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Dear Heart

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263:), a clerk in the hotel gift shop, than he is in the overly friendly Evie, and he quickly makes an excuse to leave for a tryst with June. Returning to the hotel, Harry meets Evie again in the lobby, where she is upset after escaping from the unwanted sexual advances of a strange man outside her room. Harry escorts her back to her room, and they make plans to go to the Statue of Liberty the next morning. However, the next morning, Patrick shows up again wanting to spend the day with Harry, so Harry breaks his date with Evie to look at apartments with Patrick and Zola. A disappointed Evie spends the day (after attending a postmaster seminar and party) with a trio of older spinster postmasters, but cheers up when Harry returns, proves that he left a message for her (at the front desk) about the change of plans, and offers to take her to dinner and show her the apartment he rented in Greenwich Village. 267:
unexpectedly arrives from Altoona. So Harry goes to stay with her in the hotel across the street while Evie sadly arranges to return to Ohio the next day. Harry soon discovers that Phyllis does not want to live a happy, domestic life with him in the future in the old-fashioned apartment he rented. Instead, she wants to live in modern hotels with room service, where she won't have to cook or clean, and she wants to sleep in separate beds. She also wants Harry to be a father figure to Patrick so she won't have to deal with him and his teenage problems. Harry realizes that he truly loves Evie and that Patrick and Phyllis need to spend more time with each other rather than with him. He breaks his engagement and happily reunites with Evie at the busy train station just before she would have returned home.
256:) suddenly arrives, seeking to bond with his new father. Harry is surprised to find that Patrick is not the young boy he had expected based on a photograph, but instead is an 18-year-old bohemian with a beard (which, it is later revealed, got him expelled from boarding school). Harry is mildly annoyed by Patrick's unexpected arrival and embarrassed by his casual attitude toward women, sex, and nudity, particularly after Patrick moves into Harry's hotel room with his purportedly platonic female friend Γ‰mile Zola Bernkrand (Joanna Crawford). 266:
Evie optimistically thinks Harry is planning to reveal that the apartment is intended for the two of them to occupy, and she is crushed when she realizes that Harry is planning to live there with his soon-to-be wife Phyllis. Harry takes Evie back to the hotel and impulsively kisses her, but Phyllis
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from small-town Ohio who is attending a postmasters' convention at a New York City hotel. Outgoing, honest, and somewhat tactless, she has many friends but pines for a romantic relationship, one that will be more meaningful than the flings she has had with married conventioneers in previous years.
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to release the film so that it would qualify for the March 1965 Academy Awards. Warner agreed to release it for a week in Los Angeles (which, under Academy rules, would qualify it for the Oscars), if Mancini and Shayne would pay for the local advertising. Because this would cost only $ 10,000,
252:), a middle-aged, widowed housewife from Altoona, Pennsylvania. Harry is staying alone in the same hotel as Evie while he starts his new job and finds an apartment, where Phyllis, who is still back in Altoona, will later join him. While Harry is checking in, Phyllis's son Patrick ( 433:. The lyricists read the script, and came up with the lyrics and title for the song based on their reading of Geraldine Page's character. The film's original title was "The Out-of-Towners", but Jay Livingston said he changed the title to 468:, called it "a stale, dull and humorless pretension at what its producers dare to describe as 'gay, sophisticated comedy,' and it makes almost scandalous misuse of the recognized talents of Geraldine Page." Eleanor Perry, writing for 248:) is a middle-aged, womanizing, former traveling salesman for a greeting card company, who now wishes to settle down. Harry has accepted a promotion to an office job in New York City, and has gotten engaged to Phyllis ( 414:
was generally a positive one, Ford could not stop brooding over Lange. Angela Lansbury took the role of the materialistic, good-hearted Phyllis because it gave her an opportunity to work with Geraldine Page.
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was hired to compose music for the film. Mancini felt such a gentle romantic film deserved a theme song. He quickly wrote music for the song, but it lacked lyrics. Mancini contacted
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felt it had "excellent characterizations" and a solid supporting cast. Film historians Rob Edelman and Audrey Kupferberg felt Lansbury's performance was thoughtful.
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She uses various means to make herself feel less lonely and more important, such as sending herself a welcome message and having herself paged in the hotel lobby.
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Evie first meets Harry when they are forced to share a dinner table in the crowded hotel restaurant, but Harry is more interested in buxom blonde June Loveland (
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Warner Brothers was uncertain about when to release the film. Mancini, who had a 50% interest in the film's theme song with Larry Shayne, asked studio head
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The film had a budget of about $ 1.8 million. Principal shooting occurred from October 3 to November 22, 1963. Filming of the opening and closing scenes in
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The film premiered on December 3, 1964 in Los Angeles, to qualify it for the 1964 awards season. It made its general release premiere at
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It was Geraldine Page's first role as a leading lady. As production began, Glenn Ford's long-term relationship with actress
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was written by Tad Mosel, from his own story. He originally wrote it as a teleplay for a May 1957
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as lonely middle-aged people who fall in love at a hotel convention. It was directed by
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Oscar A to Z: A Complete Guide to More Than 2,400 Movies Nominated for Academy Awards.
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took advantage of just-commenced demolition process of the above-ground structures.
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Hollywood Sings!: An Inside Look at Sixty Years of Academy Award-Nominated Songs.
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Grande Dame Guignol Cinema: A History of Hag Horror From Baby Jane to Mother.
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Screen World Presents the Encyclopedia of Hollywood Film Actors.
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Crowther, Bosley. "Screen: 'Dear Heart' Is at Music Hall."
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holds a 33% rating on Rotten Tomatoes based on 6 reviews.
780:"The 37th Academy Awards (1965) Nominees and Winners" 852:
Madison, Wisc.: University of Wisconsin Press, 2011.
410:, leaving Ford heartbroken. Although production of 980: 880:New York: Applause Theatre and Cinema Books, 2003. 384:episode, titled "The Out-Of-Towners", co-starring 200:is a 1964 American romantic-comedy film starring 1405: 894:Jefferson, N.C.: McFarland & Company, 2009. 674:Perry, Eleanor. "Marty's Spoiled Rich Sister." 966: 845:Thorndike, Maine: G.K. Hall & Co., 1996. 843:Angela Lansbury: A Life on Stage and Screen. 425:, who was unavailable. So Mancini turned to 784:Academy of Motion Picture Arts and Sciences 16:1964 American film directed by Delbert Mann 1380:Against Her Will: An Incident in Baltimore 973: 959: 654: 652: 437:when Martin Manulis heard the theme song. 34: 706: 704: 642: 640: 638: 490: 569:Best Actress in a Motion Picture – Drama 563: 841:Edelman, Rob and Kupferberg, Audrey E. 649: 592:Lyrics by Jay Livingston and Ray Evans 336:Joanna Crawford as Γ‰mile Zola Bernkrand 1406: 718: 716: 701: 670: 668: 635: 954: 406:was ending, and she married producer 866:New York: Cooper Square Press, 2001. 460:The film received little attention. 445:Mancini and Shayne agreed to do so. 222:Academy Award for Best Original Song 1350:The Gift of Love: A Christmas Story 883:Sackett, Susan and Rovins, Marcia. 713: 665: 584:Best Original Song – Motion Picture 452:in New York City on March 8, 1965. 13: 857:Leonard Maltin's 2009 Movie Guide. 14: 1485: 1049:The Dark at the Top of the Stairs 898: 887:New York: Billboard Books, 1995. 1439:Films based on television plays 862:Mancini, Henry and Lees, Gene. 835: 806: 797: 772: 752: 743: 710:Edelman and Kupferberg, p. 174. 1444:Films directed by Delbert Mann 1429:American romantic comedy films 1424:American black-and-white films 1330:All Quiet on the Western Front 859:New York: Plume/Penguin, 2008. 734: 725: 692: 683: 623:List of American films of 1964 1: 1449:Films scored by Henry Mancini 731:Mancini and Lees, p. 150-151. 628: 370: 1434:1960s English-language films 945:AFI Catalog of Feature Films 610: 545: 455: 7: 1464:Films shot in New York City 1220:You and Me and the Gatepost 864:Did They Mention the Music? 722:Sackett and Rovins, p. 177. 616: 557:Best Motion Picture – Drama 236:) is a middle-aged, single 21:Dear Heart (disambiguation) 10: 1490: 1459:Films set in New York City 1419:1964 romantic comedy films 873:New York: Doubleday, 1995. 680:. February 5, 1965, p. 18. 150:December 3, 1964 18: 1340:The Member of the Wedding 1280:The Man Without a Country 1180: 989: 587: 555: 550: 183: 175: 165: 141: 131: 121: 111: 101: 75: 65: 55: 45: 40:Theatrical release poster 33: 28: 1390:Incident in a Small Town 590:Music by Henry Mancini; 366:as restaurant proprietor 220:" was nominated for the 1360:The Last Days of Patton 1320:Torn Between Two Lovers 381:Westinghouse Studio One 270: 227: 212:, from a screenplay by 1099:Quick, Before It Melts 491:Awards and nominations 1089:A Gathering of Eagles 1019:Desire Under the Elms 450:Radio City Music Hall 1474:1960s American films 295:Michael Anderson Jr. 254:Michael Anderson Jr. 92:Michael Anderson Jr. 19:For other uses, see 1454:Films set in hotels 1290:A Girl Named Sooner 1039:Middle of the Night 869:Matthews, Charles. 850:Glenn Ford: A Life. 818:Golden Globe Awards 552:Golden Globe Awards 348:as Connie Templeton 1469:Warner Bros. films 1079:That Touch of Mink 1009:The Bachelor Party 981:Works directed by 933:TCM Movie Database 466:The New York Times 216:. Its theme song " 1401: 1400: 1240:David Copperfield 855:Maltin, Leonard. 803:Matthews, p. 214. 698:Ford, p. 215-216. 614: 613: 477:Writing in 2008, 193: 192: 1481: 1394: 1384: 1374: 1364: 1354: 1344: 1334: 1324: 1314: 1304: 1294: 1284: 1274: 1264: 1254: 1244: 1234: 1224: 1214: 1210:Wish on the Moon 1204: 1200:Hollywood Tandem 1194: 1173: 1163: 1153: 1143: 1133: 1123: 1113: 1103: 1093: 1083: 1073: 1063: 1053: 1043: 1033: 1023: 1013: 1003: 975: 968: 961: 952: 951: 890:Shelley, Peter. 829: 828: 826: 824: 810: 804: 801: 795: 794: 792: 790: 776: 770: 769: 756: 750: 747: 741: 738: 732: 729: 723: 720: 711: 708: 699: 696: 690: 689:Shelley, p. 127. 687: 681: 672: 663: 656: 647: 644: 495: 494: 360:as party reveler 315:as June Loveland 157: 155: 116:Folmar Blangsted 38: 26: 25: 1489: 1488: 1484: 1483: 1482: 1480: 1479: 1478: 1404: 1403: 1402: 1397: 1387: 1377: 1367: 1357: 1347: 1337: 1327: 1317: 1307: 1297: 1287: 1277: 1270:No Place to Run 1267: 1257: 1247: 1237: 1227: 1217: 1207: 1197: 1187: 1176: 1166: 1156: 1146: 1139:The Pink Jungle 1136: 1126: 1119:Mister Buddwing 1116: 1106: 1096: 1086: 1076: 1066: 1059:Lover Come Back 1056: 1046: 1036: 1029:Separate Tables 1026: 1016: 1006: 996: 985: 979: 901: 876:Monush, Barry. 838: 833: 832: 822: 820: 812: 811: 807: 802: 798: 788: 786: 778: 777: 773: 765:Rotten Tomatoes 758: 757: 753: 749:Maltin, p. 330. 748: 744: 740:Monush, p. 247. 739: 735: 730: 726: 721: 714: 709: 702: 697: 693: 688: 684: 673: 666: 660:New York Times. 657: 650: 645: 636: 631: 619: 591: 589: 546: 532: 526: 493: 462:Bosley Crowther 458: 373: 313:Barbara Nichols 303:as Frank Taylor 289:Angela Lansbury 285:as Evie Jackson 273: 261:Barbara Nichols 250:Angela Lansbury 230: 168: 161: 153: 151: 144: 96:Barbara Nichols 94: 90: 88:Angela Lansbury 86: 82: 41: 24: 17: 12: 11: 5: 1487: 1477: 1476: 1471: 1466: 1461: 1456: 1451: 1446: 1441: 1436: 1431: 1426: 1421: 1416: 1399: 1398: 1396: 1395: 1385: 1375: 1365: 1355: 1345: 1335: 1325: 1315: 1305: 1295: 1285: 1275: 1265: 1255: 1245: 1235: 1225: 1215: 1205: 1195: 1190:Dusty Portrait 1184: 1182: 1178: 1177: 1175: 1174: 1169:Night Crossing 1164: 1159:Birch Interval 1154: 1144: 1134: 1124: 1114: 1104: 1094: 1084: 1074: 1064: 1054: 1044: 1034: 1024: 1014: 1004: 993: 991: 987: 986: 978: 977: 970: 963: 955: 949: 948: 947: 935: 924: 913: 900: 899:External links 897: 896: 895: 888: 881: 874: 867: 860: 853: 846: 837: 834: 831: 830: 805: 796: 771: 751: 742: 733: 724: 712: 700: 691: 682: 664: 662:March 8, 1965. 648: 633: 632: 630: 627: 626: 625: 618: 615: 612: 611: 609: 606: 603: 597: 596: 593: 586: 580: 579: 576: 574:Geraldine Page 571: 565: 564: 562: 559: 554: 548: 547: 544: 541: 535:Jay Livingston 523: 518: 516:Academy Awards 512: 511: 508: 505: 502: 499: 492: 489: 479:Leonard Maltin 464:, writing for 457: 454: 442:Jack L. Warner 427:Jay Livingston 390:Eileen Heckart 372: 369: 368: 367: 361: 355: 349: 346:Neva Patterson 343: 340:Patricia Barry 337: 334: 328: 322: 316: 310: 307:Richard Deacon 304: 298: 292: 286: 283:Geraldine Page 280: 272: 269: 234:Geraldine Page 232:Evie Jackson ( 229: 226: 206:Geraldine Page 191: 190: 185: 181: 180: 177: 173: 172: 169: 166: 163: 162: 160: 159: 147: 145: 142: 139: 138: 133: 132:Distributed by 129: 128: 123: 119: 118: 113: 109: 108: 106:Russell Harlan 103: 102:Cinematography 99: 98: 84:Geraldine Page 77: 73: 72: 70:Martin Manulis 67: 63: 62: 57: 53: 52: 47: 43: 42: 39: 31: 30: 15: 9: 6: 4: 3: 2: 1486: 1475: 1472: 1470: 1467: 1465: 1462: 1460: 1457: 1455: 1452: 1450: 1447: 1445: 1442: 1440: 1437: 1435: 1432: 1430: 1427: 1425: 1422: 1420: 1417: 1415: 1412: 1411: 1409: 1392: 1391: 1386: 1382: 1381: 1376: 1372: 1371: 1366: 1362: 1361: 1356: 1352: 1351: 1346: 1342: 1341: 1336: 1332: 1331: 1326: 1322: 1321: 1316: 1312: 1311: 1306: 1302: 1301: 1296: 1292: 1291: 1286: 1282: 1281: 1276: 1272: 1271: 1266: 1262: 1261: 1256: 1252: 1251: 1246: 1242: 1241: 1236: 1232: 1231: 1226: 1222: 1221: 1216: 1212: 1211: 1206: 1202: 1201: 1196: 1192: 1191: 1186: 1185: 1183: 1179: 1171: 1170: 1165: 1161: 1160: 1155: 1151: 1150: 1145: 1141: 1140: 1135: 1131: 1130: 1125: 1121: 1120: 1115: 1111: 1110: 1105: 1101: 1100: 1095: 1091: 1090: 1085: 1081: 1080: 1075: 1071: 1070: 1065: 1061: 1060: 1055: 1051: 1050: 1045: 1041: 1040: 1035: 1031: 1030: 1025: 1021: 1020: 1015: 1011: 1010: 1005: 1001: 1000: 995: 994: 992: 988: 984: 976: 971: 969: 964: 962: 957: 956: 953: 946: 943: 941: 940: 936: 934: 930: 929: 925: 923: 919: 918: 914: 912: 908: 907: 903: 902: 893: 889: 886: 882: 879: 875: 872: 868: 865: 861: 858: 854: 851: 848:Ford, Peter. 847: 844: 840: 839: 819: 815: 809: 800: 785: 781: 775: 767: 766: 761: 755: 746: 737: 728: 719: 717: 707: 705: 695: 686: 679: 678: 671: 669: 661: 655: 653: 646:Ford, p. 319. 643: 641: 639: 634: 624: 621: 620: 607: 604: 602: 601:Laurel Awards 599: 598: 594: 588:"Dear Heart" 585: 582: 581: 577: 575: 572: 570: 567: 566: 560: 558: 553: 549: 542: 540: 536: 530: 529:Henry Mancini 525:"Dear Heart" 524: 522: 519: 517: 514: 513: 509: 506: 503: 500: 497: 496: 488: 486: 482: 480: 475: 473: 472: 467: 463: 453: 451: 446: 443: 438: 436: 432: 428: 424: 423:Johnny Mercer 420: 419:Henry Mancini 416: 413: 409: 405: 400: 398: 393: 391: 387: 386:E.G. Marshall 383: 382: 377: 365: 362: 359: 356: 354:as The Masher 353: 350: 347: 344: 341: 338: 335: 333:as Miss Moore 332: 329: 326: 325:Ruth McDevitt 323: 320: 317: 314: 311: 309:as Cruikshank 308: 305: 302: 301:Charles Drake 299: 296: 293: 290: 287: 284: 281: 279:as Harry Mork 278: 275: 274: 268: 264: 262: 257: 255: 251: 247: 242: 239: 235: 225: 223: 219: 215: 211: 207: 203: 199: 198: 189: 186: 182: 179:United States 178: 174: 170: 164: 149: 148: 146: 140: 137: 134: 130: 127: 126:Henry Mancini 124: 120: 117: 114: 110: 107: 104: 100: 97: 93: 89: 85: 81: 78: 74: 71: 68: 64: 61: 58: 54: 51: 48: 44: 37: 32: 27: 22: 1388: 1378: 1368: 1358: 1348: 1338: 1328: 1318: 1310:Home to Stay 1308: 1298: 1288: 1278: 1268: 1258: 1248: 1238: 1228: 1218: 1208: 1198: 1188: 1167: 1157: 1147: 1137: 1127: 1117: 1108: 1107: 1097: 1087: 1077: 1069:The Outsider 1067: 1057: 1047: 1037: 1027: 1017: 1007: 997: 983:Delbert Mann 938: 927: 916: 905: 891: 884: 877: 870: 863: 856: 849: 842: 836:Bibliography 821:. Retrieved 814:"Dear Heart" 808: 799: 787:. 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Index

Dear Heart (disambiguation)

Delbert Mann
Tad Mosel
Martin Manulis
Glenn Ford
Geraldine Page
Angela Lansbury
Michael Anderson Jr.
Barbara Nichols
Russell Harlan
Folmar Blangsted
Henry Mancini
Warner Bros.
English
Glenn Ford
Geraldine Page
Delbert Mann
Tad Mosel
Dear Heart
Academy Award for Best Original Song
Geraldine Page
postmaster
Glenn Ford
Angela Lansbury
Michael Anderson Jr.
Barbara Nichols
Glenn Ford
Geraldine Page
Angela Lansbury

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