132:
263:
425:" that was "somewhat messy". The messiness was partly accounted for by Schubert's drunken state, but also explained by the accompanying note he wrote to Josef: "Just as, in my haste, I was going to send the thing, I rather sleepily took up the ink-well and poured it calmly over it. What a disaster!" The manuscript was held by the HĂĽttenbrenner family for a number of years and was photographed in 1870, before being lost. Schubert wrote a further version in 1820 for publication in the
498:" "was already widely known" by 1819. Newbould agrees, pointing out that the quintet was "acknowledging the song's meteoric rise up early nineteenth-century Vienna's equivalent to the charts". Fischer-Dieskau takes a longer-term view of the song's popularity, writing that "the vividness of the imagery, with the alternate troubling and smoothing of the surface of the water along with the exuberance of the melody itself, account for the song's universal appeal".
22:
2206:
191:" is "somewhat unusual with its mock-naive pretense of being about a bona fide fish", whereas he describes it as "a sexual parable". Fischer-Dieskau saw the poem as "didactic ... with its Baroque moral". Schubert did not set this final stanza, however, and instead concentrated on a person's observation of the trout and the reaction to its being caught by a fisherman.
411:, has no introduction, although "the shape of the familiar introduction is already adumbrated in a seven-bar postlude". The draft is undated, although is from 1817 and is kept in the Stadler, Ebner and Schindler collection in Lund. A second copy, written in May or June 1817, was for Franz Sales Kandler's album: this version was marked
406:
After completing his original in 1817, Schubert made six subsequent autographs. These differing versions were not necessarily an attempt to improve a work, with some later versions being written from memory with only minor variations; Newbould considers that
Schubert's close replication was a "feat
390:
observed that for three-quarters of the song's final stanza, Schubert departed from the strophe to give a musical impression of the trout being caught, but returned to the strophe for the final couplet. The primary rhythmic figure in the piano accompaniment suggests the movement of the fish in the
82:
warning young women to guard against young men. When
Schubert set the poem to music, he removed the last verse, which contained the moral, changing the song's focus and enabling it to be sung by male or female singers. Schubert produced six subsequent copies of the work, all with minor variations.
407:
of musicianship ... and a sign that
Schubert spoke the language of music with the naturalness of conversation." The differences between the autographs are small: according to Reed, they "are concerned ... with the tempo indication and the prelude – postlude." The first version, marked
418:
A third variation was written during the night of 21 February 1818. Schubert and Anselm HĂĽttenbrenner, a friend and fellow composer, had finished a few bottles of
Hungarian wine when Anselm commented that his brother Josef was an aficionado of Schubert's work. Schubert completed a copy of
184:
The
Schubert scholar John Reed thought the poem to be "sentimental" and "feeble", with the final stanza of the poem consisting of a "smug moral" that "pointedly advises young girls to be on their guard against young men with rods". The academic Thomas Kramer observes that
379:, Schubert used a "musical structure that reflects both the life cycle of the earth and the progress from innocence to experience". Schubert directed the piece to be played "Etwas lebhaft", or at a "somewhat lively" pace.
395:, the piano figuration becomes darker and the flowing phrases are "broken by startled rests". According to Mark Ringer, the melody evokes a "folklike naïveté" that "delivers both delight and emotional power".
398:
Schubart's poem takes the viewpoint of a male speaker, advising women to be careful of young men. By removing the stanza, Schubert removes the moral and creates uncertainty in the sex of the narrator.
104:
catalogue of
Schubert's works it is number 550, or D. 550. The musicologist Marjorie Wing Hirsch describes its type in the Schubert lieder as a "lyrical song with admixtures of dramatic traits".
375:
major. The song is written with a varied (or modified) strophic structure, meaning the "verse music" is generally the same, with one different verse. According to the
American historian
382:
The different verse is the third, and it demonstrates the "admixture of dramatic traits" in the lyrical song, which
Fischer-Dieskau calls "a classic example of the strophic song with
296:" and other similar songs, "convey an intensity of feeling that belies their small scale". From the following year to 1821 Schubert composed four songs using the poems of Schubart, "
349:; on hearing the comparison, Schubert decided to destroy the manuscript, but he was stopped by Ebner and others. On 9 December 1820 the song was published in a supplement to the
107:
The song was popular with contemporary audiences, which led to
Schubert being commissioned to write a piece of chamber music based on the song. This commission resulted in the
152:
considers him to be "one of the feeblest poets" whose work was used by
Schubert, and comments that he "was content with versifying pretty ideas", while the singer and author
1205:
1618:
Liszt and His World: Proceedings of the International Liszt Conference Held at Virginia Polytechnic Institute and State University, 20–23 May 1993
2177:
1369:
355:, along with a number of others of Schubert's lieder. He received no payment for publishing his songs, but was provided with free publicity.
100:. The first two verses have the same structure but change for the final verse to give a musical impression of the trout being caught. In the
326:" was lost and the exact date of composition is unknown, the lied is known to have been written in early 1817, the same year he composed "
2226:
1801:
1756:
2182:
523:
puts the date of composition to early 1817; Reed considers spring 1817 to be the date; while Fischer-Dieskau dates it to mid-1817.
433:. The final version has "a five-bar piano prelude" and is presently in the Gertrude Clarke Whittall Foundation Collection of the
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Franz Schubert's Music in Performance: Compositional Ideals, Notational Intent, Historical Realities, Pedagogical Foundations
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After Schubert completed the song, one of his friends, Johann Leopold Ebner, recounted that Schubert was told that "
1681:
Brass Scholarship in Review: Proceedings of the Historic Brass Society Conference, Cité de la Musique, Paris, 1999
1810:
1654:
1472:
2046:
1855:
1794:
1130:
131:
1123:
Chusid, Martin (1997). "Schubert's Chamber Music: Before and After Beethoven". In Gibbs, Christopher (ed.).
1957:
386: ... 'after-strain'." The "after-strain" comes at the final stanza; the composer and Schubert scholar
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488:" is scant. Reed relates that the song had "immediate popularity", and that Schubert composing the
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450:"; Schubert then wrote a quintet for piano and strings in which he quoted the song in a set of
262:
51:, or song, composed in early 1817 for solo voice and piano with music by the Austrian composer
1937:
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1984:
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470:" in two versions for solo piano. The first was in 1844 as the sixth part of his composition
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1944:
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1998:
1991:
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2231:
2012:
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1103:
1098:
Campbell, Frank C. (August 1949). "Schubert Song Autographs in the Whittall Collection".
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considered Schubart to be "a very talented poet, musician and orator". Schubart wrote "
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Franz Liszt's Pianistic Approach to Franz Schubert's Songs: "Muellerlieder" LW. A128
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water. When the fisherman catches the trout, the vocal line changes from major to
284:" (D 229), written in July that year; John Reed sees the song as a forerunner to "
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A musical "autograph" is a manuscript written in the composer's hand writing.
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109:
97:
1970:
1951:
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166:; he was a prisoner there from 1777 to 1787 for insulting the mistress of
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In 1815 Schubert wrote a series of twenty songs based on the works of
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1826:
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In 1819 Sylvester Baumgartner—a music patron and amateur cellist in
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444:—commissioned Schubert to write a piece of chamber music based on "
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in the fourth movement. The piece later became known as the
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703:
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429:, and a final copy in October 1821 for publication in the
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55:(1797–1828). Schubert chose to set the text of a poem by
1292:
Franz Schubert: An Essential Guide to his Life and Works
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1678:
Stradner, Gerhard (2006). Carter, Stewart Arlen (ed.).
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853:
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474:(S 563); the second transcription was in 1846 (S 564).
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Information regarding the contemporary reception to "
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1156:Schubert and His World: A Biographical Dictionary
969:"Notated Music: Die Forelle". Library of Congress
2218:
2178:List of compositions by Franz Schubert by genre
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790:
653:
591:
162:" in 1782, while imprisoned in the fortress of
1592:Schubert's Theater of Song: A Listener's Guide
1186:. translated by Kenneth S. Whitton. New York:
203:omitted by Schubert: original and translation
74:being caught by a fisherman, but in its final
1795:
1402:
1319:Franz Schubert: Sexuality, Subjectivity, Song
576:
1403:"Some of the Less-Known Songs of Schubert".
1272:Notes to Hyperion CD "Schubert in 1817–1818"
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70:in 1783. The full poem tells the story of a
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1643:(November 1979). "Schubert and Beethoven".
1802:
1788:
1436:
1368:: CS1 maint: location missing publisher (
869:
142:The lyrics of the lied are from a poem by
1757:International Music Score Library Project
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1100:Quarterly Journal of Current Acquisitions
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2183:Schubert opus/Deutsch number concordance
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261:
130:
20:
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1287:
1265:
814:
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778:
721:
501:
320:" (D454). Although the first draft of "
146:. Opinion is divided on his abilities:
2219:
2173:List of compositions by Franz Schubert
1614:
1584:
1508:
1314:
1242:
1184:Schubert's Songs: A Biographical Study
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1072:
1043:
1019:
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893:
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564:
123:" are present in the fourth movement.
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43:" (German for "The Trout"), Op. 32,
1850:Gesang der Geister ĂĽber den Wassern
1413:(1027): 839–840. 1 September 1928.
1126:The Cambridge Companion to Schubert
519:The pianist and Lieder accompanist
343:" unconsciously quoted Beethoven's
168:Charles Eugene, Duke of WĂĽrttemberg
144:Christian Friedrich Daniel Schubart
136:Christian Friedrich Daniel Schubart
57:Christian Friedrich Daniel Schubart
13:
235:You who tarry by the golden spring
14:
2258:
2227:Lieder composed by Franz Schubert
1746:
1705:Schubert: The Complete Song Texts
472:Sechs Melodien von Franz Schubert
249:Or else, too late, you'll bleed.
2204:
1730:. Tunbridge Wells: Midas Books.
170:. The poem was published in the
1515:The Harvard Dictionary of Music
1468:Schubert: The Music and the Man
535:
526:
513:
1655:University of California Press
1473:University of California Press
1243:Hirsch, Marjorie Wing (1993).
358:
243:Most of you err only from lack
220:Meist fehlt ihr nur aus Mangel
1:
1131:Cambridge Companions to Music
551:
464:transcribed and paraphrased "
401:
278:(1758–1818). Among them was "
2247:Compositions in D-flat major
1728:Schubert: His Life and Times
1518:. Cambridge, Massachusetts:
1491:"Notated Music: Die Forelle"
477:
241:If you see danger, hurry by!
177:of 1783, consisting of four
138:, who wrote the poem in 1783
113:(D. 667), in which a set of
96:with a varied (or modified)
7:
2131:Nur wer die Sehnsucht kennt
1653:(2). Berkeley, California:
1545:Manchester University Press
1540:The Schubert Song Companion
1382:Franz Schubert: A Biography
544:translates as "moderately".
317:Grablied auf einen Soldaten
270:, after an 1825 watercolour
257:
247:Seducers with their tackle!
10:
2263:
1437:Montgomery, David (2003).
1325:Cambridge University Press
1249:Cambridge University Press
1245:Schubert's Dramatic Lieder
1135:Cambridge University Press
1081:Greenwood Publishing Group
1065:
276:Ludwig Gotthard Kosegarten
222:Der Klugheit. Mädchen seht
216:Denkt doch an die Forelle,
126:
2167:
2117:
2076:
2062:", D 957 No. 13
1864:
1825:
1703:Wigmore, Richard (1988).
1342:Lee Clark, Solee (2008).
1315:Kramer, Lawrence (2003).
1288:Jackson, Stephen (1996).
1180:Fischer-Dieskau, Dietrich
1079:. Westport, Connecticut:
841:, pp. 484 & 494.
494:
484:
466:
446:
421:
365:
339:
316:
310:
304:
298:
292:
286:
280:
245:Of cleverness. Girls, see
239:Think still of the trout:
226:Sonst blutet ihr zu spät.
218:Seht ihr Gefahr, so eilt!
214:Der sichern Jugend weilt,
212:Die ihr am goldnen Quelle
211:
197:
187:
158:
119:
88:
78:reveals its purpose as a
59:, first published in the
38:
27:
2006:Auf dem Wasser zu singen
1958:"Wiegenlied", D 498
1771:Full score and MIDI file
1726:Woodford, Peggy (1978).
1615:Saffle, Michael (1998).
1596:. Milwaukee, Wisconsin:
1520:Harvard University Press
1471:. Berkeley, California:
506:
224:VerfĂĽhrer mit der Angel!
154:Dietrich Fischer-Dieskau
2067:Der Hirt auf dem Felsen
2047:"Ständchen", D 889
1992:Willkommen und Abschied
1964:Der Tod und das Mädchen
1856:"Ständchen", D 920
1684:. Hillsdale, New York:
1568:Oxford University Press
1443:. Hillsdale, New York:
1432:(subscription required)
1378:McKay, Elizabeth Norman
1348:. Ann Arbor, Michigan.
1238:(subscription required)
1216:Oxford University Press
957:Grove Music Online 2013
328:Der Tod und das Mädchen
92:" in the single key of
2086:Schubert's song cycles
322:
271:
139:
62:
32:
1931:Hermann und Thusnelda
1882:Gretchen am Spinnrade
1152:Clive, Peter (1997).
268:Wilhelm August Rieder
265:
134:
24:
1562:Reed, John (1997b).
1537:Reed, John (1997a).
1073:Arnold, Ben (2002).
791:Fischer-Dieskau 1978
654:Fischer-Dieskau 1978
592:Fischer-Dieskau 1978
502:Notes and references
2091:Die schöne Müllerin
1709:Victor Gollancz Ltd
1510:Randel, Don Michael
1495:Library of Congress
1104:Library of Congress
1076:The Liszt Companion
492:was evidence that "
435:Library of Congress
290:", observing that "
204:
2158:Wandrers Nachtlied
1945:Der König in Thule
1753:Die Forelle, D.550
1646:19th-Century Music
1212:Grove Music Online
724:, pp. 151–52.
668:, pp. 159–60.
577:Musical Times 1928
413:Nicht zu geschwind
272:
194:
140:
33:
2192:
2191:
2020:Lachen und Weinen
1737:978-0-85936-095-1
1718:978-0-575-03961-2
1695:978-1-57647-105-0
1632:978-0-945193-34-0
1607:978-1-57467-176-6
1577:978-0-19-816494-4
1554:978-1-901341-00-3
1529:978-0-674-01163-2
1482:978-0-520-21957-1
1454:978-1-57647-025-1
1406:The Musical Times
1395:978-0-19-816681-8
1355:978-0-549-78981-9
1334:978-0-521-54216-6
1307:978-1-85793-987-3
1225:978-0-19-957903-7
1171:978-0-19-816582-8
1144:978-0-521-48424-4
1090:978-0-313-30689-1
947:, pp. 58–59.
567:, pp. 96–97.
346:Coriolan Overture
255:
254:
195:Final stanza of "
149:The Musical Times
2254:
2242:Songs about fish
2209:
2208:
2207:
2200:
2060:Der Doppelgänger
2027:Nacht und Träume
2013:Du bist die Ruh'
1820:
1819:
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1766:Internet Archive
1755:: Scores at the
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1641:Solomon, Maynard
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1218:. January 2011.
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415:(not too fast).
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1463:Newbould, Brian
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1445:Pendragon Press
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1386:Clarendon Press
1361:
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1275:(Media notes).
1267:Johnson, Graham
1259:
1237:
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1188:Alfred A. Knopf
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1162:Clarendon Press
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870:Montgomery 2003
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305:An mein Klavier
293:Die Erscheinung
281:Die Erscheinung
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1920:
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1910:Die BĂĽrgschaft
1906:
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1889:Rastlose Liebe
1885:
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1807:
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1747:External links
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1048:
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1036:
1032:Lee Clark 2008
1024:
1022:, p. 177.
1012:
1010:, p. 186.
997:
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314:" (D550) and "
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25:Autograph of "
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1917:Heidenröslein
1914:
1912:", D 246
1911:
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1896:Der Mondabend
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1891:", D 130
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1884:", D 118
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1852:", D 714
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1845:", D 189
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1838:", D 170
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1033:
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994:
993:Woodford 1978
989:
982:
981:Campbell 1949
977:
970:
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945:Woodford 1978
941:
935:, p. 77.
934:
929:
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919:
914:
908:, p. 70.
907:
906:Newbould 1999
902:
896:, p. 66.
895:
890:
884:, p. 97.
883:
878:
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860:, p. 38.
859:
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804:
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750:
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738:
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710:Newbould 1999
706:
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695:, p. 81.
694:
689:
683:, p. 75.
682:
677:
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490:Trout Quintet
475:
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174:Musenalmanach
172:Schwäbischer
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110:Trout Quintet
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98:strophic form
95:
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65:Musenalmanach
63:Schwäbischer
58:
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16:Lied, or song
2110:, D 957
2105:
2102:, D 911
2097:
2094:, D 795
2089:
2015:, D 776
1977:
1971:An die Musik
1952:Der Wanderer
1877:", D 77
1727:
1704:
1680:
1650:
1644:
1617:
1591:
1586:Ringer, Mark
1563:
1539:
1514:
1498:. Retrieved
1467:
1439:
1410:
1404:
1381:
1344:
1318:
1291:
1277:Edith Mathis
1271:
1244:
1229:. Retrieved
1207:Forelle, Die
1206:
1183:
1155:
1125:
1107:
1099:
1075:
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1039:
1027:
1015:
988:
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901:
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865:
834:
822:
815:Solomon 1979
810:
803:Jackson 1996
798:
786:
779:Johnson 1994
744:
722:Wigmore 1988
717:
688:
661:
628:
572:
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541:
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431:Neue Ausgabe
430:
426:
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408:
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397:
383:
381:
362:
350:
344:
336:
332:An die Musik
273:
234:
209:
183:
171:
147:
141:
108:
106:
94:D-flat major
85:
60:
36:
34:
18:
2099:Winterreise
2041:Im FrĂĽhling
1978:Die Forelle
1875:Der Taucher
1836:Schwertlied
1657:: 114–125.
1621:. Maesteg:
1283:. CDJ33021.
1044:Arnold 2002
1020:Saffle 1998
1008:Chusid 1997
894:Randel 2003
882:Hirsch 1993
858:Ringer 2009
737:Kramer 2003
693:Kramer 2003
681:Kramer 2003
565:Hirsch 1993
495:Die Forelle
485:Die Forelle
467:Die Forelle
462:Franz Liszt
447:Die Forelle
422:Die Forelle
377:Mark Ringer
366:Die Forelle
359:Composition
340:Die Forelle
323:Die Forelle
311:Die Forelle
308:" (D342), "
302:" (D518), "
287:Die Forelle
198:Die Forelle
188:Die Forelle
164:Hohenasperg
159:Die Forelle
120:Die Forelle
89:Die Forelle
80:moral piece
39:Die Forelle
28:Die Forelle
2232:1817 songs
2221:Categories
1985:Prometheus
1903:Amphiaraos
1827:Part songs
1707:. London:
1566:. Oxford:
1384:. Oxford:
1296:. London:
1279:. London:
1214:. Oxford:
1160:. Oxford:
1110:(4): 3–8.
1056:Reed 1997a
933:McKay 1996
918:Reed 1997a
839:Reed 1997a
827:McKay 1996
764:Clive 1997
749:Reed 1997b
666:Reed 1997a
621:Reed 1997a
552:References
460:(D. 667).
452:variations
402:Variations
299:An den Tod
115:variations
47:550. is a
2237:Art songs
2152:Trinklied
2147:Ständchen
2142:Sehnsucht
2053:An Sylvia
2034:Ave Maria
1999:Der Zwerg
1364:cite book
478:Reception
2118:Multiple
1938:Erlkönig
1588:(2009).
1564:Schubert
1512:(2003).
1500:12 March
1465:(1999).
1380:(1996).
1269:(1994).
1182:(1978).
1116:29780551
384:Abgesang
372:♭
258:Creation
2137:Romanze
1775:Mutopia
1231:10 June
1066:Sources
330:" and "
179:stanzas
127:Context
102:Deutsch
2197:Portal
2125:Mignon
2078:Cycles
1866:Lieder
1734:
1715:
1692:
1671:746283
1669:
1629:
1604:
1574:
1551:
1526:
1479:
1451:
1427:915575
1425:
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1222:
1194:
1168:
1141:
1114:
1087:
542:Mässig
409:Mässig
76:stanza
1811:Songs
1667:JSTOR
1423:JSTOR
1112:JSTOR
507:Notes
442:Steyr
393:minor
72:trout
1732:ISBN
1713:ISBN
1690:ISBN
1627:ISBN
1602:ISBN
1572:ISBN
1549:ISBN
1524:ISBN
1502:2013
1477:ISBN
1449:ISBN
1390:ISBN
1370:link
1350:ISBN
1329:ISBN
1302:ISBN
1253:ISBN
1233:2013
1220:ISBN
1192:ISBN
1166:ISBN
1139:ISBN
1085:ISBN
117:of "
49:lied
1813:by
1773:at
1764:at
1659:doi
1415:doi
334:".
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