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587:; bringing Moore his first recognition as a songwriter. Other songs penned by Moore from this era included "Santy Anna", "When I Lays Down", "Ate My Breakfast", "Hanging Johnnie", and "Jail Song"; many of them humorous accounts of life in the navy or about romantic liaisons with local women while on shore leave. He also wrote music to several poems by his friend MacLeish during this time. His songs demonstrated music influences from
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the first time, opening up the orchestra to women players for the first time, and instituting scholarships for instrumentalists in the orchestra that were difficult to obtain (such as oboists and bassoonists). In addition to his busy schedule administrating the music program and conducting orchestra rehearsals and concerts, Moore taught courses in music appreciation. This latter work led to the publication of his first book,
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753:; a relationship which had a significant impact on the future trajectory of Moore's compositional focus. Lindsay persuaded Moore to write music using American culture and history as its inspiration, and from this point on Moore's compositional output was mostly based on American subjects or themes for the rest of his life. His first American themed work was the symphonic piece
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351:. His father built another nearby home for his family on the Moore family's farm, named Quawksnest, in which Moore and his family spent their summers. As an adult Moore lived on the family's Cutchogue property until his death in 1969. He resided in a cottage named Salt Meadow which was originally a garage and clubhouse before being converted into a home for Moore in 1933.
881:(1932), which was written for a general audience without any music background. The book explained the basic elements of music: melody, harmony, polyphony, tonality, rhythm, and form with a suggested guide to recordings for listening and further reading. It was one of the earliest, if not the earliest, music textbooks to incorporate music recordings into the text.
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From 1926 through 1935 Moore was the conductor of
Columbia University's orchestra. Under his leadership, Moore was instrumental in instituting several new policies in the music program at Columbia. These included giving students college credit for playing in the orchestra and taking music lessons for
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during his first year with the museum in 1921, and then installed in 1922. In addition to performing these concerts, his other CMA duties included directing a children's music program of regular weekly classes, giving public lectures on music history and appreciation, and coordinating a chamber music
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which was purchased after Stuart Moore sold his business. While there were no professional musicians in Moore's family, his mother was an amateur pianist who also sang in the women's chorus of
Brooklyn's Chaminade Society (CS). At his mother's insistence, Moore began his music education at the age of
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While a student at Yale, Moore's father died in
Pasadena on 18 April 1915. His father was a millionaire, and left Moore a considerable fortune which allowed him to freely pursue his music interests and live comfortably with the services of a butler and cook for the rest of his life. In the summer of
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as a college freshman in the fall of 1911 alongside his
Hotchkiss friend Archibald MacLeish. At Yale he composed songs for school events which demonstrated a talent for writing music within a popular style. He quickly gained a reputation at Yale for writing humorous songs; one of which, "Naomi: The
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in the farmhouse of his grandfather, Joseph Hull Moore (1817–1904), where both his father and brothers were also born. He was the youngest child of Stuart Hull Moore (1854–1915) and Myra Drake (1856–1933); both of whom descended from the first colonial
English settlers to America. He had two older
998:. The anthology included mainly anonymous songs from the army and navy which were arranged by the two men; but also included some original music from Moore's songwriting days while in the navy. Moore also contributed the children's songs "The Cupboard" and "Fingers and Toes" to the 1928 anthology
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As a result, Moore's time with
Boulanger was not productive; with only a few small chamber pieces for woodwinds surviving. However, Moore did gain from Boulanger a stronger grounding in counterpoint and general musicianship skills, and he met several esteemed musicians in Boulanger's circle which
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was premiered by the Arion String
Quartet at Barnard College on November 16, 1933, just two weeks before the death of his mother in Pasadena on December 1, 1933. The string quartet was dedicated to the Roth Quartet and is written in Moore's characteristic melodic style with effective use of
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changes, increased dissonance, and atonality; all techniques not usually found in Moore's works. The work was likely an attempt to utilize techniques learned by Moore from
Boulanger, and an attempt to write in a style currently in vogue with his contemporaries. Premiered by the
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on 28 March 1926, this work was the first piece by Moore to bring the composer recognition among the broader public. The piece enjoyed a great deal of popularity in
America during the mid 20th century, but has since been programmed infrequently. He also composed the
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Orchestra
Contest had a positive impact on Moore's career at Columbia. He was rapidly promoted from adjunct faculty member to assistant professor at the wider Columbia University and head of the music department at Barnard College specifically on July 1, 1927.
189:, an artistic summer residency program which Moore attended for many years; first as a fellow and later as a member of the governing board. Moore arranged the work for orchestra at the MacDowell Colony in 1923, and conducted its world premiere with the
630:. They spent their honeymoon sailing the eastern coast of the United States before returning as a couple to Paris. In France, the couple were at the center of a social group of American artists all studying in Paris. These included his old Yale friend
208:; beginning a lengthy professional career at Columbia. He was rapidly promoted at Columbia from adjunct faculty to professor and head of the music department at Barnard College in 1927; thanks in large part to the success of his orchestral suite
1154:, the Bronxville High School presented the world premiere of the work on March 5, 1937. Stephen Vincent Benet wrote the libretto to the work. This opera was regularly performed at American high schools and universities during the 20th century.
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in 1914. For those productions Moore served as conductor. He earned two degrees from Yale University, a B.A. in philosophy in 1915, and a B.M. in music composition in 1917. For his final graduate project he conducted his orchestral composition
100:, educator, actor, and author. A composer who mainly wrote works with an American subject, his music is generally characterized by lyricism in a popular or conservative style which generally eschewed the more experimental progressive trends of
723:. His experiences performing at the CPH later informed his work creating pieces for the stage. Reviews of his performances were highly positive, and for a time Moore considered abandoning his career in music and pursuing an acting career.
682:. Moore thrived under Bloch more so than his earlier composition teachers. Bloch encouraged Moore and his classmates to compose music in their own aesthetic and style rather than conform to a specific aesthetic for their assignments.
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proved to be valuable professional contacts in his career. He also devoted time to some vocal works while in Paris; although it is not clear if Boulanger had any input into these works. The most important of these was the
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who had been D'Indy's teacher. While his music later moved in other directions beyond this style, Moore credited D'Indy for giving him a grounding in musical form from which he composed during the rest of his career.
366:, New York, at a house located at 43 McDonough Street until 1914 when the family moved into a Brooklyn apartment building at the corner of Van Buren Street and Sumner Avenue. The family also owned a summer home in
185:, was originally written for organ in 1922 with its four movements named for works of art in the collection of the CMA. Like many of Moore's compositions, this piece was composed during a summer residency at the
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as the ensemble's "soloist and stunt man". With the glee club he often starred in comedy acts that contained music that he had composed. He was also a member of the banjo and mandolin club, and notably composed
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and the clarinet quintet. The faster movements of these works have "robust, jovial and a somewhat terpsichorean quality." Most of Moore's energy was devoted to music for opera rather than to orchestral works.
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who conducted the Rochester Philharmonic in the work's premiere on April 2, 1931. The symphony incorporates programmatic elements while maintaining a traditional symphonic form; although the work omits the
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Restaurant Queen", was performed by actress Ethel Green in her vaudeville act and was published by Charles F. Smith in 1912. Of the other songs he wrote while at Yale, the most well known is the Yale
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as chair of the music program at Columbia; a post he held until his retirement in 1962. His roles at Columbia and the MacDowell Colony as well as leadership roles on the governing boards of the
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From the autumn of 1925 through the spring of 1926 Moore studied composition with Boulanger in Paris after being awarded a Joseph Pulitzer National Traveling Scholarship in recognition of his
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from 1911 through 1917; writing usually humorous songs in a popular style for school events in addition to creating music for school plays and musical revues. His work composing music for the
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was written by a Norwegian American and first published in Norwegian in 1921–1922. Moore composed music after the 1927 English translation of this work about Scandinavian settlers on the
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A Century of Arts & Letters, The History of the National Institute of Arts & Letters and the American Academy of Arts & Letters as Told, Decade by Decade, by Eleven Members
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seven with the conductor of the CS chorus, Emma Richardson Kuster, who began giving him piano lessons in 1900. He later was a piano student of Beverly Day. His father enjoyed playing
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from which he graduated in the spring of 1911. At Hotchkiss he made close friendships with several fellow students that would last through adulthood. These included friendships with
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which used text by Stephen Vincent Benét, and was scored for baritone voice, flute, trombone, and piano. He also worked on his first stage work while in Paris, the musical
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as a lieutenant from 1917 through 1919; writing songs to entertain his fellow servicemen in the Navy. One of these songs, "Destroyer Life", appeared in the 1928 anthology
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1050:. Program notes at the work's premiere indicate that the piece was meant to express musical ideas inspired by the "maligned" title character of the novel. Utilizing a
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243:(1936) which was widely performed at high schools and colleges throughout the United States during the mid 20th century. His next folk opera to achieve success was
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Douglas Moore's music has been described as having a "modesty, grace and tender lyricism", especially marking the slower passages of many works, especially his
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During his time at Columbia, Moore remained active as a composer; writing works with American themes. The first major work he composed during this time was the
654:(now Case Western Reserve University) from 1923 through 1925. At the CMA he gave weekly organ concerts on the CMA's McMyler Memorial Organ which was built by
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brothers, Arthur and Eliot, and an older sister, Dorothy. His father's ancestor Thomas Moore (1615–1691) originally settled in Connecticut but moved to
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While a student in Paris, Moore returned to the United States to wed Emily Bailey, a close friend since his Hotchkiss days, on 16 September 1920 at
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as head of the music faculty at Columbia; a post he held for the next 22 years. During his tenure he served as the administering secretary of the
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Moore made his first significant professional contribution as a composer and conductor on November 15, 1923; conducting the premiere of his
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which he attended for the 1906–1907 academic year. After this, he completed the last four years of his college preparatory education at the
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through music. This is one of the few compositions by Moore which attempted to embrace elements of musical modernism with applications of
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that year. The piece won him a competitive Joseph Pulitzer National Traveling Scholarship which funded further composition studies with
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Originally a philosophy major, Moore didn't begin formal music studies at Yale until the fall 1913 semester when he became a pupil of
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composing competition in 1927 and became Moore's first work to be widely programmed in the United States. Moore was director of the
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who was influenced by American folk music. While several of his works enjoyed popularity during his lifetime, only his folk opera
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concert series. He used his position at the CMA to champion American composers and their music through programming their works.
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in 1935, but a union strike by workers put an end to the planned staging. The overture for the opera was premiered by the
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Moore composed music for the theater, film, ballet and orchestra. During his lifetime he was primarily known for his folk
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2320:"New Moore Music Heard in Hartford; 'White Wings,' Setting for Barry Play, Is Presented by Hartt School Under Paranov"
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in the title role. It has remained a part of the standard opera repertory. As an author he penned two books on music,
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for the ALT that year, but financial issues ultimately prevented that project from making it to the stage. His 1929
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has several rag elements (a honky-tonk piano is used extensively in the first scene). In his "soap opera"
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in June 1935; but a staging of the opera did not happen until fourteen years later when it was mounted by
461:"Goodnight, Harvard" which he composed in 1913. This song has been recorded by several artists, including
177:(CMA) from 1921 through 1925; during which time he also worked professionally as a leading actor with the
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In the summer of 1930 on the Moore family farm in Cutchogue, Moore began composing his first symphony:
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among others. He retired from Columbia in 1962 after having taught at that institution for 36 years.
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on February 10, 1949. Conflicts with Barry and his widow prevented the opera from being published.
792:(ALT). He continued to compose incidental music for the ALT in succeeding years for productions of
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1214:(1950), the commercials for Lochinvar soap and Billy Boy wax are sung in a blueslike fashion. The
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During his time at CMA, Moore continued his education through continued composition studies with
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Finding aid to Douglas Moore papers at Columbia University. Rare Book & Manuscript Library.
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614:(organ). Tournemire left his teaching post in 1920; and Moore completed his organ studies with
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who was one of his principal music teachers at Yale. His other principal teacher at Yale was
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in three movements. Completed in 1931, the symphony was dedicated to composer and conductor
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New England Folk Tale Music Is by Douglas Moore – Text in English Idiom of Time and Place"
268:(1945) was composed in memory of Stephen Vincent Benét who died in 1943 at the age of 44.
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Moore's father made a living as a publisher of among other things the literary magazine
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which he premiered on campus as the pianist. In May 1914 he became a member of the
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1898:"Douglas Moore, Composer, Dead; Wrote 'Ballad of Baby Doe' – At Columbia 36 Years"
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upon his retirement in 1913. While not in Cutchogue, the Moore family resided in
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757:(composed 1924). Well received at its premiere by the Cleveland Orchestra under
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made Moore one of the more influential music educators of the mid 20th century.
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2470:(August 1, 1969). "In Memoriam: Douglas Moore (1893–1969): an Appreciation".
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Moore began his professional life as the organist and music director for the
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After Moore returned to New York from Paris, he joined the music faculty at
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Moore conducted the Manhattan Symphony Orchestra in the premiere of his
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which enabled him to spend time in Bermuda composing his first opera,
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Moore further utilized his song writing skillset while serving in the
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in 1921–1922. His classmates included composers Theodore Chandler,
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From 1921 through 1925 Moore worked as the curator of music at the
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709:(1923–1924 season); Geoffrey Wareham in Harry Wagstaff Gribble's
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After leaving the Navy, Moore pursued graduate studies at the
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3 Contemporaries: Careful Etta, Grievin' Annie, Fiddlin' Joe'
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on Long Island in 1640. His mother was a descendent of both
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National Institute and American Academy of Arts and Letters
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in 1956 and received a critically lauded production at the
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before pursuing graduate studies in music composition with
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which was responsible for funding works by composers like
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secret society. He also performed in stage plays with the
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orchestra from 1926 through 1935. In 1940 he succeeded
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Virgil Thomson: A Reader: Selected Writings, 1924–1984
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In the fall of 1926 Moore joined the music faculty of
118:(1956) has remained well known into the 21st century.
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Moore and Benet collaborated again on the folk opera
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on December 11, 1932. The work was originally titled
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In 1928 Moore co-authored a collection of songs from
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Douglas Stuart Moore was born on August 10, 1893, in
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American Society of Composers, Authors and Publishers
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on January 18, 1927, and the work's win of the 1927
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from 1919 through 1921, where his teachers included
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War Service, Paris studies, and marriage (1917–1921)
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2427:Andrew Stiller (2001). "Moore, Douglas S(tuart)".
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142:drew the attention of Yale music department chair
84:(August 10, 1893 – July 25, 1969) was an American
2484:(1942). "American Composers, XX: Douglas Moore".
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295:(NYCO) in 1958. The NYCO recorded the opera with
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1010:was written for violinist Hildegarde Donaldson.
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212:(composed 1924, premiered 1926) which won the
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931:(Composers Recordings, Inc.) record label.
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1892:
1890:
1888:
1886:
1884:
1882:
1880:
1878:
1876:
1874:
1163:(1939) which was adapted from Benet's
831:. She didn't want you to be yourself."
239:, beginning with the children's opera
19:For other persons with this name, see
2672:
2524:
2083:
2069:
1987:
1957:
1950:
1948:
1946:
1944:
1942:
1940:
1938:
1936:
1934:
1921:
1919:
1917:
1915:
1913:
1500:Quintet for woodwinds and horn (1942)
1175:on 18 May 1939 in a double bill with
1134:Bronxville Union Free School District
699:(1922–1923 season); Henry Higgins in
410:-winning poet, writer, and the ninth
3036:20th-century American male musicians
2105:
2021:
2007:
1966:
1715:
1414:I. The Pageant of P. T. Barnum, II.
915:Moore was a member from 1941 of the
230:American Academy of Arts and Letters
54:move details into the article's body
25:
2426:
2401:
2119:
2043:
1925:
1871:
1866:
1631:(A. MacLeish), SSATBB chorus (1938)
1392:
1090:countermelodies and modal harmony.
472:from 1913 through 1915; succeeding
13:
2460:
1931:
1910:
1643:(S.V. Benét), A/Bar, chorus (1943)
14:
3057:
2550:
2495:
2405:Douglas Moore: A Bio-bibliography
1658:, tenor soloist and chorus (1953)
1259:
1136:, commissioned Moore to write an
255:1936 short story of the same name
181:. His first composition of note,
2991:Pulitzer Prize for Music winners
2961:20th-century classical composers
2928:
2916:
2904:
2807:
2653:
2652:
2639:Quintet for clarinet and strings
2318:Allen Bole (February 11, 1949).
2290:, editor, pp. 118, 136 and 137,
1619:(S. V. Benét), SSA chorus (1937)
1504:Quintet for clarinet and strings
1488:
958:(1928); which told the story of
772:Pennsylvania Army National Guard
479:Concerto for Piano and mandolins
30:
3026:20th-century American composers
3001:People from Cutchogue, New York
2996:Schola Cantorum de Paris alumni
2507:The Ballad of Baby Doe web site
2360:
2332:
2311:
2277:
1703:. New York: Routledge, p. 268.
1610:
1522:(1940, material later used for
996:Songs My Mother Never Taught Me
848:Columbia University (1926–1962)
581:Songs My Mother Never Taught Me
345:who traveled to America on the
1685:
1264:
1132:, then music director for the
942:Work as a composer (1926–1966)
358:; a business which he sold to
281:in 1951. His best known work,
21:Douglas Moore (disambiguation)
1:
2981:American male opera composers
1674:
1641:Prayer for the United Nations
1513:
1378:The Greenfield Christmas Tree
1196:Moore was also influenced by
936:From Madrigal to Modern Music
583:which Moore co-authored with
305:From Madrigal to Modern Music
253:in 1939 and was based on the
2986:American classical composers
2749:The Saint of Bleecker Street
2567:The Devil and Daniel Webster
2512:Information on Douglas Moore
2346:The Devil and Daniel Webster
1906:. July 28, 1969. p. 31.
1444:Overture on an American Tune
1339:, children's operetta (1950)
1324:The Devil and Daniel Webster
1160:The Devil and Daniel Webster
1093:In 1934 Moore was awarded a
1036:Overture on an American Tune
946:
864:upon its New York career at
764:104th Cavalry Regiment March
744:Edward MacDowell Association
668:Cleveland Institute of Music
559:1916 he was a fellow at the
426:, who founded the magazines
390:, a boys boarding school in
259:Pulitizer Prize winning poet
246:The Devil and Daniel Webster
168:Cleveland Institute of Music
7:
2966:Columbia University faculty
2769:Meditations on Ecclesiastes
1165:1936 novel of the same name
1119:Brooklyn Symphony Orchestra
1044:1922 novel of the same name
968:quartal and quintal harmony
964:1851 novel of the same name
838:Ballad of William Sycmamore
790:American Laboratory Theatre
595:, American folk tunes, and
448:Yale University (1911–1917)
121:
10:
3062:
2402:McBride, Jerry L. (2011).
2395:
1150:. Written in the style of
666:in his masterclass at the
468:Moore was a member of the
406:, who became a three-time
392:West Newton, Massachusetts
210:The Pageant of P.T. Barnum
18:
2816:
2805:
2707:
2648:
2617:
2558:
2473:Perspectives of New Music
2410:Music Library Association
2292:Columbia University Press
1625:(V. Lindsay), TTBB (1937)
1470:Symphony No. 2 in A major
1333:, children's opera (1948)
1331:The Emperor's New Clothes
1295:, incidental music (1927)
1289:, incidental music (1927)
1281:, incidental music (1925)
1251:for Music for this work.
768:regiment of the same name
575:for two years during the
487:Yale Dramatic Association
422:winning scenic designer;
384:Charles Herbert Levermore
266:Symphony No. 2 in A major
132:Yale Dramatic Association
3016:Pupils of Vincent d'Indy
2971:American opera composers
2700:Pulitzer Prize for Music
1679:
1564:
1542:
1254:
1191:
1186:
1013:
1000:New Songs for New Voices
884:In 1940 Moore succeeded
766:in 1924 in honor of the
604:Schola Cantorum de Paris
273:Pulitzer Prize for Music
160:Schola Cantorum de Paris
3041:Fessenden School alumni
3006:Hotchkiss School alumni
2435:Oxford University Press
1434:, symphonic poem (1928)
1363:, a "soap opera" (1958)
1273:, musical comedy (1925)
1115:Federal Theatre Project
870:Eastman School of Music
648:Cleveland Museum of Art
310:
214:Eastman School of Music
175:Cleveland Museum of Art
3021:Pupils of Ernest Bloch
3011:Yale University alumni
2583:The Ballad of Baby Doe
1352:The Ballad of Baby Doe
1313:, chamber opera (1935)
1286:Much Ado About Nothing
1207:The Ballad of Baby Doe
981:Rochester Philharmonic
862:Pageant of P.T. Barnum
833:
795:Much Ado About Nothing
755:Pageant of P.T. Barnum
400:Lakeville, Connecticut
316:Early life (1893–1911)
284:The Ballad of Baby Doe
271:Moore was awarded the
115:The Ballad of Baby Doe
78:
2599:The Wings of the Dove
1497:String quartet (1933)
1368:The Wings of the Dove
1317:The Headless Horseman
1147:The Headless Horseman
1111:Stephen Vincent Benét
1095:Guggenheim Fellowship
821:
784:on a commission from
632:Stephen Vincent Benét
505:Stephen Vincent Benét
412:Librarian of Congress
262:Stephen Vincent Benét
241:The Headless Horseman
162:(1919–1921) and with
108:described Moore as a
76:
2799:String Quartet No. 2
2790:Piano Concerto No. 1
2739:Concerto Concertante
2727:Symphony Concertante
1656:Birds' Courting Song
1637:, TTBB chorus (1940)
1494:Violin sonata (1929)
1438:A Symphony of Autumn
1152:Gilbert and Sullivan
1020:A Symphony of Autumn
934:His second book was,
890:Alice M. Ditson Fund
886:Daniel Gregory Mason
736:Daniel Gregory Mason
687:Cleveland Play House
368:Pasadena, California
222:Daniel Gregory Mason
179:Cleveland Play House
110:neoromantic composer
82:Douglas Stuart Moore
2717:Giants in the Earth
2575:Giants in the Earth
1701:Richard Kostelanetz
1595:Dance for a Holiday
1344:Giants in the Earth
1327:, folk opera (1939)
1240:Giants in the Earth
1231:Symphony in A major
1173:Martin Beck Theatre
858:Columbia University
786:Richard Boleslawski
776:William Shakespeare
732:Cleveland Orchestra
701:George Bernard Shaw
549:Fantaisie Polonaise
538:William Shakespeare
516:David Stanley Smith
511:, and Cole Porter.
293:New York City Opera
287:, premiered at the
278:Giants in the Earth
249:which premiered on
218:Columbia University
206:Columbia University
191:Cleveland Orchestra
2976:American organists
2744:Gian Carlo Menotti
2430:Grove Music Online
2353:The New York Times
2325:The New York Times
1903:The New York Times
1662:The Mysterious Cat
1635:Prayer for England
1573:(composed 1935–40)
1530:Youth Gets a Break
1399:Four Museum Pieces
1064:Henry W. Armstrong
902:Gian Carlo Menotti
879:Listening to Music
813:Four Museum Pieces
800:Robert E. Sherwood
728:Four Museum Pieces
612:Charles Tournemire
610:(composition) and
573:United States Navy
526:'s productions of
524:Yale Dramatic Club
404:Archibald MacLeish
335:Southold, New York
301:Listening to Music
289:Central City Opera
197:in Paris in 1926.
183:Four Museum Pieces
148:United States Navy
79:
2892:
2891:
2764:Norman Dello Joio
2666:
2665:
2452:978-1-56159-263-0
1520:Power in the Land
1509:Piano trio (1953)
1319:, operetta (1936)
1271:Oh, Oh, Tennessee
842:Oh, Oh, Tennessee
817:musical modernism
656:Ernest M. Skinner
628:Martha's Vineyard
102:musical modernism
71:
70:
50:length guidelines
16:American composer
3053:
2933:
2932:
2931:
2921:
2920:
2909:
2908:
2907:
2900:
2811:
2786:John La Montaine
2693:
2686:
2679:
2670:
2669:
2656:
2655:
2545:
2538:
2531:
2522:
2521:
2491:
2477:
2456:
2433:(8th ed.).
2423:
2390:
2389:
2387:
2386:
2364:
2358:
2357:
2336:
2330:
2329:
2315:
2309:
2306:
2295:
2294:, New York, 1998
2281:
2275:
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2249:
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2197:
2191:
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2103:
2100:
2081:
2078:
2067:
2064:
2041:
2038:
2019:
2016:
2005:
2002:
1985:
1984:McBride, pp. 3–4
1982:
1976:
1973:
1964:
1963:McBride, pp. 1–2
1961:
1955:
1952:
1929:
1923:
1908:
1907:
1894:
1869:
1864:
1713:
1712:
1689:
1617:Perhaps to Dream
1536:Bip Goes to Town
1393:Orchestral works
1293:The Road to Rome
1123:The Hartt School
992:John Jacob Niles
898:Benjamin Britten
805:The Road to Rome
759:Nikolai Sokoloff
720:Rollo's Wild Oat
691:G. K. Chesterton
585:John Jacob Niles
561:MacDowell Colony
500:An Ideal Husband
491:Elizabethan Club
416:Donald Oenslager
396:Hotchkiss School
388:Fessenden School
187:MacDowell Colony
136:Elizabethan Club
66:
63:
57:
48:Please read the
34:
33:
26:
3061:
3060:
3056:
3055:
3054:
3052:
3051:
3050:
2941:
2940:
2939:
2929:
2927:
2915:
2911:Classical music
2905:
2903:
2895:
2893:
2888:
2812:
2803:
2703:
2697:
2667:
2662:
2644:
2613:
2554:
2549:
2498:
2466:
2463:
2461:Further reading
2453:
2420:
2398:
2393:
2384:
2382:
2366:
2365:
2361:
2342:(19 May 1939).
2337:
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2084:
2079:
2070:
2065:
2044:
2039:
2022:
2017:
2008:
2003:
1988:
1983:
1979:
1974:
1967:
1962:
1958:
1953:
1932:
1924:
1911:
1896:
1895:
1872:
1865:
1716:
1693:Thomson, Virgil
1690:
1686:
1682:
1677:
1613:
1567:
1555:4 Museum Pieces
1545:
1516:
1491:
1482:Cotillion Suite
1464:Down East suite
1410:, suite (1924)
1405:The Pageant of
1395:
1307:, ballet (1930)
1267:
1262:
1257:
1220:second symphony
1194:
1189:
1181:Filling Station
1016:
949:
944:
854:Barnard College
850:
644:
616:Nadia Boulanger
569:
533:Quentin Durward
509:Thornton Wilder
454:Yale University
450:
418:, who became a
380:Adelphi Academy
318:
313:
202:Barnard College
195:Nadia Boulanger
128:Yale University
124:
67:
61:
58:
47:
44:may be too long
39:This article's
35:
31:
24:
17:
12:
11:
5:
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2988:
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2913:
2890:
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2879:
2872:
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2858:
2851:
2844:
2837:
2830:
2823:
2817:
2814:
2813:
2806:
2804:
2802:
2801:
2795:Elliott Carter
2792:
2783:
2772:
2761:
2759:Symphony No. 3
2752:
2741:
2732:
2729:
2720:
2708:
2705:
2704:
2696:
2695:
2688:
2681:
2673:
2664:
2663:
2661:
2660:
2649:
2646:
2645:
2643:
2642:
2636:
2633:Symphony No. 2
2630:
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2595:
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2540:
2533:
2525:
2519:
2518:
2509:
2504:
2497:
2496:External links
2494:
2493:
2492:
2490:(20): 248–253.
2478:
2462:
2459:
2458:
2457:
2451:
2424:
2418:
2397:
2394:
2392:
2391:
2374:. 1927-01-31.
2368:"Red Rhapsody"
2359:
2331:
2310:
2308:McBride, p. 22
2296:
2276:
2274:McBride, p. 19
2250:
2248:McBride, p. 18
2230:
2228:McBride, p. 16
2221:
2219:McBride, p. 14
2201:
2199:McBride, p. 12
2192:
2190:McBride, p. 17
2168:
2166:McBride, p. 15
2152:
2150:McBride, p. 11
2138:
2136:McBride, p. 10
2118:
2104:
2082:
2068:
2042:
2020:
2006:
2004:McBride, p. 20
1986:
1977:
1965:
1956:
1930:
1909:
1870:
1714:
1683:
1681:
1678:
1676:
1673:
1672:
1671:
1665:
1659:
1653:
1650:
1649:, canon (1946)
1644:
1638:
1632:
1626:
1620:
1612:
1609:
1608:
1607:
1604:Summer Holiday
1601:
1600:Prelude (1957)
1598:
1592:
1586:
1580:
1577:4 Museum Piece
1574:
1566:
1563:
1562:
1561:
1560:Scherzo (1923)
1558:
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1544:
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1511:
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1485:
1479:
1478:, suite (1947)
1473:
1467:
1461:
1453:
1452:, suite (1941)
1447:
1441:
1435:
1429:
1428:
1427:
1402:
1394:
1391:
1390:
1389:
1388:, opera (1966)
1381:
1375:
1364:
1356:
1355:, opera (1956)
1348:
1347:, opera (1951)
1340:
1334:
1328:
1320:
1314:
1308:
1302:
1296:
1290:
1282:
1274:
1266:
1263:
1261:
1260:Selected works
1258:
1256:
1253:
1249:Pulitzer Prize
1193:
1190:
1188:
1185:
1177:Virgil Thomson
1144:'s 1866 novel
1130:Willard Rhodes
1087:String quartet
1048:Sinclair Lewis
1015:
1012:
953:symphonic poem
948:
945:
943:
940:
910:Virgil Thomson
849:
846:
751:Vachel Lindsay
680:Roger Sessions
676:Bernard Rogers
643:
640:
608:Vincent d'Indy
597:minstrel shows
568:
565:
553:Roger Sessions
520:Horatio Parker
470:Yale Glee Club
452:Moore entered
449:
446:
408:Pulitzer Prize
339:Myles Standish
317:
314:
312:
309:
275:for the opera
156:Vincent d'Indy
144:Horatio Parker
140:Yale Glee Club
123:
120:
106:Virgil Thomson
69:
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2835:
2831:
2828:
2824:
2822:
2821:Complete list
2819:
2818:
2815:
2810:
2800:
2796:
2793:
2791:
2787:
2784:
2782:
2781:
2776:
2775:Samuel Barber
2773:
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2760:
2756:
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2740:
2736:
2735:Quincy Porter
2733:
2730:
2728:
2724:
2721:
2719:
2718:
2713:
2712:Douglas Moore
2710:
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2553:
2552:Douglas Moore
2546:
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2534:
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2513:
2510:
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2505:
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2500:
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2488:
2483:
2482:Luening, Otto
2479:
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2419:9780895796660
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2328:. p. 28.
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2116:McBride, p. 9
2113:
2111:
2109:
2102:McBride, p. 8
2099:
2097:
2095:
2093:
2091:
2089:
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2080:McBride, p. 7
2077:
2075:
2073:
2066:McBride, p. 6
2063:
2061:
2059:
2057:
2055:
2053:
2051:
2049:
2047:
2040:McBride, p. 5
2037:
2035:
2033:
2031:
2029:
2027:
2025:
2018:McBride, p. 4
2015:
2013:
2011:
2001:
1999:
1997:
1995:
1993:
1991:
1981:
1975:McBride, p. 3
1972:
1970:
1960:
1954:McBride, p. 2
1951:
1949:
1947:
1945:
1943:
1941:
1939:
1937:
1935:
1927:
1922:
1920:
1918:
1916:
1914:
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1709:0-415-93795-7
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1668:Mary's Prayer
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1450:Village Music
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1056:Sweet Adeline
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1024:Howard Hanson
1021:
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1008:Violin sonata
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170:(1921–1922).
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22:
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2607:Carry Nation
2605:
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2487:Modern Music
2485:
2471:
2468:Beeson, Jack
2428:
2404:
2383:. Retrieved
2371:
2362:
2351:
2345:
2334:
2323:
2313:
2283:
2279:
2224:
2195:
1980:
1959:
1901:
1699:, edited by
1696:
1687:
1667:
1661:
1655:
1646:
1640:
1634:
1628:
1623:Simon Legree
1622:
1616:
1611:Choral works
1603:
1594:
1588:
1585:suite (1948)
1582:
1576:
1570:
1554:
1551:March (1922)
1535:
1529:
1524:Farm Journal
1523:
1519:
1481:
1476:Farm Journal
1475:
1463:
1455:
1449:
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1413:
1407:P. T. Barnum
1404:
1398:
1385:Carry Nation
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1245:Great Plains
1238:
1236:
1230:
1228:
1224:neoclassical
1215:
1211:
1205:
1195:
1180:
1158:
1156:
1145:
1127:
1103:Philip Barry
1098:
1092:
1086:
1084:
1072:augmentation
1039:
1035:
1033:
1019:
1017:
1007:
999:
995:
985:
972:polytonality
955:
950:
935:
933:
921:Otto Luening
914:
883:
878:
875:
861:
851:
841:
837:
834:
822:
812:
810:
803:
793:
779:
763:
754:
748:
740:Elinor Wylie
727:
725:
718:
715:Clare Kummer
710:
704:
694:
684:
664:Ernest Bloch
661:
645:
625:
620:César Franck
601:
580:
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557:
548:
541:
531:
528:Walter Scott
513:
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346:
319:
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300:
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244:
240:
234:
209:
199:
182:
172:
164:Ernest Bloch
125:
113:
81:
80:
62:January 2022
59:
42:lead section
40:
2956:1969 deaths
2951:1893 births
2702:(1951–1960)
2626:In memoriam
2618:Other works
2516:usopera.com
2340:Olin Downes
2288:John Updike
1928:, p. 1
1583:Passacaglia
1457:In memoriam
1373:Henry James
1311:White Wings
1305:Greek Games
1299:Jesse James
1265:Stage works
1099:White Wings
1052:sonata form
1004:Jesse James
988:World War I
974:, frequent
894:Béla Bartók
711:March Hares
634:, composer
495:Oscar Wilde
483:Wolf's Head
474:Cole Porter
463:Rudy Vallée
326:Long Island
303:(1932) and
152:World War I
104:. Composer
96:, pianist,
2945:Categories
2755:Ernst Toch
2731:n.a. ('53)
2723:Gail Kubik
2476:: 158–160.
2385:2023-01-16
1675:References
1629:Dedication
1514:Film music
1424:Jenny Lind
1416:Joice Heth
1237:The novel
1216:allegretto
1142:Mayne Reid
1080:retrograde
1076:diminution
1042:after the
1031:movement.
829:Stravinsky
593:vaudeville
459:fight song
424:Henry Luce
420:Tony Award
343:John Alden
90:songwriter
2883:Citations
2876:2011–2020
2869:2001–2010
2862:1991–2000
2855:1981–1990
2848:1971–1980
2841:1961–1970
2834:1951–1960
2827:1943–1950
2591:Gallantry
2380:0040-781X
1440:(1930–31)
1432:Moby Dick
1420:Tom Thumb
1360:Gallantry
1218:from his
1212:Gallantry
1140:based on
1107:Kurt Weil
1062:composer
994:entitled
956:Moby-Dick
947:1926–1929
927:, of the
808:in 1927.
730:with the
706:Pygmalion
577:Great War
543:King Lear
348:Mayflower
322:Cutchogue
98:conductor
52:and help
2658:Category
1695:. 2002.
1589:4 Pieces
1526:in 1947)
1169:Broadway
1138:operetta
1085:Moore's
960:Melville
938:(1942).
489:and the
364:Brooklyn
330:New York
307:(1942).
251:Broadway
228:and the
122:Overview
94:organist
86:composer
2897:Portals
2797:('60):
2788:('59):
2780:Vanessa
2777:('58):
2766:('57):
2757:('56):
2746:('55):
2737:('54):
2725:('52):
2714:('51):
2396:Sources
1926:McBride
1867:Stiller
1226:style.
1202:ragtime
1040:Babbitt
1029:scherzo
770:of the
441:Fortune
373:pianola
166:at the
158:at the
150:during
2641:(1946)
2635:(1945)
2629:(1943)
2610:(1966)
2602:(1961)
2594:(1958)
2586:(1956)
2578:(1951)
2570:(1939)
2559:Operas
2449:
2416:
2378:
1707:
1664:(1960)
1606:(1961)
1597:(1957)
1591:(1955)
1579:(1939)
1557:(1922)
1538:(1941)
1532:(1940)
1506:(1946)
1484:(1952)
1472:(1945)
1460:(1943)
1446:(1932)
1422:, IV.
1401:(1923)
1380:(1962)
1301:(1928)
1078:, and
908:, and
678:, and
438:, and
237:operas
138:, and
2935:Music
2923:Opera
2514:from
1680:Notes
1565:Piano
1543:Organ
1255:1960s
1192:1950s
1187:1940s
1068:motif
1066:as a
1058:" by
1014:1930s
990:with
976:metre
825:Fauré
696:Magic
2447:ISBN
2414:ISBN
2376:ISSN
2372:Time
1705:ISBN
1200:and
1198:jazz
923:and
827:and
798:and
536:and
435:Life
429:Time
341:and
311:Life
2439:doi
1179:'s
1171:'s
1046:by
962:'s
929:CRI
802:'s
788:'s
778:'s
717:'s
703:'s
693:'s
540:'s
530:'s
497:'s
398:in
257:by
204:at
2947::
2445:.
2437:.
2412:.
2408:.
2370:.
2350:.
2322:.
2299:^
2286:,
2253:^
2233:^
2204:^
2171:^
2155:^
2141:^
2121:^
2107:^
2085:^
2071:^
2045:^
2023:^
2009:^
1989:^
1968:^
1933:^
1912:^
1900:.
1873:^
1717:^
1183:.
1082:.
1074:,
970:,
904:,
900:,
896:,
856:,
674:,
599:.
591:,
555:.
507:,
432:,
414:;
328:,
324:,
134:,
92:,
88:,
2899::
2885:)
2881:(
2878:)
2874:(
2871:)
2867:(
2864:)
2860:(
2857:)
2853:(
2850:)
2846:(
2843:)
2839:(
2836:)
2832:(
2829:)
2825:(
2692:e
2685:t
2678:v
2544:e
2537:t
2530:v
2455:.
2441::
2422:.
2388:.
2356:.
1711:.
64:)
60:(
56:.
46:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
