525:(1987). Beginning the Blue Note contract with great hope of increased fame and success, as shown by the title of the first album, they became disillusioned by the poor availability of the two records. Although the power of their live concerts maintained their reputation as one of the most exciting groups ever seen, the music recorded for the Blue Note sessions was at first deemed "smoother" than on their European recordings, and took time to achieve the same high reputation.
31:
496:
performed as the George Adams/Don Pullen
Quartet. They played music that was more structured than Pullen normally favored, but the immediate rapport among them led to the group touring the world with unchanged personnel until the death of Richmond in early 1988. From very early in their first tour in 1979, and until 1985, the quartet made a dozen recordings for European labels, both in the studio and in concert. Of these,
733:), the passionate "Ode To Life" (for a friend), and the aforementioned lament, "Ah George We Hardly Knew Ya". Occasionally he wrote pieces with a religious feeling, such as "Gratitude" and "Healing Force", or to highlight the plight of African-Americans, such as "Warriors", "Silence = Death", and "Endangered Species: African American Youth". Following the assassination of African-American activist
212:, Pullen played in the school's band. He played with the choir in his local church and was heavily influenced by his cousin, Clyde "Fats" Wright, who was a professional jazz pianist. He took some lessons in classical piano and knew little of jazz. At this time, he was mainly aware of church music and the blues.
728:
Pullen composed many pieces, which often were portraits or memories of people he knew. All were published by his own company, Andredon, but because he for a long time suffered from neglect musically, so did many of his compositions. His best known are the humorous "Big Alice" (for an imaginary fan),
416:
There was now growing awareness of Pullen's abilities, but it was the
European recording companies that were prepared to preserve them. In 1975 an Italian record company gave Pullen, George Adams, and Dannie Richmond the opportunity to each make a recording under his own name. All three collaborated
289:
to extend his opportunities for work, transferring elements of his individual piano style to this instrument. During the remainder of the 1960s and early 1970s, he played with his own organ trio in clubs and bars, worked as a self-taught arranger for record companies, and accompanied various singers
219:
in North
Carolina to study for a medical career, but soon he realized that his true vocation was music. After playing with local musicians and being exposed for the first time to albums of the major jazz musicians and composers, he abandoned his medical studies. He set out to make a career in music,
271:
in May 1966 was recorded. They formed their own independent SRP record label (standing for "Self
Reliance Project") to publish the result as two LPs. These were the first records to bear Pullen's name, second to Graves'. Although not greatly known in the United States, these avant-garde albums were
332:
or was a clone of Taylor, to whose playing Pullen's own bore a superficial resemblance. Pullen strenuously denied that he had any link with Taylor, stating that his own style had been developed in isolation before he ever heard of Taylor. But the assertion of Taylor's influence continued to haunt
495:
In late 1979 Pullen, Adams, and
Richmond were booked to play as a quartet for a European tour of a few weeks' duration. Pullen invited Cameron Brown to join them on bass. They were asked to bill themselves as a "Mingus group", but not wanting to be identified as mere copyists, they declined and
540:
and avant-garde. The ability of the players to encompass all these areas, often within one composition, removed any sameness or sterility from the quartet format. Except for the early recordings on the vanished Horo label, their
European recordings on Soulnote and Timeless remained frequently
741:
album, Pullen almost exclusively featured his own compositions on his own recordings, until his time with the
African Brazilian Connection. His compositions are well represented on the George Adams/Don Pullen Quartet recordings, but his compositions which were recorded by others were usually
635:, was not released until 1995. This featured "Ah George..." and other songs from their previous albums, in somewhat extended versions. Pullen achieved more popular and commercial success with this group than with any other. In 1993
389:(both 1974), gave great exposure to Pullen's playing and helped to persuade audiences and critics that Pullen was not just a free jazz player. Two of his own compositions, "Newcomer" and "Big Alice", were recorded on the
737:, Pullen had written a suite dedicated to Malcolm X's memory, but this required more instrumental resources than a normal-sized jazz group provides, and only the piano parts of this were ever recorded. Except for the
699:. Despite his Native American background (his paternal grandmother was half-Indian, probably Cherokee) he began to experiment with American Indian music as late as July 1992. In 1994 Pullen was diagnosed with
3127:
401:
Pullen had always played piano with bass and drums behind him, feeling more comfortable this way, but in early 1975 he was persuaded to play a solo concert in
Toronto. This was recorded as
2165:
627:, was a tribute to George Adams, who had died on November 14, 1992, containing Pullen's heartfelt and moving composition in Adams' memory, "Ah George We Hardly Knew Ya". A third album,
2791:
1436:
583:, which astonished even those familiar with his work and became widely regarded as one of the finest trio albums ever recorded. He followed this in 1990 with another trio album,
646:
During the last few years of his life, Pullen toured with his trio, with his
African Brazilian Connection, and as a solo artist, but did not release any more solo records. As a
600:
429:), the latter being received with great acclaim. He became part of the regular seasonal tours of American musicians to Europe, playing in the avant-garde or free mode.
444:. But after these, Pullen's association with Atlantic was terminated and he returned to European companies for three recordings under his own name or in partnership:
717:), a few weeks away from his death, returning to his heritage of the blues and the church. Unable to play at the live premiere, his place at the piano was taken by
393:
session, but "Big Alice" was not released until a CD reissue many years later. However, musical disagreements with Mingus caused Pullen to leave the group in 1975.
560:(1985) on Black Saint. He also recorded with (alphabetically) Hamiet Bluiett; Roy Brooks, the drummer who introduced him to Mingus; Jane Bunnett; Kip Hanrahan;
2807:
2255:
1460:
324:
Pullen often polarized critics and suffered from two undeserved allegations: the first (despite his grounding in the church and blues) that he was purely a
1315:
With the
African-Brazilian Connection: Carlos Ward (alto sax, flute), Nilson Matta (bass), Guilherme Franco (percussion), Mor Thiam (percussion, vocals)
685:
3097:
1468:
3192:
3172:
2676:
1333:
With the African-Brazilian Connection: Carlos Ward (alto sax), Nilson Matta (bass), J.T. Lewis (drums), Mor Thiam (percussion, vocals); in concert
409:) and became the first record issued under Pullen's name alone. Among other pieces, it contains "Sweet (Suite) Malcolm", declared a masterpiece by
356:, and after a brief audition he took over the vacant piano chair in the Mingus group; when a tenor saxophone player was needed, Pullen recommended
1452:
3162:
2660:
1152:
272:
well received in Europe, most copies being sold there. In 2020, Corbett vs. Dempsey released the contents of both albums on a CD titled
513:
Although highly regarded in Europe, the quartet felt they were not well enough known in America, so in 1986 they signed to record for
3197:
3132:
1809:
703:. He continued to put great physical effort into completing the composition. In early March 1995 he played on his final recording,
2111:
3137:
3167:
3092:
3152:
3147:
2866:
2186:
767:
696:
179:
pianist and organist. Pullen developed a strikingly individual style throughout his career. He composed pieces ranging from
3187:
3062:
2491:
654:, he left his mark with a variety of noteworthy artists, including (alphabetically) Jane Bunnett (notably their duo album
532:
and then disbanded in mid-1988. Their music, usually original compositions by Pullen, Adams and Richmond, had ranged from
336:
Pullen appeared on no more commercial recordings until 1971 and 1972, when he played organ on three recordings by altoist
3122:
3112:
2799:
1444:
30:
3182:
3117:
3107:
3087:
2700:
2668:
1246:
1188:
571:
All Pullen's future recordings under his own name were for Blue Note. On 16 December 1988 he went into the studio with
3102:
2692:
2652:
2324:
2239:
2214:
2067:
1539:
1218:
1170:
721:, with whom Pullen discussed the music from his hospital bed shortly before his death. He died on April 22, 1995, of
3157:
3072:
3067:
248:' philosophy of making music. He then headed for New York, where he was soon introduced to avant-garde saxophonist
1019:
With George Adams (tenor sax, soprano sax, bass clarinet, flute; all tracks), for some tracks, others were added:
3142:
3057:
2743:
874:
852:
274:
2815:
1324:
2083:
2054:
1829:
528:
After the death of Dannie Richmond the quartet fulfilled their remaining contracted engagements with drummer
187:
and modern jazz. The great variety of his body of work makes it difficult to pigeonhole his musical style.
3177:
3082:
1990:
1687:
337:
216:
691:
Pullen's final project was a work combining the sounds of his African Brazilian Connection (extended by
3077:
2945:
2006:
1921:
1801:
1679:
970:
565:
2859:
371:
Being part of the Mingus group and appearing at many concerts and on three Mingus studio recordings,
328:
player and thus unemployable in any other context; the second that he had been heavily influenced by
208:, United States. Growing up in a musical family, he learned the piano at an early age. A graduate of
487:
in 1979, but he soon left the band, feeling the music had diverged too far from Mingus' intentions.
2484:
1998:
1024:
410:
209:
2768:
2621:
2178:
2170:
1762:
1513:
1491:
1234:
1066:
924:
576:
357:
85:
2894:
2564:
1396:
1008:
632:
599:
In late 1990 Pullen added a new element to his playing and his music with the formation of his
437:
417:
in the others' recordings. In the same year, Pullen made two further solo recordings in Italy,
771:(1998), dedicated to Pullen and featuring his compositions. Others who wrote tributes include
2783:
2572:
2049:
1388:
1082:
964:
548:(1982), and made three recordings under his own name, two further solo albums, the acclaimed
426:
148:
619:(percussion) in a group which mixed African and Latin rhythms with jazz. Their first album,
3052:
3047:
3007:
2999:
2852:
2724:
1837:
1770:
1342:
1036:
705:
668:
379:
245:
156:
1143:(tenor sax, alto sax, clarinet, flute, alto flute, piccolo), Don Moye (drums, percussion)
340:, one being issued under the title of a Pullen composition, "Trees And Grass And Things".
8:
2532:
2477:
2059:
1521:
1359:(bass), J.T. Lewis (drums), Mor Thiam (percussion); Chief Cliff Singers (vocals, drums)
912:
784:
730:
761:
Several musicians wrote songs as personal tributes to Pullen's memory. David Murray and
2983:
2644:
2636:
2600:
1428:
1420:
1130:
460:
with its strong 30-minute title track, have remained in the catalogues over the years.
2628:
2422:
2320:
2235:
2210:
2182:
2063:
2014:
1412:
1224:
898:
514:
406:
201:
144:
140:
68:
810:
by Pullen's own trio. Also, his songs hit big screen movies, such as "Big Alice" in
544:
During the life of the Quartet, Pullen also made a duo recording with George Adams,
2755:
2684:
2548:
2524:
2174:
1705:
1476:
1290:
1056:
1014:
958:
892:
651:
640:
612:
433:
282:
152:
136:
100:
3029:
Years given are for the recording(s), not first release, unless stated otherwise.
2510:
Years given are for the recording(s), not first release, unless stated otherwise.
2088:
1905:
1879:
1845:
1593:
1202:
1032:
928:
361:
318:
268:
221:
2748:
1740:
1671:
1531:
1356:
1070:
862:
791:
480:
468:
353:
291:
264:
249:
160:
594:
3041:
3015:
2935:
2901:
2887:
2763:
2708:
2605:
2577:
2556:
2281:
1956:
1631:
1372:
1272:
1140:
1092:
1028:
1020:
990:
762:
714:
561:
303:
286:
2991:
2950:
2940:
2592:
2585:
2581:
1980:
1972:
1889:
1871:
1855:
1754:
1603:
1352:
1286:
1230:
1206:
1108:
1096:
1044:
978:
918:
776:
772:
718:
692:
681:
677:
673:
663:
572:
476:
373:
365:
329:
2930:
2915:
2875:
2833:
2716:
2616:
1778:
1697:
1404:
1306:
1282:
1256:
623:, was released in 1991. Their second, but very different, album of 1993,
608:
604:
588:
533:
498:
472:
385:
307:
225:
180:
2958:
2540:
2202:
1653:
1585:
1260:
1040:
974:
940:
659:
529:
464:
349:
314:
299:
295:
3128:
American people who self-identify as being of Native American descent
2775:
2149:
1380:
1294:
734:
616:
510:(1984) provide typically fine examples of their work at that period.
483:
band Pullen occupied the piano chair and appeared on their recording
325:
2922:
2609:
2427:
1661:
1198:
1118:
927:(tenor sax, flute, percussion), David Williams (bass, percussion),
722:
700:
537:
333:
Pullen to the end of Pullen's life, and persists even to this day.
241:
205:
1043:(bass), Tyronne Walker (drums), Bobby Battle (drums, percussion),
2975:
710:
647:
490:
479:(drums) and Marcello Melis (bass). On the formation of the first
237:
432:
In 1977, Pullen was signed by a major American record company,
2844:
2256:"Milford Graves / Don Pullen: The Complete Yale Concert, 1966"
1297:(percussion, vocals), Keith Pullen and Tameka Pullen (vocals)
556:(1984), then with a quintet, another highly praised recording
2469:
903:
Solo piano. Later reissued under the title "Richards's Tune"
184:
794:
issued a set of four long-unavailable Blue Note recordings:
260:(ESP, May 1965), both exercises in structured free playing.
2112:"Notable Figures of Black History in Virginia's Blue Ridge"
595:
African Brazilian connection and late career (1990 to 1995)
176:
96:
2454:
2423:"For Don - Hamiet Bluiett, D.D. Jackson | Song Info"
2369:, October 1986 (USA); Cameron Brown Interview (Internet).
1365:
883:
Duo, with Milford Graves (drums, percussion); in concert
110:
Musician, composer, arranger, record producer, bandleader
779:. D.D. Jackson also dedicated a piece to him on his CD,
396:
742:
performed by those who had known and worked with him.
252:, who invited Pullen to play piano on his two albums,
231:
175:(December 25, 1941 – April 22, 1995) was an American
2163:Ryan D. W. Bruce (31 January 2014). "Pullen, Don".
343:
2143:331, October 1976 (France); Piano Inside And Out,
1069:(drums); one track quintet, with Raphael Cruz and
1065:One track trio, with Jeff Berlin (electric bass),
35:Pullen in Half Moon Bay, California, June 13, 1988
745:Pullen's piano technique can be seen on the DVDs
3039:
2344:, July 1977 (USA); Jane Bunnett Blindfold Test,
2162:
368:on trumpet, formed the last great Mingus group.
2229:
413:, Pullen's long time associate of later years.
491:George Adams/Don Pullen Quartet (1979 to 1988)
2860:
2485:
1039:(electronics), John Flippin (electric bass),
684:. He also toured and recorded with the group
2298:, November 1989 (USA); Don Pullen Obituary,
2048:
2044:
2042:
2040:
2038:
2036:
2034:
2032:
802:by the Don Pullen/George Adams Quartet, and
541:available, unlike those made for Blue Note.
364:returned on drums; these men, together with
587:, in somewhat lighter mood, this time with
2867:
2853:
2492:
2478:
2179:10.1093/gmo/9781561592630.article.A2259301
463:Meanwhile, he recorded with groups led by
3098:Deaths from lymphoma in the United States
2029:
456:in 1979. These, especially the startling
729:"Double Arc Jake" (for his son Jake and
436:. This led to two records, the atypical
244:, for a few weeks, where he encountered
3193:20th-century African-American musicians
3173:The 360 Degree Music Experience members
2365:, September 1982 (Canada); Don Pullen,
1281:With the African-Brazilian Connection:
695:on trombone) with a choir and drums of
3040:
2232:The Freedom Principle: Jazz After 1958
2201:
2139:, October, 1976 (Canada); Free Blues,
1366:As the George Adams/Don Pullen Quartet
756:
313:In 1972, Pullen briefly appeared with
2848:
2473:
2131:
2129:
816:Once Upon A Time When We Were Colored
768:Long Goodbye: A Tribute to Don Pullen
579:(drums) to make his first trio album
3163:20th-century American male musicians
1047:(percussion), Rita DaCosta (vocals)
397:Emergence as a leader (1975 to 1979)
2800:Live at the Village Vanguard Vol. 2
1456:(Timeless, 1990) (Recorded in 1984)
1445:Live at the Village Vanguard Vol. 2
1400:(Timeless, 1989) (Recorded in 1979)
232:Early musical career (1964 to 1972)
13:
2408:, October 1986 (USA); Don Pullen,
2126:
16:American jazz pianist and organist
14:
3209:
2446:
1823:Holy Siege on Intrigue (Volume 2)
973:(tenor sax, soprano sax, flute),
3198:Deaths from cancer in New Jersey
2452:
344:Mingus connection (1973 to 1975)
281:Finding little money in playing
29:
3133:20th-century American composers
2874:
2744:The Complete Yale Concert, 1966
2415:
2398:
2385:
2372:
2355:
2334:
2309:
2288:
2147:, June 1985 (USA); Don Pullen,
1577:Live at Carlos I: Another Night
1073:(percussion) added; in concert
709:(with the Chief Cliff Singers,
631:, recorded in July 1993 at the
591:(bass) and Lewis Nash (drums).
275:The Complete Yale Concert, 1966
267:formed a duo. Their concert at
3138:20th-century American pianists
2816:Live...Again: Live at Montreux
2499:
2273:
2248:
2223:
2195:
2156:
2135:Interview with Vernon Frazer,
2104:
2076:
2055:The Guinness Who's Who of Jazz
1325:Live...Again: Live at Montreux
821:
1:
3168:Mingus Dynasty (band) members
3093:People from Roanoke, Virginia
2022:
1484:
1351:With Carlos Ward (alto sax),
1209:(bass), Bobby Battle (drums)
1099:(bass), Bobby Battle (drums)
1031:and Sterling Magee (guitar),
853:In Concert at Yale University
787:, 1996), entitled "For Don".
352:introduced Pullen to bassist
195:
3153:American male jazz composers
3148:Jazz musicians from Virginia
2792:Live at the Village Vanguard
2317:Mingus: A Critical Biography
1787:With Charles Mingus' Dynasty
1525:, recorded 1991 (AECO, 2007)
1437:Live at the Village Vanguard
826:
751:Roots Salutes The Saxophones
601:African Brazilian Connection
504:Live At The Village Vanguard
190:
7:
3188:20th-century jazz composers
3063:American male jazz pianists
2294:Don Pullen Blindfold Test,
285:, Pullen began to play the
217:Johnson C. Smith University
10:
3214:
3123:Avant-garde jazz composers
3113:American session musicians
2331:, September 1982 (Canada).
2319:, London: Palladin, 1985,
2285:, September 1980 (France).
2007:Trees and Grass and Things
1680:The Giuseppi Logan Quartet
814:and "Once Upon A Time" in
517:, for which they recorded
3183:Sackville Records artists
3118:Avant-garde jazz pianists
3108:Blue Note Records artists
3088:African-American pianists
3026:
2967:
2882:
2826:
2811:(with George Adams, 1985)
2803:(with George Adams, 1983)
2795:(with George Adams, 1983)
2787:(with George Adams, 1979)
2779:(with George Adams, 1979)
2735:
2688:(with George Adams, 1987)
2680:(with George Adams, 1986)
2664:(with George Adams, 1984)
2653:Evidence of Things Unseen
2648:(with George Adams, 1983)
2640:(with George Adams, 1982)
2632:(with George Adams, 1981)
2516:
2507:
1817:Penthouse Jazz (Volume 1)
1547:Orchestra, Duo and Septet
1171:Evidence of Things Unseen
865:(percussion); in concert
550:Evidence Of Things Unseen
263:Subsequently, Pullen and
220:desirous of playing like
200:Pullen was and raised in
132:
122:
114:
106:
92:
75:
55:
45:
40:
28:
21:
3103:Timeless Records artists
2234:. Da Capo. p. 228.
2230:Litweiler, John (1984).
1709:(India Navigation, 1979)
1025:Hannibal Marvin Peterson
256:(ESP, October 1964) and
215:Pullen left Roanoke for
210:Lucy Addison High School
3158:American jazz composers
3073:American male organists
3068:American jazz organists
2209:. Quartet. p. 94.
2207:As Serious as your Life
2171:Oxford University Press
2114:. Virginia's Blue Ridge
1763:Mingus at Carnegie Hall
1514:Art Ensemble of Chicago
747:Mingus At Montreux 1975
603:("ABC"). This featured
86:East Orange, New Jersey
3143:20th-century organists
3058:American jazz pianists
2412:, November 1989 (USA).
2382:, November 1989 (USA).
2153:, November 1989 (USA).
2084:"Obituary: Don Pullen"
1397:Paradise Space Shuttle
666:, David Murray's 1991
643:Top Jazz Album chart.
639:was fifth on the U.S.
633:Montreux Jazz Festival
564:; Marcello Melis; and
536:, through ballads, to
41:Background information
1942:Salutes the Saxophone
1565:(Im/possible to Keep)
3008:Slipping and Sliding
3000:Unforeseen Blessings
2725:Sacred Common Ground
2393:Sacred Common Ground
2348:, 2002; Don Pullen,
1384:(Palcoscenico, 1979)
1376:(Palcoscenico, 1979)
1343:Sacred Common Ground
1121:(drums, percussion)
775:, Cameron Brown and
706:Sacred Common Ground
688:from its inception.
246:Muhal Richard Abrams
236:In 1964, he went to
3178:The Leaders members
2565:Tomorrow's Promises
2533:Jazz a Confronto 21
2260:Jazz Music Archives
2060:Guinness Publishing
1913:Jazz a Confronto 25
1883:(Minor Music, 1990)
1833:(Black Saint, 1985)
1734:(Black Saint, 1982)
1728:(Black Saint, 1978)
1714:With Marcello Melis
1623:Live at Sweet Basil
1543:(Black Saint, 1977)
1522:Fundamental Destiny
1499:Jazz a Confronto 22
1009:Tomorrow's Promises
913:Jazz a Confronto 21
812:The Preacher's Wife
785:Justin Time Records
781:Paired Down, Vol. I
765:recorded an album,
757:Posthumous tributes
731:Rahsaan Roland Kirk
438:Tomorrow's Promises
3083:Post-bop composers
2984:Out Here Like This
2808:Live at Montmartre
2784:Don't Lose Control
2637:Melodic Excursions
2601:The Magic Triangle
2302:, July 1995 (UK);
2166:Grove Music Online
2058:(First ed.).
2018:(Mainstream, 1972)
2010:(Mainstream, 1971)
2002:(Mainstream, 1971)
1810:Flowers for Albert
1639:A Well-Kept Secret
1505:Suite for Swingers
1461:Live at Montmartre
1421:Melodic Excursions
1389:Don't Lose Control
1131:The Magic Triangle
546:Melodic Excursions
454:The Magic Triangle
173:Don Gabriel Pullen
51:Don Gabriel Pullen
3078:Post-bop pianists
3035:
3034:
3011:(1993 & 1994)
2842:
2841:
2568:(1976 & 1977)
2352:, June 1980 (UK).
2315:Brian Priestley,
2188:978-1-56159-263-0
2092:. 22 October 2011
1897:Children of Ibeji
1838:Shakill's Warrior
1480:(Blue Note, 1987)
1472:(Blue Note, 1986)
1448:(Soul Note, 1983)
1440:(Soul Note, 1983)
1392:(Soul Note, 1979)
1363:
1362:
669:Shakill's Warrior
515:Blue Note Records
167:
166:
69:Roanoke, Virginia
66:December 25, 1941
3205:
2869:
2862:
2855:
2846:
2845:
2827:Related articles
2756:Montreux Concert
2685:Song Everlasting
2549:Capricorn Rising
2525:Solo Piano Album
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2487:
2480:
2471:
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2268:
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2252:
2246:
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2227:
2221:
2220:
2199:
2193:
2192:
2169:(8th ed.).
2160:
2154:
2133:
2124:
2123:
2121:
2119:
2108:
2102:
2101:
2099:
2097:
2080:
2074:
2073:
2046:
1999:Charles Williams
1991:Charles Williams
1793:Chair in the Sky
1782:(Atlantic, 1974)
1774:(Atlantic, 1974)
1766:(Atlantic, 1974)
1758:(Atlantic, 1973)
1706:Alternate Spaces
1571:Live at Carlos I
1553:We Have Come to
1477:Song Everlasting
1464:(Timeless, 1985)
1432:(Timeless, 1983)
1424:(Timeless, 1982)
1416:(Timeless, 1981)
1408:(Timeless, 1980)
1291:Guilherme Franco
1057:Montreux Concert
959:Capricorn Rising
931:(drums, vocals)
893:Solo Piano Album
843:Personnel/Notes
831:
830:
800:Song Everlasting
697:Native Americans
652:session musician
613:Guilherme Franco
523:Song Everlasting
485:Chair In The Sky
471:(baritone sax),
442:Montreux Concert
434:Atlantic Records
403:Solo Piano Album
360:; subsequently,
348:In 1973 drummer
338:Charles Williams
283:avant-garde jazz
125:
101:avant-garde jazz
82:
65:
63:
48:
33:
19:
18:
3213:
3212:
3208:
3207:
3206:
3204:
3203:
3202:
3038:
3037:
3036:
3031:
3022:
2963:
2946:Eddie Henderson
2878:
2873:
2843:
2838:
2822:
2731:
2701:Random Thoughts
2669:The Sixth Sense
2512:
2503:
2498:
2459:
2457:
2449:
2444:
2443:
2433:
2431:
2421:
2420:
2416:
2403:
2399:
2391:Liner notes to
2390:
2386:
2377:
2373:
2360:
2356:
2339:
2335:
2314:
2310:
2293:
2289:
2278:
2274:
2264:
2262:
2254:
2253:
2249:
2242:
2228:
2224:
2217:
2200:
2196:
2189:
2161:
2157:
2134:
2127:
2117:
2115:
2110:
2109:
2105:
2095:
2093:
2089:The Independent
2082:
2081:
2077:
2070:
2062:. p. 327.
2047:
2030:
2025:
1906:Dannie Richmond
1880:Roots Revisited
1748:Jazz in Detroit
1665:(Horizon, 1977)
1594:Duet in Detroit
1487:
1368:
1247:Random Thoughts
1203:Donald Harrison
1189:The Sixth Sense
1037:İlhan Mimaroğlu
1033:Michal Urbaniak
929:Dannie Richmond
829:
824:
808:Random Thoughts
759:
597:
585:Random Thoughts
558:The Sixth Sense
493:
399:
362:Dannie Richmond
346:
319:Jazz Messengers
269:Yale University
234:
222:Ornette Coleman
198:
193:
170:
123:
88:, United States
84:
80:
71:, United States
67:
61:
59:
46:
36:
24:
17:
12:
11:
5:
3211:
3201:
3200:
3195:
3190:
3185:
3180:
3175:
3170:
3165:
3160:
3155:
3150:
3145:
3140:
3135:
3130:
3125:
3120:
3115:
3110:
3105:
3100:
3095:
3090:
3085:
3080:
3075:
3070:
3065:
3060:
3055:
3050:
3033:
3032:
3027:
3024:
3023:
3021:
3020:
3012:
3004:
2996:
2988:
2980:
2971:
2969:
2965:
2964:
2962:
2961:
2956:
2953:
2948:
2943:
2938:
2933:
2927:
2926:
2919:
2912:
2905:
2898:
2891:
2883:
2880:
2879:
2872:
2871:
2864:
2857:
2849:
2840:
2839:
2837:
2836:
2830:
2828:
2824:
2823:
2821:
2820:
2812:
2804:
2796:
2788:
2780:
2772:
2760:
2752:
2749:Milford Graves
2739:
2737:
2733:
2732:
2730:
2729:
2721:
2713:
2705:
2697:
2693:New Beginnings
2689:
2681:
2673:
2665:
2657:
2649:
2641:
2633:
2625:
2613:
2597:
2589:
2569:
2561:
2553:
2545:
2537:
2529:
2520:
2518:
2514:
2513:
2508:
2505:
2504:
2497:
2496:
2489:
2482:
2474:
2468:
2467:
2465:
2448:
2447:External links
2445:
2442:
2441:
2414:
2397:
2384:
2371:
2354:
2333:
2327:; Don Pullen,
2308:
2287:
2272:
2247:
2240:
2222:
2215:
2194:
2187:
2155:
2125:
2103:
2075:
2068:
2052:, ed. (1992).
2027:
2026:
2024:
2021:
2020:
2019:
2011:
2003:
1986:
1985:
1968:
1967:
1952:
1951:
1945:
1933:
1932:
1917:
1916:
1901:
1900:
1885:
1884:
1867:
1866:
1851:
1850:
1842:
1834:
1826:
1820:
1814:
1797:
1796:
1784:
1783:
1775:
1767:
1759:
1751:
1741:Charles Mingus
1736:
1735:
1729:
1723:
1720:Perdas De Fogu
1711:
1710:
1693:
1692:
1684:
1672:Giuseppi Logan
1667:
1666:
1649:
1648:
1642:
1627:
1626:
1620:
1617:New York Duets
1614:
1599:
1598:
1581:
1580:
1574:
1568:
1550:
1544:
1532:Hamiet Bluiett
1527:
1526:
1509:
1508:
1502:
1486:
1483:
1482:
1481:
1473:
1465:
1457:
1449:
1441:
1433:
1425:
1417:
1409:
1401:
1393:
1385:
1377:
1367:
1364:
1361:
1360:
1357:Santi Debriano
1349:
1346:
1339:
1335:
1334:
1331:
1328:
1321:
1317:
1316:
1313:
1310:
1303:
1299:
1298:
1293:(percussion),
1279:
1276:
1269:
1265:
1264:
1253:
1250:
1243:
1239:
1238:
1227:
1222:
1219:New Beginnings
1215:
1211:
1210:
1197:Quintet, with
1195:
1192:
1185:
1181:
1180:
1177:
1174:
1167:
1163:
1162:
1159:
1156:
1149:
1145:
1144:
1137:
1134:
1127:
1123:
1122:
1115:
1112:
1105:
1101:
1100:
1091:Quartet, with
1089:
1086:
1079:
1075:
1074:
1071:Sammy Figueroa
1063:
1060:
1053:
1049:
1048:
1017:
1012:
1005:
1001:
1000:
997:
994:
987:
983:
982:
969:Quartet, with
967:
962:
955:
951:
950:
947:
944:
937:
933:
932:
923:Quartet, with
921:
916:
909:
905:
904:
901:
896:
889:
885:
884:
881:
878:
871:
867:
866:
863:Milford Graves
859:
856:
849:
845:
844:
841:
838:
835:
834:Year recorded
828:
825:
823:
820:
792:Mosaic Records
758:
755:
656:New York Duets
596:
593:
581:New Beginnings
492:
489:
481:Mingus Dynasty
469:Hamiet Bluiett
398:
395:
354:Charles Mingus
345:
342:
292:Arthur Prysock
265:Milford Graves
254:Giuseppi Logan
250:Giuseppi Logan
233:
230:
197:
194:
192:
189:
169:Musical artist
168:
165:
164:
134:
130:
129:
126:
120:
119:
116:
112:
111:
108:
104:
103:
94:
90:
89:
83:(aged 53)
79:April 22, 1995
77:
73:
72:
57:
53:
52:
49:
43:
42:
38:
37:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
3210:
3199:
3196:
3194:
3191:
3189:
3186:
3184:
3181:
3179:
3176:
3174:
3171:
3169:
3166:
3164:
3161:
3159:
3156:
3154:
3151:
3149:
3146:
3144:
3141:
3139:
3136:
3134:
3131:
3129:
3126:
3124:
3121:
3119:
3116:
3114:
3111:
3109:
3106:
3104:
3101:
3099:
3096:
3094:
3091:
3089:
3086:
3084:
3081:
3079:
3076:
3074:
3071:
3069:
3066:
3064:
3061:
3059:
3056:
3054:
3051:
3049:
3046:
3045:
3043:
3030:
3025:
3018:
3017:
3016:Spirits Alike
3013:
3010:
3009:
3005:
3002:
3001:
2997:
2994:
2993:
2989:
2986:
2985:
2981:
2978:
2977:
2973:
2972:
2970:
2966:
2960:
2957:
2954:
2952:
2949:
2947:
2944:
2942:
2939:
2937:
2936:Kirk Lightsey
2934:
2932:
2929:
2928:
2925:
2924:
2920:
2918:
2917:
2913:
2911:
2910:
2906:
2904:
2903:
2902:Arthur Blythe
2899:
2897:
2896:
2892:
2890:
2889:
2888:Chico Freeman
2885:
2884:
2881:
2877:
2870:
2865:
2863:
2858:
2856:
2851:
2850:
2847:
2835:
2832:
2831:
2829:
2825:
2818:
2817:
2813:
2810:
2809:
2805:
2802:
2801:
2797:
2794:
2793:
2789:
2786:
2785:
2781:
2778:
2777:
2773:
2770:
2766:
2765:
2764:All That Funk
2761:
2758:
2757:
2753:
2750:
2746:
2745:
2741:
2740:
2738:
2734:
2727:
2726:
2722:
2719:
2718:
2714:
2711:
2710:
2709:Kele Mou Bana
2706:
2703:
2702:
2698:
2695:
2694:
2690:
2687:
2686:
2682:
2679:
2678:
2674:
2671:
2670:
2666:
2663:
2662:
2658:
2655:
2654:
2650:
2647:
2646:
2642:
2639:
2638:
2634:
2631:
2630:
2626:
2623:
2619:
2618:
2614:
2611:
2607:
2606:Joseph Jarman
2603:
2602:
2598:
2595:
2594:
2590:
2587:
2583:
2579:
2578:Chico Freeman
2575:
2574:
2570:
2567:
2566:
2562:
2559:
2558:
2557:Healing Force
2554:
2551:
2550:
2546:
2543:
2542:
2538:
2535:
2534:
2530:
2527:
2526:
2522:
2521:
2519:
2517:Studio albums
2515:
2511:
2506:
2502:
2495:
2490:
2488:
2483:
2481:
2476:
2475:
2472:
2466:
2456:
2451:
2450:
2430:
2429:
2424:
2418:
2411:
2407:
2401:
2394:
2388:
2381:
2375:
2368:
2364:
2358:
2351:
2347:
2343:
2337:
2330:
2326:
2325:0-586-08478-9
2322:
2318:
2312:
2306:1945-70 (UK).
2305:
2301:
2297:
2291:
2284:
2283:
2282:Jazz Magazine
2276:
2261:
2257:
2251:
2243:
2241:0-306-80377-1
2237:
2233:
2226:
2218:
2216:0-7043-3164-0
2212:
2208:
2204:
2198:
2190:
2184:
2180:
2176:
2172:
2168:
2167:
2159:
2152:
2151:
2146:
2142:
2138:
2132:
2130:
2113:
2107:
2091:
2090:
2085:
2079:
2071:
2069:0-85112-580-8
2065:
2061:
2057:
2056:
2051:
2045:
2043:
2041:
2039:
2037:
2035:
2033:
2028:
2017:
2016:
2012:
2009:
2008:
2004:
2001:
2000:
1996:
1995:
1994:
1993:
1992:
1983:
1982:
1978:
1977:
1976:
1975:
1974:
1965:
1962:
1961:
1960:
1959:
1958:
1957:John Scofield
1949:
1946:
1943:
1940:
1939:
1938:
1937:
1930:
1927:
1926:
1925:
1924:
1923:
1914:
1911:
1910:
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1907:
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1891:
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1873:
1864:
1861:
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1827:
1824:
1821:
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1804:
1803:
1794:
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1757:
1756:
1752:
1749:
1746:
1745:
1744:
1743:
1742:
1733:
1730:
1727:
1726:Free to Dance
1724:
1721:
1718:
1717:
1716:
1715:
1708:
1707:
1703:
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1700:
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1657:
1656:
1655:
1646:
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1640:
1637:
1636:
1635:
1634:
1633:
1632:Beaver Harris
1624:
1621:
1618:
1615:
1612:
1609:
1608:
1607:
1606:
1605:
1597:(Enja, 1987 )
1596:
1595:
1591:
1590:
1589:
1588:
1587:
1578:
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1572:
1569:
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1556:
1551:
1548:
1545:
1542:
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1503:
1500:
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1493:
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1478:
1474:
1471:
1470:
1466:
1463:
1462:
1458:
1455:
1454:
1450:
1447:
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1426:
1423:
1422:
1418:
1415:
1414:
1410:
1407:
1406:
1402:
1399:
1398:
1394:
1391:
1390:
1386:
1383:
1382:
1378:
1375:
1374:
1373:All That Funk
1370:
1369:
1358:
1354:
1350:
1347:
1345:
1344:
1340:
1337:
1336:
1332:
1329:
1327:
1326:
1322:
1319:
1318:
1314:
1311:
1309:
1308:
1304:
1301:
1300:
1296:
1292:
1288:
1284:
1280:
1277:
1275:
1274:
1273:Kele Mou Bana
1270:
1267:
1266:
1262:
1258:
1254:
1251:
1249:
1248:
1244:
1241:
1240:
1236:
1235:Tony Williams
1232:
1228:
1226:
1223:
1221:
1220:
1216:
1213:
1212:
1208:
1204:
1200:
1196:
1193:
1191:
1190:
1186:
1183:
1182:
1178:
1175:
1173:
1172:
1168:
1165:
1164:
1160:
1158:Paddle Wheel
1157:
1155:
1154:
1150:
1147:
1146:
1142:
1141:Joseph Jarman
1138:
1135:
1133:
1132:
1128:
1125:
1124:
1120:
1116:
1113:
1111:
1110:
1106:
1103:
1102:
1098:
1095:(tenor sax),
1094:
1093:Chico Freeman
1090:
1087:
1085:
1084:
1080:
1077:
1076:
1072:
1068:
1064:
1061:
1059:
1058:
1054:
1051:
1050:
1046:
1042:
1038:
1034:
1030:
1029:Roland Prince
1026:
1022:
1021:Randy Brecker
1018:
1016:
1013:
1011:
1010:
1006:
1003:
1002:
998:
995:
993:
992:
991:Healing Force
988:
985:
984:
980:
976:
972:
968:
966:
963:
961:
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956:
953:
952:
948:
945:
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917:
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854:
850:
847:
846:
842:
839:
836:
833:
832:
819:
817:
813:
809:
805:
804:New Beginning
801:
797:
793:
788:
786:
782:
778:
774:
770:
769:
764:
763:D. D. Jackson
754:
752:
748:
743:
740:
736:
732:
726:
724:
720:
716:
715:Elmo, Montana
713:Indians from
712:
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698:
694:
689:
687:
683:
679:
675:
671:
670:
665:
661:
657:
653:
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644:
642:
638:
634:
630:
626:
622:
621:Kele Mou Bana
618:
614:
610:
606:
602:
592:
590:
586:
582:
578:
577:Tony Williams
574:
569:
567:
563:
562:Beaver Harris
559:
555:
551:
547:
542:
539:
535:
531:
526:
524:
520:
516:
511:
509:
505:
501:
500:
488:
486:
482:
478:
474:
470:
466:
461:
459:
455:
452:in 1978, and
451:
447:
443:
440:and the live
439:
435:
430:
428:
424:
423:Healing Force
420:
414:
412:
411:Cameron Brown
408:
404:
394:
392:
388:
387:
382:
381:
376:
375:
369:
367:
363:
359:
355:
351:
341:
339:
334:
331:
327:
322:
320:
316:
311:
309:
305:
304:Jimmy Rushing
301:
297:
293:
288:
287:Hammond organ
284:
279:
277:
276:
270:
266:
261:
259:
255:
251:
247:
243:
239:
229:
227:
223:
218:
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127:
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117:
115:Instrument(s)
113:
109:
107:Occupation(s)
105:
102:
98:
95:
91:
87:
78:
74:
70:
58:
54:
50:
44:
39:
32:
27:
20:
3028:
3014:
3006:
2998:
2992:Heaven Dance
2990:
2982:
2974:
2951:Bobby Watson
2941:Lester Bowie
2921:
2914:
2908:
2907:
2900:
2893:
2886:
2814:
2806:
2798:
2790:
2782:
2774:
2769:George Adams
2762:
2754:
2742:
2723:
2715:
2707:
2699:
2691:
2683:
2677:Breakthrough
2675:
2667:
2659:
2651:
2643:
2635:
2627:
2622:George Adams
2615:
2599:
2593:Milano Strut
2591:
2586:Bobby Battle
2582:Fred Hopkins
2571:
2563:
2555:
2547:
2539:
2531:
2523:
2509:
2500:
2458:. Retrieved
2455:"Don Pullen"
2453:Bond, Mike.
2432:. Retrieved
2426:
2417:
2409:
2405:
2404:Don Pullen,
2400:
2392:
2387:
2379:
2378:Don Pullen,
2374:
2366:
2362:
2361:Don Pullen,
2357:
2350:Jazz Journal
2349:
2345:
2341:
2340:Don Pullen,
2336:
2328:
2316:
2311:
2303:
2300:Jazz Journal
2299:
2295:
2290:
2280:
2279:Don Pullen,
2275:
2263:. Retrieved
2259:
2250:
2231:
2225:
2206:
2197:
2164:
2158:
2148:
2144:
2140:
2136:
2116:. Retrieved
2106:
2094:. Retrieved
2087:
2078:
2053:
2050:Colin Larkin
2013:
2005:
1997:
1988:
1987:
1984:(Muse, 1992)
1981:Serious Hang
1979:
1973:Jack Walrath
1970:
1969:
1963:
1954:
1953:
1947:
1941:
1935:
1934:
1929:Black Africa
1928:
1919:
1918:
1912:
1903:
1902:
1896:
1890:Ivo Perelman
1887:
1886:
1878:
1872:Maceo Parker
1869:
1868:
1863:Apples Cores
1862:
1856:Sunny Murray
1853:
1852:
1846:Shakill's II
1844:
1836:
1828:
1822:
1816:
1808:
1802:David Murray
1799:
1798:
1792:
1786:
1785:
1777:
1769:
1761:
1755:Mingus Moves
1753:
1747:
1738:
1737:
1731:
1725:
1719:
1713:
1712:
1704:
1695:
1694:
1686:
1678:
1669:
1668:
1660:
1651:
1650:
1645:Negcaumongus
1644:
1638:
1629:
1628:
1622:
1616:
1610:
1604:Jane Bunnett
1601:
1600:
1592:
1583:
1582:
1576:
1570:
1562:
1558:
1554:
1552:
1546:
1538:
1529:
1528:
1520:
1511:
1510:
1504:
1498:
1492:George Adams
1489:
1488:
1475:
1469:Breakthrough
1467:
1459:
1451:
1443:
1435:
1427:
1419:
1411:
1403:
1395:
1387:
1379:
1371:
1355:(trombone),
1353:Joseph Bowie
1341:
1323:
1305:
1287:Nilson Matta
1285:(alto sax),
1271:
1245:
1231:Gary Peacock
1217:
1207:Fred Hopkins
1205:(alto sax),
1194:Black Saint
1187:
1176:Black Saint
1169:
1151:
1136:Black Saint
1129:
1114:Black Saint
1109:Milano Strut
1107:
1097:Fred Hopkins
1088:Black Saint
1081:
1067:Steve Jordan
1055:
1045:Ray Mantilla
1007:
996:Black Saint
989:
979:Bobby Battle
957:
939:
925:George Adams
911:
891:
873:
851:
815:
811:
807:
803:
799:
796:Breakthrough
795:
789:
780:
777:Myra Melford
773:Jane Bunnett
766:
760:
750:
746:
744:
738:
727:
719:D.D. Jackson
704:
693:Joseph Bowie
690:
682:Jack Walrath
678:Ivo Perelman
674:Maceo Parker
667:
664:Kip Hanrahan
655:
645:
636:
629:Live...Again
628:
624:
620:
609:Nilson Matta
607:(alto sax),
598:
584:
580:
573:Gary Peacock
570:
566:David Murray
557:
553:
549:
545:
543:
527:
522:
519:Breakthrough
518:
512:
507:
503:
497:
494:
484:
477:Sunny Murray
462:
457:
453:
450:Milano Strut
449:
445:
441:
431:
422:
418:
415:
402:
400:
391:Mingus Moves
390:
384:
378:
374:Mingus Moves
372:
370:
366:Jack Walrath
358:George Adams
347:
335:
330:Cecil Taylor
323:
312:
280:
273:
262:
257:
253:
235:
214:
199:
172:
171:
157:Palcoscenico
124:Years active
118:Piano, organ
81:(1995-04-22)
3053:1995 deaths
3048:1941 births
2955:Fred Harris
2931:Hilton Ruiz
2916:Cecil McBee
2876:The Leaders
2834:The Leaders
2736:Live albums
2717:Ode to Life
2617:Earth Beams
2304:Modern Jazz
2203:Wilmer, Val
1964:Live 3 Ways
1948:Stablemates
1849:(DIW, 1993)
1841:(DIW, 1991)
1779:Changes Two
1771:Changes One
1750:(BBE, 1973)
1722:(RCA, 1974)
1698:Cecil McBee
1691:(ESP, 1965)
1683:(ESP, 1965)
1611:In Dew Time
1561:m Yourselve
1405:Earth Beams
1307:Ode to Life
1283:Carlos Ward
1257:James Genus
1255:Trio, with
1229:Trio, with
1201:(trumpet),
1179:Solo piano
1161:Solo piano
1139:Trio, with
1027:(trumpet),
999:Solo piano
965:Black Saint
949:Solo piano
822:Discography
637:Ode To Life
625:Ode To Life
605:Carlos Ward
589:James Genus
575:(bass) and
552:(1983) and
521:(1986) and
506:(1983) and
499:Earth Beams
473:Cecil McBee
427:Black Saint
421:(Horo) and
386:Changes Two
380:Changes One
308:Nina Simone
226:Eric Dolphy
149:Black Saint
3042:Categories
2959:Billy Hart
2909:Don Pullen
2895:Don Cherry
2645:City Gates
2541:Five to Go
2501:Don Pullen
2460:2006-05-14
2346:Jazz Times
2118:August 28,
2023:References
1936:With Roots
1922:Sam Rivers
1654:Billy Hart
1586:Roy Brooks
1557:ave You Fr
1540:Resolution
1485:As sideman
1429:City Gates
1348:Blue Note
1330:Blue Note
1312:Blue Note
1278:Blue Note
1261:Lewis Nash
1252:Blue Note
1153:Plays Monk
1117:Duo, with
1041:Alex Blake
1035:(violin),
975:Alex Blake
971:Sam Rivers
941:Five to Go
861:Duo, with
739:Plays Monk
660:Bill Cosby
554:Plays Monk
530:Lewis Nash
465:Billy Hart
419:Five To Go
350:Roy Brooks
315:Art Blakey
300:Ruth Brown
296:Irene Reid
290:including
196:Early life
62:1941-12-25
47:Birth name
23:Don Pullen
2776:More Funk
2661:Decisions
2629:Life Line
2410:Down Beat
2380:Down Beat
2342:Down Beat
2296:Down Beat
2150:Down Beat
2145:Down Beat
2015:Stickball
1512:With the
1453:Decisions
1413:Life Line
1381:More Funk
1295:Mor Thiam
1225:Blue Note
1062:Atlantic
899:Sackville
827:As leader
790:In 2005,
735:Malcolm X
641:Billboard
617:Mor Thiam
508:Decisions
467:(drums),
407:Sackville
326:free jazz
191:Biography
145:Sackville
141:Blue Note
128:1964–1995
2923:Don Moye
2610:Don Moye
2573:Warriors
2434:July 31,
2428:AllMusic
2406:Musician
2367:Musician
2363:Keyboard
2329:Keyboard
2205:(1977).
2141:Jazz Hot
1830:Children
1732:Angedras
1662:Enchance
1289:(bass),
1263:(drums)
1259:(bass),
1237:(drums)
1233:(bass),
1199:Olu Dara
1119:Don Moye
1083:Warriors
1015:Atlantic
1004:1976–77
981:(drums)
977:(bass),
723:lymphoma
711:Kootenai
701:lymphoma
611:(bass),
538:post-bop
502:(1980),
475:(bass),
458:Warriors
446:Warriors
377:(1973),
242:Illinois
206:Virginia
153:Atlantic
137:Timeless
2976:Mudfoot
2771:, 1979)
2751:, 1966)
2624:, 1980)
2612:, 1979)
2588:, 1978)
2096:31 July
648:sideman
238:Chicago
202:Roanoke
3019:(2006)
3003:(1988)
2995:(1988)
2987:(1987)
2979:(1986)
2968:Albums
2819:(1993)
2767:(with
2759:(1977)
2747:(with
2728:(1995)
2720:(1993)
2712:(1990)
2704:(1990)
2696:(1988)
2672:(1985)
2656:(1983)
2620:(with
2604:(with
2596:(1978)
2584:, and
2576:(with
2560:(1976)
2552:(1975)
2544:(1975)
2536:(1975)
2528:(1975)
2395:(1995)
2323:
2265:May 3,
2238:
2213:
2185:
2066:
1966:(1990)
1950:(1992)
1944:(1991)
1931:(1977)
1915:(1975)
1899:(1992)
1865:(1977)
1825:(1977)
1819:(1977)
1813:(1976)
1795:(1979)
1647:(1980)
1641:(1980)
1625:(1992)
1619:(1989)
1613:(1989)
1579:(1986)
1573:(1986)
1567:(1979)
1549:(1977)
1507:(1975)
1501:(1975)
840:Label
837:Title
161:Mosaic
133:Labels
93:Genres
1989:With
1971:With
1955:With
1920:With
1904:With
1888:With
1870:With
1854:With
1800:With
1739:With
1696:With
1670:With
1652:With
1630:With
1602:With
1584:With
1530:With
1490:With
1338:1995
1320:1993
1302:1993
1268:1990
1242:1990
1214:1988
1184:1985
1166:1983
1148:1984
1126:1979
1104:1978
1078:1978
1052:1977
986:1976
954:1975
946:Horo
936:1975
908:1975
888:1975
875:Nommo
870:1966
848:1966
686:Roots
534:blues
185:bebop
181:blues
163:, SRP
2608:and
2436:2021
2321:ISBN
2267:2022
2236:ISBN
2211:ISBN
2183:ISBN
2137:Coda
2120:2021
2098:2021
2064:ISBN
1688:More
1023:and
919:Horo
880:SRP
858:SRP
806:and
798:and
749:and
680:and
650:and
615:and
448:and
383:and
306:and
258:More
224:and
177:jazz
97:Jazz
76:Died
56:Born
2175:doi
658:),
317:'s
183:to
3044::
2580:,
2425:.
2258:.
2181:.
2173:.
2128:^
2086:.
2031:^
818:.
753:.
725:.
676:,
672:,
662:,
568:.
321:.
310:.
302:,
298:,
294:,
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240:,
228:.
204:,
159:,
155:,
151:,
147:,
143:,
139:,
99:,
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2269:.
2244:.
2219:.
2191:.
2177::
2122:.
2100:.
2072:.
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1559:O
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