Don Juan (poem) - Knowledge

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To thwart the social disgrace suggested by the appearance of sexual impropriety, Lady Adeline advises marriage to Don Juan, with which suggestion he agrees, but acknowledges that he usually is attracted to married women. In effort to deduce a suitable match for him, Lady Adeline deliberately omits mention of Aurora Raby, who is a Catholic, sixteen-year-old girl most suitable to pair and marry with Don Juan. Although attracted to Aurora, because she is purer of heart than the other women Lady Adeline mentioned, the adolescent girl reminds Don Juan of Haidée, the daughter of the pirate Lambro, who sold Juan into slavery at Constantinople. The narrator then describes the elaborate dinner at which Don Juan is seated between Aurora and Lady Adeline. Initially laconic, Aurora soon warms to the spirit of the occasion, and contributes conversation during dinner.

426: 2219: 338: 472:, in "The Isles of Greece" section of canto III, Byron uses numeration and versification different from the style of verse and enumeration of the text about Don Juan. Moreover, on returning to the adventures of Don Juan, the narrator vividly describes a catalogue of the celebrations of the lovers Haidée and Don Juan. At the time of Juan's ship-wrecked arrival to the island, the islanders believed that Lambro (Haidée's father) was dead, but he returns and witnesses the revels and his daughter in company of a man. Towards the end of canto III, Byron again digresses from the adventures of Don Juan in order to insult his literary rivals, the 393:

Juan, and falls in love. Suspecting his wife's infidelity, Don Alfonso bursts into their bedroom, followed by his bodyguards who find no-one and nothing suspicious upon searching their master's bedroom, for Juan was hiding in the bed; Don Alfonso and his posse leave the room. Later returning alone to his bedroom, Don Alfonso comes across Juan's shoes and they fight for the woman, Donna Julia. Breaking off the fight with Don Alfonso, Don Juan escapes. To thwart rumours and the consequent bad reputation that her son has brought upon himself, Donna Inez sends Don Juan away to travel Europe, in hope that he develop a better sense of

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experienced duchess, who has had many love affairs, the hostess, Lady Adeline, resolves to protect the "inexperienced" Don Juan from the sexual enticements and depredations of the Duchess of Fitz-Fulke. Although Lady Adeline and Don Juan both are twenty-one years old, and, despite having a vacant heart and a cold, but proper marriage to Lord Henry, she is not in love with Don Juan. Later, the narrator Byron tells the reader whether or not Lady Adeline and Don Juan entered into a love affair; about which canto XIV contains the line:

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guests retire for the night, Don Juan again thinks of Aurora, who has reawakened romantic feelings he thought lost in the past. That night, from his rooms, Don Juan again hears footfalls in the hallway, expecting the Black Friar's ghost. The door opens, but the hood conceals the face; Don Juan pursues and pushes the ghost against a wall, and smells a sweet breath, sees red lips and straggling curls, and a pearl necklace that frames a glowing bust. Don Juan pulls back the hood to reveal the voluptuous Duchess of Fitz-Fulke.

629:, who also is infatuated with and lustful for him. The Empress Catherine is a woman of forty-eight-years who is "just now in juicy vigour". At court, Don Juan becomes one of her favourites, and is flattered by the sexual interest of the Empress, which earns him a promotion in rank; thus "Love is vanity, / Selfish in its beginning as its end, / Except where ’tis a mere insanity". Privately, Don Juan concerns himself with the health, education, and welfare of the Muslim girl he rescued at the siege of Izmail. 638: 791: 920: 2853: 675:, he regrets his violent haste and tends the wound of the dying robber. Don Juan's medical effort fails and the robber mutters his last words and dies on the London street. Later, as an envoy of Russia, Don Juan is received at the English court, where the courtiers are in wonder of Juan's handsome visage, in admiration of his dress, and charmed by his mien and personality, which provoke the jealousy of some of the elder peers. In canto XI, Byron mentions 192:, was coextensive with a major part of his poetical life"; he wrote the first canto in late 1818, and the 17th canto in early 1823. Canto I was written in September 1818, and canto II was written from December 1818 to January 1819. Cantos III and IV were written in the winter of 1819–1820 and canto V was written in October–November 1820. Cantos I and II were published on 15 July 1819, and cantos III, IV, and V were published on 8 August 1821. 817:(1813–43); in stanza III Byron said: "You, Bob! are rather insolent, you know, / At being disappointed in your wish / To supersede all warblers here below, / And be the only Blackbird in the dish; / And then you overstrain yourself, or so, / And tumble downward like the flying fish / Gasping on the deck, because you soar too high, Bob, / And fall, for lack of moisture quite a-dry, Bob!" This reference seems to be a dig at unsuccessful 592:, in Bulgaria) and introduces his friend Don Juan, saying that both men are ready to join the Christian fight against the pagan Turks. Marshal Suvorov is very unhappy that John and Juan have appeared at the Siege of Izmail, in company of two women who claim to be the wives of soldiers. To assuage Suvorov to consent to the women remaining with them, Juan and John tell him that the women aided their escape from the Turks. 1029:

carrying upon it the mark of a secondary and borrowed light.... You are building up a drama such as England has not yet seen, and the task is sufficiently noble and worthy of you." About canto V, Shelley told Byron that "Every word has the stamp of immortality.... It fulfils, in a certain degree, what I have long preached of producing—something wholly new and relative to the age, and yet surpassingly beautiful".

518:, Baba, buys the infidel slaves Juan and John, and takes them to the palace of the sultan. Taking them to an inner chamber, Baba insists that Don Juan dress as a woman, and threatens castration if Juan resists that demand. Finally, Juan is taken into an imperial hall to meet the sultana, Gulbeyaz, a beautiful, twenty-six-year-old woman, who is the fourth, last, and favourite wife of the sultan. 560:

tenaciously clings to the bough, of almost biting that forbidden fruit, when a bee flies out from the apple and stings her to the heart. The matron of the seraglio decides to place Juanna with another odalisque, but Dudù begs to keep her as companion in her couch. The narrator Byron does not know why Dudù screamed whilst asleep.

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told Byron of his "wonder and delight" at the presentation of events, because in the composition and style, "this poem carries with it at once the stamp of originality and defiance of imitation. Nothing has ever been written like it in English, nor, if I may venture to prophesy, will there be, unless

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Country life. During a fox hunt, Don Juan acquits himself in riding to the hounds, proving to be a handsome, dashing, and witty man who is very attractive to the lady guests at the Amundeville country house, including the flirtatious Duchess of Fitz-Fulke, who has set her eye upon him. Jealous of the

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Leila safeguarded. In effort to pursue his life and interests, in England, Don Juan first safeguards his adopted daughter, Leila, by seeking, finding, and employing a suitable guardian for her, in the person of Lady Pinchbeck, a woman whom London society consider a person of good character, possessed

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begins with the birth of the hero, Don Juan, in Seville, Spain. As a sexually precocious adolescent boy, Juan has a love affair with a married friend of his mother. When the woman's husband discovers her affair with the boy, Don Juan is sent to the distant city of Cádiz. On the way, he is shipwrecked

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despite the figure's pacing, the hood hides the face from Don Juan. In the morn, Don Juan's pale face turns Lady Adeline pale. Noticing the response of her hostess, the Duchess of Fitz-Fulke gives a hard-eyed look to Don Juan, whilst the adolescent Aurora looks at him "with a kind of calm surprise".

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reside. Juanna must share a couch with Dudù, a pretty seventeen-year-old girl. When asked his name, Don Juan calls himself "Juanna". The narrator tells that Dudù is a "kind of sleepy Venus ... very fit to murder sleep.... Her talents were of the more silent class ... pensive...." Dudù gives Juanna a

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The company of women. Lady Adeline is at risk of losing her honour, because of her apparent relation with Don Juan, whose passive, seductive manner is deceptive, because he never seems anxious to consummate the seduction; and, being personally modest, Don Juan neither brooks nor claims superiority.

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islands, two women, Haidée and Zoe, the latter being the maid of the former, discover the shipwrecked Juan and care for him in a cave at the beach. Haidée and Juan fall in love, despite neither speaking or understanding the language of the other. Moreover, Haidée's father, Lambro, is a pirate and a

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A month after the publication of cantos I and II, in a letter (12 August 1819) to publisher John Murray, Byron said: "You ask me for the plan of Donny Johnny; I have no plan—I had no plan; but I had or have materials.... You are too earnest and eager about a work never intended to be serious. Do

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The domestic staff of the house realise preparations for that evening's dinner party, whilst Don Juan failed to dispel dismay. The domestic affairs of the Amundeville estate include assorted petitioners and a pregnant country girl seeking legal remedy from Lord Henry, in his capacity as justice of

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Lady Adeline asks if he is ill; Lord Henry says that Don Juan saw the "Black Friar" pace the hallway at night, and then tells of the "spirit of these walls", who was often seen in the past, but not of late. That on honeymoon with Lady Adeline, he saw the ghost of the Black Friar haunt the halls of

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At war. As brave soldiers in the Imperial Russian army, Don Juan and John Johnson prove fearless in the savagery and carnage of the Russian siege upon the Turks. To conquer the fort of Izmail, the Russians kill 40,000 Turks, including the women and the children. Being a man of noble character, Don

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Before they can progress with their sexual relationship, Baba rushes in and announces to Gulbeyaz and Juan that the sultan is arriving: "The sun himself has sent me like a ray / To hint that he is coming up this way" (V. clviv, 1151). Preceded by an entourage of courtiers, concubines, and eunuchs,

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her, and then Gulbeyaz throws herself upon his breast. With Haidée still in his thoughts, Juan spurns Gulbeyaz's sexual advances, saying: "The prisoned eagle will not pair, nor I / Serve a sultana's sensual phantasy." Enraged by the rejection, Gulbeyaz thinks of having Juan beheaded, but, instead,

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In Spain. Don Juan lives in Seville with his father, Don José, and his mother, Donna Inez. The romantic Donna Julia, the twenty-three-year-old wife of Don Alfonso, fancies and lusts for the sixteen-year-old boy Don Juan. Despite attempting to resist his charms, Julia enters into a love affair with

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and presented in 16 cantos. Lord Byron derived the character of Don Juan from traditional Spanish folk legends; however, the story was very much his own. Upon publication in 1819, cantos I and II were widely criticised as immoral because Byron had so freely ridiculed the social subjects and public

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At dinner, Lady Adeline performs as hostess, the Duchess of Fitz-Fulke is at her ease, and Don Juan is again preoccupied with his thoughts. Glancing at Aurora, he spies a smile creasing her cheeks, but is uncertain of its meaning, because she is quiet and her face slightly flushed. When hosts and

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are how Byron's poetical writing excites the reader: "Across the stanzas ... we swim forward as over the ‘broad backs of the sea’; they break and glitter, hiss and laugh, murmur and move like waves that sound or that subside. There is in them a delicious resistance, an elastic motion, which salt

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and his five nobleman sons valiantly fight to the death. From the aftermath of the Siege of Izmail, Don Juan emerges a hero, and then is sent to Saint Petersburg, accompanied by the rescued Muslim girl; he's vowed to protect her as a daughter. The end of canto X reveals the girl's name: "Leila".

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In the morning, the sultana Gulbeyaz asks Baba to tell her how Don Juan, as "Juanna", passed the night at the harem. Baba tells of Juanna's night, but omits details about Dudù and her dream. Suspicious, the sultana becomes jealous and then enraged, and instructs Baba to kill Dudù and Juan in the

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Seduced by a ghost. Smitten by her beauty, Don Juan thinks of Aurora when retiring to his rooms; that night, he walks the hall outside his rooms, viewing the paintings that decorate the walls. Hearing footfalls in the hallway, he sees a friar in cowl and beads, and asks if it be ghost or dream;

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At three o'clock in the morning, whilst the harem sleep, Dudù screams and awakens agitated, whilst the snoring Juanna continues asleep. The odalisques ask the reason for her screams, and Dudù relates a sexually suggestive dream, of being in a wood, like Dante, of dislodging a golden apple that

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was incomplete, and the concluding canto XVII featured little mention of the protagonist, Don Juan, and many mentions of the literary rivals, enemies, and critics who moralistically objected to Byron’s perspectives of people, life, and society; the critical gist was: "If you are right, then

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In society. At the house of Lady Adeline Amundeville and her husband, Lord Henry Amundeville, the narrator informs that Don Juan's hostess, Lady Adeline, is "the fair most fatal Juan ever met", the "queen bee, the glass of all that's fair, / Whose charms made all men speak and women dumb".

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Russian life. The cold clime of Russia makes Don Juan fall ill, so Empress Catherine sends him west-ward, to the warmer, temperate clime of England, accompanied by Leila. Ostensibly, Don Juan is a special envoy from the court of Imperial Russia with nebulous diplomatic responsibilities for

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water has and fresh water has not. There is about them a wide wholesome air, full of vivid light and constant wind, which is only felt at sea. Life undulates and Death palpitates in the splendid verse.... This gift of life and variety is the supreme quality of Byron's chief poem."

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The proud Juan refuses to kiss the foot of Gulbeyaz, but compromises by kissing her hand, grateful of being rescued from enslavement. At the slave market, Gulbeyaz noticed Juan, and asked Baba to secretly buy him for her, despite risking discovery by the sultan. She wants Juan to

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and eat Pedrillo; later, the cannibal sailors go mad and die. This Canto is largely based on accounts by survivors of the wreck of the Wager, including Byron’s grandfather, Admiral John Byron, who as a young man had endured the wreck of H.M.S. Wager off the coast of Chile.

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in the country. The narrator then describes the country environs of the Amundeville estate and the décor of the estate house, which then are followed with mock-catalogues of the social activities and of the personalities of the upper-class ladies and gentlemen who are the

782:(1564–1642)—whose societies saw them as being outside the cultural mainstream of their times. Canto XVII concludes at the brink of resuming the adventures of Don Juan, last found in a "tender moonlit situation" with the Duchess of Fitz-Fulke, at the end of canto XVI. 588:, the Russian commander-in-chief, orders Marshal Suvorov to "take Ismail at whatever price", for the greater glory of Catherine II, the Christian great empress of Russia. In the event, John Johnson presents himself to Suvorov (with whom he fought in battle at 564:

usual manner, by drowning. The eunuch pleads with the sultana that killing Don Juan will not cure what ails her; Gulbeyaz then summons Dudù and Juan. Before canto VI concludes, the narrator Byron explains that the "Muse will take a little touch at warfare."

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Sold into slavery. On the island, the lovers Haidée and Don Juan wake to discover that her father, Lambro, has returned. Aided by his fellow pirates, Lambro enslaves Juan, and embarks him aboard a pirate ship delivering slaves to the slave market in

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the house. Accompanying herself with a harp, Lady Adeline sings the story of the ghost of the Black Friar; Aurora is silent, whilst Lady Fitz-Fulke appears mischievous. The narrator suggests that Lady Adeline sang to dispel Don Juan's dismay.

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translated it from memory into Russian while incarcerated in a Soviet prison during the Stalin years. After she was released, she had it published in 1959. Further editions followed, and Byron became much better known in Russia than before.

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The Sultana of Constantinople. At the slave market, Don Juan converses with an Englishman named John Johnson, telling him of his lost love Haidée, whereas the more experienced John tells him of having to flee from his third wife. A black

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In Britain. Having arrived to England, and then making his way to London, Don Juan muses upon the democratic greatness of Britain as defender of the freedoms of ordinary men—until interrupted by a menacing

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Escape. Don Juan and John Johnson escape the harem in company of two women. Consequent to fleeing the palace of the Sultan of Constantinople, the four reach the Danube river during the Russian

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Lord Byron's writing "has embraced every topic of human life, and sounded every string of the divine harp, from its slightest to its most powerful and heart-astounding tones." In Germany,

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Anglo–Russian diplomatic relations require meetings between Lord Henry and Don Juan ("the envoy of a secret Russian mission") whom the lord befriends into a regular guest at their

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negotiating a treaty between Russia and Britain. In fact, Don Juan's special-envoy job is a sinecure, by which Empress Catherine secures his health, his favour, and his finances.

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resulted from the "humorous paradoxes ... provoked by advice and opposition" of friends and colleagues, rivals and enemies. In a letter (19 September 1818) to the Irish poet

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After the completion, but before the publication of cantos III, IV, and V, in a letter (16 February 1821) to Murray, Byron said: "The Fifth is so far from being the last of

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the sultan arrives and notices the presence of "Juanna", and is regretful "that a mere Christian should be half so pretty" (V. clv, 1240). In a Muslim culture, Don Juan is a

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Robert Hartwell Fiske's Dictionary of Unendurable English: A Compendium of Mistakes in Grammar, Usage, and Spelling with commentary on Lexicographers and Linguists

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The seraglio. The sultan and the sultana retire for the evening, and Don Juan, still dressed as the woman "Juanna", is taken to the crowded harem, where the

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Byron began to write canto VI in June 1822, and had completed writing canto XVI in March 1823. Given the moralistic notoriety of the satirical, epic poem,

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you suppose that I could have any intention but to giggle and make giggle?—a playful satire, with as little poetry as could be helped, was what I meant."

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In Russia. At the Imperial Russian court, the uniformed Don Juan is a dashing, handsome, and decorated soldier who readily impresses Empress

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footpad, a robber demanding either his money or his life. In self-defence, Don Juan shoots the footpad, but, as a man possessed of a strong

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everybody's wrong!" In self-defence, Byron the poet lists people who were considered revolutionaries in their fields of endeavour—such as

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the social subjects of the poem, which made persons and personages readily identifiable. Concerning the poem’s origins, Byron said that

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in Germany, so as to show the different ridicules of the society in each of these countries, and to have displayed him gradually

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In the early 19th century, despite the piecemeal publication of the poem in 1819, the contemporary literary critics said that

609:. In that moment, Don Juan resolves to adopt the girl as his child. In the course of battle against the Christian Russians, a 1648: 1227: 1194: 2165: 1717: 2233: 425: 360:, and there meets the daughter of the pirate whose men later sell Don Juan into Turkish slavery. At the slave market of 2892: 2365: 2277: 1483: 824:

Moreover, the poem's Dedication further pursued artistic quarrels—of subject and theme, composition and style—with the

196: 2897: 2251: 501:. Haidée despairs at losing her lover, and eventually dies of a broken heart, whilst pregnant with Don Juan's child. 287: 1919: 2882: 2672: 2109: 2887: 2648: 2543: 1957: 1456: 1434: 2218: 1097: 2902: 2822: 2373: 947:, Byron spoke of satirical intent: "I have finished the first canto ... of a poem in the style and manner of 104: 1678: 1558: 980: 923:

Artistic recognition: Lord Byron corresponded with the Irish poet Thomas Moore about the poetical style of

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is preparing the final assault against the fortress at Izmail. As the battle for the fort rages, Prince

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Juan is the sole survivor of the shipwreck and the escape in the long boat. Upon landfall at one of the

2267: 2088: 1588: 1056: 1041: 2907: 2758: 1578: 535:, a non-Muslim. The narrator Byron then comments that "in the East, they are extremely strict, / And 469: 295:, which is the recurring pattern of enunciation used for pronouncing foreign names and words in the 2198: 2158: 2058: 1927: 1668: 1427: 650: 176: 2559: 2429: 1688: 1508: 1341: 1247: 903: 485: 241:

of AB AB AB CC. The ottava rima uses the final rhyming couplet as a line of humour, to achieve a

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of royal Britain. The narrator Byron views the country party of the Amundevilles as English

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by way of an abrupt transition, from a lofty style of writing to a vulgar style of writing.

2790: 2333: 2323: 2038: 1967: 1937: 1789: 1728: 1638: 1608: 1598: 1548: 1528: 1518: 1444: 1025: 397:. The cuckold Don Alfonso punishes his faithless wife, Donna Julia, by interning her to a 8: 2877: 2856: 2814: 2690: 2641: 2551: 2389: 2151: 2018: 1977: 1859: 1538: 626: 376: 1393: 992:, as he grew older, as is natural. But I had not quite fixed whether to make him end in 2750: 2742: 2734: 2702: 2697: 2287: 2129: 2048: 2008: 1628: 1618: 1351: 1257: 1212: 1004: 847: 477: 1161: 2357: 1998: 1880: 1839: 1469: 1403: 1223: 1190: 969: 705:

in London. Lady and Lord Amundeville invite distinguished guests to a party at their

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P. B. Shelley much admired Lord Byron's style of writing in achieving the tone of

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figures of his time. At his death in 1824, Lord Byron had completed 16 of 17

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was an immoral poetical work in which narrative Lord Byron was too free in

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Byron was a prolific writer, for whom "the composition of his great poem,

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Frontispiece illustration of a bust of Lord Byron in the 1824 edition of

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in Italy, and a cause for a divorce in England, and a Sentimental

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Volume II (1973), Frank Kermode and John Hollander, eds., p. 317.

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In 1821, in a letter about the cantos III, IV, and V, the poet

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Truncated story. When Lord Byron died in 1824, the epic satire

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as a poet "who was kill'd off by one critique". (portrait by

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Juan rescues a ten-year-old Muslim girl from two Christian

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A digression. To give his political opinions about the

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Which makes me wish you'd change your lakes for ocean

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Abrams, Meyer Howard; Harpham, Geoffrey Galt (2009).

288: 1309: 1299: 1297: 894:'Tis poetry—at least by his assertion" (IV.5), and 270: 1211: 898:, the previous poet laureate, Byron criticised by 219:(1819–24) is told in 16,000 lines, arranged in 17 145:as historically portrayed, but as a victim easily 2823:"The Haunting of Villa Diodati" (2020 TV episode) 1294: 252:, canto I, stanza 1, lines 3–6, the Spanish name 2869: 133:, written from 1819 to 1824 by the English poet 2480:(1819–1824; incomplete upon Byron's 1824 death) 840:At Keswick, and, through still continued fusion 785: 605:intent upon raping and killing her for being a 256:is rhymed with the English sound for the words 79:1819–1824 (final cantos published posthumously) 2159: 1477: 1182: 1770:The Trickster of Seville and the Stone Guest 1356:: CS1 maint: multiple names: authors list ( 1262:: CS1 maint: multiple names: authors list ( 809:(1819–1824) to his artistic rival and enemy 312:Of such as these I should not care to vaunt, 842:Of one another's minds, at last have grown 304:Till, after cloying the gazettes with cant, 2166: 2152: 1484: 1470: 1320:The Oxford Anthology of English Literature 1210:Fiske, Robert Hartwell (1 November 2011). 890:About the works of Wordsworth, Byron said 870:And Coleridge, too, has lately taken wing, 27: 1091: 876:I wish he would explain his Explanation. 409:Exiled from Seville. Don Juan travels to 168:, whilst canto XVII remained unfinished. 1332: 1330: 1328: 1003: 918: 836:You—Gentlemen! by dint of long seclusion 789: 636: 424: 336: 199:refused to publish the latter cantos of 175: 999: 852:There is a narrowness in such a notion, 2870: 1414:, complete text of an 1837 publication 927:and of the social satire in the story. 688:of admirable wit, but rumoured to be 2147: 1649:Don Juan, or If Don Juan Were a Woman 1465: 1445:Librivox recording of Cantos XIII-XVI 1370: 1336: 1325: 1242: 1209: 909: 874:Explaining metaphysics to the nation— 844:To deem as a most logical conclusion, 580:. The Imperial Russian field marshal 1304:The Complete Poetical Works of Byron 1289:The Complete Poetical Works of Byron 1051:In 1885, being neither disciple nor 1718:Have You Ever Really Loved a Woman? 452:and sent to Constantinople, in the 448:who dislikes Don Juan, and has him 13: 2918:Works based on the Don Juan legend 2366:English Bards and Scotch Reviewers 1151:Coleridge, "Introduction", p. 000. 543:mean the same" (V. clviii, 1258). 14: 2929: 1423:The Works of Lord Byron, Volume 6 1386: 2852: 2851: 2217: 1411:Don Juan in 16 cantos with notes 1189:. Cengage Learning. p. 24. 972:.... I meant to have made him a 882:Dedication, stanza II, lines 5–8 266: 1457:The Morgan Library & Museum 1364: 1279:, Fourth Edition (1982) p. 282. 1084: 1067: 346:Don Juan asleep on Haidée's lap 327:, canto I, stanza 1, lines 3–6. 203:, which then were entrusted to 149:by women. As genre literature, 2649:The Destruction of Sennacherib 2173: 1920:Madamina, il catalogo è questo 1282: 1270: 1236: 1203: 1176: 1154: 1113: 171: 1: 2673:So, we'll go no more a roving 1440:Librivox recording of Canto V 1435:Librivox recording of Canto I 1277:Benét's Reader's Encyclopedia 1164:. The British Library (bl.uk) 1079: 914: 813:, who then was the incumbent 764: 695: 595: 430:Finding of Don Juan by Haidee 1559:The Private Life of Don Juan 1491: 1186:A Glossary of Literary Terms 786:Dedication to Robert Southey 743: 721: 682: 567: 459: 248:In the example passage from 210: 7: 2627:Maid of Athens, ere we part 1343:The Complete Poetical Works 1249:The Complete Poetical Works 734: 661: 620: 556:chaste kiss and undresses. 546: 491: 404: 382: 215:The poetical narrative of 10: 2934: 2374:Childe Harold's Pilgrimage 2089:El estudiante de Salamanca 1338:Byron, George Gordon, Lord 1244:Byron, George Gordon, Lord 1057:Algernon Charles Swinburne 1008:Artistic recognition: The 850:has wreaths for you alone: 632: 504: 387: 332: 105:Childe Harold's Pilgrimage 16:Satiric poem by Lord Byron 2893:Mock-heroic English poems 2847: 2831: 2728:The Bride of Frankenstein 2711: 2682: 2602: 2527: 2347: 2234:Anne Isabella, Lady Byron 2226: 2215: 2181: 2100: 2069: 1989: 1948:Réminiscences de Don Juan 1871: 1760: 1579:The Adventures of Mandrin 1499: 264:is spoken in English, as 112: 99: 91: 83: 73: 59: 51: 41: 26: 2898:Poems adapted into films 2592:The Deformed Transformed 1450:Autograph manuscript of 1428:Ernest Hartley Coleridge 1318:"Don Juan: Dedication", 1100:Byron's 'Don Juan' notes 828:, whom Byron addressed: 815:Poet Laureate of Britain 641:In canto XI of the poem 371:He then soldiers in the 2883:British satirical poems 2430:The Prisoner of Chillon 2110:Don Giovanni in Sicilia 1123:, canto xiv, stanza 99) 904:Sing a Song of Sixpence 645:, Lord Byron refers to 486:Samuel Taylor Coleridge 127:In English literature, 2501:The Vision of Judgment 2295:(maternal half-sister) 2209:Timeline of Lord Byron 1569:Adventures of Don Juan 1162:"Lord Byron, Don Juan" 1021: 1020:. (Alfred Clint, 1829) 928: 885: 863: 799: 654: 436: 349: 330: 185: 2888:Epic poems in English 2493:The Prophecy of Dante 2319:John William Polidori 2252:John "Mad Jack" Byron 1891:La pravità castigata 1110:, Gregg A. Hecimovich 1007: 922: 867: 860:Dedication: stanza V. 833: 805:scornfully dedicated 794:Lord Byron dedicated 793: 640: 428: 373:Imperial Russian army 340: 301: 243:rhetorical anticlimax 233:is composed of eight 229:(eighth rhyme); each 179: 2903:Poetry by Lord Byron 2792:Rowing with the Wind 2414:The Siege of Corinth 2334:Edward John Trelawny 2324:Percy Bysshe Shelley 1968:Margarita la tornera 1938:Don Giovanni Tenorio 1218:. Scribner. p. 1106:18 July 2006 at the 1044:translated parts of 1000:Artistic recognition 356:on an island in the 184:. (Benbow publisher) 2691:Fragment of a Novel 2642:She Walks in Beauty 2461:The Lament of Tasso 2390:The Bride of Abydos 2019:Don Juan Triumphant 1911:Là ci darem la mano 1860:A Free Man of Color 1539:The Lucky Horseshoe 627:Catherine the Great 377:Catherine the Great 237:, with the couplet 23: 2760:Lady Caroline Lamb 2736:The Bad Lord Byron 2339:Michael C. Burgess 2288:Lady Caroline Lamb 2268:Contessa Guiccioli 2130:Mary and the Giant 1629:Don Juan in Sicily 1022: 929: 910:Critical reception 800: 655: 478:William Wordsworth 437: 350: 235:iambic pentameters 186: 21: 2865: 2864: 2509:The Age of Bronze 2358:Hours of Idleness 2278:John Cam Hobhouse 2141: 2140: 2022:(fictional, 1910) 2012:(tone poem, 1888) 1404:Project Gutenberg 1229:978-1-4516-5134-8 1196:978-1-4130-3390-8 981:Werther–faced man 975:Cavalier Servente 970:French Revolution 966:Anacharsis Cloots 582:Alexander Suvorov 484:(1774–1843), and 468:'s hegemony upon 125: 124: 84:Publication place 2925: 2908:Unfinished poems 2855: 2854: 2620:Epitaph to a Dog 2576:Heaven and Earth 2283:Douglas Kinnaird 2258:Claire Clairmont 2221: 2168: 2161: 2154: 2145: 2144: 2134: 2124: 2114: 2093: 2083: 2062: 2053: 2043: 2033: 2023: 2013: 2003: 1982: 1972: 1962: 1952: 1942: 1930: 1923: 1914: 1905: 1895: 1885: 1864: 1854: 1850:Don Juan in Soho 1844: 1834: 1830:Man and Superman 1824: 1814: 1810:Don Juan Tenorio 1804: 1794: 1784: 1774: 1753: 1743: 1733: 1721: 1712: 1703: 1699:Don Juan DeMarco 1693: 1689:Don Juan in Hell 1683: 1679:Little Tragedies 1673: 1663: 1653: 1643: 1633: 1623: 1613: 1603: 1593: 1583: 1573: 1563: 1553: 1543: 1533: 1523: 1513: 1509:Don Juan Tenorio 1486: 1479: 1472: 1463: 1462: 1380: 1379: 1377: 1368: 1362: 1361: 1355: 1347: 1334: 1323: 1316: 1307: 1301: 1292: 1286: 1280: 1274: 1268: 1267: 1261: 1253: 1240: 1234: 1233: 1217: 1207: 1201: 1200: 1180: 1174: 1173: 1171: 1169: 1158: 1152: 1149: 1124: 1117: 1111: 1095: 893: 883: 861: 778:(1483–1546) and 730: 586:Grigory Potemkin 434:Ford Madox Brown 342:Hendrik Scheffer 328: 291: 286: 285: 282: 281: 278: 275: 272: 113:Followed by 100:Preceded by 75:Publication date 36:(1819) First Ed. 31: 24: 20: 2933: 2932: 2928: 2927: 2926: 2924: 2923: 2922: 2868: 2867: 2866: 2861: 2843: 2827: 2707: 2678: 2634:Hebrew Melodies 2604: 2598: 2560:The Two Foscari 2523: 2349: 2343: 2222: 2213: 2189:Barony of Byron 2177: 2172: 2142: 2137: 2127: 2117: 2107: 2096: 2086: 2076: 2065: 2056: 2052:(musical, 2003) 2046: 2036: 2026: 2016: 2006: 1996: 1985: 1975: 1965: 1958:The Stone Guest 1955: 1945: 1935: 1926: 1917: 1908: 1898: 1888: 1878: 1867: 1857: 1847: 1837: 1827: 1817: 1807: 1800:The Stone Guest 1797: 1787: 1777: 1767: 1756: 1746: 1736: 1726: 1715: 1706: 1696: 1686: 1676: 1666: 1656: 1646: 1636: 1626: 1619:The Devil's Eye 1616: 1606: 1596: 1586: 1576: 1566: 1556: 1546: 1536: 1526: 1516: 1506: 1495: 1490: 1399:Standard Ebooks 1389: 1384: 1383: 1375: 1369: 1365: 1349: 1348: 1335: 1326: 1317: 1310: 1306:(1905), p. 851. 1302: 1295: 1291:(1905), p. 849. 1287: 1283: 1275: 1271: 1255: 1254: 1241: 1237: 1230: 1208: 1204: 1197: 1181: 1177: 1167: 1165: 1160: 1159: 1155: 1150: 1127: 1118: 1114: 1108:Wayback Machine 1098:English 151-03 1096: 1092: 1087: 1082: 1073:Tatiana Gnedich 1070: 1055:of Lord Byron, 1002: 917: 912: 896:Henry James Pye 891: 884: 881: 878: 875: 873: 871: 862: 859: 856: 853: 851: 845: 843: 841: 839: 837: 788: 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Shelley 1019: 1015: 1011: 1010:Romantic poet 1006: 997: 995: 991: 987: 983: 982: 977: 976: 971: 967: 963: 958: 954: 952: 951: 946: 942: 938: 934: 926: 921: 907: 905: 901: 897: 888: 877: 866: 855: 849: 832: 829: 827: 822: 820: 816: 812: 808: 804: 797: 792: 783: 781: 777: 776:Martin Luther 772: 762: 758: 754: 750: 741: 732: 719: 717: 713: 708: 704: 693: 691: 680: 678: 674: 670: 659: 652: 648: 644: 639: 630: 628: 618: 615: 612: 608: 604: 593: 591: 587: 583: 579: 575: 565: 561: 557: 554: 544: 542: 538: 534: 528: 525: 519: 517: 513: 502: 500: 489: 488:(1772–1834). 487: 483: 480:(1770–1850), 479: 475: 471: 467: 457: 455: 451: 447: 442: 435: 431: 427: 423: 420: 416: 412: 402: 400: 396: 380: 378: 374: 369: 367: 363: 359: 354: 347: 343: 339: 326: 319: 317: 309: 300: 298: 294: 293: 284: 263: 259: 255: 251: 246: 244: 240: 236: 232: 228: 227: 223:, written in 222: 218: 208: 206: 202: 198: 193: 191: 183: 178: 169: 167: 162: 161: 157:, written in 156: 152: 148: 144: 140: 136: 132: 131: 121: 119: 115: 111: 108: 106: 102: 98: 94: 90: 86: 82: 78: 72: 69: 65: 62: 58: 54: 50: 47: 44: 40: 35: 30: 25: 19: 2913:Verse novels 2816:Mary Shelley 2815: 2807: 2799: 2791: 2783: 2775: 2768:Childe Byron 2767: 2759: 2754:(1972 opera) 2751: 2743: 2735: 2727: 2719: 2689: 2665:Irish Avatar 2663: 2632: 2590: 2582: 2574: 2566: 2558: 2552:Sardanapalus 2550: 2542: 2534: 2515: 2507: 2499: 2491: 2483: 2476: 2475: 2467: 2459: 2444: 2436: 2428: 2420: 2412: 2406:Lara, A Tale 2404: 2396: 2388: 2380: 2372: 2364: 2356: 2329:Mary Shelley 2314:Walter Scott 2309:Isaac Nathan 2304:Thomas Moore 2299:Medora Leigh 2240:Ada Lovelace 2194:Byronic hero 2128: 2120:Blue of Noon 2118: 2108: 2087: 2078: 2077: 2047: 2039:Don Giovanni 2037: 2029:John Gavanti 2027: 2017: 2007: 1997: 1976: 1966: 1956: 1946: 1936: 1901:Don Giovanni 1899: 1889: 1879: 1858: 1848: 1838: 1828: 1818: 1808: 1798: 1788: 1778: 1768: 1747: 1737: 1727: 1697: 1687: 1677: 1669:Don Giovanni 1667: 1657: 1647: 1637: 1627: 1617: 1607: 1597: 1587: 1577: 1567: 1557: 1547: 1537: 1527: 1517: 1507: 1451: 1426:, edited by 1421: 1417: 1409: 1392: 1366: 1342: 1319: 1303: 1288: 1284: 1276: 1272: 1248: 1238: 1213: 1205: 1185: 1178: 1166:. Retrieved 1156: 1120: 1115: 1099: 1093: 1085:Bibliography 1071: 1068:Translations 1060: 1050: 1045: 1037: 1034:Walter Scott 1031: 1023: 1017: 989: 985: 979: 973: 961: 959: 955: 948: 945:Thomas Moore 940: 932: 930: 924: 889: 886: 869: 864: 835: 830: 823: 806: 801: 795: 770: 768: 759: 755: 751: 747: 738: 725: 715: 712:high society 699: 686: 665: 656: 642: 624: 599: 571: 562: 558: 550: 540: 536: 532: 529: 523: 520: 508: 495: 463: 438: 429: 408: 391: 370: 352: 351: 345: 324: 315: 307: 303: 299:of English. 261: 260:. Therefore 257: 253: 249: 247: 239:rhyme scheme 224: 216: 214: 200: 194: 189: 187: 181: 158: 150: 129: 128: 126: 116: 103: 33: 18: 2818:(2017 film) 2810:(1993 play) 2802:(1988 film) 2794:(1988 film) 2786:(1986 film) 2778:(1984 play) 2770:(1977 play) 2762:(1972 film) 2746:(1953 play) 2744:Camino Real 2738:(1949 film) 2730:(1935 film) 2722:(1908 play) 2398:The Corsair 2377:(1812–1818) 2273:Jane Harley 1990:Other music 1928:Discography 1371:Diakonova. 1168:23 December 887:Precisely: 757:the peace. 527:she cries. 432:, 1873, by 297:orthography 226:ottava rima 197:John Murray 172:Composition 160:ottava rima 141:, not as a 2878:1819 poems 2872:Categories 2752:Lord Byron 2712:Portrayals 2517:The Island 2446:Prometheus 2382:The Giaour 2248:(daughter) 2242:(daughter) 2199:Early life 2175:Lord Byron 1406:versions: 1080:References 937:satirising 915:Background 826:Lake Poets 819:copulation 803:Lord Byron 765:Canto XVII 696:Canto XIII 677:John Keats 673:conscience 647:John Keats 596:Canto VIII 553:odalisques 474:Lake Poets 415:Aegean Sea 358:Aegean Sea 135:Lord Byron 46:Lord Byron 2438:The Dream 1352:cite book 1258:cite book 1053:encomiast 1032:In 1824, 744:Canto XVI 722:Canto XIV 683:Canto XII 578:Black Sea 568:Canto VII 514:from the 460:Canto III 348:, c. 1827 211:Structure 205:John Hunt 155:epic poem 143:womaniser 95:555 pages 64:Epic poem 22:Don Juan 2857:Category 2675:" (1830) 2660:" (1816) 2629:" (1810) 2622:" (1808) 2615:" (1807) 2477:Don Juan 2456:" (1816) 2454:Darkness 2422:Parisina 2254:(father) 2079:Don Juan 2059:Don Juan 2049:Don Juan 2009:Don Juan 1999:Don Juan 1840:Don Juan 1820:Don Juan 1780:Dom Juan 1729:Don Juan 1659:Don Juan 1639:Don Juan 1609:Don Juan 1599:Don Juan 1549:Don Juan 1529:Don Juan 1519:Don Juan 1493:Don Juan 1452:Don Juan 1418:Don Juan 1394:Don Juan 1340:(1905). 1246:(1905). 1121:Don Juan 1104:Archived 1061:Don Juan 1046:Don Juan 1038:Don Juan 1018:Don Juan 962:Don Juan 941:Don Juan 933:Don Juan 925:Don Juan 880:— 858:— 807:Don Juan 796:Don Juan 771:Don Juan 735:Canto XV 690:unchaste 662:Canto XI 643:Don Juan 621:Canto IX 603:Cossacks 547:Canto VI 492:Canto IV 450:enslaved 441:Cyclades 419:cannibal 405:Canto II 395:morality 383:Synopsis 353:Don Juan 325:Don Juan 322:— 308:true one 258:true one 250:Don Juan 217:Don Juan 201:Don Juan 190:Don Juan 182:Don Juan 151:Don Juan 139:Don Juan 130:Don Juan 52:Language 34:Don Juan 2832:Related 2808:Arcadia 2703:Memoirs 2698:Letters 2637:(1815) 2603:Shorter 2536:Manfred 2485:Mazeppa 1978:Flammen 1749:Don Jon 968:in the 780:Galileo 703:mansion 669:cockney 633:Canto X 541:Padlock 537:Wedlock 505:Canto V 399:nunnery 388:Canto I 333:Premise 147:seduced 118:Mazeppa 55:English 2784:Gothic 2694:(1819) 2668:(1821) 2605:poetry 2595:(1822) 2587:(1822) 2584:Werner 2579:(1821) 2571:(1821) 2563:(1821) 2555:(1821) 2547:(1820) 2539:(1817) 2520:(1823) 2512:(1823) 2504:(1821) 2496:(1819) 2488:(1819) 2472:(1818) 2464:(1817) 2449:(1816) 2441:(1816) 2433:(1816) 2425:(1816) 2417:(1816) 2409:(1814) 2401:(1814) 2393:(1813) 2385:(1813) 2369:(1809) 2361:(1807) 2350:poetry 2348:Longer 2236:(wife) 2227:People 2182:Topics 2133:(1987) 2123:(1957) 2113:(1941) 2101:Novels 2092:(1840) 2082:(1821) 1981:(1932) 1971:(1909) 1961:(1872) 1951:(1841) 1941:(1787) 1904:(1787) 1894:(1730) 1884:(1669) 1872:Operas 1863:(2010) 1853:(2006) 1843:(1959) 1833:(1905) 1823:(1862) 1813:(1844) 1803:(1830) 1793:(1676) 1783:(1665) 1773:(1630) 1752:(2013) 1742:(2005) 1732:(1998) 1702:(1995) 1692:(1995) 1682:(1979) 1672:(1979) 1662:(1974) 1652:(1973) 1642:(1969) 1632:(1967) 1622:(1960) 1612:(1956) 1602:(1955) 1592:(1954) 1582:(1952) 1572:(1948) 1562:(1934) 1552:(1926) 1542:(1925) 1532:(1922) 1522:(1913) 1512:(1898) 1226: 1193: 1042:Goethe 707:estate 590:Widdin 539:and a 533:giaour 512:eunuch 470:Greece 446:slaver 231:stanza 221:cantos 166:cantos 153:is an 120: 107: 68:satire 42:Author 2720:Byron 2683:Prose 2528:Plays 2469:Beppo 2070:Poems 1761:Plays 1500:Films 1455:from 1376:(PDF) 990:blasé 950:Beppo 848:Poesy 846:That 716:ennui 611:Tatar 607:pagan 516:harem 411:Cádiz 366:harem 92:Pages 60:Genre 2568:Cain 1358:link 1264:link 1224:ISBN 1191:ISBN 1170:2021 994:Hell 988:and 986:gâté 614:Khan 524:love 316:Juan 262:Juan 254:Juan 66:and 1420:in 1397:at 1016:in 906:". 900:pun 292:-ən 290:JOO 2874:: 1354:}} 1350:{{ 1327:^ 1311:^ 1296:^ 1260:}} 1256:{{ 1222:. 1220:71 1128:^ 821:. 692:. 456:. 401:. 368:. 344:, 318:— 280:ən 277:uː 274:dʒ 2671:" 2656:" 2651:" 2647:" 2644:" 2640:" 2625:" 2618:" 2611:" 2452:" 2167:e 2160:t 2153:v 2057:" 1922:" 1918:" 1913:" 1909:" 1720:" 1716:" 1711:" 1707:" 1485:e 1478:t 1471:v 1378:. 1360:) 1266:) 1232:. 1199:. 1172:. 1119:( 892:" 729:" 653:) 310:; 283:/ 271:ˈ 268:/

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