262:. Wilmott, while praising the "flashes of psychological insight" in the work, found himself unconvinced by the attribution to Shakespeare, noting the absence of comic interludes, the play's uncharacteristic structure and, above all, the absence of "heart-stopping moments of poetry". Certainly some typical Shakespearean plot elements, such as women disguised as men, a disaffected younger brother and a switch from scenes at court to one in the country are to be found, but the possibility remains that these were included by another as an "homage" to Shakespeare's style, or as a deliberate attempt to deceive. The critic Lyn Gardner found the work stageworthy, but also doubted the attribution, observing that it was "more of a curiosity than a classic".
159:, with a "Note on this Edition" stating that the edition "makes its own cautious case for Shakespeare's participation in the genesis of the play," followed with speculations regarding how such a case might, in an imagined future, either be "substantiated beyond all doubt" or "altogether disproved". Arden editor, Brean Hammond, in the introduction, states that recent analysis based on linguistics and style "lends support" to the idea that Shakespeare and Fletcher's hand can be detected in the 18th century edition. Hammond then expresses the hope that his edition "reinforces the accumulating consensus that the lost play has a continuing presence in its eighteenth-century great-grandchild." Author and critic Kate Maltby cautions against promoting
545:). Violante has disguised herself as a boy, and has become a servant to a master shepherd. Julio is also in the neighborhood, wandering distractedly, fighting with shepherds and stealing their food. The Master shepherd is a rare character in traditional English drama, who can actually recognize a woman when she's disguised as a boy. He makes a crude and unwelcome sexual advance toward Violante, which is interrupted by the arrival of Roderick. Henriquez has learned that Leonora has taken refuge in a nearby nunnery, and has gained his brother's help in a plan to retrieve her. Roderick has agreed, in part to keep an eye on his younger brother; he insists that Leonora be treated honourably, and given her choice whether to return with them.
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126:, and from subsequent generations of critics as well. Nonetheless, Theobald is regarded by critics as a far more serious scholar than Pope, and as a man who "more or less invented modern textual criticism". The evidence of Shakespeare's connection with a dramatization of the Cardenio story comes from the entry in the Stationers' Register, but Theobald could not have known of this evidence, "since it was not found until long after his death". There appears to be agreement among scholars that the 18th century
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appalled and repelled by this, but her father Don
Bernardo wants the family connection with the nobility that their marriage will produce. Leonora sends a letter to Julio, and he returns in time to frustrate the wedding. Julio challenges Henriquez with his sword but is overwhelmed and ejected by Bernardo's servants; Leonora faints and is carried out. Bernardo discovers a dagger and a suicide note on his daughter's person, revealing her final determination to resist the forced marriage.
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Leonora, a foolish trust. Henriquez has developed an infatuation with
Violante, a beautiful and virtuous local girl of humble birth; she rejects his inappropriate solicitations. Henriquez forces himself upon her. Afterward, confronting his guilty conscience over his "brutal violence", Henriquez tries to convince himself that his act wasn't a rape, with the feeble rationalization that Violante did not cry out, however much she struggled physically.
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193:, with Theobald's contribution being "very minor". By aggregating dozens of psychological features of each playwright derived from validated linguistic cues, the researchers found that they were able to create a "psychological signature" (i.e., a high-dimensional psychological composite) for each authorial candidate. These psychological signatures were then mathematically compared with the psycholinguistic profile of
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197:. This allowed the researchers to determine the probability of authorship for Shakespeare, Fletcher, and Theobald. Their results challenge the suggestion that the play was a mere forgery by Theobald. Additionally, these results provided strong evidence that Shakespeare was the most likely author of the first three acts of
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Julio and the two young women, each in a distraught state of mind, depart mysteriously; the fathers
Camillo and Bernardo are left to confront their own distress. Roderick arrives, and comforts the two old men. Their unhappiness works something of a reversal in each man's character: the formerly mild
557:
Theobald takes a very different approach to the pastoral genre and theme, compared to
Shakespeare and Fletcher. In the pastoral tradition exploited by the earlier dramatists, the retreat to the primitive world of nature is a return to a rough but morally benign innocence. Theobald worked a century
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in Spain". The opening scene introduces Duke Angelo and his elder son and heir, Roderick. Roderick is the dutiful and virtuous son; the Duke also has a younger son, Henriquez, a scapegrace and prodigal who is absent from the ducal court, pursuing his own interests. Henriquez has just written his
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Julio's father
Camillo is not happy about his son's mission to court. Julio wants to arrange a marriage with Leonora; his intended bride is agreeable, and the call to court delays Julio's plan to obtain the consent of both their fathers. Julio leaves Henriquez behind him to further his suit with
527:
His pangs of guilt do not prevent
Henriquez from pursuing another scheme: in Julio's absence he is courting Leonora. (Henriquez admits in a soliloquy that he sent Julio away with this in mind. His pursuit of both Violante and Leonora is the "double falsehood" of the title.) The young woman is
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father a letter, requesting gold to buy a horse; Henriquez will send his friend Julio to court to receive payment. The Duke and
Roderick decide to use Julio for their own purposes: they will detain him at court "some few days...and assay to mould him / An honest spy" upon Henriquez's "riots".
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Roderick is also clever enough to piece together the larger situation; he manages to bring Julio, Leonora, Violante, and
Henriquez back home altogether. He engineers a grand confrontation and reconciliation scene at the play's end: Julio and Leonora and happily re-united, and a now-repentant
210:
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277:, Shakespeare's 'lost play' re-imagined." The text included "restored" elements of the plot based on Cervantes. The production received good reviews, but the critic Michael Billington believed that it was more suggestive of Fletcher than Shakespeare.
311:, an attempt to reverse Theobald's alterations of the original. Taylor's text along with detailed evidence supporting the view that Theobald had used the original playscript was published in a collection of essays the following year.
300:, director Jon Ciccarelli modified the character names to match up with their Cervantes counterparts along with adding scenic material, music, stage combat choreography and dance to further flesh out the central Cardenio story.
94:. Theobald's play changes the names of the main characters from the Spanish original: Cervantes' Cardenio becomes Julio, his Lucinda becomes Leonora; Don Fernando is turned into Henriquez, and Dorothea into Violante.
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on 9 September 1653, credits the work to "Mr
Fletcher & Shakespeare". In all, Moseley added Shakespeare's name to six plays by other writers, attributions which have always been received with scepticism.
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on 24 April 1749, and performed again on 6 May that year. Later performances occurred in 1781 and 1793, and perhaps in 1770 also. After the first edition of 1728, later editions appeared in 1740 and 1767.
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published; William
Shakespeare collaborated on two other plays with Fletcher; A play which was first discovered nearly 300 years ago has been credited to William Shakespeare," BBC News website, 15 March
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make the "grandiose claim" found on advertisements for a production of the play that invite people to come and 'Discover a Lost Shakespeare'. She points out that if a young person sees a production of
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In traditional pastoral, it is more commonly the well-fed denizens of court and city (in contrast to those who live and work in a closer relationship with nature) who are morally corrupt and sensual.
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Boyd, Ryan; Pennebaker, James W. (8 April 2015). "Did Shakespeare Write Double Falsehood? Identifying Individuals by Creating Psychological Signatures With Text Analysis".
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later in a different social and cultural frame; his shepherds are tougher, their life more bleak. Violante is surprised at the Master shepherd's sexual advances:
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It's an enjoyable evening but more of a curiosity than a classic. Shakespeare? You'll have to decide for yourselves, but if it is, then I'm Virginia Woolf.
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54:, although the authorship has been contested ever since the play was first published, with some scholars considering that it may have been written by
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In Act IV the scene shifts from court and town to the wilds where the shepherds keep their flocks (the same shift to the
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series. In January 2011 this version, advertised as by "William Shakespeare and John Fletcher", was presented at the
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68:. Theobald himself claimed his version was based on three manuscripts of an unnamed lost play by Shakespeare.
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Henriquez wants to marry Violante to make up for his crime. The three fathers acquiesce to this arrangement.
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that reported statistical and psychological evidence suggesting Shakespeare and Fletcher may have coauthored
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and adding a new frame story that follows Fletcher and Shakespeare’s collaboration in composing the play.
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62:. Some authors believe that it may be an adaptation of a lost play by Shakespeare and Fletcher known as
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The 1728 edition provided a cast list for the main speaking parts in the original production:
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The Creation and Re-Creation of Cardenio: Transforming Shakespeare, Transforming Cervantes
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The text was published as being by " William Shakespeare, John Fletcher; edited by
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The play's minor roles, of servants, messengers, and others, were omitted from the
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with exaggerated statements. She points out that nowhere does the Arden editor of
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Camillo hardens his nature, while the formerly harsh Bernardo dissolves in tears.
201:, while Fletcher likely made key contributions to the final two acts of the play.
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met with suspicion, and even accusations of forgery, from contemporaries such as
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1099:"Shakespeare troup staging play in Fort Lee, Hackensack with dubious DNA"
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with Shakespeare: the title page of his edition of 1647, entered at the
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1020:"Whether this is a lost Shakespeare or not, the play's the thing"
797:"A new William Shakespeare play? Long lost play to be published"
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A new edition of the play was published in March 2010 in the
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by Jonathan Fisher and Anna Miles, using an adapted text of
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567:(Whose best feed is coarse bread; whose bev'rage, water),
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The play was first produced on 13 December 1727 at the
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Theobald's claim of a Shakespearean foundation for his
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601:. Association for Psychological Science. 9 April 2015.
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Shakespeare’s Plays Reveal His Psychological Signature
597:
Editors of the Association for Psychological Science.
1877:† = Not published in the Beaumont and Fletcher folios
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Who would have thought, that such poor worms as they,
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The 1727 play is based on the "Cardenio" episode in
50:
is a 1727 play by the English writer and playwright
1101:. The Daily Record of Bergen County. Archived from
794:
3634:
714:Stephan Kukowski, "The Hand of John Fletcher in
653:
967:
870:
303:In 2012 Terri Bourus directed a production of
204:
3478:The Adventures of Don Coyote and Sancho Panda
3050:
1900:
1321:The Masque of the Inner Temple and Gray's Inn
1192:
662:William Shakespeare and 'The Birth of Merlin'
136:of 1612–13, and that the original authors of
1683:Four Plays, or Moral Representations, in One
664:. Beaverton, OR: Alioth Press. p. 270.
630:
628:
2847:
844:
539:mode that Shakespeare employs in Act IV of
130:is not a forgery, but is based on the lost
90:'s English translation, which appeared in
3182:Don Quichotte auf der Hochzeit des Comacho
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3043:
1907:
1893:
1199:
1185:
1062:
1115:Terri Bourus and Gary Taylor, eds. 2013.
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953:CS1 maint: multiple names: authors list (
920:(3rd ed.). London: A & C Black.
918:Double falsehood or The distressed lovers
788:
701:Papers of the Modern Language Association
625:
864:
614:and the Verbal Parallels with Shelton's
208:
20:
1914:
1017:
1002:'Double Falshood' performance programme
996:
915:
659:
552:
3635:
634:
284:of New Jersey staged an adaptation of
3113:Dulcinea del Toboso / Aldonza Lorenzo
3038:
2659:Complete Works of William Shakespeare
1888:
1180:
1733:with Massinger, Chapman & Jonson
831:Maltby, Kate. "Fake Shakes(peare)".
795:Mike Collett-White (16 March 2010).
515:The play is set in "the province of
3198:Don Chisciotte alle nozze di Gamace
3019:
916:Hammond, ; edited by Brean (2010).
909:
13:
3145:The Comical History of Don Quixote
2834:Shakespeare's influence on Tolkien
1743:with Massinger, Ford & Webster
237:
183:published research in the journal
14:
3669:
3486:El Quijote de Miguel de Cervantes
3470:Zukkoke Knight - Don De La Mancha
1134:
213:Title page of the 3rd edition of
25:Title page of the 1st edition of
3018:
3009:
3008:
2362:
1314:The Knight of the Burning Pestle
1160:
1146:Images of 2011 London production
1097:Beckerman, Jim (7 August 2012).
1018:Gardner, Lyn (22 January 2011).
699:, by Shakespeare and Fletcher,"
635:Maltby, Kate (1 February 2011).
491:The cast's Wilks and Booth were
288:as part of their summer outdoor
3355:Don Chisciotte and Sancio Panza
1109:
1090:
1056:
1043:
1011:
990:
845:Kate Maltby (1 February 2011).
838:
816:
767:
570:Should have so much rank blood?
3562:Alonso Fernández de Avellaneda
3435:The Man Who Killed Don Quixote
3174:Don Quichotte chez la Duchesse
2839:Works titled after Shakespeare
746:
725:
706:
687:
678:
604:
314:As part of their 2024 season,
1:
3602:Pierre Menard, Author of the
2999:Shakespeare and other authors
1855:(Shakespeare & Fletcher?)
1630:with Beaumont & Massinger
972:. Arden Shakespeare. London:
802:The Christian Science Monitor
777:. Arden Shakespeare. (2010).
756:. Arden Shakespeare. (2010).
735:. Arden Shakespeare. (2010).
622:, Vol. 51 (1998), pp. 95–106.
579:
318:produced a new adaptation of
181:University of Texas at Austin
97:
3595:The Truth about Sancho Panza
3574:List of works influenced by
3371:Don Quijote cabalga de nuevo
3093:Alonso Quixano / Don Quixote
2881:Shakespeare Birthplace Trust
1824:Beaumont and Fletcher folios
968:Hammond, Brean, ed. (2010).
292:season billing the show as "
7:
2687:English Renaissance theatre
2530:The Second Maiden's Tragedy
2509:The Merry Devil of Edmonton
2041:The Two Gentlemen of Verona
1814:English Renaissance theatre
1520:Rule a Wife and Have a Wife
1170:public domain audiobook at
510:
229:. The drama was revived at
205:Performance and publication
10:
3674:
3658:Plays based on Don Quixote
3395:Don Quixote, Knight Errant
3190:Sancho Pança dans son isle
2855:Folger Shakespeare Library
2401:The Phoenix and the Turtle
1991:The Merry Wives of Windsor
1654:with Massinger & Field
282:Hudson Shakespeare Company
175:In 2015, Ryan L. Boyd and
71:
3554:
3527:
3504:
3453:
3299:Incident from Don Quixote
3282:
3259:
3236:
3163:
3136:
3079:
2993:
2904:
2874:Royal Shakespeare Theatre
2869:Royal Shakespeare Company
2776:
2633:
2604:
2433:
2424:
2371:
2360:
2292:
2264:
2155:
2065:
1998:A Midsummer Night's Dream
1942:All's Well That Ends Well
1931:
1922:
1875:
1842:
1804:
1757:
1621:
1569:The Custom of the Country
1529:
1413:
1330:
1305:
1292:
1216:
1151:"'Lost' Shakespeare play
703:, Vol. 84 (1969), p. 509.
267:Royal Shakespeare Company
223:Theatre Royal, Drury Lane
2012:Pericles, Prince of Tyre
1777:(Middleton & Rowley)
1748:The Fair Maid of the Inn
1659:The Honest Man's Fortune
1548:The Little French Lawyer
1422:The Faithful Shepherdess
887:10.1177/0956797614566658
645:. London. Archived from
290:Shakespeare in the Parks
3653:Plays by Lewis Theobald
3588:The History of Cardenio
3513:La Leyenda de la Mancha
3334:(1955–1969, unfinished)
2020:The Taming of the Shrew
1852:The History of Cardenio
1738:Rollo, Duke of Normandy
1485:The Humorous Lieutenant
722:, Vol.43 (1990), p. 27.
329:
269:presented a version of
2702:Lord Chamberlain's Men
2613:The Passionate Pilgrim
2386:comparison to Petrarch
2005:Much Ado About Nothing
1984:The Merchant of Venice
1774:Wit at Several Weapons
1119:. Palgrave Macmillan.
660:Dominik, Mark (1991).
316:Shakespeare by the Sea
218:
106:was the first to link
30:
3643:Shakespeare apocrypha
3103:Cide Hamete Benengeli
3083:imaginary characters,
2892:Shakespeare Institute
2861:Shakespeare Quarterly
2380:Shakespeare's sonnets
2048:The Two Noble Kinsmen
1701:The Two Noble Kinsmen
1635:Thierry and Theodoret
1209:Beaumont and Fletcher
1141:Full text of the play
874:Psychological Science
435:Master of the Flocks
307:'s "unadaptation" of
254:, by theatre company
212:
186:Psychological Science
153:The Arden Shakespeare
24:
3607:" (1939 short story)
3597:" (1931 short story)
3227:The Impossible Dream
2748:Spelling of his name
2588:Vortigern and Rowena
2566:Thomas Lord Cromwell
2146:Troilus and Cressida
2076:Antony and Cleopatra
1970:Love's Labour's Lost
1956:The Comedy of Errors
1728:The Maid in the Mill
1666:The Queen of Corinth
1576:The Lovers' Progress
1506:The Wild Goose Chase
1028:. London. p. 42
847:"Fake Shakes(peare)"
553:Versions of pastoral
280:In August 2012, the
112:Stationers' Register
3443:He Dreams of Giants
3403:Honor de cavalleria
3066:Miguel de Cervantes
2972:Richard Shakespeare
2954:Gilbert Shakespeare
2886:Shakespeare's Globe
2791:Authorship question
2786:Attribution studies
2753:Stratford-upon-Avon
2595:A Yorkshire Tragedy
2573:Thomas of Woodstock
2559:The Spanish Tragedy
2500:Love's Labour's Won
2492:The London Prodigal
2449:The Birth of Merlin
2408:The Rape of Lucrece
2394:A Lover's Complaint
2274:Quarto publications
1977:Measure for Measure
1916:William Shakespeare
1864:(possibly based on
1673:The Knight of Malta
1562:The Double Marriage
1492:The Island Princess
1404:The Noble Gentleman
1249:William Shakespeare
1064:Billington, Michael
827:8 July 2015 at the
649:on 5 February 2011.
225:, and published in
177:James W. Pennebaker
146:William Shakespeare
78:Miguel de Cervantes
60:William Shakespeare
47:The Distrest Lovers
38:(archaic spelling:
3620:Super Don Quix-ote
3118:Ginés de Pasamonte
2966:Edmund Shakespeare
2924:Hamnet Shakespeare
2821:Screen adaptations
2544:Sir John Oldcastle
2442:Arden of Faversham
1583:The Spanish Curate
1513:A Wife for a Month
1383:A King and No King
1376:The Maid's Tragedy
1105:on 19 August 2014.
946:has generic name (
835:. 1 February 2011.
833:The Spectator blog
720:Shakespeare Survey
637:"Fake Shakespeare"
620:Shakespeare Survey
610:A. Luis Pujante, "
373:, his Younger Son
265:In April 2011 the
219:
31:
3630:
3629:
3623:(1984 video game)
3612:Monsignor Quixote
3518:Molinos de viento
3387:Lost in La Mancha
3032:
3031:
2936:Elizabeth Barnard
2900:
2899:
2629:
2628:
2358:
2357:
2056:The Winter's Tale
1882:
1881:
1834:Humphrey Robinson
1800:
1799:
1782:The Laws of Candy
1718:Wit Without Money
1604:The Elder Brother
1471:The Loyal Subject
1429:The Woman's Prize
1397:The Scornful Lady
1390:Love's Pilgrimage
1066:(28 April 2011).
1053:, Antonio Alamo".
983:978-1-903436-77-6
773:Hammond, Brean.
731:Hammond, Brean.
695:John Freehafer, "
542:The Winter's Tale
486:dramatis personae
482:
481:
244:Arden Shakespeare
3665:
3547:(1976 sculpture)
3363:Man of La Mancha
3225:(1964 musical, "
3222:Man of La Mancha
3153:Double Falsehood
3059:
3052:
3045:
3036:
3035:
3022:
3021:
3012:
3011:
2960:Joan Shakespeare
2942:John Shakespeare
2845:
2844:
2826:Shakespeare and
2537:Sejanus His Fall
2504:
2464:Double Falsehood
2431:
2430:
2415:Venus and Adonis
2366:
2139:Titus Andronicus
2125:Romeo and Juliet
1929:
1928:
1909:
1902:
1895:
1886:
1885:
1861:Double Falsehood
1829:Humphrey Moseley
1711:The Night Walker
1688:with Shakespeare
1303:
1302:
1259:Thomas Middleton
1236:Philip Massinger
1222:Francis Beaumont
1201:
1194:
1187:
1178:
1177:
1167:Double Falsehood
1164:
1163:
1153:Double Falsehood
1128:
1113:
1107:
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1009:
1008:
1000:(January 2011),
994:
988:
987:
970:Double Falsehood
965:
959:
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951:
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868:
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813:
811:
809:
792:
786:
775:Double Falsehood
771:
765:
754:Double Falsehood
752:Hammond, Brean.
750:
744:
733:Double Falsehood
729:
723:
716:Double Falsehood
710:
704:
691:
685:
682:
676:
675:
657:
651:
650:
632:
623:
612:Double Falsehood
608:
602:
593:
507:played Leonora.
451:Second Shepherd
362:, his Elder Son
337:
336:
324:Double Falsehood
298:Double Falsehood
286:Double Falsehood
271:Double Falsehood
199:Double Falsehood
195:Double Falsehood
191:Double Falsehood
170:Double Falsehood
165:Double Falsehood
161:Double Falsehood
157:Double Falsehood
128:Double Falsehood
104:Humphrey Moseley
35:Double Falsehood
3673:
3672:
3668:
3667:
3666:
3664:
3663:
3662:
3633:
3632:
3631:
3626:
3568:Amadís de Gaula
3550:
3523:
3500:
3465:(1959 teleplay)
3449:
3278:
3255:
3250:Richard Strauss
3232:
3165:
3159:
3132:
3084:
3082:
3075:
3063:
3033:
3028:
2989:
2938:(granddaughter)
2896:
2843:
2772:
2738:Religious views
2716:Curtain Theatre
2637:
2625:
2600:
2551:Sir Thomas More
2497:
2471:Edmund Ironside
2420:
2367:
2354:
2328:Ghost character
2288:
2260:
2151:
2132:Timon of Athens
2061:
1918:
1913:
1883:
1878:
1871:
1838:
1807:and publication
1806:
1796:
1766:The Nice Valour
1753:
1623:
1617:
1531:
1525:
1450:Monsieur Thomas
1409:
1348:Cupid's Revenge
1341:The Woman Hater
1332:
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829:Wayback Machine
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684:Pujante, p. 95.
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443:First Shepherd
438:Mr. Bridgwater
414:, in love with
332:
240:
238:Modern revivals
215:Double Falshood
207:
151:In March 2010,
120:Double Falshood
100:
74:
41:Double Falshood
27:Double Falshood
17:
12:
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3462:I, Don Quixote
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2268:
2266:Early editions
2262:
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2259:
2258:
2250:
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2044:
2037:
2030:
2023:
2016:
2008:
2001:
1994:
1987:
1980:
1973:
1966:
1959:
1952:
1949:As You Like It
1945:
1937:
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1926:
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1911:
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1790:The Coronation
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1597:The Sea Voyage
1593:
1590:The Prophetess
1586:
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1307:
1300:
1290:
1289:
1287:
1286:
1281:
1279:George Chapman
1276:
1271:
1266:
1264:William Rowley
1261:
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1136:
1135:External links
1133:
1130:
1129:
1125:978-1137344212
1108:
1089:
1055:
1042:
1010:
989:
982:
960:
927:978-1903436776
926:
908:
881:(5): 570–582.
863:
851:katemaltby.com
837:
815:
787:
783:978-1903436776
766:
762:978-1903436776
745:
741:978-1903436776
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501:Hester Santlow
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52:Lewis Theobald
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3541:
3539:(1955 sketch)
3538:
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3530:
3526:
3519:
3515:
3514:
3510:
3509:
3507:
3503:
3497:(2011 series)
3496:
3495:
3491:
3489:(1992 series)
3488:
3487:
3483:
3481:(1989 series)
3480:
3479:
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3473:(1980 series)
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3274:
3273:Ludwig Minkus
3270:
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3251:
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3246:
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3241:
3239:
3235:
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3224:
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3216:
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3214:Don Quichotte
3211:
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3000:
2996:
2995:
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2984:Thomas Quiney
2982:
2979:
2976:
2974:(grandfather)
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2930:Judith Quiney
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2912:Anne Hathaway
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2692:Globe Theatre
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2097:Julius Caesar
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2034:Twelfth Night
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1478:Women Pleased
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1457:The Mad Lover
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1051:Gregory Doran
1046:
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1006:Union Theatre
1003:
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998:Wilmott, Phil
993:
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944:|first1=
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3615:(1982 novel)
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3185:(1761 opera)
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3098:Sancho Panza
3081:Characters,
3069:
2986:(son-in-law)
2980:(son-in-law)
2918:Susanna Hall
2859:
2848:Institutions
2827:
2672:Coat of arms
2665:Translations
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2653:Bibliography
2620:To the Queen
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2340:Performances
2284:Second Folio
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1612:A Very Woman
1610:
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1333:and Fletcher
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1312:
1299:conjectural)
1297:attributions
1284:John Webster
1244:Nathan Field
1234:
1227:
1220:
1166:
1152:
1116:
1111:
1103:the original
1092:
1080:. Retrieved
1078:. p. 12
1076:The Guardian
1075:
1069:
1058:
1045:
1037:
1030:. Retrieved
1025:The Guardian
1023:
1013:
1001:
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878:
872:
866:
854:. Retrieved
850:
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806:. Retrieved
800:
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748:
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619:
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514:
497:Barton Booth
493:Robert Wilks
490:
485:
483:
471:
459:
415:
411:
406:Mr. Griffin
401:
400:, Father to
397:
387:
386:, Father to
384:Don Bernardo
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18:
3576:Don Quixote
3544:Don Quixote
3536:Don Quixote
3494:Don Quixote
3427:Don Quixote
3419:Don Quixote
3411:Donkey Xote
3379:Don Quixote
3339:Don Quixote
3331:Don Quixote
3323:Don Quixote
3315:Don Quixote
3307:Don Quixote
3291:Don Quixote
3268:Don Quixote
3245:Don Quixote
3206:Don Quixote
3156:(1727 play)
3148:(1694 play)
3085:and animals
3074:(1605/1615)
3071:Don Quixote
3024:WikiProject
2711:The Theatre
2697:Handwriting
2523:The Puritan
2314:Characters
2279:First Folio
2247:Richard III
2027:The Tempest
1805:Performance
1769:(Middleton)
1723:with Rowley
1649:Love's Cure
1499:The Pilgrim
1464:The Chances
1436:Valentinian
1369:The Captain
1355:The Coxcomb
616:Don Quixote
505:Mary Porter
465:Mrs. Porter
392:Mr. Harper
305:Gary Taylor
258:, director
83:Don Quixote
3648:1727 plays
3637:Categories
3454:Television
3237:Orchestral
2948:Mary Arden
2932:(daughter)
2920:(daughter)
2796:Bardolatry
2706:King's Men
2648:Birthplace
2335:Chronology
2254:Henry VIII
2181:Richard II
2173:Edward III
2083:Coriolanus
1819:King's Men
1694:Henry VIII
1678:with Field
1624:and others
1274:Ben Jonson
1032:23 January
1004:, London:
580:References
477:Mrs. Booth
446:R. Norris
430:Mr. Oates
365:Mr. Mills
354:Mr. Corey
256:MokitaGrit
155:published
102:Publisher
98:Authorship
3582:Quixotism
3164:Opera and
3128:Rocinante
3108:Clavileño
2978:John Hall
2968:(brother)
2956:(brother)
2888:(replica)
2828:Star Trek
2816:Memorials
2811:Influence
2801:Festivals
2743:Sexuality
2733:Portraits
2728:New Place
2580:Ur-Hamlet
2516:Mucedorus
2426:Apocrypha
2166:King John
2157:Histories
2104:King Lear
2067:Tragedies
1963:Cymbeline
1793:(Shirley)
1541:Barnavelt
1532:Massinger
1362:Philaster
1269:John Ford
1072:– review"
936:cite book
517:Andalusia
421:Mr. Booth
377:Mr. Wilks
371:Henriquez
252:Southwark
16:1727 play
3516:(1998, "
3347:Dulcinea
3014:Category
2962:(sister)
2950:(mother)
2944:(father)
2456:Cardenio
2345:Settings
2293:See also
2216:Henry VI
2187:Henry IV
1933:Comedies
1866:Cardenio
1622:Fletcher
1414:Fletcher
1331:Beaumont
1306:Beaumont
1172:LibriVox
1070:Cardenio
903:13022405
895:25854277
825:Archived
808:16 March
697:Cardenio
537:pastoral
511:Synopsis
472:Violante
454:Mr. Ray
427:Citizen
360:Roderick
320:Cardenio
309:Cardenio
294:Cardenio
275:Cardenio
138:Cardenio
133:Cardenio
108:Cardenio
65:Cardenio
3604:Quixote
3555:Related
3520:" song)
3275:, 1869)
3252:, 1898)
3229:" song)
3166:musical
2806:Gardens
2682:Editors
2485:Locrine
2478:Fair Em
2310:Henriad
2209:Henry V
2118:Othello
2111:Macbeth
1843:Related
1443:Bonduca
1211:" Canon
974:Methuen
856:9 April
460:Leonora
416:Leonora
398:Camillo
388:Leonora
179:of the
72:Sources
3446:(2019)
3438:(2018)
3430:(2015)
3422:(2010)
3414:(2007)
3406:(2006)
3398:(2002)
3390:(2002)
3382:(2000)
3374:(1973)
3366:(1972)
3358:(1968)
3350:(1963)
3342:(1957)
3326:(1947)
3318:(1933)
3310:(1923)
3302:(1908)
3294:(1903)
3260:Ballet
3177:(1743)
3123:Ricote
3003:† Lost
2914:(wife)
2905:Family
2778:Legacy
2350:Scenes
2090:Hamlet
1785:(Ford)
1758:Others
1123:
980:
924:
901:
893:
781:
760:
743:p. xvi
739:
668:
350:Angelo
343:Actor
3505:Album
3137:Stage
2926:(son)
2768:Grave
2758:Style
2723:Music
2640:works
2605:Poems
2434:Plays
2372:Poems
1924:Plays
1295:(some
1293:Plays
1207:The "
1082:3 May
899:S2CID
412:Julio
402:Julio
348:Duke
340:Role
140:were
44:) or
3283:Film
2763:Will
2638:and
2635:Life
1156:2010
1121:ISBN
1084:2011
1034:2011
978:ISBN
955:link
948:help
922:ISBN
891:PMID
858:2018
810:2010
785:p. 8
779:ISBN
764:p. 6
758:ISBN
737:ISBN
666:ISBN
495:and
330:Cast
273:as "
227:1728
92:1612
58:and
3528:Art
3068:'s
2323:L–Z
2318:A–K
883:doi
718:,"
618:,"
80:'s
3639::
2997:✻
2459:✻†
1074:.
1036:.
1022:.
976:.
940::
938:}}
934:{{
897:.
889:.
879:26
877:.
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627:^
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250:,
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1127:.
1086:.
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986:.
957:)
950:)
930:.
905:.
885::
860:.
812:.
674:.
217:.
29:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
