113:) filed suit against Bert Bakker, irate that Komrij had not selected their best work and claiming that their publishers had not given permission for reproduction. The lawsuit was dismissed quickly, the judge ruling that such anthologies do not require copyright clearance if fewer than one hundred lines per copyright holder were printed.
53:). His own poetry, which critics sometimes found difficult to read and take seriously, was traditional in form and sometimes "bizarre-anecdotal" in content, very different from the formerly experimental poetry which, by the 1970s, had become the standard of Dutch poetry.
36:, nicknamed "The Bible of Dutch poetry". Controversy over Komrij's selection erupted almost immediately and even led to a lawsuit (which was quickly dismissed); it is generally agreed, though, that the anthology has had significant influence on the canon of Dutch poetry.
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By the time he published the anthology, Komrij had established himself as a notable critic of literature and other cultural expressions, and as a poet had been honored with various awards (he won the poetry prize of the city of
Amsterdam in 1970, for
357:
Zuiderent, Ad (1993). "22 januari 1980: Remco
Campert, Gerrit Kouwenaar, Bert Schierbeek en Lucebert spannen een kort geding aan tegen uitgeverij Bert Bakker Bloemlezen en bakens verzetten". In Schenkeveld-Van der Dussen, Maria A. (ed.).
93:, for instance, who is frequently seen as the founder of the movement, only got one poem in. Members and apologists of that movement criticized Komrij for selecting too little from the Vijftigers, and for not selecting their best poems.
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As soon as the book appeared, poets and critics began counting: Komrij had set ten as the highest number of poems to be included by any single poet. Controversy erupted very quickly over his meager selection of poetry from the
139:). Komrij is credited with having restored those poets to canonicity—Beets, in the 1996 edition, was represented with 11 poems, causing one reviewer to joke that he had become the ubergod in Komrij's poetic pantheon.
97:, for instance, lambasted Komrij's anthology as "willful attempt to sweep one of the most important poetic movements from the 20th century under the rug" in a newspaper review. Four of the country's best-known poets (
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Noteworthy inclusions are the 19th-century poets frequently referred to pejoratively as "ministers" (they were theologians and
Protestant ministers), the most notable example being
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347:"Een welbewuste poging om een van de belangrijkste stromingen in de twintigste-eeuwse Nederlandse poëzie onder tafel te werken", Zuiderent 842.
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24:("The Dutch poetry of the 19th and 20th century in 1000 and some poems") is a 1979 anthology of Dutch poetry. Compiled by poet and critic
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72:, in 1996. All three were bundled together in 1996, in 4100 pages, with an again-revised selection of the modern poetry.
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By 1987 the book was in its eighth edition, and in 2004 a revised edition was published under the slightly altered title
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Beekman, Klaus (2000). "The
Selection of Avant-Garde Poetry for Anthologies". In Scheunemann, Dietrich (ed.).
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was not included is seen as evidence that the Dutch literary establishment is not sure how to treat her.
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Komrij published similar anthologies of 12th through 16th-century, and of 17th and 18th-century poetry,
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Nederlandse poëzie van de 19de t/m de 21ste eeuw in 2000 en enige gedichten
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De
Nederlandse poëzie van de 19de en 20ste eeuw in 1000 en enige gedichten
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Inleiding literatuurgeschiedenis voor de internationale neerlandistiek
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160:. Taylor & Francis. 2004-10-28. p. 872.
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364:(in Dutch). Groningen: Nijhoff. pp. 841–46
287:"Nicolaas Beets: oppergod op Komrij's Helikon"
70:De Nederlandse poëzie van de 17de en 18de eeuw
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361:Nederlandse literatuur, een geschiedenis
191:Gera, Judith; Sneller, A. Agnes (2010).
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229:"De Avonden: Gerrit Komrij overleden"
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57:Revisions and associated anthologies
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285:Boer, Peter de (22 March 1996).
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389:. Amsterdam UP. p. 70.
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320:. Rodopi. pp. 211–28.
133:Petrus Augustus de Genestet
129:Jan Jakob Lodewijk ten Kate
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197:. Verloren. p. 176.
76:Inclusions and exclusions
255:"Gerrit Komrij: Profiel"
259:Koninklijke Bibliotheek
51:De os op de klokketoren
386:Afstand en verbintenis
47:Alle vlees is als gras
383:Jansen, Ena (1998).
116:That Afrikaner poet
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30:Bert Bakker
417:Categories
295:(in Dutch)
264:2009-01-20
143:References
95:J. Bernlef
83:Vijftigers
40:Background
34:canonicity
99:Lucebert
402:30 June
368:30 June
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404:2013
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