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conventionality is qualified by
Strauss' calculated indifference to the rules of strict part writing. the movement conjures up both the sultry heat and provides an attractive contrast to the more vivacious movements which flank it ... The last two songs run continuously, Evening merging appropriately into Night with haunting suggestions of distant storms. The final song is a peaceful and attractive Nocturne which opens with a horn solo and has a middle section filled with birdsong and atmospheric orchestration. The work ends with a hymn like repetition of the final verse.
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Although the shape of the pieces arise from the form of the
Eichendorff poems, the style of the music depends on the instrumental textures ... whilst the vocal lines adopt a relatively subordinate role. The peaceful second movement has its roots firmly planted in German folk-song, though its
238:("Der Abend" was completed later that year). In this initial version, Strauss had composed an orchestral opening, a depiction of dawn leading to the first line of the poem "Fliegt der erste Morgenstrahl". Keldorfer suggested an alternative opening in which the choir sang
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162:. 76 (published 1928). It consists of four movements: "The Morning", "Afternoon Peace", "The Evening" and "The Night". The lyrics are based on four poems of the same names by
227:, also about a time of the day. His response to Keldorfer's suggestion was to comment about the poet: "Good! Very good! He is a full blooded romanticist who is close to me".
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Strauss did not conduct the premiere in Vienna on 21 July 1928. He did conduct the piece with the Wiener
Schubertbund the next year, on 23 January 1929.
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The idea developed slowly in
Strauss' mind, and Keldorfer heard nothing until in 1927 he received an invitation to visit Strauss at his home in
198:, took the opportunity to ask if Strauss might write a piece for the choir and suggested the poetry of Joseph Eichendorff as a possible text.
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194:(Vienna Schubert Society) serenaded Strauss in honor of his sixtieth birthday outside his house on Mozart-Platz. The choirmaster,
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217:. Indeed, Strauss had used Eichendorff in earlier choral works and was to turn to Eichendorff twenty years later for one of his
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where
Strauss showed him three of a four movement song cycle based on poems from Eichendorff's
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780:, Peters Edition, Richard Strauss Verlag, Vienna (2004), ISMN 9790014106997.
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Divertimento for chamber orchestra after keyboard pieces by
Couperin
170:(Wanderers' songs). The work was premiered on 21 July 1928 with the
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Richard
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253:). Del Mar comments that the verse had been used previously by
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poet whose songs had been set many times by composers, such as
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790:, Volume 2, London: Faber and Faber (2009) (second edition),
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Richard
Strauss. A Critical Commentary on his Life and Works
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672:) after the composer's death, which was premiered with the
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on the following poems by Joseph
Eichendorff (1788–1857):
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Dance suite from keyboard pieces by François
Couperin
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Eichendorff, the author of the lyrics, as a young man
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1848:Adaptations of works by Joseph von Eichendorff
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809:, Praeger Publishers, Westfield CT, (2003),
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190:On 1 May 1924, the male voice choir of the
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1249:Duet concertino for clarinet and bassoon
824:, Verlag Dr Richard Strauss Gmbh, Wien,
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594:The male voice choir is scored for two
242:using a verse from Eichendorf's poetic
1838:Choral compositions by Richard Strauss
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668:made an arrangement for mixed choir (
366:Der Morgen leicht macht's wieder gut.
364:Nichts ist so trĂĽb in Nacht gestellt,
282:Richard Strauss based the lyrics for
805:, chapter 11 in Mark-Daniel Schmid,
409:Webet heimlich, schillert, Strahlen!
355:Hat Gesang doch auch noch Schwingen,
123:and their conductor Viktor Keldorfer
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360:Hinaus, o Mensch, weit in die Welt,
353:Wirft der Mensch vor Lust und ruft:
13:
845:and translations online at German
602:parts. The orchestra consists of:
590:Strauss the conductor, around 1924
362:Bangt dir das Herz in krankem Mut;
348:Wer da fliegen kann, nimmt FlĂĽgel!
297:Wann der Hahn kräht auf dem Dache,
174:(Vienna Schubert Society) and the
14:
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803:The Challenge of the Choral Works
468:Schweigt der Menschen laute Lust:
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357:Nun, so will ich fröhlich singen!
346:Rauscht erwachend Wald und HĂĽgel:
301:Und die Stern ziehn von der Wache
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564:Schon rührt sichs in den Bäumen,
480:Wetterleuchtend durch die Brust.
303:Gott, Gott behĂĽte Land und Haus.
166:(1788–1857) from his collection
555:Die Stern gehn auf und nieder –
470:Rauscht die Erde wie in Träumen
419:Treten heimlich, groĂź und leise
209:Eichendorff was a very popular
131:Male voice choir and orchestra.
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478:Und es schweifen leise Schauer
425:In die stillen, weiten Kreise.
421:Aus der Wirrung fester Gleise,
407:Stiller Lust und tiefen Qualen
1:
1199:Wiener Philharmoniker Fanfare
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559:Und hebst die Schatten wieder
519:Wie schön, hier zu verträumen
411:Sinnend ruht des Tags GewĂĽhle
342:Fliegt der erste Morgenstrahl
541:Es deckt mit kĂĽhlen Schatten
537:Denn mĂĽd ging auf den Matten
413:In der dunkelblauen SchwĂĽle,
405:Ăśber Bergen, FluĂź und Talen,
351:Und sein HĂĽtlein in die Luft
299:Putzt der Mond die Lampe aus
7:
1751:Treatise on Instrumentation
568:So will ich treu verträumen
566:Die Lerche weckt sie bald –
557:Wann kommst du, Morgenwind,
532:Und durch verworrne TrĂĽmmer
474:Was dem Herzen kaum bewuĂźt,
472:Wunderbar mit allen Bäumen,
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570:Die Nacht im stillen Wald.
543:Die Nacht das Liebchen zu.
539:Die Schönheit nun zur Ruh,
528:Die Berg im Mondesschimmer
523:Wenn in den dunklen Bäumen
521:Die Nacht im stillen Wald,
476:Alte Zeiten, linde Trauer,
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423:Aus der unbewachten Brust,
344:Durch das stille Nebeltal,
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561:Von dem verträumten Kind?
550:Die Nachtigallen schlagen
534:Die Quellen klagend gehn.
290:Introduction (a cappella)
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111:19 December 1927, Vienna.
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1185:Le bourgeois gentilhomme
552:Von ihr die ganze Nacht.
548:In stiller Waldespracht,
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417:Was dir selber unbewuĂźt,
150:composition written for
1644:Utan svafvel och fosfor
1369:Cello Sonata in F major
1310:Also sprach Zarathustra
1216:Japanese Festival Music
822:Richard Strauss Chronik
546:Das ist das irre Klagen
525:Das alte Märchen hallt.
415:Und die ewigen GefĂĽhle,
158:(1864–1949), TrV 256,
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1488:Heimliche Aufforderung
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1050:Die schweigsame Frau
908:List of compositions
746:Del Mar, page 372-3.
1337:Symphonia Domestica
1229:Horn Concerto No. 2
1161:Horn Concerto No. 1
1078:Die Liebe der Danae
674:Vienna Philharmonic
582:Choir and orchestra
389:by Jeno Csuk (1910)
251:The Fortune Seekers
192:Wiener Schubertbund
186:Composition history
176:Vienna Philharmonic
172:Wiener Schubertbund
121:Wiener Schubertbund
1636:Wandrers Sturmlied
1572:Freundliche Vision
1466:Ruhe, meine Seele!
1345:An Alpine Symphony
755:Trenner, page 497.
710:Del Mar, page 370.
701:Del Mar, page 371.
692:Trenner, page 484.
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446:The Evening Forest
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164:Joseph Eichendorff
94:Joseph Eichendorff
51:Strauss, photo by
1843:1928 compositions
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1679:Der Rosenkavalier
1603:Der Krämerspiegel
1131:Verklungene Feste
989:Ariadne auf Naxos
974:Der Rosenkavalier
847:Project Gutenberg
843:Eichendorff texts
801:Lodata, Suzanne,
796:978-0-571-25097-4
764:Lodata, page 403.
737:Lodato, page 391.
719:Lodato, page 391.
676:on 2 March 1952.
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1671:Film adaptations
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196:Viktor Keldorfer
152:male voice choir
144:Times of the Day
65:Times of the Day
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1612:Four Last Songs
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1532:Der Arbeitsmann
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1328:Ein Heldenleben
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284:Die Tageszeiten
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220:Four Last Songs
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178:as part of the
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139:Die Tageszeiten
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903:List of operas
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1681:(1926 film)
1444:Winternacht
1433:Allerseelen
1388:Enoch Arden
1377:(1884–1885)
1319:Don Quixote
1269:Aus Italien
1122:Schlagobers
1060:Friedenstag
850:(in German)
396:Mittagsruh
333:Der Morgen
225:Im Abendrot
182:centenary.
1832:Categories
1260:Tone poems
1142:Orchestral
1018:Intermezzo
993:(1912/16)
855:Lieder.net
680:References
510:Die Nacht
459:Der Abend
240:a cappella
116:Dedication
1757:Modernism
1652:Taillefer
1521:Sehnsucht
1455:Ständchen
1422:Die Nacht
1411:Zueignung
1348:(1911–15)
1189:(1911–17)
1179:(1885–86)
1169:(1883–84)
1163:(1882–83)
1157:(1881–82)
1087:Capriccio
936:Feuersnot
635:trombones
612:clarinets
501:Moonlight
215:Hugo Wolf
92:Poems by
71:Catalogue
53:Schmutzer
1785:Category
1699:(father)
1587:" (1906)
1576:" (1900)
1565:" (1900)
1554:" (1899)
1552:Notturno
1547:" (1898)
1536:" (1898)
1525:" (1896)
1514:" (1895)
1503:" (1894)
1492:" (1894)
1481:" (1894)
1470:" (1894)
1459:" (1886)
1448:" (1886)
1437:" (1885)
1426:" (1885)
1415:" (1885)
1285:Don Juan
1175:Burleske
1039:(1933)
1036:Arabella
1008:(1919)
978:(1911)
963:(1909)
948:(1905)
620:bassoons
232:Garmisch
211:Romantic
180:Schubert
108:Composed
100:Language
1615:(1948)
1543:Befreit
1499:Morgen!
1477:Cäcilie
1277:Macbeth
1103:Ballets
1090:(1942)
959:Elektra
926:Guntram
772:Sources
660:Strings
656:(Night)
644:Timpani
437:Evening
320:The Sun
311:Morning
259:Del Mar
244:novella
146:) is a
128:Scoring
119:To The
74:TrV 256
61:English
1808:Portal
1705:(wife)
1663:(1928)
1655:(1903)
1647:(1889)
1639:(1884)
1628:Choral
1607:(1918)
1597:(1918)
1400:Lieder
1391:(1897)
1383:(1888)
1371:(1883)
1365:(1881)
1340:(1903)
1332:(1898)
1322:(1897)
1314:(1896)
1304:(1895)
1296:(1889)
1288:(1888)
1280:(1888)
1272:(1886)
1251:(1947)
1245:(1945)
1239:(1945)
1231:(1942)
1225:(1941)
1219:(1940)
1211:(1936)
1201:(1924)
1195:(1923)
1151:(1880)
1134:(1940)
1126:(1924)
1116:(1914)
1082:(1940)
1072:(1938)
1069:Daphne
1064:(1938)
1054:(1935)
1031:(1928)
1021:(1924)
945:Salome
940:(1901)
930:(1894)
917:Operas
828:
813:
794:
618:, two
610:, two
452:(1892)
326:(1911)
278:Lyrics
148:choral
103:German
35:Choral
1795:Audio
654:Organ
629:Four
608:oboes
596:tenor
492:Night
826:ISBN
811:ISBN
792:ISBN
670:SATB
649:Harp
639:tuba
600:bass
89:Text
80:Opus
55:1922
448:by
322:by
1834::
786:,
637:,
622:,
614:,
223:,
160:Op
84:76
1810::
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1407:"
884:e
877:t
870:v
832:.
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798:.
626:.
265::
249:(
142:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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