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The double harmonic scale features radial symmetry, or symmetry around its root, or center note. Breaking up the three note chromaticism and removing this symmetry by sharpening the 2nd or flattening the 7th note respectively by one semitone yields the harmonic major and
Phrygian Dominant mode of the
236:
There is a variation of the double harmonic major scale called Double
Harmonic Majorb7, which is also the fifth mode of the harmonic minor scale. This variation is sometimes confused with the double harmonic major scale because many sources refer to it simply as "double harmonic major" without
138:
237:
indicating the "b7" sign. The primary difference between these two scales is the seventh degree, with the double harmonic majorb7 scale having a flat seventh (â™7) and the Double
Harmonic Major having a natural seventh (7).
428:(seven-pitch) scales, the double harmonic scale has a mode for each of its individual scale degrees. The most commonly known of these modes is the 4th mode, the Hungarian minor scale, most similar to the
390:; this means that when its pitches are represented as points on a circle (whose full circumference represents an octave), their average position (or "centre of mass") is the centre of the circle.
233:
featuring augmented seconds. By contrast, both the harmonic major and harmonic minor scales contain only one augmented second, located between their sixth and seventh degrees.
1694:
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1832:
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1943:
1068:
852:, the fifth mode of the harmonic minor scale, as they are alike save for the Phrygian dominant's flattened seventh degree. The
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67:
may also refer to any Arabic mode, the simplest of which, however, to
Westerners, resembles the double harmonic major scale.
1268:
141:
75:
990:"R. G. Kiesewetter's 'Die Musik der Araber': A Pioneering Ethnomusicological Study of Arabic Writings on Music", p. 12.
1096:
1025:
978:
946:
925:
1142:
1129:
1497:
244:, a dominant seventh chord a half step above the root, with strong harmonic movement towards the tonic chord.
32:
129:
However, this scale is commonly represented with the first and last half step each being represented with
966:
376:
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71:
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893:
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212:
308:" to evoke Spanish flamenco music or Moorish heritage. In popular music, Ritchie Blackmore of
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combining the lower half of the
Phrygian dominant scale with the upper half of harmonic minor.
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minor second, major third, perfect fourth and fifth, minor sixth, major seventh, octave
1042:"Perfect balance: A novel principle for the construction of musical scales and meters"
259:, nor is it easily derived from them. It also does not easily fit into common Western
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1048:(Lecture Notes in Computer Science, vol. 9110, pp. 97–108) Heidelberg: Springer.
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204:. The Phrygian dominant in turn is produced by raising the third of the diatonic
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Some of the closest existing scales to the double harmonic major scale are the
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The non-quarter tone form is identical, in terms of notes, to the North Indian
43:
28:
864:, differing from the double harmonic major in having a natural second degree.
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856:(also known as major flat 6 and Ionian flat 6) is identical to the standard
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It is referred to as the "double harmonic" scale because it contains two
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386:) is the only seven-note scale (in 12-tone equal temperament) that is
164:
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The Arabic scale (in the key of E) was used in
Nikolas Roubanis's "
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scale, not intended for much movement through chord progressions.
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because of the diminished step between the 1st and 2nd degrees.
375:
harmonic minor scales respectively, each of which, unlike the
1364:
963:
333:
156:
1066:
Acheter une guitare électrique – Zoom pour ne pas se tromper
185:
lowering the second note and raising the third note of the
143:
Audio playback is not supported in your browser. You can
77:
Audio playback is not supported in your browser. You can
860:
aside from the sixth scale degree being flattened by a
416:
I7M(#5) bII7 bii7M bii7 bii7(b5) III6 iv° V6(b5) bvi°
409:
I7M bII7M iii6 iv7M V7(b5) bVI7M(#5) viisus2add13(b5)
1000:, vol. 18, no. 1. (Autumn–Winter, 1986), pp. 164–196.
405:
The main chords of the c double harmonic major scale.
336:
used this scale in their song "Bleak" from the album
432:
with a raised 4th degree. The modes are as follows:
960:
The "Style hongrois" in the Music of
Western Europe
174:The double harmonic scale is arrived at by either:
398:The main chords of the double harmonic major are:
247:The double harmonic scale is not commonly used in
255:, as it does not closely follow any of the basic
1920:
346:use the scale in a guitar solo from their song "
98:comprising the double harmonic scale is :
1491:
1123:
931:
1505:
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1116:
332:" also makes use of the double harmonic..
208:(a mode of the major scale) by a semitone.
178:lowering both the second and sixth of the
1137:
912:
910:
908:
413:There are other possibilities of tetrad:
267:. This is because it is mostly used as a
1075:" 23 May 2016 (accessed 9 October 2016).
939:Mel Bay Complete Guitar Scale Dictionary
445:
400:
379:, has a full diminished chord backbone.
1037:Milne, A. J., Bulger, D., Herff, S. A.
369:
1921:
905:
1944:Musical scales with augmented seconds
1479:
1111:
1046:Mathematics and Computation in Music
382:This scale (and its modes like the
13:
1081:
316:used the scale in pieces such as "
27:with a flattened second and sixth
14:
1965:
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1018:The Piano Works of Claude Debussy
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768:
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218:lowering the second note of the
163:and the South Indian (Carnatic)
16:Musical scale with unusual steps
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240:The scale contains a built-in
113:, half, augmented second, half
1:
964:Northeastern University Press
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762:
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659:
610:
551:
492:
450:
442:
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1089:Musical Scales of the World
937:Christiansen, Mike (2003).
867:
377:double harmonic minor scale
192:raising the seventh of the
21:double harmonic major scale
10:
1970:
1269:Ptolemy's intense diatonic
894:Assyrian/Syriac folk music
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211:raising the third of the
59:. It can be likened to a
1748:descending melodic major
1695:descending melodic minor
419:
350:" from their 2015 album
1723:ascending melodic minor
1661:ascending melodic major
1087:Hewitt, Michael. 2013.
918:The Ultimate Scale Book
850:Phrygian dominant scale
194:Phrygian dominant scale
145:download the audio file
117:Or, in relation to the
79:download the audio file
1734:Lydian augmented (III)
1507:Modes in Western music
1071:June 18, 2015, at the
916:Stetina, Troy (1999).
874:Ukrainian Dorian scale
406:
213:neapolitan minor scale
189:scale by one semitone.
1815:Double harmonic scale
1787:Phrygian dominant (V)
1782:Ukrainian Dorian (IV)
615:Hungarian/Gypsy minor
454:Double harmonic major
404:
384:Hungarian minor scale
356:. It is also used by
1828:Hungarian minor (IV)
1754:Half diminished (VI)
1744:Aeolian dominant (V)
1340:17 equal temperament
854:harmonic major scale
430:harmonic minor scale
370:Symmetry and balance
306:Sérénade interrompue
242:tritone substitution
220:harmonic major scale
198:harmonic minor scale
38:Mayamalavagowla raga
1823:Double harmonic (I)
1010:Elie Robert Schmitz
298:Soirée dans Grenade
296:used the scale in "
1805:Harmonic major (I)
1777:Harmonic minor (I)
1274:Scale of harmonics
969:2011-01-15 at the
958:Jonathan Bellman,
407:
388:perfectly balanced
348:The Threat Is Real
302:La Puerta del Vino
285:Samson and Delilah
261:chord progressions
1929:Heptatonic scales
1916:
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1840:
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1587:
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1352:Escala nordestina
1342:
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1264:Phrygian dominant
1091:. The Note Tree.
1054:978-3-319-20602-8
992:Philip V. Bohlman
839:
838:
360:in his score for
265:authentic cadence
149:
83:
57:Gypsy major scale
55:(Hijaz Kar), and
1961:
1949:Hemitonic scales
1939:Musical symmetry
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1428:Ukrainian Dorian
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1204:Diminished scale
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889:Neapolitan chord
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318:Gates of Babylon
231:harmonic tetrads
107:augmented second
94:The sequence of
31:. This scale is
1969:
1968:
1964:
1963:
1962:
1960:
1959:
1958:
1954:Tritonic scales
1919:
1918:
1917:
1912:
1846:Number of tones
1837:
1809:
1791:
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1705:
1639:
1584:
1551:
1509:
1504:
1468:
1432:
1393:Hungarian minor
1388:Hungarian major
1319:Double harmonic
1298:
1289:Synthetic scale
1214:Double harmonic
1182:
1146:
1136:
1106:
1084:
1082:Further reading
1079:
1073:Wayback Machine
1063:
1059:
1039:Sethares, W. A.
1036:
1032:
1008:
1004:
989:
985:
971:Wayback Machine
957:
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884:Byzantine music
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339:Blackwater Park
328:jazz standard "
282:from the opera
253:Western culture
249:classical music
196:(a mode of the
169:Mayamalavagowla
151:
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92:
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49:Byzantine scale
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1797:Harmonic major
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1773:
1771:
1769:Harmonic minor
1765:
1764:
1762:
1761:
1756:
1751:
1741:
1736:
1731:
1729:Dorian â™2 (II)
1726:
1719:Jazz minor (I)
1715:
1713:
1707:
1706:
1704:
1703:
1698:
1684:
1682:Mixolydian (V)
1679:
1674:
1672:Phrygian (III)
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1580:Hypomixolydian
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1423:Romanian major
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1291:
1286:
1284:Synthetic mode
1281:
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1246:
1244:Harmonic minor
1241:
1239:Harmonic major
1236:
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1221:
1216:
1211:
1209:Distance model
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1139:Musical scales
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1104:External links
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1100:
1097:978-0957547001
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1014:Virgil Thomson
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973:, 1993): 120.
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844:Related scales
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443:Name of scale
441:
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371:
368:
294:Claude Debussy
278:", and in the
227:
226:
223:
222:by a semitone.
216:
215:by a semitone.
209:
190:
187:harmonic minor
183:
182:by a semitone.
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1934:Modes (music)
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1759:Altered (VII)
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1739:Acoustic (IV)
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1701:Locrian (VII)
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1691:natural minor
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1657:natural major
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1635:Reciting tone
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1464:Bohlen–Pierce
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1408:Jewish nusach
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1326:Major Locrian
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1303:Ethnic origin
1301:
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1259:Major Locrian
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1255:
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1250:
1247:
1245:
1242:
1240:
1237:
1235:
1232:
1230:
1229:Flamenco mode
1227:
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1090:
1086:
1085:
1074:
1070:
1067:
1061:
1055:
1051:
1047:
1043:
1040:
1034:
1027:
1026:0-486-21567-9
1023:
1019:
1015:
1011:
1006:
999:
998:
993:
987:
980:
979:1-55553-169-5
976:
972:
968:
965:
961:
955:
948:
947:0-7866-6994-2
944:
940:
934:
927:
926:0-7935-9788-9
923:
919:
913:
911:
909:
904:
895:
892:
890:
887:
885:
882:
880:
877:
875:
872:
871:
865:
863:
859:
855:
851:
834:
829:
824:
816:
808:
805:
800:
795:
787:
784:
779:
771:
765:
761:
757:
754:
751:
743:
740:
737:
729:
726:
711:
707:
703:
695:
692:
684:
681:
678:
670:
667:
665:
662:
658:
654:
651:
643:
640:
632:
624:
621:
618:
616:
613:
609:
605:
600:
595:
587:
584:
576:
568:
560:
557:
555:Ultraphrygian
554:
550:
546:
543:
535:
532:
524:
521:
513:
510:
495:
491:
487:
484:
476:
473:
470:
467:
459:
456:
453:
449:
438:
435:
434:
433:
431:
427:
417:
414:
410:
403:
399:
391:
389:
385:
380:
378:
367:
365:
364:
359:
355:
354:
349:
345:
341:
340:
335:
331:
327:
323:
319:
315:
311:
307:
303:
299:
295:
291:
287:
286:
281:
277:
272:
270:
266:
262:
258:
257:musical modes
254:
250:
245:
243:
238:
234:
232:
224:
221:
217:
214:
210:
207:
206:Phrygian mode
203:
199:
195:
191:
188:
184:
181:
177:
176:
175:
172:
170:
166:
162:
158:
146:
136:
135:
134:
132:
131:quarter tones
124:
123:
122:
120:
112:
108:
104:
101:
100:
99:
97:
80:
70:
69:
68:
66:
62:
58:
54:
50:
46:
45:
40:
39:
34:
30:
26:
25:musical scale
22:
1833:Oriental (V)
1822:
1814:
1687:Aeolian (VI)
1570:Hypophrygian
1372:
1363:
1333:Quarter tone
1318:
1213:
1151:Main Western
1088:
1060:
1045:
1033:
1017:
1005:
995:
986:
959:
954:
938:
933:
917:
879:Arabic music
847:
423:
415:
411:
408:
397:
387:
381:
373:
361:
351:
337:
283:
273:
263:such as the
246:
239:
235:
228:
173:
154:
128:
116:
93:
65:Arabic scale
64:
56:
53:Arabic scale
52:
48:
44:Bhairav raga
42:
36:
20:
18:
1677:Lydian (IV)
1667:Dorian (II)
1625:Hypolocrian
1615:Hypoaeolian
1187:Other types
997:Asian Music
858:major scale
358:Hans Zimmer
326:Miles Davis
310:Deep Purple
290:Saint-Saëns
180:Ionian mode
61:gypsy scale
1923:Categories
1889:Heptatonic
1877:Pentatonic
1871:Tetratonic
1711:Jazz minor
1653:Ionian (I)
1630:Pentatonic
1605:Hypoionian
1575:Hypolydian
1565:Hypodorian
1547:Mixolydian
1437:Non-octave
1413:Neapolitan
1294:Whole tone
1254:Jazz minor
1219:Enharmonic
1168:Pentatonic
1064:Patrice, "
900:References
426:heptatonic
280:Bacchanale
33:enharmonic
1907:Chromatic
1901:Decatonic
1895:Octatonic
1883:Hexatonic
1853:Monotonic
1524:Authentic
1515:Gregorian
1279:Symmetric
1224:Enigmatic
1178:Chromatic
1020:, p. 28.
962:(Boston:
941:, p. 43.
920:, p. 59.
424:Like all
322:Stargazer
165:Melakarta
1865:Tritonic
1645:Diatonic
1537:Phrygian
1403:Japanese
1359:Gamelan
1310:Algerian
1234:Harmonic
1173:Diatonic
1069:Archived
1016:(1966).
967:Archived
868:See also
862:semitone
819:♭
811:♭
790:♭
766:Locrian
746:♯
732:♯
721:♯
715:♯
698:♭
687:♭
673:♭
664:Oriental
646:♭
635:♯
627:♭
590:♭
579:♭
571:♭
563:♭
538:♯
527:♯
516:♯
505:♯
499:♯
479:♭
462:♭
446:Degrees
353:Dystopia
344:Megadeth
304:", and "
276:Misirlou
202:semitone
109:, half,
1859:Ditonic
1620:Locrian
1610:Aeolian
1418:Persian
1398:Istrian
1374:Slendro
1347:Brazil
1314:Arabic
712:Ionian
496:Lydian
394:Tetrads
324:". The
320:" and "
314:Rainbow
200:) by a
161:Bhairav
90:Details
35:to the
1600:Ionian
1557:Plagal
1542:Lydian
1532:Dorian
1095:
1052:
1024:
977:
945:
924:
330:Nardis
167:named
159:named
29:degree
1593:Other
1473:Modes
1459:Delta
1454:Gamma
1444:Alpha
1383:Gypsy
1365:Pelog
1199:Blues
1194:Bebop
1163:Minor
1158:Major
440:Mode
420:Modes
334:Opeth
269:modal
251:from
157:Thaat
121:note
119:tonic
111:whole
96:steps
23:is a
1909:(12)
1903:(10)
1693:and
1659:and
1449:Beta
1249:Jazz
1143:list
1093:ISBN
1050:ISBN
1022:ISBN
975:ISBN
943:ISBN
922:ISBN
363:Dune
312:and
300:", "
103:half
19:The
1897:(8)
1891:(7)
1885:(6)
1879:(5)
1873:(4)
1867:(3)
1861:(2)
1855:(1)
288:by
1925::
1044:,
1012:,
994:.
907:^
835:8
774:3
763:7
758:8
718:2
709:6
704:8
660:5
655:8
611:4
606:8
552:3
547:8
502:2
493:2
488:8
451:1
366:.
342:.
292:.
171:.
133::
105:,
51:,
47:,
41:,
1750:)
1746:(
1725:)
1721:(
1697:)
1689:(
1663:)
1655:(
1499:e
1492:t
1485:v
1145:)
1141:(
1131:e
1124:t
1117:v
1099:.
1028:.
981:.
949:.
928:.
832:7
822:6
814:5
806:4
803:3
793:2
785:1
782:7
755:7
752:6
749:5
741:4
738:3
735:2
727:1
724:5
701:7
693:6
690:5
682:4
679:3
676:2
668:1
652:7
649:6
641:5
638:4
630:3
622:2
619:1
603:7
593:6
585:5
582:4
574:3
566:2
558:1
544:7
541:6
533:5
530:4
522:3
519:2
511:1
508:6
485:7
482:6
474:5
471:4
468:3
465:2
457:1
147:.
81:.
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