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583:, who later wrote that although "Wolfit and his dreadful company ... horribly travestied Shakespeare" they nevertheless enabled young people to come to know and love the plays, and for this Levin held Wolfit's memory in high honour. Levin recalled Wolfit's customary curtain call, "with the old megalomanic, as he thanked the audience, indulging in the same exhausted clutch of the curtain", which
1958:
319:. At about this time he simplified the spelling of his surname from Woolfitt to Wolfit. He appeared in supporting roles in a variety of West End productions, and at St George's, Westminster, on 16 April 1928, he married an actress, Chris Frances Castor, with whom he had a daughter. The marriage lasted until 1933, when the couple divorced.
629:, but, in Harwood's words, later in the season, and for the last time, "he resorted to his tired Shakespearian productions, in which, however, he gave some magnificent performances". Although Wolfit's touring companies were frequently criticised, they nevertheless included, among many less familiar names, future stars such as
553:
is a tour-de-force, and Wolfit is forced to tour", but in fact Wolfit preferred touring with his own company and was often unhappy in West End productions, beholden to directors and acting alongside major actors to whom he was not clearly superior. He firmly believed that
Shakespeare should be taken
520:
At the outbreak of the Second World War, despite strong advice to the contrary, Wolfit refused to cancel his plans for an autumn tour. He told the press, "Here is my national effort at present. They don't want me in the
Services yet, so I am endeavouring to carry on with my plans. All my company are
507:
wrote that although Wolfit was never as physically suited as
Gielgud to the role of Hamlet, in his Stratford performances he gave the character "an electric drive and force of suffering ... There was thought behind every gesture and line and again and again one was struck by the subtlety of detail".
445:
Mr Donald Wolfit definitely wins his spurs with his performance of Hamlet. ... His one fault – a common one to young actors – was to raise the pitch too high before the closet scene, in which the note of hysteria was too dominant in consequence. But it was on the whole a very vivid piece of
579:, "There is no acting in our theatre to-day as magnificent as that of Donald Wolfit when he plays Lear", but his productions had cheap costumes and scenery and his company was below his own standard of acting. Among the audience during this season was the young
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to the people, and used West End appearances and films to subsidise his touring company. After the war he continued his annual tours in
Britain and in 1947 he presented two successful tours of Canada, a season in New York and a London season at the
159:, Wolfit was stage-struck from an early age.His debut was at the Robin Hood Opera House at Aveling to which he cycled from school to join the theatre rep company. After a brief spell as a teacher he joined the touring company of the actor-manager
614:. He had great success in these roles but according to Harwood he "chafed at performing in a company other than his own and surrounded by excellent supporting actors". He quarrelled with Guthrie and left the company.
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According to Morley, Wolfit's homophobia was based not merely on prejudice but concern that the subtler style of acting by
Gielgud and other gay actors would make his own "old-fashioned barnstorming virility"
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companies for the festivals of 1936 and 1937, with eight major roles in the first, including Hamlet, and five in the second. His Hamlet was favourably reviewed by the critics and, according to his biographer
449:
Encouraged by this success Wolfit determined to try his hand as an actor-manager. He secured financial backing and staged a week-long drama festival in his native Newark in 1934. He presented
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in 1963. One critic said that Wolfit's performance would have pleased Ibsen, and deserved to be regarded as the definitive portrayal. Wolfit's last stage appearance was in the musical
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Another critic wrote, "Mr Wolfit has crowned his season's work with a distinguished performance not unworthy of comparison with the great
Hamlets". The director at Stratford was
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190:. He then set up his own touring company, taking the plays of Shakespeare and others all round Britain and from time to time overseas. He continued to appear in the
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and made several films, but his main concern was for his touring company. Its standards were criticised, but several members moved on to greater fame, including
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His son continued the attachment to
Freemasonry, into which he was initiated by his father in 1937. He became Master of the Green Room Lodge and a Grand Officer.
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512:, whose daughter Rosalind Iden became Wolfit's leading lady. He fell in love with her, left his wife, and lived with Iden, eventually marrying her in 1948.
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in that year he emerged from retirement and undertook one final tour under his own management. A major role of his later years was the title character of
483:. In the same year, on 15 September, he married Susan Katherine Anthony; they had a son and a daughter. He made his first film appearance in 1934, as
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describes as "virulently anti-homosexual". Wolfit made himself unpopular with his fellow actors and his contract was not renewed after the first year.
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Hoping to present his company in another London season in 1949, Wolfit found that no West End theatre was available and instead he took an old
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during the Blitz. A German bomb destroyed his scenery and costume store, but he continued to tour. In 1944 he visited Egypt for the
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companies for the festivals of 1936 and 1937, in thirteen major roles, winning excellent reviews for his performance as
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in the 1930s, and the use of the phrase for
Olivier and Wolfit was a recycling for a 1940s revue by Gingold's writers.
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said he did whether he had been "laying himself out with Lear or trotting through twenty minutes of
Touchstone".
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304:. For the rest of his life Wolfit acknowledged his debt to the latter for what he had learnt from him.
167:. He made his London début in 1924 and simplified the spelling of his surname from Woolfitt to Wolfit.
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1562:, Oxford University Press, September 2004; online edn, January 2008. Retrieved 20 March 2024
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invited him to return to the Old Vic to play Lear, Timon of Athens, Lord Ogleby in
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waiting to serve when called on". The company played a season in 1940 at the
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This theatrical jibe goes back at least to the 19th century. It was said of
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In 1957 Wolfit announced his retirement as an actor-manager, but after his
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début in 1924 he toured with the companies of
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Tomlinson. It was a conventional household; Woolfitt senior was an
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Wolfit returned to actor-management in 1953 with a season at the
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on 13 September 1920, was Biondello in Doran's production of
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1786:(fourteenth ed.). London: Sir Isaac Pitman and Sons.
25:
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Actors from the London Borough of Hammersmith and Fulham
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Wolfit made his London début on 26 November 1924 at the
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in London. Later that year Wolfit presented lunch-time
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John G – The Authorised Biography of John Gielgud
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before successfully auditioning for the actor-manager
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but developed a strong antipathy to the leading man,
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Knights Commander of the Order of the British Empire
1953:
1923:. London: Rigel Publications for Marks and Spencer.
545:Wolfit toured more often than he played in London.
144:; 20 April 1902 – 17 February 1968) was an English
2096:People educated at Magnus Church of England School
1672:"Donald Wolfit continues with Shakespeare plays",
376:After further West End appearances, Wolfit joined
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2076:Freemasons of the United Grand Lodge of England
155:Born to a conventional middle-class family in
549:adapted an old theatrical joke, saying that "
537:, followed by seasons in Paris and Brussels.
1478:, 25 December 1982, p. 61; and Hobson, p. 11
680:, as the tyrannical Mr Barrett in 1966–67.
296:. Between his engagement with Doran and his
1765:Gielgud – A Theatrical Life, 1904–2000
535:Entertainments National Service Association
250:in Newark he was briefly a schoolmaster in
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1880:. London: Angus & Robertson.
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2056:20th-century English male actors
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1899:. London: Hodder and Stoughton.
1814:. London: Hodder and Stoughton.
1556:"Wolfit, Sir Donald (1902–1968)"
360:. The company's leading man was
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286:. Wolfit's début role, at the
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1806:volume comprising reprints of
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1356:Notes, references and sources
590:In 1950 Wolfit was appointed
1838:. Oxford: Amber Lane Press.
1157:The House of the Seven Hawks
881:The Claydon Treasure Mystery
496:Shakespeare Memorial Theatre
407:The Dark Lady of the Sonnets
184:Shakespeare Memorial Theatre
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1623:"The First Quarto Hamlet",
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1266:Ninety Degrees in the Shade
742:Death at Broadcasting House
619:King's Theatre, Hammersmith
575:said of his performance in
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1998:Internet Broadway Database
1804:Gielgud on Gielgud –
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1782:Gaye, Freda, ed. (1967).
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1985:John Mayes Family Papers
1925:(no ISBN or OCLC number)
1784:Who's Who in the Theatre
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1140:The Rough and the Smooth
601:The Clandestine Marriage
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123:Chris Castor (1928–1934)
2116:People from Hammersmith
2111:Male actors from London
1920:Quips, Slurs and Gaffes
1162:Inspector Van Der Stoor
527:Scenes from Shakespeare
487:in a short film called
293:The Taming of The Shrew
125:Susan Katherine Anthony
1934:Theatre of Two Decades
1835:Sir Donald Wolfit, CBE
1697:Morley (1986), p. 419
1676:, 4 October 1939, p. 5
1505:Harwood, pp. 55 and 61
685:Royal Masonic Hospital
322:In 1929 Wolfit joined
170:In 1929 Wolfit joined
127:Rosalind Iden (m.1948)
2101:People from Balderton
1936:. London: Rockliffe.
1878:The Great Stage Stars
1719:, 10 March 1949, p. 7
1627:, 24 April 1933, p. 8
1575:, 28 April 1928, p. 5
933:Isn't Life Wonderful!
611:Tamburlaine the Great
432:text rather than the
418:Gwen Ffrangcon-Davies
389:She Stoops to Conquer
330:and played Tybalt in
248:Magnus Grammar School
1972:Donald Wolfit Papers
1860:. London: Rockliff.
1746:Harwood, pp. 287–289
1706:Harwood, pp. 207–208
1596:Morley (2001), p. 97
1414:Mrs Patrick Campbell
1089:Blood of the Vampire
1036:Satellite in the Sky
778:The Silent Passenger
677:Robert and Elizabeth
667:John Gabriel Borkman
485:St Francis of Assisi
436:text usually given.
246:After education at
163:, and later that of
1989:Harry Ransom Center
1980:Harry Ransom Center
1976:Chris Castor Papers
1767:. London: Methuen.
1625:The Daily Telegraph
1496:Gaye, pp. 1327–1330
1094:Doctor Callistratus
1002:The Man in the Road
899:The Pickwick Papers
689:Hurstbourne Tarrant
683:Wolfit died in the
606:Christopher Marlowe
477:Margaret Rutherford
439:The Daily Telegraph
413:Richard of Bordeaux
404:and Shakespeare in
386:, Young Marlowe in
288:Theatre Royal, York
215:Wolfit was born at
1930:Williamson, Audrey
1728:Levin, pp. 148–150
1654:Williamson, p. 268
1410:Lilian Braithwaite
1349:(final film role)
1346:Dr. Augustus Fagan
1208:Lawrence of Arabia
1179:Professor Volchett
1174:The Hands of Orlac
1007:Professor Cattrell
984:A Man on the Beach
817:Inspector Greville
627:Oedipus at Colonus
565:, The Bedford, in
494:Wolfit joined the
458:The Master Builder
326:'s company at the
315:'s production of
174:'s company at the
1906:978-0-34-036803-9
1887:978-0-8160-1401-9
1845:978-0-90-639943-9
1821:978-0-34-079502-6
1774:978-0-41-374560-6
1674:Newark Advertiser
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392:, Joe Varwell in
378:Sir Barry Jackson
317:The Wandering Jew
134:Sir Donald Wolfit
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98:, London, England
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651:Richard Wattis
647:Frank Thornton
596:Tyrone Guthrie
585:Stephen Potter
542:
539:
531:Strand Theatre
517:
514:
510:Ben Iden Payne
501:Ronald Harwood
444:
373:
370:
345:As You Like It
276:Abraham Sofaer
272:Norman Shelley
235:churchgoer, a
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49:Wolfit in 1965
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336:, Cassius in
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324:Lilian Baylis
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217:New Balderton
203:
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196:Harold Pinter
193:
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177:
173:
172:Lilian Baylis
168:
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161:Charles Doran
158:
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146:actor-manager
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107:Actor-manager
106:
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73:New Balderton
69:20 April 1902
57:
53:
46:
41:
36:
30:Donald Wolfit
27:
22:
19:
2026:Find a Grave
1933:
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1896:
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1405:
1402:Henry Irving
1388:
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1315:
1305:Car Salesman
1298:
1281:
1264:
1245:
1226:
1206:
1196:Andrew Clive
1189:
1172:
1155:
1145:Lord Drewell
1138:
1128:Dr. Stergion
1121:
1104:
1087:
1076:Gen. Mercier
1068:
1051:
1034:
1017:
1000:
982:
965:
948:
938:Uncle Willie
931:
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845:
827:
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793:
776:
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724:
682:
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662:Henrik Ibsen
655:
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570:
560:
544:
526:
519:
493:
488:
462:
456:
450:
448:
437:
430:First Quarto
426:Arts Theatre
421:
411:
405:
399:
395:Yellow Sands
393:
387:
381:
375:
362:John Gielgud
355:
349:
343:
337:
331:
321:
316:
306:
291:
268:Edith Sharpe
264:Cecil Parker
245:
237:Conservative
228:
214:
180:John Gielgud
169:
154:
141:
133:
132:
90:(1968-02-17)
18:
2046:1968 deaths
2041:1902 births
1915:Rees, Nigel
1228:Dr. Crippen
1053:The Traitor
889:Uncredited
869:Dick Finlay
837:Uncredited
800:Jack Barton
695:Filmography
639:Eric Porter
631:Peter Jones
567:Camden Town
434:First Folio
401:Dear Brutus
398:, Coade in
309:New Theatre
211:Early years
96:Hammersmith
2035:Categories
1685:Rees, p. 3
1424:References
1234:R. D. Muir
921:Dr. Lomond
916:The Ringer
812:Late Extra
726:Down River
658:knighthood
563:music hall
428:using the
302:Fred Terry
284:L Sullivan
252:Eastbourne
165:Fred Terry
104:Occupation
65:1902-04-20
1802:(2000) .
1717:The Stage
1404:had been
1383:obsolete.
1288:Abe Brown
1111:Mr. Brown
1070:I Accuse!
886:Executive
795:Checkmate
643:Brian Rix
577:King Lear
572:The Stage
241:Freemason
200:Brian Rix
150:King Lear
120:Spouse(s)
115:1924–1968
79:, England
1974:and the
1942:67409885
1932:(1951).
1917:(2002).
1876:(1986).
1856:(1958).
1832:(1983).
1763:(2000).
1213:General
1191:The Mark
972:Stratton
955:Svengali
950:Svengali
489:Inasmuch
446:playing.
298:West End
233:Anglican
192:West End
1996:at the
1987:at the
1978:at the
1866:3797774
1792:5997224
1754:Sources
1327:Macbeth
1323:Macbeth
1041:Merrity
1019:Guilty?
670:at the
551:Olivier
541:Postwar
529:at the
424:at the
351:Macbeth
328:Old Vic
280:Francis
219:, near
176:Old Vic
1940:
1903:
1884:
1864:
1842:
1818:
1790:
1771:
1271:Bazant
1247:Becket
992:short
989:Carter
834:Howard
716:Notes
604:, and
442:said:
422:Hamlet
357:Hamlet
282:
188:Hamlet
140:(born
1361:Notes
1024:Judge
852:Percy
710:Title
702:Film
372:1930s
2012:IMDb
1938:OCLC
1901:ISBN
1882:ISBN
1862:OCLC
1840:ISBN
1816:ISBN
1788:OCLC
1769:ISBN
1412:and
1400:and
1336:1968
1325:in '
1312:1968
1295:1966
1278:1965
1261:1965
1242:1964
1223:1963
1203:1962
1186:1961
1169:1960
1152:1959
1135:1959
1118:1959
1101:1959
1084:1958
1065:1958
1048:1957
1031:1956
1014:1956
997:1956
979:1955
962:1955
945:1954
928:1953
911:1952
894:1952
876:1938
859:1936
842:1935
824:1935
807:1935
790:1935
773:1935
754:1935
737:1934
721:1931
713:Role
707:Year
649:and
625:and
479:and
461:and
278:and
198:and
85:Died
55:Born
2024:at
2010:at
1810:and
664:'s
608:'s
592:CBE
229:née
138:CBE
35:CBE
26:Sir
2037::
1690:^
1589:^
1558:,
1554:,
1528:^
1483:^
653:.
645:,
641:,
637:,
633:,
558:.
475:,
471:,
455:,
274:,
270:,
266:,
262:,
223:,
202:.
152:.
136:,
75:,
1944:.
1909:.
1890:.
1868:.
1848:.
1824:.
1794:.
1777:.
1329:'
67:)
63:(
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