645:âBorrowing heavily from âLady in the Lakeâ for tricky techniqueâŠDaves has provided new and fancy trimming for the not unfamiliar yarn of the escaped convict bent on establishing his innocenceâŠ.on side, and for no convincing reason, is Lauren Bacall, lovely, wealthy landscape painter who picks him up in her station wagon during the early moments of his escape and whisks him home to her luxurious duplex. Also generously helping the wrongly accused wife-killer are a philosophic taxi driver and a wonderful plastic surgeonâŠ.Although the plot doesnât bear too much close inspection, performances and direction lend considerable fascination to a desperate manâs struggle for freedomâŠ.Miss Bacall is attractive and very, very efficientâŠwhile Agnes Moorehead is about as mean as they comeâŠ.Supporting roles are exceptionally well played.â
633:âIf you have the right friends, it really is a simple matter to break out of San Quentin, obtain shelter and a thousand dollars, have your face remodeled so completely that even your closest acquaintance wonât recognize you, escape from a smart detective, avoid implication despite being on the scene where three different people die, and retire to live happily ever after in a picturesque Peruvian town with a gal who loves you and has $ 200,000. If you donât believe it, just watch Humphrey Bogart in his latest, although I canât think of any other reason for seeing it....on the whole, 'Dark Passageâ is completely preposterous.â.
343:
at his hotel. Parry darts in front of a moving car to escape. Finding a hotel to hide in, he is surprised by the man heâd knocked out the day of his escape. Baker, a callow schemer and fellow ex-con of San
Quentin, has been following Parry ever since. Holding Parry at gunpoint, he now demands that Irene pay him $ 60,000, a third of what sheâs worth, or he will turn Parry in for a $ 5,000 reward. Parry agrees, and Baker obliges him to drive the pair to Irene's apartment. Claiming to take a shortcut, Parry detours to a secluded spot underneath the
305:
371:
620:
Writer-Director Delmar Daves has very smartly and effectively used the picturesque streets of that city and its stunning panoramas ... to give a dramatic backdrop to his rather incredible yarn. So, even though bored by the storyâwhich, because of its sag, you may beâyou can usually enjoy the scenery,
569:
on
Telegraph Hill was used for the apartment of Irene Jansen where Parry hides out and recuperates from his surgery. Apartment Number 10 was Jansen's. The current residents of that apartment occasionally place a cutout of Bogart in the window. The tiny diner was "Harry's Wagon" at 1921 Post Street, a
342:
After his bandages are removed, Parry reluctantly parts from Irene. Recognizing his peril, he decides to flee the city before trying to prove his innocence. At a diner, an undercover policeman becomes suspicious of his behavior. The detective asks for identification, but Parry claims to have left it
334:
Parry leaves but is recognized by his cab driver, Sam, who proves sympathetic and gives him the name of a plastic surgeon who can change his appearance. Parry arranges to stay with a friend, George, during his recuperation from surgery. When Parry returns to George's apartment he finds him murdered.
338:
Irene is called upon by Madge and Madgeâs ex-fiancĂ© Bob, who is romantically interested in Irene. Madge is worried that Parry will kill her for testifying against him, and asks to stay with Irene for protection. While Parry overhears from the bedroom, Irene insists that Madge leave. Before she does,
326:
and evades police by hitching a ride with a passing motorist. Already suspicious of Parry's appearance, its driver hears a radio news report about an escaped convict; Parry resorts to beating him unconscious. Wealthy dilettante Irene Jansen, a passing stranger, picks Parry up and smuggles him past a
354:
Knowing he cannot prove his innocence, and that he will likely be accused of Madge's murder as well, Parry decides again to flee. In a bus station, he sees a man and woman talking agitatedly; he puts a romantic song on a jukebox, and the man and woman calm down. He phones Irene, telling her to meet
607:
When finally does come before the camera, he seems uncommonly chastened and reserved, a state in which Mr. Bogart does not appear at his theatrical best. However, the mood of his performance is compensated somewhat by that of Miss Bacall, who generates quite a lot of pressure as a sharp-eyed,
350:
Parry goes to Madge's apartment. Knowing she does not recognize him with his new face, he pretends to be a friend of Bob's and feigns interest in courting her. He soon reveals his true identity and accuses Madge of the two murders. He shows her that he has all the accusations written down, and
330:
Irene's acquaintance Madge comes by Irene's apartment, but Parry turns her away. A former romantic interest whom Parry had spurned, Madge testified at his trial out of spite, claiming that his dying wife identified him as the killer. Later Irene explains that she had followed Parry's case with
31:
692:
Warner Bros financial information in The
William Schaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1â31 p 28 DOI: 10.1080/01439689508604551
339:
Madge intentionally reveals in front of Bob that Irene recently had a male guest. More disgusted with Madgeâs behavior than learning of a new romantic rival, Bob drags her hastily off.
331:
interest and that she believes Parry is innocent. Her own father had been falsely convicted of murder, and since then she has taken an interest in such miscarriages of justice.
335:
Parry retreats to Irene's apartment, who nurses him through his recuperation. He learns that his fingerprints were found on George's trumpet and he is wanted for murder.
347:, disarms Baker, and questions him; the answers convince Parry that Madge is behind the deaths of his wife and George. The two men fight, and Baker falls to his death.
536:, although photos from their 1945 wedding show Bogart to be losing his hair two years earlier. By the end of filming he wore a full wig. Bogart eventually had
473:
from July 20 to
September 7, 1946, before being published in book form. Bogart himself had read the book and wanted to make it into a movie. At the time that
1518:
916:
994:
351:
attempts to coerce her into a confession. She refuses, and during their argument dashes behind a curtain and plunges through a window to her death.
362:
As Parry has a drink in a palm-studded bar, Irene appears. The couple passionately embraces, as the song he played in the bus station plays again.
1513:
1473:
1488:
1483:
288:
The story follows protagonist
Vincent Parryâs attempt to hide from the law and clear his name of murder. The first portion of the film
1463:
1498:
1453:
542:
1493:
1458:
1156:
737:
493:" technique, in which the viewer sees the action through the protagonist's eyes. This technique was used in 1927 in France by
1503:
1468:
1448:
657:
assigned the film a weighted average score of 68 out of 100, based on 10 critics, indicating "generally favorable reviews".
587:
The film earned $ 2.31 million domestically and $ 1.11 million in overseas markets, for a worldwide total of $ 3.4 million.
1538:
1523:
1028:
Martin, Mildred. ââDark
Passageâ on Earle Screen With the Humphrey Bogarts.â Philadelphia Inquirer, 18 September 1947, 22.
938:
1508:
1443:
603:
gave the film a mixed review and was not impressed by Bogart's performance but was impressed by Bacall's work. He wrote:
509:
327:
police roadblock into San
Francisco. She offers him shelter in her apartment while she goes to buy him some new clothes.
857:
995:"'Dark Passage,' Warner Thriller, in Which Humphrey Bogart and lauren Bacall Are Chief Attractions, Opens at Strand"
1410:
1019:
Tinee, Mae. âNewest Bogart and Bacall Film is Far
Fetched: âDark Passageâ.â Chicago Tribune, 31 October 1947, 28
1234:
1186:
559:
1543:
1528:
1274:
964:
667:
540:
shots and other treatments to counteract the effects, but was forced to wear a full wig in his next picture,
1290:
1258:
1117:
653:
the film held an approval rating of 90% based on 31 reviews as of 2022, with an average rating of 7.7/10.
1533:
1282:
752:
1314:
1149:
521:
does the same thingâand the results are far more successful than anything seen in
Montgomery's film."
1438:
758:
480:
469:
1322:
1250:
1194:
323:
701:
1402:
1354:
421:
821:
499:
616:
San
Francisco ... is liberally and vividly employed as the realistic setting for the Warners'
1394:
1362:
1142:
1094:
849:
787:
638:
1210:
1202:
720:
517:
does a better job at using this point-of-view technique, writing, "The first hour or so of
1123:
8:
1433:
1266:
893:
1478:
1330:
706:
563:
490:
433:
344:
289:
554:
Parts of the film were filmed on location in San Francisco, California, including the
292:
the male lead's point of view, concealing Bogartâs face until his character undergoes
1242:
1178:
1110:
1083:
853:
842:
775:
571:
764:
566:
504:
485:
477:
was shot, Bogart was the best-paid actor in Hollywood, averaging $ 450,000 a year.
285:. It was the third of four films real-life couple Bacall and Bogart made together.
917:"Streamline Moderne gem a quiet star in "Dark Passage" at Noir City Film Festival"
1134:
1043:
650:
626:
600:
533:
409:
397:
385:
374:
312:
304:
293:
270:
114:
109:
94:
1055:
1037:
370:
1386:
1370:
1346:
1338:
837:
596:
427:
137:
467:$ 25,000 for the rights to the story, which had originally been serialized in
1427:
1226:
555:
415:
403:
391:
308:
274:
127:
104:
99:
30:
1306:
1166:
1088:
464:
451:
445:
282:
278:
266:
162:
147:
71:
63:
44:
1378:
537:
1099:
1077:
873:
769:
1061:
654:
494:
439:
81:
1298:
262:
1129:
1105:
879:
803:
Hold Your Breath and Cross Your Fingers: The Story of 'Dark Passage
825:
791:
356:
532:, Bogart's hair began to fall out in clumps, the result of
732:
730:
454:
as Vincent Parry (picture in the newspaper, uncredited)
727:
612:
He made the case that the best part of the film is:
1164:
841:
939:"Malloch building: suave delight on storied hill"
322:Convicted wife-killer Vincent Parry escapes from
1425:
992:
1150:
16:1947 US mystery thriller film by Delmer Daves
1519:Films shot from the first-person perspective
908:
629:laid out the plotâs many implausibilities:
1157:
1143:
891:
848:(1st ed.). New York: Knopf. pp.
524:According to Bacall, in her autobiography
29:
816:
814:
688:
686:
684:
513:(1931). Film critic Hal Erikson believes
448:as Lonely Man at Bus Station (uncredited)
836:
442:as Aunt Mary at Bus Station (uncredited)
369:
303:
914:
781:
750:The first two Bacall-Bogart films were
741:film review; September 6, 1947, p. 142.
1426:
811:
724:film review; September 3, 1947, p. 16.
681:
1514:Films set in San Quentin State Prison
1474:English-language crime thriller films
1138:
993:Bosley Crowther (September 6, 1947).
962:
915:Poletti, Therese (January 20, 2012).
1489:Films based on American crime novels
936:
590:
549:
844:Napoleon: Abel Gance's Classic Film
808:(2003). Warner Bros. Entertainment.
13:
1484:Films about miscarriage of justice
965:"NoirCon and David Goodis revisit
894:"Dark Passage â Irene's Apartment"
14:
1555:
1071:
1064:. Last accessed: August 18, 2022.
1046:. Last accessed: August 18, 2022.
621:which is as good as a travelogue.
543:The Treasure of the Sierra Madre
277:. The film is based on the 1946
1464:American mystery thriller films
1411:The Battle of the Villa Fiorita
1049:
1031:
1022:
1013:
986:
963:Boxer, Lou (October 29, 2010).
956:
930:
892:CitySleuth (November 7, 2010).
885:
866:
359:, Peru; she promises she will.
1499:Films directed by Delmer Daves
1454:American black-and-white films
830:
796:
744:
713:
695:
507:for the first five minutes of
1:
1494:Films based on mystery novels
1459:American crime thriller films
1275:Treasure of the Golden Condor
674:
582:
458:
424:as Detective Kennedy in Diner
1504:Films scored by Franz Waxman
1469:1940s English-language films
1449:1940s mystery thriller films
1291:Demetrius and the Gladiators
1118:AFI Catalog of Feature Films
937:King, John (June 14, 2009).
762:(1946); the fourth would be
577:
197:September 27, 1947
7:
1539:Films about plastic surgery
1524:Films shot in San Francisco
660:
570:long-closed beanery in the
186:September 5, 1947
10:
1560:
1509:Films set in San Francisco
1444:1940s crime thriller films
668:The Man with Bogart's Face
608:knows-what-she-wants girl.
489:(1946) which also uses a "
296:to change his appearance.
1173:
710:. January 7, 1948, p. 63.
470:The Saturday Evening Post
463:Warner Bros. paid author
246:
238:
230:
222:
212:
177:
169:
153:
143:
133:
123:
87:
77:
58:
50:
40:
35:Theatrical release poster
28:
23:
528:, during the filming of
1187:The Very Thought of You
510:Dr. Jekyll and Mr. Hyde
377:and Humphrey Bogart in
365:
299:
279:novel of the same title
702:"Top Grossers of 1947"
647:
635:
623:
610:
381:
319:
643:
639:Philadelphia Inquirer
631:
614:
605:
373:
307:
1544:1940s American films
1529:Murder mystery films
1203:Pride of the Marines
753:To Have and Have Not
503:and by the director
430:as George Fellsinger
290:subjectively depicts
205: (United States)
194: (New York City)
1267:Return of the Texan
436:as Dr. Walter Coley
261:is a 1947 American
1534:Warner Bros. films
1395:Spencer's Mountain
1235:A Kiss in the Dark
1165:Films directed by
1095:TCM Movie Database
999:The New York Times
738:Harrison's Reports
574:of San Francisco.
564:Streamline Moderne
483:had made the film
434:Houseley Stevenson
382:
345:Golden Gate Bridge
324:San Quentin Prison
320:
1421:
1420:
1195:Hollywood Canteen
1179:Destination Tokyo
969:in San Francisco"
591:Critical response
572:Fillmore District
550:Filming locations
491:subjective camera
481:Robert Montgomery
254:
253:
1551:
1439:1947 crime films
1403:Youngblood Hawke
1355:The Hanging Tree
1259:Bird of Paradise
1159:
1152:
1145:
1136:
1135:
1065:
1053:
1047:
1035:
1029:
1026:
1020:
1017:
1011:
1010:
1008:
1006:
990:
984:
983:
981:
979:
960:
954:
953:
951:
949:
934:
928:
927:
925:
923:
912:
906:
905:
903:
901:
889:
883:
870:
864:
863:
847:
834:
828:
820:Stafford, Jeff.
818:
809:
806:
800:
794:
785:
779:
748:
742:
734:
725:
717:
711:
699:
693:
690:
567:Malloch Building
560:cable car system
505:Rouben Mamoulian
486:Lady in the Lake
388:as Vincent Parry
204:
202:
193:
191:
33:
21:
20:
1559:
1558:
1554:
1553:
1552:
1550:
1549:
1548:
1424:
1423:
1422:
1417:
1283:Never Let Me Go
1169:
1163:
1074:
1069:
1068:
1054:
1050:
1044:Rotten Tomatoes
1036:
1032:
1027:
1023:
1018:
1014:
1004:
1002:
991:
987:
977:
975:
961:
957:
947:
945:
935:
931:
921:
919:
913:
909:
899:
897:
890:
886:
871:
867:
860:
838:Brownlow, Kevin
835:
831:
819:
812:
804:
801:
797:
786:
782:
749:
745:
735:
728:
718:
714:
700:
696:
691:
682:
677:
663:
651:Rotten Tomatoes
627:Chicago Tribune
601:Bosley Crowther
593:
585:
580:
552:
534:alopecia areata
461:
422:Douglas Kennedy
398:Agnes Moorehead
394:as Irene Jansen
386:Humphrey Bogart
375:Agnes Moorehead
368:
355:him in seaside
313:Humphrey Bogart
302:
294:plastic surgery
271:Humphrey Bogart
215:
208:
200:
198:
189:
187:
180:
165:
158:
156:
119:
110:Agnes Moorehead
95:Humphrey Bogart
69:
67:
36:
17:
12:
11:
5:
1557:
1547:
1546:
1541:
1536:
1531:
1526:
1521:
1516:
1511:
1506:
1501:
1496:
1491:
1486:
1481:
1476:
1471:
1466:
1461:
1456:
1451:
1446:
1441:
1436:
1419:
1418:
1416:
1415:
1407:
1399:
1391:
1387:Rome Adventure
1383:
1375:
1367:
1363:A Summer Place
1359:
1351:
1347:The Badlanders
1343:
1339:Kings Go Forth
1335:
1327:
1319:
1315:The Last Wagon
1311:
1303:
1295:
1287:
1279:
1271:
1263:
1255:
1247:
1239:
1231:
1223:
1215:
1207:
1199:
1191:
1183:
1174:
1171:
1170:
1162:
1161:
1154:
1147:
1139:
1133:
1132:
1121:
1120:
1108:
1097:
1086:
1073:
1072:External links
1070:
1067:
1066:
1048:
1030:
1021:
1012:
985:
955:
929:
907:
884:
872:Erikson, Hal.
865:
858:
829:
822:"Dark Passage"
810:
795:
780:
743:
726:
712:
694:
679:
678:
676:
673:
672:
671:
662:
659:
618:Dark Passage.
597:New York Times
592:
589:
584:
581:
579:
576:
562:. The elegant
551:
548:
460:
457:
456:
455:
449:
443:
437:
431:
428:Rory Mallinson
425:
419:
413:
412:as Cabby (Sam)
407:
401:
395:
389:
367:
364:
301:
298:
252:
251:
248:
244:
243:
240:
236:
235:
232:
228:
227:
224:
220:
219:
216:
213:
210:
209:
207:
206:
195:
183:
181:
178:
175:
174:
171:
170:Distributed by
167:
166:
161:
159:
154:
151:
150:
145:
141:
140:
138:David Weisbart
135:
131:
130:
125:
124:Cinematography
121:
120:
118:
117:
112:
107:
102:
97:
91:
89:
85:
84:
79:
75:
74:
60:
56:
55:
52:
48:
47:
42:
38:
37:
34:
26:
25:
15:
9:
6:
4:
3:
2:
1556:
1545:
1542:
1540:
1537:
1535:
1532:
1530:
1527:
1525:
1522:
1520:
1517:
1515:
1512:
1510:
1507:
1505:
1502:
1500:
1497:
1495:
1492:
1490:
1487:
1485:
1482:
1480:
1477:
1475:
1472:
1470:
1467:
1465:
1462:
1460:
1457:
1455:
1452:
1450:
1447:
1445:
1442:
1440:
1437:
1435:
1432:
1431:
1429:
1413:
1412:
1408:
1405:
1404:
1400:
1397:
1396:
1392:
1389:
1388:
1384:
1381:
1380:
1376:
1373:
1372:
1368:
1365:
1364:
1360:
1357:
1356:
1352:
1349:
1348:
1344:
1341:
1340:
1336:
1333:
1332:
1328:
1325:
1324:
1320:
1317:
1316:
1312:
1309:
1308:
1304:
1301:
1300:
1296:
1293:
1292:
1288:
1285:
1284:
1280:
1277:
1276:
1272:
1269:
1268:
1264:
1261:
1260:
1256:
1253:
1252:
1248:
1245:
1244:
1240:
1237:
1236:
1232:
1229:
1228:
1227:To the Victor
1224:
1221:
1220:
1216:
1213:
1212:
1211:The Red House
1208:
1205:
1204:
1200:
1197:
1196:
1192:
1189:
1188:
1184:
1181:
1180:
1176:
1175:
1172:
1168:
1160:
1155:
1153:
1148:
1146:
1141:
1140:
1137:
1131:
1127:
1126:
1122:
1119:
1116:
1114:
1113:
1109:
1107:
1103:
1102:
1098:
1096:
1092:
1091:
1087:
1085:
1081:
1080:
1076:
1075:
1063:
1059:
1058:
1052:
1045:
1041:
1040:
1034:
1025:
1016:
1000:
996:
989:
974:
970:
968:
959:
944:
940:
933:
918:
911:
895:
888:
881:
877:
876:
869:
861:
859:0-394-53394-1
855:
851:
846:
845:
839:
833:
827:
823:
817:
815:
807:
799:
793:
789:
784:
777:
773:
772:
767:
766:
761:
760:
759:The Big Sleep
755:
754:
747:
740:
739:
733:
731:
723:
722:
716:
709:
708:
703:
698:
689:
687:
685:
680:
670:
669:
665:
664:
658:
656:
652:
646:
642:
640:
634:
630:
628:
622:
619:
613:
609:
604:
602:
598:
588:
575:
573:
568:
565:
561:
557:
556:Filbert Steps
547:
545:
544:
539:
535:
531:
527:
522:
520:
516:
512:
511:
506:
502:
501:
496:
492:
488:
487:
482:
478:
476:
472:
471:
466:
453:
450:
447:
444:
441:
438:
435:
432:
429:
426:
423:
420:
417:
416:Clifton Young
414:
411:
408:
405:
404:Bruce Bennett
402:
400:as Madge Rapf
399:
396:
393:
392:Lauren Bacall
390:
387:
384:
383:
380:
376:
372:
363:
360:
358:
352:
348:
346:
340:
336:
332:
328:
325:
318:
314:
310:
309:Lauren Bacall
306:
297:
295:
291:
286:
284:
280:
276:
275:Lauren Bacall
272:
269:and starring
268:
264:
260:
259:
250:$ 3.4 million
249:
245:
242:$ 1.6 million
241:
237:
233:
229:
226:United States
225:
221:
217:
211:
196:
185:
184:
182:
179:Release dates
176:
172:
168:
164:
160:
152:
149:
146:
142:
139:
136:
132:
129:
128:Sidney Hickox
126:
122:
116:
113:
111:
108:
106:
105:Bruce Bennett
103:
101:
100:Lauren Bacall
98:
96:
93:
92:
90:
86:
83:
80:
76:
73:
66:
65:
61:
57:
53:
51:Screenplay by
49:
46:
43:
39:
32:
27:
22:
19:
1409:
1401:
1393:
1385:
1377:
1369:
1361:
1353:
1345:
1337:
1329:
1323:3:10 to Yuma
1321:
1313:
1305:
1297:
1289:
1281:
1273:
1265:
1257:
1251:Broken Arrow
1249:
1241:
1233:
1225:
1219:Dark Passage
1218:
1217:
1209:
1201:
1193:
1185:
1177:
1167:Delmer Daves
1125:Dark Passage
1124:
1112:Dark Passage
1111:
1101:Dark Passage
1100:
1090:Dark Passage
1089:
1079:Dark Passage
1078:
1057:Dark Passage
1056:
1051:
1039:Dark Passage
1038:
1033:
1024:
1015:
1005:December 21,
1003:. Retrieved
1001:. p. 11
998:
988:
978:February 21,
976:. Retrieved
972:
967:Dark Passage
966:
958:
946:. Retrieved
942:
932:
920:. Retrieved
910:
898:. Retrieved
896:. ReelSF.com
887:
875:Dark Passage
874:
868:
843:
832:
802:
798:
783:
771:Dark Passage
770:
763:
757:
751:
746:
736:
719:
715:
705:
697:
666:
648:
644:
636:
632:
624:
617:
615:
611:
606:
599:film critic
594:
586:
553:
541:
530:Dark Passage
529:
525:
523:
519:Dark Passage
518:
515:Dark Passage
514:
508:
498:
484:
479:
475:Dark Passage
474:
468:
465:David Goodis
462:
452:Frank Wilcox
446:John Arledge
410:Tom D'Andrea
379:Dark Passage
378:
361:
353:
349:
341:
337:
333:
329:
321:
317:Dark Passage
316:
287:
283:David Goodis
267:Delmer Daves
265:directed by
258:Dark Passage
257:
256:
255:
214:Running time
173:Warner Bros.
163:Warner Bros.
148:Franz Waxman
115:Tom D'Andrea
72:David Goodis
64:Dark Passage
62:
54:Delmer Daves
45:Delmer Daves
24:Dark Passage
18:
1379:Susan Slade
1128:trailer at
756:(1944) and
218:106 minutes
78:Produced by
41:Directed by
1434:1947 films
1428:Categories
1243:Task Force
1062:Metacritic
675:References
655:Metacritic
583:Box office
495:Abel Gance
459:Production
440:Mary Field
247:Box office
201:1947-09-27
190:1947-09-05
155:Production
82:Jerry Wald
68:1946 novel
1479:Film noir
1299:Drum Beat
765:Key Largo
578:Reception
526:By Myself
263:film noir
134:Edited by
1130:Spike TV
1106:AllMovie
948:July 22,
922:July 22,
900:July 22,
880:AllMovie
840:(1983).
768:(1948).
661:See also
558:and the
500:Napoléon
418:as Baker
231:Language
144:Music by
88:Starring
59:Based on
1371:Parrish
1115:at the
1093:at the
973:NoirCon
826:TCM.com
792:TCM.com
788:"Notes"
721:Variety
707:Variety
641:wrote:
234:English
223:Country
199: (
188: (
157:company
1414:(1965)
1406:(1964)
1398:(1963)
1390:(1962)
1382:(1961)
1374:(1961)
1366:(1959)
1358:(1959)
1350:(1958)
1342:(1958)
1334:(1958)
1331:Cowboy
1326:(1957)
1318:(1956)
1310:(1956)
1302:(1954)
1294:(1954)
1286:(1953)
1278:(1953)
1270:(1952)
1262:(1951)
1254:(1950)
1246:(1949)
1238:(1949)
1230:(1948)
1222:(1947)
1214:(1947)
1206:(1945)
1198:(1944)
1190:(1944)
1182:(1943)
943:SFGate
856:
406:as Bob
239:Budget
1307:Jubal
850:56â57
805:'
357:Paita
1084:IMDb
1007:2007
980:2012
950:2013
924:2013
902:2013
854:ISBN
776:IMDb
637:The
625:The
595:The
497:for
366:Cast
311:and
300:Plot
273:and
1104:at
1082:at
1060:at
1042:at
878:at
824:on
790:on
774:at
649:On
538:B12
315:in
281:by
70:by
1430::
997:.
971:.
941:.
852:.
813:^
729:^
704:.
683:^
546:.
1158:e
1151:t
1144:v
1009:.
982:.
952:.
926:.
904:.
882:.
862:.
778:.
203:)
192:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_poster.jpg)
