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Jupiter tells her not to worry; he will quiet the storm. Venus travels to Libya, where she disguises herself as a mortal and meets Aeneas, who has arrived, lost, on the coast. He and a few followers have become separated from their comrades. He recognises her, but she denies her identity. She helps him meet up with
Illioneus, Sergestus and Cloanthes, other surviving Trojans who have already received generous hospitality from the local ruler Dido, Queen of Carthage. Dido meets Aeneas and promises to supply his ships. She asks him to give her the true story of the fall of Troy, which he does in detail, describing the death of Priam, the loss of his own wife and his escape with his son Ascanius and other survivors.
363:
Aeneas tells Dido he must leave. She pleads with him to ignore
Jupiter's command, but he refuses to do so. He departs, leaving Dido in despair. The Nurse says that "Ascanius" has disappeared. Dido orders her to be imprisoned. She tells Iarbas and Anna that she intends to make a funeral pyre on which she will burn everything that reminds her of Aeneas. After cursing Aeneas' progeny, she throws herself into the fire. Iarbas, horrified, kills himself too. Anna, seeing Iarbas dead, kills herself.
406:
participation of Nashe – yet the presence of a collaborator may help to explain the play's divergences from
Marlowe's standard dramaturgy. No other play by Marlowe has such a strong female lead character, and in no other "is heteroerotic passion the centripetal force of the drama's momentum." However, more recent studies conducted independently by Darren Freebury-Jones and Marcus Dahl, and Ruth Lunney and Hugh Craig, have failed to uncover evidence for Nashe's participation.
31:
355:
hand, to his horror and confusion. Dido's sister Anna, who is in love with Iarbas, encourages Dido to pursue Aeneas. Dido and Aeneas meet at a cave, where Dido declares her love. They enter the cave to make love. Iarbas swears he will get revenge. Venus and Juno appear, arguing over Aeneas. Venus believes that Juno wants to harm her son, but Juno denies it, saying she has important plans for him.
359:
tackle from his ships. She also places
Ascanius in the custody of the Nurse, believing that Aeneas will not leave without him. However, "Ascanius" is really the disguised Cupid. Dido says that Aeneas will be king of Carthage and anyone who objects will be executed. Aeneas agrees and plans to build a new city to rival Troy and strike back at the Greeks.
362:
Mercury appears with the real
Ascanius (a.k.a. Cupid) and informs Aeneas that his destiny is in Italy and that he must leave on the orders of Jupiter. Aeneas reluctantly accepts the divine command. Iarbas sees the opportunity to be rid of his rival and agrees to supply Aeneas with the missing tackle.
400:
attempted to delineate the collaborators' respective shares in the text, and assigned to Nashe these portions – Act I, scene i (second part, after line 122); Act III, scenes i, ii, and iv; Act IV, scenes i, ii, and v; – and the rest to
Marlowe. However, subsequent critics have not concurred in this
354:
Dido's suitor, Iarbas, presses her to agree to marry him. She seems to favour him, but Venus has other plans. She disguises Cupid as Aeneas's son
Ascanius, so that he can get close to Dido and touch her with his arrow. He does so; Dido immediately falls in love with Aeneas and rejects Iarbas out of
350:
Jupiter is fondling
Ganymede, who says that Jupiter's wife Juno has been mistreating him because of her jealousy. Venus enters, and complains that Jupiter is neglecting her son Aeneas, who has left Troy with survivors of the defeated city. Aeneas was on his way to Italy, but is now lost in a storm.
358:
Aeneas's followers say they must leave Libya, to fulfil their destiny in Italy. Aeneas seems to agree, and prepares to depart. Dido sends Anna to find out what is happening. She brings Aeneas back, who denies he intended to leave. Dido forgives him, but as a precaution removes all the sails and
405:
admitted a few details had parallels in Nashe's published works and some words or meanings are found in Nashe's works but not otherwise used by
Marlowe, "the scenes in which these passages and phrases appear have, as a whole, the stamp of Marlowe." Some critics have virtually ignored the
426:, for whom the title role was written, to have been his greatest work – which largely set Marlowe's play to music. It was also the only one of Storace's works to have been completely sung throughout, with no spoken dialogue. However, the work was never published, as Storace's impresario
320:
but the author makes several deviations from this material. Pigman draws attention to how imitators 'exploit... the historical distance between a text and its model', leading to 'crucial departures from, sometimes criticisms of, the model'. Stump suggests that these changes in
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stopped regular dramatic performance in 1584, but appears to have engaged in at least sporadic performances in the late 1580s and early 1590s, so that scholars give a range of 1587–93 for the first performance of
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and
Michael Earley and featuring Sally Dexter as Dido, Timothy Walker as Aeneas, Jeremy Blake as Iarbas, Ben Thomas as Achates, Teresa Gallagher as Anna/Juno and Andrew Wincott as Cupid.
375:, by the widow Orwin for the bookseller Thomas Woodcock, in Paul's Churchyard. The title page attributes the play to Marlowe and Nashe, and also states that the play was acted by the
434:, to prevent pirated versions appearing elsewhere – and the opera is presumed to have been lost in the 1809 Drury Lane Theatre fire, since nothing of it has survived.
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assessment, most notably the investigations of Knutowski, R.B. McKerrow, and Tucker Brooke found very little that they felt could be credited to Nashe. While
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178:), Aeneas' betrayal of her and her eventual suicide on his departure for Italy. The playwrights relied on Books 1, 2, and 4 of
158:. It was probably written between 1587 and 1593, and was first published in 1594. The story focuses on the classical figure of
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The Predecessors of Shakespeare: A Survey and Bibliography of Recent Studies in English Renaissance Drama.
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Stump, Donald (2000). "Marlowe's Travesty of Virgil: Dido and Elizabethan Dreams of Empire".
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Aeneas reacts violently to recollections of Troy, and is mad with grief over its loss.
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wished to retain control over productions of it. A single copy was kept at the
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The play was first published in 1594, a year after Marlowe's untimely death in
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Aeneas dresses like a beggar, and is unrecognisable when he first arrives.
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170:. It tells an intense dramatic tale of Dido and her fanatical love for
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on 30 May 1993, the 400th anniversary of Marlowe's death, along with
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592:"Searching for Thomas Nashe in Dido, Queen of Carthage"
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Dido steals Aeneas's oars, preventing him from leaving.
569:
Christopher Marlowe: A biographical and critical study
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590:
Freebury-Jones, Darren; Dahl, Marcus (1 June 2020).
150:) is a short play written by the English playwright
589:
338:Aeneas is forced to beg Iarbus for help to space.
325:make a mockery of Aeneas. They notably include:
2478:
711:Lincoln, NE: University of Nebraska Press, 1973.
702:The Cambridge Companion to Christopher Marlowe.
629:Lunney, Ruth; Craig, Hugh (16 September 2020).
707:Logan, Terence P., and Denzell S. Smith, eds.
1401:
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704:Cambridge: Cambridge University Press, 2004.
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437:An adaptation of the play was broadcast on
16:Play by Christopher Marlowe, published 1594
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470:"Versions of Imitation in the Renaissance"
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697:4 Volumes, Oxford: Clarendon Press, 1923.
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805:Tamburlaine the Great, Parts One and Two
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147:The Tragedie of Dido Queene of Carthage
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571:(Oxford: Clarendon Press, 1940), p. 51
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298:A Nurse – Dido's widowed elderly nurse
107:the story of Dido and Aeneas from the
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1123:
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726:The Tragedy of Dido Queen of Carthage
596:Digital Scholarship in the Humanities
580:Sara Munson Deats, in Cheney, p. 194.
514:
2332:Ascanius Shooting the Stag of Sylvia
631:"Who Wrote Dido, Queen of Carthage?"
316:is based on books 1, 2 and 4 of The
2512:Plays based on classical literature
851:The Passionate Shepherd to His Love
35:Title page of the first edition of
13:
2547:Greek and Roman deities in fiction
2542:Plays based on classical mythology
414:The 18th-century English composer
14:
2593:
715:
671:"Broadcast – BBC Programme Index"
154:, with possible contributions by
1020:The Life of Edward II of England
422:(1794) – alleged, by his sister
1066:Shakespeare authorship question
396:The nineteenth-century scholar
341:Anna and Iarbus commit suicide.
301:other Trojans and Carthaginians
2316:Aeneas, Anchises, and Ascanius
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259:– Commander of the Five armies
1:
2290:Timeo Danaos et dona ferentes
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2018:
685:
468:Pigman, G. W. (Spring 1980).
391:
191:
2497:Plays by Christopher Marlowe
2453:Political commentary of the
1034:Lessons in Love and Violence
744:Marlowe Society overview of
700:Cheney, Patrick Gerard, ed.
7:
2527:Cultural depictions of Dido
2437:Parallels between Virgil's
1080:(attributed play, rejected)
1051:English Renaissance theatre
10:
2598:
2367:And Then There Was Silence
2130:(1724 libretto Metastasio)
635:Journal of Marlowe Studies
549:Logan and Smith, pp. 24–6.
308:
2537:Plays adapted into operas
2517:Works based on the Aeneid
2507:English Renaissance plays
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2258:Fortune favours the bold
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236:who is in love with Dido
2276:Obscuris vera involvens
2175:Dido, Queen of Carthage
2037:Dido, Queen of Carthage
1299:Dido, Queen of Carthage
1272:Dido, Queen of Carthage
1150:"Dido and Aeneas" from
798:Dido, Queen of Carthage
420:Dido, Queen of Carthage
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323:Dido, Queen of Carthage
304:servants and attendants
141:Dido, Queen of Carthage
37:Dido, Queen of Carthage
24:Dido, Queen of Carthage
2340:Dido building Carthage
2206:Papyrus Oxyrhynchus 31
1351:Dido building Carthage
960:A Dead Man in Deptford
746:Dido Queen of Carthage
738:Dido Queen of Carthage
695:The Elizabethan Stage.
418:wrote an opera titled
377:Children of the Chapel
2522:Works by Thomas Nashe
2502:Plays by Thomas Nashe
2461:Sulpicius Apollinaris
2106:(1687 Lully/Collasse)
1027:The Massacre at Paris
833:The Massacre at Paris
529:10.1353/cdr.2000.0035
474:Renaissance Quarterly
444:The Massacre at Paris
2557:Ganymede (mythology)
2308:Laocoön and His Sons
953:Tamburlaine Must Die
424:Anna (Nancy) Storace
398:Frederick Gard Fleay
262:Anna – Dido's sister
2567:Mercury (mythology)
2324:The Dream of Aeneas
2221:Vergilius Vaticanus
2211:Vergilius Augusteus
2103:Achille et Polyxène
2024:history of Britain)
1368:Low Ham Roman Villa
1084:The School of Night
974:Shakespeare in Love
946:The School of Night
783:Christopher Marlowe
675:genome.ch.bbc.co.uk
648:10.7190/jms.v1i0.92
213:royal hero, son of
188:as primary source.
152:Christopher Marlowe
48:Christopher Marlowe
2582:Works about queens
2406:Sortes Vergilianae
2396:Dactylic hexameter
2159:Didone abbandonata
2151:Didone abbandonata
2143:Didone abbandonata
2135:Didone abbandonata
2127:Didone abbandonata
2014:Historia Brittonum
1858:Evander of Pallene
1256:Didone abbandonata
1248:Didone abbandonata
1240:Didone abbandonata
1235:(1724, Metastasio)
1232:Didone abbandonata
988:The Marlowe Papers
608:10.1093/llc/fqz008
432:Drury Lane Theatre
379:. That company of
242:– friend of Aeneas
2572:Venus (mythology)
2474:
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2401:Hysteron proteron
2216:Vergilius Romanus
2201:Book of Ballymote
1966:
1965:
1762:Pygmalion of Tyre
1383:
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1227:(1693, Desmarets)
1117:
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731:Project Gutenberg
517:Comparative Drama
403:Frederick S. Boas
137:
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96:Original language
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2577:Juno (mythology)
2432:The Golden Bough
2348:The Golden Bough
2270:Mind over matter
2122:(1693 Desmarets)
2071:(1798 mock epic)
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1101:Marlowe Memorial
1071:Marlovian theory
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967:It Was Marlowe
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716:External links
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677:. 30 May 1993.
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602:(2): 296–306.
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2252:Experto crede
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2245:Annuit cœptis
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2029:Roman d'Enéas
2026:
2016:
2015:
2011:
2010:
2008:
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1243:(1724, Sarro)
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1215:Dido's Lament
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1061:Admiral's Men
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1046:
1044:Miscellaneous
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915:Edward Alleyn
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890:Ingram Frizer
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641:: 1–31–1–31.
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248:– Greek Slave
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144:(full title:
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38:
32:
27:
22:
19:
2466:Trojan Horse
2454:
2446:
2442:
2441:and Homer's
2438:
2372:
2346:
2338:
2330:
2322:
2314:
2306:
2288:
2281:
2274:
2262:
2250:
2243:
2236:
2181:
2173:
2165:
2162:(1762 Sarti)
2157:
2154:(1726 Vinci)
2149:
2141:
2138:(1724 Sarro)
2133:
2125:
2117:
2109:
2101:
2093:
2079:(2008 novel)
2074:
2066:
2058:
2055:(1751 novel)
2050:
2036:
2035:
2027:
2012:
1993:
1985:
1977:
1783:Achaemenides
1742:Anna Perenna
1420:
1372:
1349:
1331:
1314:
1298:
1297:
1278:
1270:
1262:
1254:
1246:
1238:
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1192:
1155:
1106:
1099:
1075:
1032:
1025:
1018:
1011:
1004:
986:
979:
972:
965:
958:
951:
944:
937:
905:Robert Poley
895:Eleanor Bull
875:Thomas Nashe
856:
849:
831:
824:
817:
810:
803:
797:
796:
745:
737:
724:
708:
701:
694:
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638:
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624:
599:
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563:
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477:
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442:
436:
419:
413:
395:
385:
370:
361:
357:
353:
349:
322:
317:
313:
312:
183:
174:(induced by
156:Thomas Nashe
146:
145:
140:
139:
138:
108:
52:Thomas Nashe
36:
18:
2487:1580s plays
2391:Aposiopesis
2194:Manuscripts
2183:Les Troyens
2063:(1729 poem)
2060:The Dunciad
2045: 1593
2032:(1160 poem)
1979:The Avenger
1971:Film and TV
1913:Neoptolemus
1730:Phoenicians
1280:Les Troyens
1209:discography
1056:Blank verse
998:Adaptations
981:Kit Marlowe
449:Allen Drury
439:BBC Radio 3
410:Adaptations
367:Publication
200:– Queen of
2492:1594 plays
2481:Categories
2022: 828
2006:Literature
1551:Antiphates
1546:Andromache
1431:Characters
1333:Simple Man
1165:Characters
930:In fiction
920:Thomas Kyd
686:References
523:: 79–107.
392:Authorship
381:boy actors
232:– King of
192:Characters
58:Characters
44:Written by
2327:(1660–65)
1908:Mezentius
1843:Cydonians
1813:Aventinus
1808:Automedon
1803:Androgeus
1716:Thymoetes
1706:Sergestus
1671:Palinurus
1656:Mnestheus
1631:Hippocoon
1601:Deiphobus
1581:Corynaeus
1571:Cassandra
1495:Tiberinus
1302:(c. 1593)
1013:Edward II
826:Edward II
657:2516-421X
616:2055-7671
537:162223858
502:170254684
480:(1): 29.
257:Sergestus
252:Cloanthus
2283:Quos ego
2238:Ad astra
1990:(1971–2)
1898:Messapus
1863:Halaesus
1848:Diomedes
1828:Catillus
1757:Mattan I
1721:Ucalegon
1681:Panthous
1676:Pandarus
1636:Ilioneus
1616:Euryalus
1611:Entellus
1591:Dardanus
1556:Ascanius
1541:Anchises
1450:Crinisus
373:Deptford
271:Ganymede
246:Ilioneus
234:Gaetulia
224:Ascanius
215:Anchises
202:Carthage
168:Carthage
132:Carthage
2447:Odyssey
2427:Eneados
2415:Related
2311:(25 BC)
2230:Phrases
2076:Lavinia
1995:Eneyida
1958:Venulus
1903:Metabus
1888:Lavinia
1878:Latinus
1873:Juturna
1833:Clytius
1823:Camilla
1778:Acestes
1737:Acerbas
1701:Ripheus
1691:Polites
1666:Ornytus
1651:Misenus
1641:Laocoön
1626:Helenus
1576:Clonius
1521:Aeneads
1516:Achates
1509:Trojans
1485:Mercury
1475:Jupiter
1438:Deities
1425:(19 BC)
1361:Related
1093:Related
939:Marlowe
494:2861533
318:Aeneid,
309:Sources
281:Mercury
266:Jupiter
240:Achates
128:Setting
122:tragedy
104:Subject
99:English
83:c. 1593
74:Achates
2455:Aeneid
2439:Aeneid
2351:(1834)
2343:(1815)
2335:(1689)
2319:(1619)
2095:Didone
2068:Eneida
2052:Amelia
1998:(1991)
1987:Eneide
1982:(1962)
1943:Turnus
1933:Salius
1928:Rutuli
1918:Pallas
1883:Lausus
1868:Iarbas
1853:Erulus
1771:Others
1711:Theano
1606:Elymus
1586:Creusa
1561:Caieta
1536:Aletes
1531:Aeolus
1526:Aeneas
1490:Saturn
1460:Hecate
1445:Alecto
1422:Aeneid
1417:Virgil
1374:Amelia
1319:(1160)
1310:Poetry
1194:Didone
1186:Operas
1177:Aeneas
1157:Aeneid
1152:Virgil
868:People
655:
614:
567:Boas,
535:
500:
492:
295:A Lord
230:Iarbas
211:Trojan
207:Aeneas
185:Aeneid
180:Virgil
172:Aeneas
162:, the
110:Aeneid
91:London
70:Iarbas
66:Aeneas
2562:Cupid
2443:Iliad
2384:Study
2359:Music
2167:Didon
2119:Didon
2087:Opera
2047:play)
1953:Umbro
1948:Ufens
1938:Sinon
1923:Picus
1893:Macar
1838:Cydon
1818:Butes
1798:Amata
1788:Actor
1747:Belus
1696:Priam
1686:Paris
1661:Nisus
1646:Mimas
1566:Capys
1500:Venus
1465:Hymen
1455:Cupid
1325:Music
1291:Plays
1264:Didon
1224:Didon
843:Poems
790:Plays
533:S2CID
498:S2CID
490:JSTOR
455:Notes
286:Venus
276:Cupid
219:Venus
176:Cupid
164:Queen
118:Genre
2445:and
1752:Dido
1621:Gyas
1480:Mars
1470:Juno
1172:Dido
653:ISSN
612:ISSN
386:Dido
346:Plot
314:Dido
291:Juno
209:– a
198:Dido
160:Dido
62:Dido
2300:Art
1419:'s
1343:Art
1154:'s
729:at
643:doi
604:doi
525:doi
482:doi
182:'s
166:of
2483::
2042:c.
2019:c.
673:.
651:.
637:.
633:.
610:.
600:35
598:.
594:.
531:.
521:34
519:.
496:.
488:.
478:33
476:.
472:.
388:.
50:,
2369:"
2365:"
2040:(
2017:(
1409:e
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1217:"
1213:"
1143:e
1136:t
1129:v
775:e
768:t
761:v
659:.
645::
639:1
618:.
606::
539:.
527::
504:.
484::
113:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
