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Doug Sahm

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In 1973, during a visit to the Mexican restaurant La Rosa in San Antonio, Sahm was apprehended by police officers who searched him, his car, and his companions for drugs. As they searched the car, his fiddle was broken. After being handcuffed, Sahm was beaten by the police officers as he continued to
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sentenced them to probation with supervision for five years in March 1966. Meyers was forbidden from leaving Texas for the duration of his probation. A series of appearances with the band in small towns around the state made Sahm unhappy. After his parole officer allowed him to leave Texas the same
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In 1955, producer Charlie Fitch released Sahm's debut single on Sarg Records. Cataloged with the number 113-45 on the label's releases, the pairing of "A Real American Joe" with "Rollin' Rollin'" was credited to Little Doug. The same year, Sahm formed his first band, The Kings. A year later, one of
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magazine. His arrival in San Francisco with the other Texan musicians was covered in the feature "Tribute to the Lone Star State: Dispossessed Men and Mothers of Texas". During the photo shooting, Sahm took his son and sat him on his lap to emulate a childhood photograph that had been taken of him
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Sahm fronted three bands: The Pharaohs, The Dell-Kings and The Markays. He released the song "Crazy Daisy" (1959), and he had a local hit with "Why Why Why" (1960) on Renner Records. Sahm graduated from high school the same year. He had another local hit with "Crazy, Crazy Feeling" (1961); "Just A
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approved the motion to rename the spiral hill in Butler Metro Park to Doug Sahm Hill, in recognition of his "great talents in the music industry". The 35-foot (11-metre) hill is the highest point in the park, with a 360° view of Austin's skyline. In November 2009, artist David Blancas completed
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in New York City and featured on the album with his own musicians. Sahm also joined the Grateful Dead's recording sessions. As he continued to enjoy success in Austin's venues, Sahm used material left over from his October 1972 sessions with Atlantic Records for his 1973 release
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protest and move. He was arrested for public intoxication. The case was dismissed at his trial in June 1973, and Sahm unsuccessfully tried to sue the city. Violet had already been unhappy with the marriage because of Sahm's numerous affairs, and after his arrest, they divorced.
1600:. The film was re-released in 2022, and a special screening in San Antonio featured a Q&A section that included original Sir Douglas Quintet members Meyers and Jack Barber. Music producer Kevin Kosub established a small museum featuring memorabilia from Sahm's career. 750:. The bond for the musicians' release was set at $ 1,500 (equivalent to $ 14,500 in 2023). Sahm got the money from his family in San Antonio. The band pleaded guilty to the charge of "receiving and concealing marijuana without paying the required transfer tax". Judge 1227:
with Meyers (organ, vocals), Fender (guitar, vocals) and Jimenez (accordion, vocals). The group's songs featured the Tex-Mex sound—a mixture of rock, country music, conjunto and blues. Warner Brothers signed the band to a recording contract, and in 1991 they released
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in San Antonio, where they were featured on the program, with their respective bands, as the opening acts. Sahm appeared with the Markays, and Meyers the Goldens. Meyers attributed Meaux's interest in recording Sahm and himself to their performance at the concert.
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His long hair and sideburns, his use of sunglasses and his preference for western attire including cowboy hats and boots characterized Sahm's look. His music style encompassed country music, blues, rock and roll, Cajun music, rhythm and blues,
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On November 23, 1999, Sahm's funeral took place at the Sunset Memorial Home in San Antonio. Loudspeakers were placed outside of the funeral home for the service to be heard by the estimated one thousand mourners in attendance. According to the
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festival. He formed the band The Texas Mavericks in Austin in 1987 with Alvin Crow (fiddle), Speedy Sparks (bass), John Reed (guitar), and Ernie Durawa (drums). Sahm sang under the pseudonym "Samm Dogg", and he and the band performed wearing
1627:, a tribute album to Doug Sahm. It features 12 songs that span Sahm’s career as a solo artist as well as his work with Sir Douglas Quintet and the Texas Tornados. The Intro and Outro tracks consisted of phone messages that Sahm left 1199: 916: 1592:. Sahm's son and the surviving members of the group toured promoting the album. In 2015, Sahm was inducted to the South Texas Music Walk of Fame. The same year, music writer Joe Nick Patoski premiered his documentary on Sahm 1343:
department store. The couple married in 1963. Morris had three children from a previous marriage, and in 1964, she gave birth to Dawn Sahm. As he was responsible for his wife and four children, Sahm was classified 1-Y on the
1391:. His son continued calling him over the next few days. Sahm's girlfriend, Debora Hanson, and Shawn offered to fly to New Mexico and drive him back to Texas. Sahm initially refused, but he agreed to drive himself to 3693: 5111:. Joe Nick Patoski (Director, Screenwriter), Dawn Johnson (Producer), Jason Wehling (Screenwriter), Cody Ground (Editor), Yuta Yamaguchi (Cinematographer). Austin, TX: Society for the Preservation of Texas Music. 1274:. Sahm then formed The Last Real Texas Blues Band with the musicians he performed with at Antone's. In 1995, the group, composed of Rocky Morales (tenor saxophone), Sauce Gonzalez (Hammond organ), Meyers (piano), 633:. Sahm called his new composition "She's A Body Mover". Meaux purchased the song from him for $ 25 (equivalent to $ 200 in 2023), but he felt the title would not help it get airplay. Instead, he renamed it " 323:
After a continuing decline in record sales, Sahm kept performing in clubs in Austin, and moved through different record labels. Meanwhile, he enjoyed success in Sweden and in Canada. In 1989, Sahm formed the
1331:. The album was the first release on Sahm's own label, Tornado Records. Using the same band, Sahm extended the booking at Cherry Ridge Studios for a series of recording sessions during July and August 1999. 366:, on November 6, 1941, to Victor A. Sahm, Sr. and Viva Lee (née Goodman). The Sahm family had migrated to the United States from Germany early in the 20th century, and settled initially in 1046:. Besides vocals, Sahm played lead guitar, fiddle and piano. Meyers also joined the project and performed on the piano and organ. The same year, Sahm appeared on the fifth episode of the first season of 509:'s gyrations. The students left the auditorium and headed to Sahm's house to continue listening to the band. As he continued performing country music, fiddler J. R. Chatwell, who played with bandleader 701: 779:
scene. He gathered again with the musicians of the Sir Douglas Quintet, excluding Meyers, whose parole officer did not allow to leave Texas. Sahm became acquainted with the music acts playing in the
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Community Mural Program. Located on the west side of San Antonio, the 141-by-17-foot (43-by-5.2-metre) mural features San Antonio musicians including Sahm. Blancas restored the mural in 2020.
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at Meyer's mother's grocery store, and the two became friends. Meyers and Sahm discussed forming a band, but nothing came of it as both played with different groups. Meyers mastered the
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produced Sahm and the Sir Douglas Quintet's "She's About a Mover". The same year, Sahm moved to California. In 1971, he returned to San Antonio, and soon after he moved to Austin.
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wrote that "Lone Star music, at its best, in every form, was religion to Sahm." The magazine ranked him at number 60 on their 100 Greatest Country Artists of All Time in 2017. To
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with the addition of the West Side tenor saxophone player Eracleo "Rocky" Morales. The "West Side Sound", characteristic of San Antonio, consisted of a blend of genres:
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on the steel guitar. His mother took him to a local music school, but his teacher turned him down soon after. His teacher explained he could not teach Sahm to read
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sound, Meaux said he purchased several of their records and rented three rooms at the Wayfarer Hotel in San Antonio. According to his account, he drank a case of
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wrote the album captured Austin's "insouciant essence" as a "carefree hippie mecca". As he toured to promote the album, Sahm made his debut performance at
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and other blues artists who appeared at a nearby blues bar, the Eastwood Country Club. Sahm's neighbor, Homer Callahan, introduced him to the records of
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in 1989. In September 1989, six years after his last record release in the United States, Sahm partnered with club owner and blues impresario
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Sahm put together a band with Meyers (keyboard), Frank Morin (saxophone), Harvey Kagan (bass) and Johnny Perez (drums). Based on The Beatles' "
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and the Soap Creek Saloon in Austin. In 1972, he disbanded the Sir Douglas Quintet. The same year, he made a cameo appearance in the film
465:. Sahm grew up on the East side of San Antonio, a predominantly black neighborhood. He listened from his home to the live performances of 4499: 1552:
declared the date "Doug Sahm Day" in the city. In 2008, Sahm was an inaugural inductee to the Austin Music Memorial. On April 10, 2008,
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was released at the same time. The band appeared in Europe and Japan. Along with Willie Nelson, the Texas Tornados were featured at the
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Sahm's record sales continued to decline, and he rarely performed concerts outside the Austin club scene. In 1975, he produced former
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dedicated an episode of one of its shows to his music. A memorial concert was announced to take place at Antone's in December 1999.
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and finish the trip with a visit to Dan Healy in San Francisco. Sahm left for New Mexico after a brief visit with his son Shawn in
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of Guadalupe street in Austin. He was inducted into the Austin Music Awards Hall of Fame with the 1982–1983 class. In 2002, the
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and the compositions of Bob Dylan later influenced him. Sahm's presence was described as "impulsive, restless and energetic" by
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In July 2000, the songs recorded at the Cherry Ridge Studios sessions the previous year were released on the posthumous album
1278:(guitar) and Derek O'Brian (guitar), recorded a studio album of their live performances. Antone's Record Label released it as 6082: 5687: 5648: 5601: 5262: 5224: 5181: 4979: 4802: 4779: 4735: 4716: 4697: 4674: 4655: 4613: 4594: 4555: 4438: 4415: 4392: 4353: 4310: 4291: 4177: 4136: 3855: 3760: 3682: 3639: 3536: 4321: 6072: 5054: 4632: 747: 617:. He called Sahm and asked him to write songs based on that style, and to let his hair grow. Sahm and Meyers appeared with 6052: 5825: 1404: 1323:(guitar), Tommy Detamore and Clay Baker (steel guitars) and Alvin Crow (fiddle). Sahm booked the Cherry Ridge Studios in 1149: 808: 734:
said in an interview he felt the Sir Douglas Quintet would be a commercial success on radio. Dylan and Sahm met again in
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In 1994, Sahm and Meyers formed a new version of the Sir Douglas Quintet. It included Sahm's sons Shawn on guitar and
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Moment" (1961) and "Lucky Me" (1963) followed. By 1964, Sahm was dropped by the Renner label and he tried to convince
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following Erickson's release from Rusk State Hospital. In 1976, Sahm collaborated again with Meaux on the release of
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during his teenage years. Sahm had local hit records, while he played clubs as a musician for other bands. In 1965,
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Sahm met Violet Morris at a Christmas party in 1961. At the time, Morris worked as an executive secretary at a
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Walking Austin: 33 Walking Tours Exploring Historical Legacies, Musical Culture, and Abundant Natural Beauty
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Sahm enjoyed success performing in San Antonio nightclubs, as he played a blend of music that consisted of
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deemed the singer "a highly knowledgeable and superbly competent performer of Texan musical styles".
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commented: "If Texas had such designation, Douglas Wayne Sahm would be the State Musician of Texas."
1417: 410: 5631: 5580: 5502:"How a Collaboration Between Roky Erickson and Doug Sahm Became Part of the Blueprint for Punk Rock" 5471: 5353: 5312: 5097: 4958: 4910: 4856: 4490: 4188: 4119: 4087: 4055: 4027: 3971: 3929: 3887: 3834: 3739: 3661: 3602: 3567: 3476: 292:
Sahm began singing at age five and learned to play the steel guitar at age six. He was considered a
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Sahm and the Texas Tornados' song "A Little Bit is Better Than Nada" was featured in the 1996 film
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and its subsidiary labels. In December 1968, Sahm appeared with his son, Shawn, on the cover of
602:, his records stopped selling well. Determined to find the reason for the commercial success of 5923: 5884: 3611: 1562: 1380: 1230: 1054: 662: 634: 266: 5521: 5033: 5947: 5863: 5856: 5708: 4240:"Re-released documentary explores the greatest Texas musician you've probably never heard of" 3528: 1640: 1470: 1144: 1003: 751: 739: 611: 246: 32: 5192: 6017: 6012: 5427: 4547: 4147: 3552: 3507: 3011: 1608: 1537: 1465:, while his way of talking was characterized by a "rapid-fire" style and the use of hippie 1319:. By 1999, impressed by Dallas singer Ed Burleson, Sahm assembled a band that consisted of 1236: 792: 394: 5402: 5273: 4990: 2164: 1102:, became a success: It sold 50,000 copies in Sweden, another 50,000 copies in the rest of 552:'s band. Saxophonist Spot Barnett invited him to play at the Ebony rhythm and blues club. 8: 5952: 5016: 4818: 3698: 1553: 1505: 943: 804: 768: 642: 618: 581: 262: 1729: 850:
Sahm left California in 1971 and returned to San Antonio. He released an album entitled
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at the South by Southwest festival. Patoski started a petition to induct Sahm into the
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with Hank Williams. In 1969, Meyers joined Sahm in San Francisco for the recording of
815:. Helped by lawyer Brian Rohan, who represented the Grateful Dead, Sahm was signed to 610:
in the process. Meaux felt the Beatles' songs shared a common ground with traditional
374:. Alfred Sahm was a musician who played with the polka band The Sahm Boys. During the 5990: 5979: 5726: 5683: 5644: 5597: 5457: 5258: 5239: 5220: 5177: 5132: 5112: 4975: 4870: 4840: 4798: 4775: 4731: 4712: 4693: 4670: 4651: 4628: 4609: 4590: 4551: 4434: 4411: 4388: 4349: 4306: 4287: 4173: 4132: 3985: 3851: 3756: 3678: 3635: 3584: 3532: 1452: 1422: 1107: 828: 646: 505:
his concerts in school was interrupted by the principal after Sahm started imitating
423: 298: 4920:"Artist David Blancas restoring West Side San Antonio mural 'La Musica de San Anto'" 3694:"Doug Sahm Museum Creator Kevin Kosub: Grade-A Bullshitter and Old School Man of SA" 1473:, Sahm mastered the steel guitar, mandolin, fiddle, electric guitar, electric bass, 1094:. Sahm and the Sir Douglas Quintet then signed a record deal with the Swedish label 594:
Meaux produced songs that appeared on the music charts in the 1960s, but because of
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considered him "an unpaid PR man for the state of Texas and all things Texan". The
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Sahm moved to Austin that year as the local hippie scene grew. He appeared at the
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revealed the real origin of the band. The quintet toured the United States with
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Who Did It First?: Great Rock and Roll Cover Songs and Their Original Artists
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event, as well as in other venues around Washington, D.C. during their stay.
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House of Hits: The Story of Houston's Gold Star/SugarHill Recording Studios
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Antone's Record Label staff (1995). "The Last Real Texas Blues Band" (CD).
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musicians in San Antonio had given him the nickname "Saldaña". A cover of "
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American musician, singer-songwriter and multi-instrumentalist (1941–1999)
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that his mother declined, wanting him to finish school. In 1953, Sahm met
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at age six. The same year, he appeared on San Antonio's radio station
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Singer-songwriters: Pop Music's Performer-composers from A to Zevon
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division of Atlantic Records in 1972. In October 1972, he recorded
742:, in December 1965, Sahm and Morin were arrested for possession of 537: 418: 270: 161: 3047: 2791: 2779: 2767: 2755: 2514: 2257: 2230: 2218: 2206: 2194: 2182: 2062: 2050: 1978: 1906: 1834: 1692: 1690: 1688: 1686: 5717: 5153:"60 Years Ago, San Antonio Teenagers Invented the Westside Sound" 3811: 3305: 3269: 2974: 2972: 2923: 2176: 1882: 1448: 1301: 855: 348:. In 1999, Sahm died during a vacation trip. A posthumous album, 5641:
Joel Whitburn Presents the Billboard Hot 100 Charts: The Sixties
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Rock the Nation: Latin/o Identities and the Latin Rock Diaspora
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while the Sir Douglas Quintet toured England. During a stop in
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on the instrument. By the age of eight, he had appeared on the
278: 5660:"One in a Crowd: Sir Doug and the Genuine Texas Cosmic Groove" 3341: 3230: 3095: 3083: 3059: 3023: 2969: 2704: 2668: 2401: 2317: 1995: 1993: 1930: 1760: 1758: 1756: 1061: 378:, Sahm's parents moved to San Antonio, where Victor worked at 5590:
Rebels on the Air: An Alternative History of Radio in America
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called him "the Godfather of San Antonio rock 'n' roll". The
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In 2009, a tribute album recorded by San Antonio musicians,
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By the end of 1999, Sahm decided to take a vacation trip to
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featured Sahm on its cover again and ran his interview with
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Sahm was featured in the 1974 mural "Austintatious" at the
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saw Sahm as "a patriarch of Texas rock and country music".
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Hollywood Shack Job: Rock Music in Film and on Your Screen
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Powell, Austin, Freeman, Doug & Johnston, Daniel 2011
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Powell, Austin, Freeman, Doug & Johnston, Daniel 2011
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Powell, Austin; Freeman, Doug; Johnston, Daniel (2011).
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First Pressings: The History of Rhythm and Blues (1959)
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in Los Angeles was released on vinyl LP under the name
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The Doug Sahm Pages – History and Complete Discography
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in New York City with guest appearances by Bob Dylan,
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The Acid Trip: A Complete Guide to Psychedelic Music
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Corpus Christi Caller-Times staff (March 23, 1966).
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Austin-American Statesman staff (January 21, 1993).
3077: 2893: 2881: 2869: 2857: 2833: 2821: 2809: 2797: 2785: 2773: 2761: 2544: 2532: 2347: 2263: 2239: 2224: 2212: 2200: 2188: 2136: 2056: 1984: 1912: 1888: 1840: 1708: 1284:. The album included standards by T-Bone Walker and 289:, as the hippie counterculture soared in the 1970s. 5450:"It Seemed Like the Tex-Mex Trip Never Left Austin" 5360: 4447: 4277: 3936: 3894: 3522: 3483: 3263: 3128: 3053: 3005: 2734: 2520: 2073: 832:. The album's title track reached number 27 on the 590:
The Sir Douglas Quintet in 1965 (Sahm to the right)
5892:The Last Real Texas Blues Band Featuring Doug Sahm 5657: 5479:Sepulvado, Larry; Burks, John (December 7, 1968). 4811: 4788: 3769: 3359: 3335: 3275: 2710: 1617:Texas Tornado Live: Doug Weston's Troubadour, 1971 1569:also painted two murals in Austin depicting Sahm. 1281:The Last Real Texas Blues Band Featuring Doug Sahm 1251:. A version of the album sung in Spanish entitled 1110:. Its single "Meet Me in Stockholm" became a hit. 1052:. In 1979, he made a cameo appearance in the film 5758:The Doug Sahm Pages - Biography & discography 5255:Texas Tornado: The Times & Music of Doug Sahm 5150: 5130: 5104: 5072: 3978: 3864: 3609: 3347: 3236: 3101: 2990: 2978: 2917: 2448: 1960: 1315:. The same year, he joined the Latino supergroup 1259:. The band performed at the America's Reunion on 517:, Howlin' Wolf, Lonesome Sundown, Elvis Presley, 253:. Sahm is regarded as one of the main figures of 6004: 4622: 4584: 4450:"Magnificent Seven: Ole! to the Music of Mexico" 4145: 3323: 2662: 2650: 2323: 2290: 1696: 439:. At age thirteen, he was offered a spot on the 397:' "Teardrops in My Heart". He was regarded as a 385:Sahm began singing at age five, and took up the 357: 5055:"Doug Sahm, Musical Voice of Texas, Dies at 58" 4988: 4965: 4917: 4603: 4541: 4469: 4401: 4217:"Sir Douglas of the Quintet Is Back (in Texas)" 4167: 4126: 4000: 3691: 3574: 3545: 3383: 3299: 3176: 3089: 3065: 3029: 2674: 2407: 2335: 2124: 2029: 1936: 1876: 1723: 427:as "Little Doug". He also performed shows with 5638: 5610: 5447: 5400: 5320:Riemenschneider, Chris 2 (November 25, 1999). 5271: 4725: 4544:The Rockin' 60s: The People Who Made the Music 4260:"Fricke's Picks: The King of Texas, Doug Sahm" 4186: 3668: 3311: 3287: 2749: 2436: 2275: 2160: 2148: 2112: 2014: 413:. By the time he was eight, he could play the 314:signed Sahm and released his debut solo album 5819: 5587: 5539: 5420: 5380: 4765: 4744: 4728:ove Me Do to Love Me Don't: Beatles on Record 4706: 4683: 4664: 4641: 4424: 4382: 4339: 4257: 4237: 4094: 4062: 3395: 3371: 3116: 3041: 2905: 2638: 2614: 2580: 2556: 2496: 2484: 2424: 2383: 2359: 2088: 1999: 1924: 1764: 5499: 5292:Riemenschneider, Chris (November 20, 1999). 5190: 5108:Sir Doug and the Genuine Texas Cosmic Groove 5052: 5031: 4968:Blue Weeds: The Alchemy of a Cajun Childhood 4937: 4885: 4863: 4833: 4362: 4300: 4214: 3844:The Comprehensive Country Music Encyclopedia 3718: 3200: 3152: 2946: 2722: 2626: 2597: 2568: 2460: 1972: 1948: 1828: 1791: 1594:Sir Doug and the Genuine Texas Cosmic Groove 783:district, and performed at venues including 709:Sahm Performing with the Sir Douglas Quintet 5677: 5559: 5345:: CS1 maint: numeric names: authors list ( 4940:"Album shows breadth of Sir Douglas' Blues" 4564: 4497: 4319: 4034: 3963:: CS1 maint: numeric names: authors list ( 3921:: CS1 maint: numeric names: authors list ( 3790:Chicago Tribune staff (November 23, 1999). 3746: 3407: 3224: 3164: 2845: 2698: 2044: 1900: 1548:. On October 13, 2002, San Antonio's mayor 1114:, and their second release with the label, 1062:The 1980s, the Texas Tornados and the 1990s 922:Sahm performing the title-tack of his album 846:Sahm recording for Atlantic Records in 1972 5826: 5812: 5363:"100 Greatest Country Artists of All Time" 3424: 3188: 1407:aired a three-hour tribute to Sahm, while 575: 261:. He gained fame along with his band, the 31: 5233: 5009: 4404:300 Years of San Antonio and Bexar County 3937:Corcoran, Michael 3 (November 25, 1999). 3140: 2371: 1747: 1611:of Sahm during a live performance at the 799:. The Sir Douglas Quintet opened for the 674:, and Europe with The Beach Boys and the 6063:20th-century American singer-songwriters 4448:Harrington, Richard (February 3, 1999). 3895:Corcoran, Michael 2 (November 1, 1999). 3721:"Doug Sahm, Tex-Mex Pioneer, Dies at 58" 1483: 841: 585: 500:High school portrait of Sahm, circa 1958 495: 5423:"Tex-Mex Musician Doug Sahm Deat at 58" 5151:Patoski, Joe Nick (November 20, 2020). 5012:"Douglas Wayne Sahm, rocker, 1941–1999" 3979:Cromelin, Richard (November 20, 1999). 3252:Head, James & Jasinski, Laurie 2021 2252:Sepulvado, Larry & Burks, John 1968 1401:arteriosclerotic cardiovascular disease 6005: 5974:Keep Your Soul: A Tribute to Doug Sahm 4866:"Doug Sahm: A Lone Star State of Mind" 4836:"Adventurous singers bring home Junos" 4518:Head, James; Jasinski, Laurie (2021). 4037:"Musician:His life like Texas Tornado" 3867:"Fittingly, a happy note on a sad day" 3865:Corcoran, Michael (November 1, 1999). 3610:Blackstock, Peter (November 1, 2002). 3484:Austin City Council (April 10, 2008). 2177:Corpus Christi Caller-Times staff 1966 2101:Rees, Dafydd & Crampton, Luke 1991 1658: 1574:Keep Your Soul: A Tribute to Doug Sahm 1270:on drums. The band released the album 1234:. The album charted at number five on 763:Move to California and return to Texas 5807: 5361:Rolling Stone staff (June 15, 2017). 5211:Rees, Dafydd; Crampton, Luke (1991). 4989:Moser, Margaret (November 26, 1999). 4812:Lopetegui, Enrique (March 23, 2011). 3842:Country Music Magazine staff (1994). 1659:Garcia, Camille (November 15, 2016). 807:, and in October 1966 performed with 5658:Whittaker, Richard (July 25, 2015). 5611:Walraven, Bill (December 30, 1965). 5193:"Iconic murals by UT's Drag defaced" 5174:The Austin Chronicle Music Anthology 5159:. Texas Department of Transportation 5073:Patoski, Joe Nick (September 1977). 5040:. Texas State Historical Association 4667:The Virgin Encyclopedia of 70s Music 4187:Faires, Robert (November 13, 2010). 3575:Billboard staff (January 13, 1973). 2687:Austin-American Statesman staff 1993 2473:Bradley, Andy & Wood, Roger 2010 1865:Bradley, Andy & Wood, Roger 2010 1206:Sahm singing with the Texas Tornados 1086:, and the use of organs featured by 748:Corpus Christi International Airport 6038:American country singer-songwriters 5613:"Musicians Face the -- La(w) La(w)" 5421:Sansone, Glen (December 13, 1999). 5236:The Improbable Rise of Redneck Rock 4864:Magnet staff (September 24, 2002). 4238:Frías, Hannah (November 11, 2022). 3630:Bradley, Andy; Wood, Roger (2010). 1488:Sign marking "Doug Sahm Hill" with 1403:, described as a heart attack. The 1249:Best Mexican/Mexican-American Album 1150:The Return of the Formerly Brothers 1139:. Meanwhile, in Canada, along with 809:Big Brother and the Holding Company 257:, and as an important performer of 13: 5560:Waddel, Ray (September 28, 2002). 5448:Schulian, John (October 9, 1974). 5131:Patoski, Joe Nick (January 2000). 5053:Pareles, Jon (November 22, 1999). 4918:Martin, Deborah (April 30, 2020). 4589:. Texas A&M University Press. 4528:Texas State Historical Association 4365:"38th Annual Grammy Awards (1995)" 4146:Dunlop, Machelle (February 2011). 3548:"Other Records Released this Week" 1455:during his time in San Francisco, 1379:, then continue to a cabin in the 1375:. He planned to visit a friend in 1305:. In 1998, Sahm collaborated with 1257:first inauguration of Bill Clinton 1180: 896: 683: 14: 6099: 6088:American people of German descent 5698: 5191:Price, Asher (January 11, 2014). 4938:McLeese, Don (January 31, 1995). 4745:Lerner, David (October 9, 2019). 4686:The Encyclopedia of Popular Music 4520:"Sahm, Douglas Wayne (1941–1999)" 4472:"A Texan Tries it as a Lone Star" 4470:Hilburn, Robert (June 15, 1974). 4305:. Vol. 9. Big Nickle Pubns. 4035:Davis, John (February 28, 2010). 3719:Burr, Ramiro (December 4, 1999). 3612:"Field Reportings from Issue #42" 2396:Country Music Magazine staff 1994 1580:and a short biography written by 1355:Sahm was a dedicated follower of 942:signed Sahm to the newly created 560:to sign him. Meaux, the owner of 5643:. Record Research Incorporated. 5630: 5579: 5520:Sverigetopplistan staff (2020). 5470: 5381:Ruggiero, Bob (March 23, 2023). 5352: 5311: 5272:Renshaw, Jerry (June 23, 2000). 5096: 4957: 4909: 4855: 4489: 4258:Fricke, David (March 27, 2009). 4118: 4086: 4054: 4026: 3970: 3928: 3886: 3833: 3738: 3692:Buffkin, Travis (June 9, 2016). 3601: 3566: 3546:Billboard staff (July 9, 1955). 3475: 3078:Reid, Jan & Sahm, Shawn 2010 2894:Reid, Jan & Sahm, Shawn 2010 2882:Reid, Jan & Sahm, Shawn 2010 2870:Reid, Jan & Sahm, Shawn 2010 2858:Reid, Jan & Sahm, Shawn 2010 2834:Reid, Jan & Sahm, Shawn 2010 2822:Reid, Jan & Sahm, Shawn 2010 2810:Reid, Jan & Sahm, Shawn 2010 2798:Reid, Jan & Sahm, Shawn 2010 2786:Reid, Jan & Sahm, Shawn 2010 2774:Reid, Jan & Sahm, Shawn 2010 2762:Reid, Jan & Sahm, Shawn 2010 2545:Reid, Jan & Sahm, Shawn 2010 2533:Reid, Jan & Sahm, Shawn 2010 2348:Reid, Jan & Sahm, Shawn 2010 2264:Reid, Jan & Sahm, Shawn 2010 2240:Reid, Jan & Sahm, Shawn 2010 2225:Reid, Jan & Sahm, Shawn 2010 2213:Reid, Jan & Sahm, Shawn 2010 2201:Reid, Jan & Sahm, Shawn 2010 2189:Reid, Jan & Sahm, Shawn 2010 2137:Reid, Jan & Sahm, Shawn 2010 2057:Reid, Jan & Sahm, Shawn 2010 1985:Reid, Jan & Sahm, Shawn 2010 1913:Reid, Jan & Sahm, Shawn 2010 1889:Reid, Jan & Sahm, Shawn 2010 1853:Antone's Record Label staff 1995 1841:Reid, Jan & Sahm, Shawn 2010 1709:Reid, Jan & Sahm, Shawn 2010 1334: 1214:Problems playing this file? See 1196: 1159:Best Roots and Traditional Album 930:Problems playing this file? See 912: 717:Problems playing this file? See 699: 421:, and he began to appear on the 6028:American multi-instrumentalists 5500:Stegall, Tim (August 9, 2019). 5456:. Vol. 129, no. 149. 5253:Reid, Jan; Sahm, Shawn (2010). 5075:"Sir Doug Revives and Conquers" 5010:NME staff (November 25, 1999). 4834:Mackie, John (March 13, 1989). 4711:. Billboard Publications, Inc. 4065:"Lawrence Welk Meets The Doors" 4063:Denberg, Jody (November 1984). 3501:Austin Chronicle staff (2021). 1492:building seen in the background 1106:, and reached number 27 on the 652:, and reached number 15 on the 5871:Texas Rock for Country Rollers 5680:Country Music: The Rough Guide 4498:Hisaw, Eric (August 1, 2010). 4431:Texas A&M University Press 4170:The Rough Guide to World Music 4001:Curtis, Gregory (April 1974). 3814:"Musicians Get Suspended Term" 1652: 1634: 1153:. The release earned them the 1043:Texas Rock For Country Rollers 982:. In February 1973, he joined 854:with the Sir Douglas Quintet; 332:with fellow Tex-Mex musicians 1: 6058:Singer-songwriters from Texas 6033:American blues rock musicians 5931:Wasted Days and Wasted Nights 5833: 5403:"#37 – La Musica de San Anto" 5300:. Vol. 129, no. 117 5274:"The Return of Wayne Douglas" 5257:. University of Texas Press. 5238:. University of Texas Press. 5176:. University of Texas Press. 4946:. Vol. 124, no. 190 4886:Marks, Craig (January 1993). 4844:. Vol. 103, no. 258 4753:. Vol. 19. The Taos News 4644:Austin City Limits: A History 4215:Flippo, Chet (July 8, 1971). 4043:. Vol. 139, no. 218 3945:. Vol. 129, no. 122 3903:. Vol. 121, no. 129 3875:. Vol. 121, no. 129 3634:. University of Texas Press. 3464:. Vol. 122, no. 180 2312:Riemenschneider, Chris 2 1999 1645: 1122:. By 1985, Sahm had moved to 860:Wasted Days and Wasted Nights 513:, mentored him. The music of 358:Early life and start in music 6083:Country musicians from Texas 5619:. Vol. 55, no. 152 5568:. Vol. 114, no. 39 5322:"Doug Sahm: a life in music" 4320:Glide staff (May 10, 2023). 4278:Gale Research staff (1989). 4095:Denberg, Jody (April 1989). 3822:. Vol. 55, no. 224 3727:. Vol. 111, no. 49 3523:Avant-Mier, Roberto (2010). 2509:Sverigetopplistan staff 2020 1294:Best Traditional Blues Album 1126:after he visited friends in 1066:Sahm released two albums on 1017:Creedence Clearwater Revival 879:Armadillo World Headquarters 759:with his wife and children. 755:year, he decided to move to 641:in 1965 and credited to the 637:". The song was released on 564:, was enjoying success with 405:, and the boy could already 7: 6073:Sir Douglas Quintet members 5906:The Return of Wayne Douglas 5746:The Doug Sahm Memorial Page 5627:– via Newspapers.com. 5617:Corpus Christi Caller-Times 5467:– via Newspapers.com. 5335:– via Newspapers.com. 5308:– via Newspapers.com. 4997:. Vol. 19, no. 13 4954:– via Newspapers.com. 4852:– via Newspapers.com. 4789:Llewellin, Charlie (2019). 4486:– via Newspapers.com. 4051:– via Newspapers.com. 3953:– via Newspapers.com. 3939:"Last of the Great Hippies" 3911:– via Newspapers.com. 3883:– via Newspapers.com. 3830:– via Newspapers.com. 3819:Corpus Christi Caller-Times 3770:Chadbourne, Eugene (2021). 3472:– via Newspapers.com. 3213:Austin Chronicle staff 2021 2964:Riemenschneider, Chris 1999 1542:Americana Music Association 1435:The Return of Wayne Douglas 1288:. It was nominated for the 1243:. Meanwhile, it earned the 562:SugarHill Recording Studios 351:The Return of Wayne Douglas 10: 6104: 6053:Musicians from San Antonio 5546:United Press International 5522:"Sverigetopplistan search" 5105:Patoski, Joe Nick (2015). 4427:The History of Texas Music 4385:The Bob Dylan Encyclopedia 3753:Greenwood Publishing Group 2930:Chicago Tribune staff 1999 1638: 1598:Rock and Roll Hall of Fame 852:The Return of Doug Saldaña 795:, Sahm met and befriended 746:upon their arrival at the 579: 5940: 5915: 5841: 5792: 5783: 5774: 5769: 5594:New York University Press 5576:– via Google Books. 5443:– via Google Books. 5326:Austin American-Statesman 5298:Austin American-Statesman 5213:Rock Movers & Shakers 5197:Austin American-Statesman 5093:– via Google Books. 4991:"State Musician of Texas" 4944:Austin American-Statesman 4906:– via Google Books. 4709:Rock Movers & Shakers 4623:Kubernik, Harvey (2006). 4585:Jasinski, Laurie (2012). 4567:"The Sir Douglas Quintet" 4346:Taylor Publishing Company 4115:– via Google Books. 4083:– via Google Books. 4041:Austin American-Statesman 4023:– via Google Books. 3943:Austin American-Statesman 3901:Austin American-Statesman 3872:Austin American-Statesman 3735:– via Google Books. 3563:– via Google Books. 3462:Austin-American Statesman 1441: 1418:Austin American Statesman 1223:In 1989, Sahm formed the 1001:released his next album, 791:. Through audio engineer 771:, and became involved in 186: 176: 152: 140: 114: 97: 73: 57: 47: 42: 30: 23: 6043:Atlantic Records artists 5737:Doug Sahm Memorial Issue 4966:Meaux, Francois (2018). 4924:San Antonio Express-News 4772:Rowman & Littlefield 4747:"Sir Doug's Taos Groove" 4730:. McNidder & Grace. 4604:Joynson, Vernon (1984). 4542:Helander, Brock (2001). 4504:Lone Star Music Magazine 4408:Trinity University Press 4402:Guerra, Claudia (2018). 4189:"'Til Death Do Us Apart" 4168:Ellingham, Mark (1999). 4153:Lone Star Music Magazine 4127:DiMartino, Dave (1994). 3577:"The Doug Sahm Sessions" 3264:Austin City Council 2008 3129:Rolling Stone staff 2017 3054:Corcoran, Michael 3 1999 3006:Corcoran, Michael 2 1999 2735:Harrington, Richard 1999 2521:Gale Research staff 1989 2074:Avant-Mier, Roberto 2010 1518:Lone Star Music Magazine 1366: 1346:Selective Service System 1272:Day Dreaming at Midnight 986:during the recording of 572:, and turned Sahm down. 5899:Get a Life / S.D.Q. '98 5639:Whitburn, Joel (1990). 5401:San Anto staff (2009). 4726:Leigh, Spencer (2016). 4648:Oxford University Press 4587:Handbook of Texas Music 4387:. Bloomsbury Academic. 4148:"Sir Doug Gets His Due" 3671:The Rough Guide to Rock 3669:Buckley, Peter (2003). 3360:Whittaker, Richard 2015 3336:Lopetegui, Enrique 2011 3276:Llewellin, Charlie 2019 2711:Chadbourne, Eugene 2021 1393:Albuquerque, New Mexico 1098:in 1983. Their release 576:The Sir Douglas Quintet 6078:Texas Tornados members 6023:American blues singers 5780:None recognized before 5588:Walker, Jesse (2004). 5540:Swenson, John (1987). 5407:San Anto Cultural Arts 4766:Leszczak, Bob (2014). 4707:Lazell, Barry (1989). 4684:Larkin, Colin (2011). 4665:Larkin, Colin (2002). 4642:Laird, Tracey (2014). 4425:Hartman, Gary (2008). 4383:Gray, Michael (2006). 4340:Govenar, Alan (1988). 4280:Contemporary Musicians 4244:culturemap San Antonio 3348:Patoski, Joe Nick 2015 3237:Blackstock, Peter 2002 3102:Patoski, Joe Nick 2000 2991:Corcoran, Michael 1999 2979:Corcoran, Michael 1999 2918:Cromelin, Richard 1999 2449:Patoski, Joe Nick 1977 1961:Patoski, Joe Nick 2020 1563:San Anto Cultural Arts 1493: 1425:, then-Texas governor 1381:Sangre de Cristo Range 1185: 1055:More American Graffiti 1015:, former musicians in 958:David "Fathead" Newman 901: 847: 726:After meeting Sahm in 688: 591: 501: 362:Doug Sahm was born in 43:Background information 6048:Sonet Records artists 5032:Olsen, Allen (2005). 4363:Grammy staff (2021). 4301:Gart, Gallen (2002). 3529:Bloomsbury Publishing 3503:"Austin Music Awards" 3449:Antone's Record Label 3324:Dunlop, Machelle 2011 2663:Jasinski, Laurie 2012 2651:Jasinski, Laurie 2012 2324:Kubernik, Harvey 2006 2291:Jasinski, Laurie 2012 1697:Jasinski, Laurie 2012 1641:Doug Sahm discography 1559:La Música de San Anto 1487: 1471:multi-instrumentalist 1184: 1173:Antone's Record Label 980:s Top LPs & Tapes 900: 845: 752:Reynaldo Guerra Garza 740:Corpus Christi, Texas 695:"She's About a Mover" 687: 589: 499: 247:multi-instrumentalist 224:Antone's Record Label 5786:AMA presidents Award 5678:Wolff, Kurt (2000). 5428:CMJ New Music Report 4565:Huey, Steve (2021). 4548:Schirmer Trade Books 4003:"He's About a Mover" 3747:Busby, Mark (2004). 3508:The Austin Chronicle 3384:Buffkin, Travis 2016 3300:Martin, Deborah 2020 3177:Moser, Margaret 1999 3090:Joynson, Vernon 1984 3066:Hilburn, Robert 1974 3030:Curtis, Gregory 1974 2675:Ellingham, Mark 1999 2408:DiMartino, Dave 1994 2336:Billboard staff 1973 2125:Curtis, Gregory 1974 2030:Meaux, Francois 2018 1937:Guerra, Claudia 2018 1877:Billboard staff 1955 1724:Helander, Brock 2001 1609:soundboard recording 1405:Austin Music Network 1034:13th Floor Elevators 908:"Groover's Paradise" 540:, rhythm and blues, 395:Sons of the Pioneers 5953:Sir Douglas Quintet 5924:She's About a Mover 5017:New Musical Express 4819:San Antonio Current 4131:. Billboard Books. 3699:San Antonio Current 3425:TiVo Staff (2010). 3312:Faires, Robert 2010 3288:San Anto staff 2009 2872:, p. Prologue. 2750:Renshaw, Jerry 2000 2535:, pp. 161–163. 2437:Schulian, John 1974 2276:Whitburn, Joel 1990 2161:Walraven, Bill 1965 2149:Walraven, Bill 1965 2113:Buckley, Peter 2003 2015:Leigh, Spencer 2016 1554:Austin City Council 1506:New Musical Express 1481:, drums and piano. 1165:for the release of 944:progressive country 805:Oakland, California 769:Salinas, California 660:. They appeared on 643:Sir Douglas Quintet 635:She's About a Mover 619:The Dave Clark Five 582:Sir Douglas Quintet 449:while he purchased 277:, and later by the 267:She's About a Mover 263:Sir Douglas Quintet 6068:Juno Award winners 5864:Groover's Paradise 5850:Doug Sahm and Band 5234:Reid, Jan (2004). 5059:The New York Times 5038:Hand Book of Texas 4888:"That Texas Swing" 4751:Arte - Tradiciones 4097:"Beyond the Blues" 3706:on October 1, 2020 3396:Ruggiero, Bob 2023 3372:Frías, Hannah 2022 3117:Fricke, David 2009 3042:Walker, Jesse 2004 2906:Lerner, David 2019 2812:, p. 107-108. 2639:Hartman, Gary 2008 2615:Denberg, Jody 1989 2581:Denberg, Jody 1989 2557:Swenson, John 1987 2497:Gray, Michael 2006 2485:Laird, Tracey 2014 2425:Denberg, Jody 1984 2384:Sansone, Glen 1999 2360:Lazell, Barry 1989 2089:Leszczak, Bob 2014 2000:Larkin, Colin 2011 1925:Govenar, Alan 1988 1794:, pp. 26, 27. 1765:Larkin, Colin 2002 1665:San Antonio Report 1582:Austin Chronicle's 1567:Federico Archuleta 1494: 1451:and tejano music. 1325:Floresville, Texas 1253:Los Texas Tornados 1241:Top Country Albums 1186: 1132:South by Southwest 1070:: the solo record 1049:Austin City Limits 1004:Groover's Paradise 949:Doug Sahm and Band 902: 889:Kris Kristofferson 848: 689: 592: 502: 393:and performed the 364:San Antonio, Texas 317:Doug Sahm and Band 251:San Antonio, Texas 243:Douglas Wayne Sahm 53:Douglas Wayne Sahm 6000: 5999: 5991:Louisiana Hayride 5980:The Grateful Dead 5802: 5801: 5793:Succeeded by 5761:The Vinyl Tourist 5748:(archive version) 5689:978-1-858-28534-4 5650:978-0-898-20074-4 5603:978-0-814-78477-8 5526:Sverigetopplistan 5458:The Baltimore Sun 5264:978-0-292-72196-8 5226:978-0-874-36661-7 5183:978-0-292-72270-5 5034:"West Side Sound" 4981:978-1-982-21121-9 4841:The Vancouver Sun 4804:978-0-899-97954-0 4781:978-1-442-23322-5 4737:978-0-857-16135-2 4718:978-0-8230-7608-6 4699:978-0-857-12595-8 4676:978-1-852-27947-9 4657:978-0-199-39432-6 4615:978-0-907-18824-7 4608:. Babylon Books. 4596:978-0-876-11297-7 4557:978-0-857-12811-9 4524:Handbook of Texas 4476:Los Angeles Times 4440:978-1-603-44001-1 4417:978-1-595-34850-0 4394:978-0-826-46933-5 4369:Recording Academy 4355:978-0-878-33623-4 4342:Meeting the Blues 4312:978-0-936-43309-7 4293:978-0-810-35403-6 4179:978-1-858-28636-5 4138:978-0-823-07629-1 3986:Los Angeles Times 3857:978-0-812-92247-9 3762:978-0-313-33266-1 3684:978-1-843-53105-0 3641:978-0-292-78324-9 3538:978-1-441-16797-2 3314:, p. 26, 28. 3201:Price, Asher 2014 3153:Pareles, Jon 1999 2947:Burr, Ramiro 1999 2723:Grammy staff 2021 2627:Marks, Craig 1993 2598:McLeese, Don 1995 2569:Mackie, John 1989 2461:Stegall, Tim 2019 2139:, p. 34, 35. 1973:Gart, Gallen 2002 1949:Olsen, Allen 2005 1829:Magnet staff 2002 1792:Flippo, Chet 1971 1671:on March 21, 2023 1619:. The Same year, 1546:President's Award 1453:Psychedelic music 1423:Bruce Springsteen 1201: 1192:"Soy de San Luis" 917: 866:. The same year, 704: 521:, T-Bone Walker, 424:Louisiana Hayride 299:Louisiana Hayride 237: 236: 146:singer-songwriter 101:November 18, 1999 6095: 5941:Related articles 5828: 5821: 5814: 5805: 5804: 5767: 5766: 5741:Austin Chronicle 5693: 5682:. Rough Guides. 5674: 5672: 5670: 5664:Austin Chronicle 5654: 5635: 5634: 5628: 5626: 5624: 5607: 5584: 5583: 5577: 5575: 5573: 5556: 5554: 5552: 5536: 5534: 5532: 5516: 5514: 5512: 5506:Austin Chronicle 5496: 5494: 5492: 5475: 5474: 5468: 5466: 5464: 5444: 5442: 5440: 5417: 5415: 5413: 5397: 5395: 5393: 5377: 5375: 5373: 5357: 5356: 5350: 5344: 5336: 5334: 5332: 5316: 5315: 5309: 5307: 5305: 5288: 5286: 5284: 5278:Austin Chronicle 5268: 5249: 5230: 5207: 5205: 5203: 5187: 5168: 5166: 5164: 5147: 5145: 5143: 5127: 5125: 5123: 5101: 5100: 5094: 5092: 5090: 5069: 5067: 5065: 5049: 5047: 5045: 5028: 5026: 5024: 5006: 5004: 5002: 4995:Austin Chronicle 4985: 4962: 4961: 4955: 4953: 4951: 4934: 4932: 4930: 4914: 4913: 4907: 4905: 4903: 4882: 4880: 4878: 4860: 4859: 4853: 4851: 4849: 4830: 4828: 4826: 4808: 4795:Wilderness Press 4785: 4762: 4760: 4758: 4741: 4722: 4703: 4680: 4661: 4638: 4634:978-0826-33542-5 4619: 4600: 4581: 4579: 4577: 4561: 4538: 4536: 4534: 4514: 4512: 4510: 4494: 4493: 4487: 4485: 4483: 4466: 4464: 4462: 4444: 4421: 4398: 4379: 4377: 4375: 4359: 4336: 4334: 4332: 4316: 4297: 4274: 4272: 4270: 4254: 4252: 4250: 4234: 4232: 4230: 4211: 4209: 4207: 4196:Austin Chronicle 4193: 4183: 4172:. Rough Guides. 4164: 4162: 4160: 4142: 4123: 4122: 4116: 4114: 4112: 4091: 4090: 4084: 4082: 4080: 4059: 4058: 4052: 4050: 4048: 4031: 4030: 4024: 4022: 4020: 3997: 3995: 3993: 3975: 3974: 3968: 3962: 3954: 3952: 3950: 3933: 3932: 3926: 3920: 3912: 3910: 3908: 3891: 3890: 3884: 3882: 3880: 3861: 3838: 3837: 3831: 3829: 3827: 3808: 3806: 3804: 3786: 3784: 3782: 3766: 3743: 3742: 3736: 3734: 3732: 3715: 3713: 3711: 3702:. Archived from 3688: 3665: 3659: 3655: 3653: 3645: 3626: 3624: 3622: 3606: 3605: 3599: 3597: 3595: 3571: 3570: 3564: 3562: 3560: 3542: 3519: 3517: 3515: 3497: 3495: 3493: 3488:. City of Austin 3480: 3479: 3473: 3471: 3469: 3452: 3443: 3441: 3439: 3411: 3408:Glide staff 2023 3405: 3399: 3393: 3387: 3381: 3375: 3369: 3363: 3357: 3351: 3345: 3339: 3333: 3327: 3321: 3315: 3309: 3303: 3297: 3291: 3285: 3279: 3273: 3267: 3261: 3255: 3249: 3240: 3234: 3228: 3225:Waddel, Ray 2002 3222: 3216: 3210: 3204: 3198: 3192: 3186: 3180: 3174: 3168: 3165:Hisaw, Eric 2010 3162: 3156: 3150: 3144: 3138: 3132: 3126: 3120: 3114: 3105: 3099: 3093: 3087: 3081: 3075: 3069: 3063: 3057: 3051: 3045: 3039: 3033: 3027: 3021: 3015: 3009: 3003: 2994: 2988: 2982: 2976: 2967: 2961: 2950: 2944: 2933: 2927: 2921: 2915: 2909: 2903: 2897: 2891: 2885: 2879: 2873: 2867: 2861: 2855: 2849: 2846:Davis, John 2010 2843: 2837: 2831: 2825: 2819: 2813: 2807: 2801: 2795: 2789: 2783: 2777: 2771: 2765: 2759: 2753: 2747: 2738: 2732: 2726: 2720: 2714: 2708: 2702: 2699:Huey, Steve 2021 2696: 2690: 2684: 2678: 2672: 2666: 2660: 2654: 2648: 2642: 2636: 2630: 2624: 2618: 2612: 2601: 2595: 2584: 2578: 2572: 2566: 2560: 2554: 2548: 2542: 2536: 2530: 2524: 2518: 2512: 2506: 2500: 2494: 2488: 2482: 2476: 2470: 2464: 2458: 2452: 2446: 2440: 2434: 2428: 2422: 2411: 2405: 2399: 2393: 2387: 2381: 2375: 2369: 2363: 2357: 2351: 2345: 2339: 2333: 2327: 2321: 2315: 2309: 2294: 2288: 2279: 2273: 2267: 2261: 2255: 2249: 2243: 2237: 2228: 2222: 2216: 2210: 2204: 2198: 2192: 2186: 2180: 2174: 2168: 2158: 2152: 2146: 2140: 2134: 2128: 2122: 2116: 2110: 2104: 2098: 2092: 2086: 2077: 2071: 2060: 2054: 2048: 2045:Busby, Mark 2004 2042: 2033: 2027: 2018: 2012: 2003: 1997: 1988: 1982: 1976: 1970: 1964: 1958: 1952: 1946: 1940: 1934: 1928: 1922: 1916: 1910: 1904: 1901:Wolff, Kurt 2000 1898: 1892: 1886: 1880: 1874: 1868: 1862: 1856: 1850: 1844: 1838: 1832: 1826: 1795: 1789: 1768: 1762: 1751: 1745: 1739: 1733: 1727: 1721: 1712: 1706: 1700: 1694: 1681: 1680: 1678: 1676: 1667:. Archived from 1656: 1631:over the years. 1605:Record Store Day 1584:music columnist 1524:Austin Chronicle 1389:Taos, New Mexico 1377:Taos, New Mexico 1329:My Perfect World 1309:for the release 1203: 1202: 1183: 979: 919: 918: 899: 706: 705: 686: 654:UK Singles Chart 608:Thunderbird wine 600:British Invasion 530:rhythm and blues 475:Lonesome Sundown 382:Air Force base. 376:Great Depression 368:Galveston, Texas 312:Atlantic Records 208:Atlantic Records 195: 179: 135:Rhythm and blues 108:Taos, New Mexico 104: 84:November 6, 1941 83: 81: 60: 50: 35: 21: 20: 6103: 6102: 6098: 6097: 6096: 6094: 6093: 6092: 6003: 6002: 6001: 5996: 5963:Los Super Seven 5936: 5911: 5878:Hell of a Spell 5837: 5832: 5798: 5789: 5781: 5778: 5716:discography at 5701: 5696: 5690: 5668: 5666: 5651: 5629: 5622: 5620: 5604: 5578: 5571: 5569: 5550: 5548: 5530: 5528: 5510: 5508: 5490: 5488: 5469: 5462: 5460: 5454:The Evening Sun 5438: 5436: 5411: 5409: 5391: 5389: 5371: 5369: 5351: 5338: 5337: 5330: 5328: 5310: 5303: 5301: 5282: 5280: 5265: 5246: 5227: 5201: 5199: 5184: 5162: 5160: 5141: 5139: 5121: 5119: 5095: 5088: 5086: 5063: 5061: 5043: 5041: 5022: 5020: 5000: 4998: 4982: 4956: 4949: 4947: 4928: 4926: 4908: 4901: 4899: 4876: 4874: 4854: 4847: 4845: 4824: 4822: 4805: 4782: 4756: 4754: 4738: 4719: 4700: 4688:. Vol. 7. 4677: 4658: 4635: 4616: 4597: 4575: 4573: 4558: 4532: 4530: 4508: 4506: 4488: 4481: 4479: 4460: 4458: 4455:Washington Post 4441: 4418: 4395: 4373: 4371: 4356: 4330: 4328: 4313: 4294: 4268: 4266: 4248: 4246: 4228: 4226: 4205: 4203: 4191: 4180: 4158: 4156: 4139: 4117: 4110: 4108: 4085: 4078: 4076: 4053: 4046: 4044: 4025: 4018: 4016: 3991: 3989: 3969: 3956: 3955: 3948: 3946: 3927: 3914: 3913: 3906: 3904: 3885: 3878: 3876: 3858: 3832: 3825: 3823: 3802: 3800: 3797:Chicago Tribune 3780: 3778: 3763: 3737: 3730: 3728: 3709: 3707: 3685: 3657: 3656: 3647: 3646: 3642: 3620: 3618: 3600: 3593: 3591: 3565: 3558: 3556: 3539: 3513: 3511: 3491: 3489: 3474: 3467: 3465: 3437: 3435: 3415: 3414: 3406: 3402: 3394: 3390: 3382: 3378: 3370: 3366: 3358: 3354: 3346: 3342: 3334: 3330: 3322: 3318: 3310: 3306: 3298: 3294: 3286: 3282: 3274: 3270: 3262: 3258: 3250: 3243: 3235: 3231: 3223: 3219: 3211: 3207: 3199: 3195: 3189:TiVo Staff 2010 3187: 3183: 3175: 3171: 3163: 3159: 3151: 3147: 3139: 3135: 3127: 3123: 3115: 3108: 3100: 3096: 3088: 3084: 3076: 3072: 3064: 3060: 3052: 3048: 3040: 3036: 3028: 3024: 3016: 3012: 3004: 2997: 2989: 2985: 2977: 2970: 2962: 2953: 2945: 2936: 2928: 2924: 2916: 2912: 2904: 2900: 2892: 2888: 2880: 2876: 2868: 2864: 2856: 2852: 2844: 2840: 2832: 2828: 2820: 2816: 2808: 2804: 2796: 2792: 2784: 2780: 2772: 2768: 2760: 2756: 2748: 2741: 2733: 2729: 2721: 2717: 2709: 2705: 2697: 2693: 2685: 2681: 2673: 2669: 2665:, p. 1539. 2661: 2657: 2653:, p. 1538. 2649: 2645: 2637: 2633: 2625: 2621: 2613: 2604: 2596: 2587: 2579: 2575: 2567: 2563: 2555: 2551: 2543: 2539: 2531: 2527: 2519: 2515: 2507: 2503: 2495: 2491: 2483: 2479: 2471: 2467: 2459: 2455: 2447: 2443: 2435: 2431: 2423: 2414: 2406: 2402: 2394: 2390: 2382: 2378: 2370: 2366: 2358: 2354: 2346: 2342: 2334: 2330: 2322: 2318: 2310: 2297: 2293:, p. 1383. 2289: 2282: 2274: 2270: 2262: 2258: 2250: 2246: 2238: 2231: 2223: 2219: 2211: 2207: 2199: 2195: 2187: 2183: 2175: 2171: 2159: 2155: 2147: 2143: 2135: 2131: 2123: 2119: 2111: 2107: 2099: 2095: 2087: 2080: 2072: 2063: 2055: 2051: 2043: 2036: 2028: 2021: 2013: 2006: 1998: 1991: 1983: 1979: 1971: 1967: 1959: 1955: 1947: 1943: 1935: 1931: 1923: 1919: 1911: 1907: 1899: 1895: 1887: 1883: 1875: 1871: 1863: 1859: 1851: 1847: 1839: 1835: 1827: 1798: 1790: 1771: 1763: 1754: 1746: 1742: 1734: 1730: 1722: 1715: 1707: 1703: 1699:, p. 1382. 1695: 1684: 1674: 1672: 1657: 1653: 1648: 1643: 1637: 1625:Day of the Doug 1490:The Independent 1444: 1369: 1341:Montgomery Ward 1337: 1317:Los Super Seven 1221: 1220: 1212: 1210: 1209: 1208: 1207: 1204: 1197: 1194: 1187: 1181: 1163:Clifford Antone 1137:wrestling masks 1092:The Attractions 1073:Hell of a Spell 1064: 977: 937: 936: 928: 926: 925: 924: 923: 920: 913: 910: 903: 897: 817:Mercury Records 789:Avalon Ballroom 765: 724: 723: 715: 713: 712: 711: 710: 707: 700: 697: 690: 684: 584: 578: 491:Excello Records 360: 240: 233: 230: 227:Tornado Records 226: 222: 218: 214: 210: 206: 205:Renner Records 204: 197: 196: 193: 177: 147: 145: 106: 102: 85: 79: 77: 68: 66: 64: 58: 48: 38: 26: 17: 12: 11: 5: 6101: 6091: 6090: 6085: 6080: 6075: 6070: 6065: 6060: 6055: 6050: 6045: 6040: 6035: 6030: 6025: 6020: 6015: 5998: 5997: 5995: 5994: 5987: 5982: 5977: 5970: 5965: 5960: 5958:Texas Tornados 5955: 5950: 5944: 5942: 5938: 5937: 5935: 5934: 5927: 5919: 5917: 5913: 5912: 5910: 5909: 5902: 5895: 5888: 5885:Juke Box Music 5881: 5874: 5867: 5860: 5853: 5845: 5843: 5839: 5838: 5831: 5830: 5823: 5816: 5808: 5800: 5799: 5794: 5791: 5782: 5779: 5772: 5771: 5765: 5764: 5755: 5749: 5743: 5734: 5729: 5720: 5711: 5700: 5699:External links 5697: 5695: 5694: 5688: 5675: 5655: 5649: 5636: 5608: 5602: 5585: 5557: 5537: 5517: 5497: 5476: 5445: 5418: 5398: 5378: 5358: 5317: 5289: 5269: 5263: 5250: 5244: 5231: 5225: 5208: 5188: 5182: 5169: 5157:Texas Highways 5148: 5128: 5102: 5070: 5050: 5029: 5007: 4986: 4980: 4963: 4935: 4915: 4883: 4861: 4831: 4809: 4803: 4786: 4780: 4763: 4742: 4736: 4723: 4717: 4704: 4698: 4681: 4675: 4662: 4656: 4639: 4633: 4620: 4614: 4601: 4595: 4582: 4562: 4556: 4539: 4515: 4495: 4478:. Vol. 93 4467: 4445: 4439: 4422: 4416: 4399: 4393: 4380: 4360: 4354: 4337: 4326:Glide Magazine 4317: 4311: 4298: 4292: 4275: 4255: 4235: 4212: 4184: 4178: 4165: 4143: 4137: 4124: 4092: 4060: 4032: 3998: 3976: 3934: 3892: 3862: 3856: 3839: 3809: 3787: 3767: 3761: 3744: 3716: 3689: 3683: 3666: 3640: 3627: 3607: 3572: 3543: 3537: 3520: 3498: 3481: 3453: 3444: 3421: 3420: 3419: 3413: 3412: 3400: 3388: 3376: 3364: 3352: 3340: 3328: 3316: 3304: 3292: 3280: 3268: 3256: 3241: 3229: 3217: 3205: 3193: 3181: 3169: 3157: 3155:, p. 28A. 3145: 3141:NME staff 1999 3133: 3121: 3106: 3094: 3082: 3070: 3058: 3046: 3044:, p. 144. 3034: 3022: 3020:, p. 131. 3010: 3008:, p. A17. 2995: 2983: 2968: 2951: 2934: 2922: 2910: 2908:, p. 8-9. 2898: 2896:, p. 179. 2886: 2884:, p. 177. 2874: 2862: 2860:, p. 111. 2850: 2838: 2836:, p. 110. 2826: 2824:, p. 109. 2814: 2802: 2790: 2778: 2766: 2754: 2739: 2727: 2715: 2703: 2691: 2689:, p. A13. 2679: 2677:, p. 505. 2667: 2655: 2643: 2641:, p. 208. 2631: 2619: 2617:, p. 130. 2602: 2585: 2583:, p. 128. 2573: 2561: 2549: 2547:, p. 156. 2537: 2525: 2523:, p. 260. 2513: 2501: 2499:, p. 596. 2489: 2477: 2475:, p. 201. 2465: 2453: 2451:, p. 118. 2441: 2429: 2427:, p. 228. 2412: 2410:, p. 217. 2400: 2388: 2376: 2374:, p. 224. 2372:Reid, Jan 2004 2364: 2362:, p. 462. 2352: 2350:, p. 107. 2340: 2328: 2316: 2295: 2280: 2278:, p. 226. 2268: 2256: 2244: 2229: 2217: 2205: 2193: 2181: 2169: 2153: 2141: 2129: 2117: 2115:, p. 942. 2105: 2093: 2091:, p. 194. 2078: 2076:, p. 100. 2061: 2049: 2047:, p. 340. 2034: 2019: 2017:, p. 155. 2004: 1989: 1977: 1975:, p. 104. 1965: 1953: 1941: 1939:, p. 503. 1929: 1927:, p. 203. 1917: 1905: 1903:, p. 421. 1893: 1881: 1869: 1857: 1845: 1833: 1796: 1769: 1767:, p. 382. 1752: 1748:Reid, Jan 2004 1740: 1728: 1726:, p. 632. 1713: 1701: 1682: 1650: 1649: 1647: 1644: 1639:Main article: 1636: 1633: 1586:Margaret Moser 1512:New York Times 1443: 1440: 1427:George W. Bush 1397:natural causes 1368: 1365: 1336: 1333: 1231:Texas Tornados 1225:Texas Tornados 1211: 1205: 1195: 1190: 1189: 1188: 1179: 1178: 1177: 1168:Juke Box Music 1147:, he recorded 1088:Elvis Costello 1084:new wave music 1068:Takoma Records 1063: 1060: 999:Warner Records 989:Shotgun Willie 966:David Bromberg 927: 921: 911: 906: 905: 904: 895: 894: 893: 781:Haight-Ashbury 775:'s burgeoning 767:Sahm moved to 764: 761: 714: 708: 698: 693: 692: 691: 682: 681: 680: 676:Rolling Stones 658:The Beach Boys 580:Main article: 577: 574: 566:Dale and Grace 519:Little Richard 515:Lefty Frizzell 451:baseball cards 442:Grand Ole Opry 411:Charlie Walker 359: 356: 330:Texas Tornados 239:Musical artist 238: 235: 234: 232: 231: 229: 228: 216:Takoma Records 212:Warner Records 200: 192: 191: 190: 188: 184: 183: 180: 174: 173: 172:, drums, piano 154: 150: 149: 142: 138: 137: 119:Tejano/Tex-Mex 116: 112: 111: 105:(aged 58) 99: 95: 94: 75: 71: 70: 61: 55: 54: 51: 45: 44: 40: 39: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 6100: 6089: 6086: 6084: 6081: 6079: 6076: 6074: 6071: 6069: 6066: 6064: 6061: 6059: 6056: 6054: 6051: 6049: 6046: 6044: 6041: 6039: 6036: 6034: 6031: 6029: 6026: 6024: 6021: 6019: 6016: 6014: 6011: 6010: 6008: 5993: 5992: 5988: 5986: 5985:Tribe Records 5983: 5981: 5978: 5976: 5975: 5971: 5969: 5966: 5964: 5961: 5959: 5956: 5954: 5951: 5949: 5946: 5945: 5943: 5939: 5932: 5928: 5925: 5921: 5920: 5918: 5914: 5908: 5907: 5903: 5901: 5900: 5896: 5894: 5893: 5889: 5887: 5886: 5882: 5880: 5879: 5875: 5873: 5872: 5868: 5866: 5865: 5861: 5859: 5858: 5857:Texas Tornado 5854: 5852: 5851: 5847: 5846: 5844: 5840: 5836: 5829: 5824: 5822: 5817: 5815: 5810: 5809: 5806: 5797: 5788: 5787: 5777: 5773: 5768: 5763:(Joseph Levy) 5762: 5759: 5756: 5753: 5750: 5747: 5744: 5742: 5738: 5735: 5733: 5730: 5728: 5724: 5721: 5719: 5715: 5712: 5710: 5706: 5703: 5702: 5691: 5685: 5681: 5676: 5665: 5661: 5656: 5652: 5646: 5642: 5637: 5633: 5618: 5614: 5609: 5605: 5599: 5595: 5591: 5586: 5582: 5567: 5563: 5558: 5547: 5543: 5538: 5527: 5523: 5518: 5507: 5503: 5498: 5487:. No. 23 5486: 5485:Rolling Stone 5482: 5477: 5473: 5459: 5455: 5451: 5446: 5434: 5430: 5429: 5424: 5419: 5408: 5404: 5399: 5388: 5387:Houston Press 5384: 5379: 5368: 5367:Rolling Stone 5364: 5359: 5355: 5348: 5342: 5327: 5323: 5318: 5314: 5299: 5295: 5290: 5279: 5275: 5270: 5266: 5260: 5256: 5251: 5247: 5245:0-292-70197-7 5241: 5237: 5232: 5228: 5222: 5218: 5214: 5209: 5198: 5194: 5189: 5185: 5179: 5175: 5170: 5158: 5154: 5149: 5138: 5137:Texas Monthly 5134: 5129: 5122:September 13, 5118: 5114: 5110: 5109: 5103: 5099: 5084: 5080: 5079:Texas Monthly 5076: 5071: 5060: 5056: 5051: 5039: 5035: 5030: 5019: 5018: 5013: 5008: 4996: 4992: 4987: 4983: 4977: 4973: 4969: 4964: 4960: 4945: 4941: 4936: 4925: 4921: 4916: 4912: 4897: 4893: 4889: 4884: 4873: 4872: 4867: 4862: 4858: 4843: 4842: 4837: 4832: 4821: 4820: 4815: 4810: 4806: 4800: 4796: 4792: 4787: 4783: 4777: 4773: 4769: 4764: 4752: 4748: 4743: 4739: 4733: 4729: 4724: 4720: 4714: 4710: 4705: 4701: 4695: 4691: 4690:Omnibus Press 4687: 4682: 4678: 4672: 4668: 4663: 4659: 4653: 4649: 4645: 4640: 4636: 4630: 4627:. UNM Press. 4626: 4621: 4617: 4611: 4607: 4602: 4598: 4592: 4588: 4583: 4572: 4568: 4563: 4559: 4553: 4549: 4545: 4540: 4529: 4525: 4521: 4516: 4505: 4501: 4496: 4492: 4477: 4473: 4468: 4457: 4456: 4451: 4446: 4442: 4436: 4432: 4428: 4423: 4419: 4413: 4409: 4405: 4400: 4396: 4390: 4386: 4381: 4370: 4366: 4361: 4357: 4351: 4347: 4343: 4338: 4327: 4323: 4318: 4314: 4308: 4304: 4299: 4295: 4289: 4285: 4284:Gale Research 4281: 4276: 4265: 4264:Rolling Stone 4261: 4256: 4245: 4241: 4236: 4225:. No. 86 4224: 4223: 4222:Rolling Stone 4218: 4213: 4201: 4197: 4190: 4185: 4181: 4175: 4171: 4166: 4155: 4154: 4149: 4144: 4140: 4134: 4130: 4125: 4121: 4106: 4102: 4101:Texas Monthly 4098: 4093: 4089: 4074: 4070: 4069:Texas Monthly 4066: 4061: 4057: 4042: 4038: 4033: 4029: 4014: 4010: 4009: 4008:Texas Monthly 4004: 3999: 3988: 3987: 3982: 3977: 3973: 3966: 3960: 3944: 3940: 3935: 3931: 3924: 3918: 3902: 3898: 3893: 3889: 3874: 3873: 3868: 3863: 3859: 3853: 3849: 3845: 3840: 3836: 3821: 3820: 3815: 3810: 3799: 3798: 3793: 3788: 3777: 3773: 3768: 3764: 3758: 3754: 3750: 3749:The Southwest 3745: 3741: 3726: 3722: 3717: 3705: 3701: 3700: 3695: 3690: 3686: 3680: 3676: 3672: 3667: 3663: 3651: 3643: 3637: 3633: 3628: 3617: 3616:No Depression 3613: 3608: 3604: 3590: 3586: 3582: 3578: 3573: 3569: 3555: 3554: 3549: 3544: 3540: 3534: 3530: 3526: 3521: 3510: 3509: 3504: 3499: 3487: 3482: 3478: 3463: 3459: 3454: 3450: 3445: 3434: 3433: 3428: 3423: 3422: 3417: 3416: 3409: 3404: 3397: 3392: 3385: 3380: 3373: 3368: 3361: 3356: 3349: 3344: 3337: 3332: 3325: 3320: 3313: 3308: 3301: 3296: 3289: 3284: 3278:, p. 99. 3277: 3272: 3265: 3260: 3253: 3248: 3246: 3238: 3233: 3227:, p. 27. 3226: 3221: 3214: 3209: 3202: 3197: 3190: 3185: 3178: 3173: 3166: 3161: 3154: 3149: 3142: 3137: 3130: 3125: 3118: 3113: 3111: 3103: 3098: 3092:, p. 93. 3091: 3086: 3080:, p. 16. 3079: 3074: 3068:, p. 58. 3067: 3062: 3056:, p. 30. 3055: 3050: 3043: 3038: 3032:, p. 46. 3031: 3026: 3019: 3014: 3007: 3002: 3000: 2993:, p. A1. 2992: 2987: 2980: 2975: 2973: 2966:, p. B4. 2965: 2960: 2958: 2956: 2948: 2943: 2941: 2939: 2931: 2926: 2919: 2914: 2907: 2902: 2895: 2890: 2883: 2878: 2871: 2866: 2859: 2854: 2848:, p. G6. 2847: 2842: 2835: 2830: 2823: 2818: 2811: 2806: 2800:, p. 47. 2799: 2794: 2788:, p. 36. 2787: 2782: 2776:, p. 24. 2775: 2770: 2764:, p. 23. 2763: 2758: 2751: 2746: 2744: 2736: 2731: 2724: 2719: 2712: 2707: 2700: 2695: 2688: 2683: 2676: 2671: 2664: 2659: 2652: 2647: 2640: 2635: 2629:, p. 18. 2628: 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Index


San Antonio
Texas
Taos, New Mexico
Tejano/Tex-Mex
Country
Rock
Blues
Rhythm and blues
steel guitar
mandolin
bajo sexto
dobro
Atlantic Records
Warner Records
Takoma Records
Sonet Records
Antone's Record Label
multi-instrumentalist
San Antonio, Texas
Tex-Mex music
Texan Music
Sir Douglas Quintet
She's About a Mover
conjunto
blues
hippie
San Francisco
Austin, Texas
child prodigy

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