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Dionysus mosaic, Samatya

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of Dionysus. This part of the mosaic is severely damaged and is missing much of the original piece. What remains of the center is the eight-spoked wheel of a chariot car that is piled with the garlands of Dionysus's chariot. Behind the chariot is the illustration of a
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with a red strap; the purpose of the pictured red strap is unknown. Dionysus is often depicted wearing the skin of a panther, and usually wore this article of clothing during times of war
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Another reason for Dionysus's appearance in the mosaic is the item he is most affiliated with wine. The mosaic is showcased in what would have been a
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itself was 2.5 meters by 10 meters at the time of excavation. It consists of a square panel that is defined by two bands; the bands are multi-colored
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is often pictured in manuscripts and illustrations hosting drinking parties, which could have been the reason for including the god of wine and his
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gives a detailed account of Dionysus's life, and includes characters depicted in the mosaic; the characters are also considered to be a part of the
180:. The color palette consists of black, brown, green, pink, red, white, and yellow. Mosaics were a very popular type of floor art throughout the 463: 109:
that are created by a sawlike pattern band with colored fillets. Between the square panel and the outermost circle is the embodiment of
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cycle. The adventurous nature of the poem could be considered a reason for the depiction of Dionysus in this Byzantine mosaic.
426: 375: 348: 150: 206:, one of the only surviving poems of Dionysus from the 5th century. It was common during this era to use 468: 458: 448: 137:, and a child with no clothes sitting upon a goat. All of these people and beings are from stories in 113:; a female dressed for winter with a green mantle. In the area between the first and second circle is 453: 418: 412: 105:. Within the square panel are two circles; one within the other. These circles are framed by 17: 340: 334: 51: 8: 422: 371: 344: 478: 219: 193: 192:
There are several theories as to why Dionysus and his entourage were depicted in a
181: 59: 365: 273:"The Triumph of Dionysus in Constantinople: A Late 5th Century Mosaic in Context" 138: 43:, with evidence supporting it to be from the later part of the 5th century. The 166: 121:. The thiasos is seen moving in a clockwise rotation with figures that include 442: 106: 226: 48: 36: 102: 16:
This article is about the mosaic in Samatya. For the mosaic in Dion, see
307:. Monographien des Römisch-Germanisches Zentralmuseum. pp. 127–134. 207: 198: 55: 301:
Dalgic, Orgu (2010). "The Corpus of Floor Mosaics of Constantinople".
35:, was uncovered in 1995 while the lot it was discovered in was under 302: 272: 230: 114: 70: 32: 229:
of a wealthy person, where lavish parties would have been thrown.
234: 173: 145: 122: 118: 74: 66: 40: 28: 203: 177: 170: 130: 110: 98: 78: 62: 44: 134: 126: 162: 86: 82: 339:. New York: Harry N. Abrams Inc. Publishers. pp.  237:
in the room where guests would have been entertained.
39:. It could have been created between the 4th and 5th 214:, as muses for art pieces like the Dionysus mosaic. 332: 54:, and much of the piece is missing because of the 440: 133:with an unidentified object in her hand, a male 322:. Longmans, Green, and Co. pp. 242–244. 304:Byzanz – das Römerreich im Mittelalter 395: 58:landscape. What remains is a traditional 417:. London: Thames & Hudson. pp.  400:. Princeton: Princeton University Press. 317: 196:home. The first is the influence of the 363: 161:The artist(s) of this piece used baked 441: 410: 333:Stassinopoulos, Arianna; Beny (1983). 300: 270: 414:The Complete World of Greek Mythology 464:Archaeological discoveries in Turkey 391: 389: 387: 296: 294: 292: 290: 266: 264: 262: 260: 258: 256: 254: 252: 250: 144:In the center of the mosaic is the 13: 14: 490: 384: 287: 247: 125:sitting on a mule supported by a 398:Greek Mythology in Byzantine Art 81:of followers circled around the 474:1995 archaeological discoveries 404: 357: 326: 311: 1: 283:: 15–47 – via Academia. 240: 320:Religion in Greek Literature 156: 7: 370:. Oxford University Press. 47:is severely damaged due to 10: 495: 187: 15: 92: 411:Buxton, Richard (2004). 396:Weitzmann, Kurt (1951). 318:Campbell, Lewis (1898). 364:Cormack, Ryan (2000). 277:Dumbarton Oaks Papers 271:Dalgic, Orgu (2015). 141:related to Dionysus. 18:Dionysus mosaic, Dion 204:Nonnus of Panopolis 336:The Gods of Greece 469:Istanbul Province 459:5th-century works 449:Byzantine mosaics 486: 433: 432: 408: 402: 401: 393: 382: 381: 361: 355: 354: 330: 324: 323: 315: 309: 308: 298: 285: 284: 268: 182:Byzantine Empire 494: 493: 489: 488: 487: 485: 484: 483: 454:Dionysus in art 439: 438: 437: 436: 429: 409: 405: 394: 385: 378: 362: 358: 351: 331: 327: 316: 312: 299: 288: 269: 248: 243: 190: 159: 139:Greek mythology 95: 73:, with a grand 25:Dionysus mosaic 21: 12: 11: 5: 492: 482: 481: 476: 471: 466: 461: 456: 451: 435: 434: 427: 403: 383: 376: 356: 349: 325: 310: 286: 245: 244: 242: 239: 227:reception room 210:, such as the 189: 186: 176:to create the 158: 155: 107:laurel wreaths 94: 91: 65:depicting the 9: 6: 4: 3: 2: 491: 480: 477: 475: 472: 470: 467: 465: 462: 460: 457: 455: 452: 450: 447: 446: 444: 430: 428:9780500251218 424: 420: 416: 415: 407: 399: 392: 390: 388: 379: 373: 369: 368: 367:Byzantine Art 360: 352: 346: 342: 338: 337: 329: 321: 314: 306: 305: 297: 295: 293: 291: 282: 278: 274: 267: 265: 263: 261: 259: 257: 255: 253: 251: 246: 238: 236: 232: 228: 223: 221: 217: 213: 209: 205: 201: 200: 195: 185: 183: 179: 175: 172: 168: 164: 154: 152: 147: 142: 140: 136: 132: 128: 124: 120: 116: 112: 108: 104: 100: 90: 88: 84: 80: 76: 72: 68: 64: 61: 57: 53: 50: 46: 42: 38: 34: 30: 26: 19: 413: 406: 397: 366: 359: 335: 328: 319: 313: 303: 280: 276: 224: 215: 211: 197: 191: 160: 143: 129:, a dancing 96: 49:construction 37:construction 24: 22: 208:manuscripts 443:Categories 377:0192842110 350:0810909588 241:References 216:Dionysiaca 212:Dionysiaca 199:Dionysiaca 165:, natural 103:guilloches 220:Dionysian 194:Byzantine 157:Materials 60:Byzantine 52:machinery 27:found in 231:Dionysus 174:tesserae 115:Dionysus 71:Dionysus 33:Istanbul 479:Silenus 235:thiasos 188:Meaning 151:panther 146:chariot 135:flutist 123:Silenos 119:thiasos 75:thiasos 67:chariot 41:century 29:Samatya 425:  374:  347:  341:97–113 178:mosaic 171:marble 169:, and 131:maenad 111:Winter 99:mosaic 93:Design 79:parade 63:mosaic 45:mosaic 167:stone 127:satyr 77:, or 56:urban 423:ISBN 372:ISBN 345:ISBN 163:clay 97:The 87:wine 23:The 202:of 117:'s 85:of 83:god 69:of 445:: 421:. 419:20 386:^ 343:. 289:^ 281:69 279:. 275:. 249:^ 184:. 89:. 31:, 431:. 380:. 353:. 20:.

Index

Dionysus mosaic, Dion
Samatya
Istanbul
construction
century
mosaic
construction
machinery
urban
Byzantine
mosaic
chariot
Dionysus
thiasos
parade
god
wine
mosaic
guilloches
laurel wreaths
Winter
Dionysus
thiasos
Silenos
satyr
maenad
flutist
Greek mythology
chariot
panther

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