and unable to come to work.
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Hamada even slapped the robot on its head. Hamada's aggressive ways have earned him the nickname of
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Published in 2003-7-26 by Wani Books. Itō talks about this incident in greater detail in this book.
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In January 2024, Matsumoto announced he would suspend his participation in Downtown following
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516:. From that point, they went on to create several other successful variety shows, such as
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255:(in which both performers usually speak) has come to be associated with Japanese comedy (
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Their first television appearance in 1982 at the age of 18 and not yet known as Downtown
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In October 2013, Downtown was scheduled to host the academic research and variety show
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As a result of their massive popularity and the relative domination of their employer,
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1665:"You Have To See These Japanese Game Shows To Believe Them. But Even Then You Won't"
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on top of his head whenever he says something rude or ridiculous) from Hamada, the
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Retrieved on 2008-2-21. "The biggest name in comedy duos has to be Downtown."
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theatre in Osaka and the very stage on which Downtown launched their career.
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of the two and often puts up with light physical abuse (it is common for the
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1308:(Nippon TV, 2001) Hamada was a protagonist while Matsumoto made minor cameos
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trio called "Koma Daisanshibu" with two of his classmates, Itō and Morioka.
1482:"Japan comedian Hitoshi Matsumoto halts activities amid sex scandal report"
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where they endure countless physical and mental punishments, such as their
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692:. Shimada's decision proved to be correct however, as Downtown dominated
547:
denied the allegations, and Matsumoto sued the magazine's publisher for
1820:
1512:"Comedian Hitoshi Matsumoto sues publisher over sexual assault article"
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Matsumoto has only seen Hamada's son once, when he was still an infant.
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1293:(Nippon TV, 2000) Matsumoto only; Hamada appeared in the final episode
319:". He was referred to as Hama-chon by Matsumoto earlier in his career.
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They were split apart when they entered different high schools. The
381:
Matsumoto and Hamada attended and met at Ushio Elementary School in
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After Hamada's marriage, Matsumoto has never been to his residence.
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The two talked about this during the talk segment on this show.
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After graduating, Hamada had an unsuccessful try at becoming a
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The early 1980s prominently featured quick, snappy styles of
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Downtown currently host the following programs every week:
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Article #7 (Interview with Hamada), Published 1997-3-14.
503:("It's Four O'Clock"), which immediately raised them to
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operation, although it is not limited to people from
1405:"The annual pain and pleasure of punished comedians"
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routine since 1991, though the free talk session on
760:and its surroundings. Most of its comedians speak
575:As with many Japanese comedy duos, there exists a
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1821:Yoshimoto R and C Co. Ltd.'s profile on Downtown
472:, the two went with Hamada's choice and entered
1855:Bakushō! Dai-Nippon Akan Keisatsu official site
1797:. New York: Weatherhill, 1997, pp. 45–52.
1641:"It wouldn't be fun doing it with anyone else."
740:can be considered the final form of Downtown's
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240:) and their sarcastic, short-tempered stage
660:is immeasurable; it has been remarked that
46:Matsumoto (left) and Hamada (right) in 2020
1330:, in the Tuesday ten o'clock slot on TBS.
638:a very dry tone "Aho ya." (What an idiot)
40:
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1838:Hey! Hey! Hey! Music Champ official site
1833:Gaki no Tsukai Official Japanese Website
1795:The Encyclopedia of Japanese Pop Culture
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1248:Ucchan Nanchan no Convenience Monogatari
1210:Katsura Sanshi no ŌATARI! Shoshun Nagaya
895:Downtown no Gaki no Tsukai ya Arahende!!
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513:Downtown no Gaki no Tsukai ya Arahende!!
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299:with two sons. Also known as "Hama-chan"
227:Downtown no Gaki no Tsukai ya Arahende!!
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603:. Hamada is also known to attack other
261:) as a whole. In 2011, teachers at the
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1633:"Who else is there for me? I can't do
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1403:Morales, Daniel (December 22, 2014).
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1663:Scherker, Amanda (October 1, 2014).
1375:"Comedy's a funny business in Japan"
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1769:リンカーン ： 8年の歴史に幕 後番組はダウンタウンの教養バラエティー
1581:, クイズ浜田の500のコト Aired on 2007-04-01.
1373:Corkill, Edan (November 27, 2011).
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24:
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1229:The Yoshimoto Kōgyō Satsujin Jiken
858:material for Matsumoto. Tanaka of
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1629:Article #18 Published 1997-9-18.
1470:Article #21 Published 1995-10-23.
1458:Article #20 Published 1995-10-09.
1377:. The Japan Times. Archived from
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975:Partial list of past hosted shows
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1793:Schilling, Mark. "Downtown", in
1715:うわさの真相は？ ダウンタウンとナインティナインが14年ぶり共演
1653:Article #19 Published 1997-9-22.
1446:LINCOLN Episode #58, 2007-01-16.
768:or the standard language of the
717:to improve upon his own skills.
309:. His quick temper, displays of
220:acts, hosting numerous Japanese
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1688:『リンカーン』8年の歴史に幕 1年後に「芸人大運動会」開催！？
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1541:"Interview with Downtown, 1990"
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1742:「アカン警察」２年半の歴史に幕…最後は総集編ＶＴＲでお別れ
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732:Downtown has not performed a
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1591:Gaki no Tsukai ya Arahende!!
1579:Gaki no Tsukai ya Arahende!!
1510:Inoue, Yukana (2024-01-23).
1032:Nama Nama Nama Nama Downtown
359:, and a blunt, ill-tempered
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1567:Downtown no Gottsu Ee Kanji
1480:Staff writer (2024-01-09).
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783:" in standard Japanese) or
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363:make up his comedic style.
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779:("Not An Errand Boy!"—"
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480:(New Star Creation) in
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281:Born May 11, 1963 in
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1148:(Fuji TV, 2004-2005)
1096:(Fuji TV, 1994-2012)
1028:(Fuji TV, 1991-1997)
919:Wednesday's Downtown
902:ダウンタウンのガキの使いやあらへんで!!
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543:. Matsumoto and his
237:Wednesday's Downtown
1195:Downtown Monogatari
867:Namba Grand Kagetsu
587:. Matsumoto is the
27:Japanese comedy duo
1860:2017-07-27 at the
1848:2007-04-06 at the
1826:2016-10-29 at the
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665:unorthodox style.
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95:1982–present
1667:. Huffington Post
1407:. The Japan Times
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571:Boke and tsukkomi
326:Hitoshi Matsumoto
210:Hitoshi Matsumoto
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1278:(Fuji TV, 1992)
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1776:September 4,
1774:. Retrieved
1762:
1751:. Retrieved
1749:. 2013-09-08
1735:
1724:. Retrieved
1722:. 2011-05-20
1708:
1697:. Retrieved
1695:. 2013-09-10
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1669:. Retrieved
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1409:. Retrieved
1383:. Retrieved
1379:the original
1353:
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1273:世にも奇妙な物語「逆転」
1266:
1247:
1235:THE 吉本興業殺人事件
1228:
1216:桂三枝の大当り!初春長屋
1209:
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1184:, 2011-2013)
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1115:, 1995-1996)
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966:(ダウンタウンなう) (
964:Downtown Now
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289:. Plays the
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182:
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169:
92:Years active
1325:100秒博士アカデミー
1313:Other shows
1206:(MBS, 1987)
1175:爆笑！大日本アカン警察
1058:(TBS, 1993)
942:Downtown DX
843:Music Champ
565:Downtown DX
524:Downtown DX
97:(formed in
69:Native name
1871:Categories
1753:2013-09-09
1726:2013-08-18
1699:2013-09-11
1639:Matsumoto:
1526:2024-03-14
1496:2024-03-14
1125:ダウンタウン・セブン
1106:かざあなダウンタウン
1083:発明将軍ダウンタウン
1038:生生生生ダウンタウン
955:Yomiuri TV
926:水曜日のダウンタウン
915:Wednesdays
877:Television
810:cell phone
762:Kansai-ben
549:defamation
372:Background
175:High Heele
1223:Kansai TV
939:Thursdays
909:Nippon TV
465:motorboat
459:from 1988
404:Hama-chon
353:Absurdism
224:(such as
204:duo from
60:浜ちゃんと松ちゃん
52:Pseudonym
1858:Archived
1846:Archived
1824:Archived
1545:Archived
1520:Archived
1490:Archived
1261:TV Tokyo
1201:ダウンタウン物語
1006:ダウンタウンの素
948:ダウンタウンDX
860:Cocorico
856:tsukkomi
715:tsukkomi
601:tsukkomi
593:tsukkomi
584:tsukkomi
489:hecklers
317:sadistic
292:tsukkomi
242:personas
218:stand-up
195:Dauntaun
183:Downtown
144:Tsukkomi
106:Employer
75:Dauntaun
34:Downtown
1671:23 June
1631:Hamada:
1551:4 April
1411:23 June
1385:23 June
1244:, 1988)
1225:, 1988)
1182:Fuji TV
1153:LINCOLN
1068:ダウンタウン汁
1053:ダウンタウン也
987:4時ですよーだ
968:Fuji TV
961:Fridays
891:Sundays
813:number.
606:tarento
391:Mattsun
385:of the
365:Deadpan
361:persona
357:sarcasm
269:Members
132:Members
1801:
1720:Oricon
1693:Oricon
1635:owarai
1303:明日があるさ
820:drink.
754:Kansai
742:manzai
734:manzai
694:manzai
686:manzai
682:manzai
678:manzai
670:manzai
662:manzai
658:manzai
654:manzai
649:manzai
642:Manzai
630:, or "
615:Pepper
581:and a
432:manzai
417:manzai
258:owarai
251:, the
202:comedy
189:ダウンタウン
173:Tommys
122:Manzai
117:Genres
82:ダウンタウン
1334:Notes
1288:伝説の教師
1160:リンカーン
1143:考えるヒト
848:PUFFY
766:Kyoto
758:Osaka
688:duo;
625:ドＳの浜田
482:Osaka
410:はまちょん
126:conte
1799:ISBN
1778:2013
1673:2017
1553:2018
1413:2017
1387:2017
831:Guam
611:boke
597:boke
589:boke
578:boke
505:idol
402:and
397:まっつん
346:松ちゃん
338:boke
304:浜ちゃん
235:and
212:and
156:Boke
1242:ABC
994:MBS
840:On
770:Edo
634:."
478:NSC
457:VHS
263:NSC
1873::
1565:A
1543:.
1518:.
1514:.
1488:.
1484:.
1395:^
1365:^
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476::
455:A
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