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on the front lines. Pika signed his name to numerous arrangements by
Khotkevych (Od Kyiva do Luben, Oj Dzhygune,) - Khotkevych's arrangements were banned from being played after 1934) and other accredited to being the composer of Tripak - Oi Hop ty-ny-ny (original recorded by Sadowsky's choir in 1911
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Pika was one of the stronger players in the
Capella. He performed in a bandura quartet with Serhiy Minialo, Yakiv Kladovyj and O. Kostetsky and recorded a Hopak (his arrangement), "Stukalka" (his arrangement) and "Kucheriava Kateryna" in 1937. The Capella also recorded his arrangement of "Vziav by ya
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in early 1934 until the group was disbanded in mid 1934. During the period of his directorship the members of the
Poltava Bandurist Capella were not paid. He was the strongest bandurists in the group and probably the first to have played bandura in the group having initially converted the singers to
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had migrated to Canada. None of the members of the Chorus moved to Canada. Nazarenko, Miniajlo and
Panasenko moved to the United States. I feel from the evidence shown to me that the informant was probably Pika and that he also informed on Kabachok in 1937 after their tour of the Combined Bandurist
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an arrangement of
Kropovnytsky's). (Kabachok's son (in Bashtan's editorship of Memories of Kabachok K.1995) states that the person in the Poltava Capella who was a negative informer for the
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banduru" with Ivan
Patorzhynsky in 1937 and Hrechanyky. "Oj hop ty-ny-ny" often accredited to Pika is marked as being arranged by Lysenko-Kropovnytsky and conducted by Pika in 1939.
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bandurists and then initially teaching them. He always had directorship aspirations but not the administrative skills. He is thought by some to have been a
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informer and had informed on V. Kabachok and caused his subsequent arrest. He became a director of the
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Kuromiya
Hiroaki, The Voices of the Dead — Yale University Press, London 2007
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113:Українські кобзарі-бандуристи — Сідней, Австралія, 1986 — 10 6с.
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119: — Струни золотії — «Веселка», К.:1994 (117 с.)
134:/ К. Черемський. – Х.: Центр Леся Курбаса. – 1999. – 288 с.
127: — Живі струни — Детройт, США, 1976 (468 с.)
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