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inputs, with pin 1 and 4 for low-level signals like microphone levels, while pin 3 and 5 were used for line-level signals. On all these recorders the output signals were only active in play mode, not in stop, record, rewind, fast forward or any other mode. The main benefits with this usage is that tape copying can be done with the regular pin-to-pin connected cables commonly used to connect tape recorders to amplifiers/receivers. An additional benefit is that several tape recorders can be connected in parallel, and can also be connected to an amplifier/receiver. Copying is done simply by pressing play on the playback recorder, rec on any recorders used for recording, and the amplifier/receiver is either switched off or set to the tape position. Recording of radio broadcasts or records is equally simple, just press record on any recorder and do not set any other recorder to playback mode. This eliminates the need for any switch boxes otherwise commonly used to connect more than one tape recorder to a single tape recorder connector on an amplifier/receiver. The drawbacks were that connecting any mono recorder with pin 1 joined to 4 and pin 5 joined to 3 (a common practice to make mono recorders record both channels in parallel and reproduce in both channels) would make all tape sounds mono. Also any tape recorder with three heads, used for monitoring while recording, needs an extra lead between the recorder and the amplifier to be able to monitor the recording through the amplifier and speakers. On
Philips amplifiers/receivers and three head recorders that extra socket is labeled Monitor while the regular socket is labeled Tape. Another drawback is the possible confusion when interconnecting with other equipment, where a person sometimes would use a straight pin-to-pin cable and sometimes use a special "copying" cable with pin 1 swapped with pin 3 and pin 4 swapped with pin 5. Sometimes a person would also need to lower the signal to make a line output fit a microphone level input. In other cases it was also used for sending power to a device. For example some tuners, usually only pins 1, 4 and 2 are required for audio signal, other ( 3 and 5 were used to send power supply to the tuner U usually DC, as AC may cause hum, tuners usually having low power requirements). The input, is still compatible with other standard input connectors, but misusing the use of pins 3 and 5 may cause damages. Other manufacturers were using more than 5 pins, for example the cassette decks, two other pins being for power supply). Usually these were proprietary connections, making them compatible only with decks of the same manufacturers. Some other manufacturers, were using more than 5 pins connections (7 or even 9 pins) for devices with remote control, beside the audio signals there was also the remote control link ( usually the main unit with remote receiver being the amplifier/receiver). Other uses, some amplifiers and receivers with ceramic phono input, were using 1,4,2 pins for conventional line audio signal input and pins 3 and 5 for powering an optional external magnetic phono preamplifier. In this case, these manufacturers were also supplying the preamplifier. The input without preamplifier can be used as standard input on pins 1, 2 and 4, but care should be taken to avoid shorting pins 3 and 5 in this case, which are power supply, which may cause damages to equipment. In other cases, pins 1 2 and 4 are used for magnetic cartridge, and 3, 5 ( with ground on 2 ) for ceramic. This depends on manufacturer. Other uses for example in case of cassette decks were: Input and output, power supply, remote control and record sync. But this will be usually usable solely with the same decks of the manufacturer. Usually will be compatible with the conventional deck, but care must be taken not to short the other pins.
365:
off or not as required: inserting the plug one way would activate a switch on the periphery of the socket (thus switching off the speakers), whereas inserting the plug in the opposite orientation would not activate the switch (due to the cut-out in the plug body)—the left and right channels would not be transposed, as the plug was wired such that each headphone speaker was connected "top left–bottom right" and "top right–bottom left". Note that when rotating a DIN headphone connector 180 degress the polarity will be reversed. This generally doesn't affect the audio but if an adapter with a DIN headphone male connector and most other types of female headphone connector is used, the negative connection for both channels will be joined resulting in the audio being stereo with the DIN connector inserted one way and mono when inserted the other way. To avoid this and still be able to use a pair of headphones both with equipment that has a DIN headphone connector and also use it with other equipment it is suggested to permanently mount a DIN connector on the headphones and make an adapter to use other devices with headphones that has a DIN connector. If used as a serial data connection, the transmit and receive lines could be crossed (although the pinout adopted by Acorn did not allow for this).
742:(or other device; many of the earlier shoebox style tape recorders used them), is known as the DIN 41529 loudspeaker connector. It commonly exists as a panel-mounting female version, and line-mounted male and female versions, although there were rare panel mounted male connectors, for example fitted on the external speaker boxes on certain early 1980s Luxor TV sets. The male version has a central flat pin, and circular pin mounted off-centre. The circular pin is connected to the positive line (red) while the spade is connected to the negative line (black). The panel-mounting female version is available with or without an auxiliary contact that disconnects the internal speaker of the device if an external speaker connector is inserted. Most common is a three-hole female connector with one circular hole on either side of the spade hole, one of them with an aux contact and one without, which provides the option to leave the internal speaker connected by inserting the plug twisted by 180°.
216:
746:
power, memory for radios with electronic settings memory, dashboard light power) and out (for an automatic electric antenna). This setup was commonly combined with an 8-pin DIN connector where pin 1-5 were used for line output for connecting power amplifier (using the same pinout as for home audio equipment, except "tape record" would be front audio out and "tape play" would be rear audio out). The middle pin was used for remote start of an amplifier. If standard 5-pin home audio cables were used the automatic antenna connector could also be used for remote starting an amplifier. Eventually this connector setup was replaced with the later ISO car stereo connector standard.
148:(DIN), the German Institute for Standards, in the mid 1950s, initially with 3 pins for mono, but when stereo connections and gear appeared in late 1950s (1959 or so), versions with 5 pins or more were launched. The male DIN connectors (plugs) feature a 13.2 mm diameter metal shield with a notch that limits the orientation in which plug and socket can mate. The range of DIN connectors, different only in the configuration of the pins, have been standardized as DIN 41524 / IEC/DIN EN 60130-9 (3-pin at 90° and 5-pin at 45°); DIN 45322 (5-pin and 6-pin at 60°); DIN 45329 / IEC/DIN EN 60130–9 (7-pin at 45°); and DIN 45326 / IEC/DIN EN 60130-9 (8-pin at 45°).
122:
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record players and auxiliary signal sources commonly join pin 1 and 5 in order to be compatible both with the 3/180° and 5/180° pinouts. This generally works fine. However the join of pin 1 and 5 on adapters between DIN and RCA connectors can cause problems if used with a five-pin DIN connector tape connector on an amplifier or receiver, as it will join the left record with right playback signal. The other way around is usually not a problem as sending the right playback out of a tape recorder back in to the left record input usually imposes no problem in playback mode.
727:
718:
simple circuitry in rudimentary lighting desks. Pinouts vary between manufacturers: Zero 88, Anytronics, Lightprocessor and Strand have the control signals on pins 1–6, 0 V on pin 8 and power on pin 7 and Pulsar and Clay Paky have power on pin 1, 0 V on pin 2 and channel outputs on pins 3 to 8. The polarity of the power supply and control signals relative to ground also varies, with Strand having negative voltages, but most other brands having positive voltages.
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644:. Non-European products intended for the European market commonly combined both DIN and RCA connectors, with cassette decks having both and amplifiers/receivers commonly having RCA connectors for everything and an additional 5-pin DIN connector for at least one tape connection, usually in parallel with a set of RCA connector for the same input/output.
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five pins upwards, and facing them): 1–4–2–5–3. Holes on female connectors are also numbered 1-4-2-5-3, but from left to right (facing the holes). The three pins that make contact with a 3 pin DIN connector will have the same pin numbering both in the three-pin and the five-pin connector. A four-conductor cord wired in this way is sometimes called a
373:. Additional configurations up to 24 pins are also offered in the same shell size. A version with a bayonet locking ring was used on portable tape recorders, dictation machines, and lighting dimmers and controls through from the 1960s to the 1980s, an example being the microphone input connector and some others on the "Report" family of
382:
B series connector. This connector was commonly referred to as the "Bleecon", an example of its use being the Strand Tempus range of theatrical lighting dimmers and control desks. A version with a pushbutton latch similar to that on an XLR cable mounted socket was also available. Female connectors
717:
Analogue theatrical lighting control (pre-dating the more recent digital control protocols such as DMX) commonly used the 8-pin (45°) DIN connector, six of the pins being 0–10 V control signals for six separate dimmer circuits, and the other two a 0 V reference and a DC source for powering
629:
interconnections, the 3/180° plugs are sufficient. When a mono plug is inserted into a stereo socket, it mates with the left channel. For playback only interconnections, the 3/180° plugs are sufficient, with pin 1 and 3 used for the stereo channels and pin 2 as signal ground. Five-pin DIN inputs for
353:
In addition to these connectors, there are also connectors with 10, 12, and 14 pins. Some high-range equipment used seven-pin connectors where the outer two carried digital system data: if the connected equipment was incompatible, the outer two pins could be unscrewed from plugs so that they fitted
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There are seven common patterns, with any number of pins from three to eight. Three different five-pin connectors exist, known as 180°, 240°, and domino/360°/270° after the angle of the arc swept between the first and last pin. There are also two variations of the six-pin, seven-pin (one where the
364:
Some "domino" five-pin connectors had a keyway on opposing sides of the socket, allowing it to be reversed. If used as a headphone connector, the plug sometimes had a cut-out in the body that, depending on which way the plug was inserted, would either allow (e.g.) external speakers to be switched
612:
tape recorder could connect to a stereo amplifier using the five pins for the four signal connections plus ground. The connectors on the cord are connected pin for pin, (pin 1 to pin 1, etc.). Pins on male connectors are numbered (from right to left, viewed from outside of the connector, with the
745:
Many
European car radio/stereo brands used this connector, commonly spaced so close apart that you need smaller male cable connectors. This was commonly used in conjunction with a connector block with two larger and four smaller flat blade connectors with a standardized pinout for power in (main
155:, the term "DIN connector" identifies types of cylindrical connectors that the German Institute for Standards (DIN) had initially standardised for analog audio signals. Some DIN connectors have been used in analog video applications, for power connections, and for digital interfaces, such as the
636:
Some manufacturers, like
Philips, Uher and others, did use the connector slightly differently for tape recorders. Pin 2 (signal ground) was the same as others, and in playback mode pin 3 and 5 were used for left and right line level output as others. However in record mode all pins were active
341:
The plugs consist of a circular shielding metal skirt protecting a number of straight round pins. The pins are 1.45 mm in diameter and equally spaced (at 90°, 72°, 60° or 45° angles) in a 7.0 mm diameter circle. The skirt is keyed to ensure that the plug is inserted with the correct
349:
There is some limited compatibility; for example, a three-pin connector will fit any 180° five-pin socket, engaging three of the pins and leaving the other two unconnected; and a three-pin or 180° five-pin connector will also fit a 270° seven-pin or either eight-pin socket.
377:
tape recorders. The bayonet locking version is sometimes referred to by the trade name Preh. Belling Lee offered a version with a sprung-loaded collar which latched on insertion but required the collar to be pulled back to release the connector, similar to the
757:
to connect the bulb to the power supply. The two-pin DIN plug lacks the outer metal shell, so far less force is required to disconnect the plug accidentally. There are also three- and four-pin versions of this loudspeaker connector, used for example by
368:
Screw-locking versions of this connector have also been used in instrumentation, process control, and professional audio. In North
America, this variant is often called a "small Tuchel" connector after one of the major manufacturers, now a division of
167:
connectors (DIN 41524). The original, technical standards for these models of DIN connector are unavailable, and were replaced with equivalent connectors, such as the international standard IEC 60130-9.
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The signal levels are generally in the low range of line levels for playback/reproduction signals. The levels for recording can be considerably lower, more like microphone levels in some cases.
963:
I have a
Philips tape recorder which has a "domino" headphone socket; the headphone plug has a cut-out in the body thus allowing the external speakers to remain active or not as required.
342:
orientation, and to prevent damage to the pins. The basic design also ensures that the shielding is connected between socket and plug prior to any signal path connection being made.
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This interface was rare outside products for the
European market, and has progressively disappeared on new equipment, both in Europe and worldwide, since the 1980s, in favour of
176:
The term "DIN connector" alone does not unambiguously identify any particular type of connector unless the document number of the relevant DIN standard is added (e.g., "
1553:
1137:
IEC 60574-3: Audiovisual, video and television equipment and systems — Part 3: Specification for connectors for the interconnection of equipment in audiovisual systems.
357:
As the keying is consistent across all connectors, it does not completely prevent incompatible connectors from mating, which can lead to damage; this is changed in
608:
The 3/180° and 5/180° connectors were originally standardized and widely used in
European countries for interconnecting analog audio equipment. For example, a
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The DIN connector saw several other uses apart from audio. It was particularly popular as a connector for various home computers and video game consoles.
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outer pins form 300° or 360° and one where they form 270°), and eight-pin (one where the outer pins form 270° and one where they form 262°) connectors.
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Audio in the original HME wireless communicators (It is the headset connector for inbound and outbound audio for drive-through restaurants.)
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IEC 60130-9: "Connectors for frequencies below 3 MHz — Part 9: Circular connectors for radio and associated sound equipment."
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It is now mainly found on older equipment, such as 16 mm movie projectors.. The connector is used on some
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DIN 45327 / IEC/DIN EN 60130-9 types IEC-14, IEC-15, and IEC-15a: five-pin, 90°, cube, domino, 270°/360°
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834:"DIN 41524:1974-03: Dreipolige und fünfpolige Steckverbinder für Rundfunk- und verwandte Geräte"
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DIN 45329 / IEC/DIN EN 60130-9 types IEC-10, IEC-11, IEC-12, and IEC-13: seven-pin, 45°, 270°
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DIN 41524, for circular connectors often used for audio signals or some digital signals like
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DIN 45322 / IEC/DIN EN 60130-9 types IEC-16, IEC-17, IEC-18, and IEC-19: six-pin, 60°, 240°
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Graves-Brown, Paul. "Plugging in: A Brief
History of Some Audio Connectors".
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DIN 45326 / IEC/DIN EN 60130-9 types IEC-20 and IEC-21: eight-pin, 45°, 270°
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DIN 41524 / IEC/DIN EN 60130-9 types IEC-01 and IEC-02: three-pin, 90°, 180°
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DIN 41524 / IEC/DIN EN 60130-9 types IEC-03 and IEC-04: five-pin, 45°, 180°
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A polarised two-pin unshielded connector, designed for connecting a
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Five-pin male 180° DIN connector from the keyboard of an original
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IEC/DIN EN 60130-9 types IEC-30 and IEC-31: four-pin, 72°, 216°
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into standard five-pin 180° sockets without data connections.
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Fiebranz, August; Rottmann, Hans-Peter (November 1979).
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is an electrical connector that was standardized by the
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49:. Unsourced material may be challenged and removed.
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730:Speaker DIN line socket (left) and plug (right)
180:connector"). Some DIN connector standards are:
1171:
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832:Deutsches Institut für Normung (March 1974).
676:The 5/180° connectors are commonly used for:
125:Five-pin male 180° DIN connector from a 1988
1051:"Control interface for antenna line devices"
703:antennas (Antenna Interface Standards Group)
141:
660:. Note the unusually thick shielding skirt.
438:. Unsourced material may be challenged and
200:connectors used for computer data and video
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334:DIN IEC 60574-18: eight-pin, 45°/41°, 262°
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910:International Electrotechnical Commission
458:Learn how and when to remove this message
109:Learn how and when to remove this message
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1665:Municipal Services Standards Committee
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1009:. www.blue-room.org.uk. Archived from
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1048:
856:"Der gegenwärtige Stand der Normung"
591:Common colors on DIN-2*RCA adapters
574:Common colors on DIN-4*RCA adapters
436:adding citations to reliable sources
403:
47:adding citations to reliable sources
18:
945:"Sounds Heavenly - Help and Advice"
390:DIN Connectors with correct pin-out
361:, which keys different connectors.
13:
1083:"0 to 10V Analog Control Protocol"
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974:"Why are domino plugs reversible"
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922:Markström, Håkan (2017-11-18).
708:radio controlled model aircraft
706:Connecting two controllers for
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34:needs additional citations for
1738:Deutsches Institut für Normung
1691:Multimedia extension connector
1563:Deutsches Institut für Normung
1034:. 5 March 2009. Archived from
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710:together for training purposes
668:Eight-pin DIN connector for a
594:(sometimes joined with pin 5)
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272:DIN 45322: five-pin, 60°, 240°
144:Deutsches Institut für Normung
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689:electronic musical instrument
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206:automotive coaxial connectors
865:(in German). p. T 535.
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803:IBM PC keyboard#Connection
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1500:List of video connectors
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1229:Speaker spring terminal
1728:Audiovisual connectors
1102:Carter, Simon (2010).
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1049:AISG (13 June 2006).
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699:Controlling tilt of
432:improve this section
153:consumer electronics
43:improve this article
16:Electrical connector
1748:Computer connectors
1743:DC power connectors
836:. Beuth Verlag GmbH
219:Circular connectors
211:Circular connectors
1686:Mini-DIN connector
798:Mini-DIN connector
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1133:DIN Connectors
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1032:"AISG Website"
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808:PS/2 connector
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687:interface for
649:
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642:RCA connectors
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543:Tape recorder
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518:Screen/return
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1681:DIN connector
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1571:DIN standards
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1013:on 2019-04-03
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813:XLR connector
811:
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799:
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789:
786:
785:
781:
775:
770:
763:
761:
756:
755:halogen lamps
752:
747:
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728:
722:Other designs
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557:Stereophonic
556:
555:
545:
541:
537:
534:
531:
528:
526:Stereophonic
525:
524:
510:
503:
499:
495:
492:
489:
486:
483:
482:
479:Pin function
471:
462:
459:
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427:
426:
422:
417:This section
415:
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138:DIN connector
132:
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113:
110:
102:
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
1733:Surveillance
1680:
1325:
1206:
1192:Binding post
1180:Analog audio
1111:. Retrieved
1107:
1097:
1086:. Retrieved
1077:
1065:. Retrieved
1058:the original
1040:. Retrieved
1036:the original
1026:
1015:. Retrieved
1011:the original
993:IEC 60268-11
989:
978:. Retrieved
968:
959:
948:. Retrieved
939:
928:. Retrieved
926:(in Swedish)
917:
904:
895:
891:
885:
874:. Retrieved
863:Funk Technik
862:
849:
838:. Retrieved
827:
748:
744:
733:
716:
713:
675:
639:
635:
632:
622:
618:
614:
607:
473:Application
454:
445:
430:Please help
418:
400:Analog audio
395:Applications
367:
363:
356:
352:
348:
344:
340:
177:
175:
150:
137:
135:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
1516:Thunderbolt
1447:DisplayPort
1417:Belling-Lee
1187:Banana plug
736:loudspeaker
546:Monophonic
504:Monophonic
1722:Categories
1674:Connectors
1658:Committees
1644:Engschrift
1311:D-Terminal
1219:Audio jack
1126:References
1088:2017-05-10
1017:2017-05-09
980:2017-05-10
950:2009-03-19
930:2019-04-02
876:2021-09-13
840:2017-04-01
670:Tandy 1000
648:Other uses
566:Right out
552:Audio out
532:Right out
515:Audio out
501:Amplifier
476:Connector
196:DIN 41652
69:newspapers
1639:DIN 91379
1634:DIN 72552
1629:DIN 62056
1624:DIN 47100
1614:DIN 43700
1609:DIN 41612
1604:DIN 31635
1367:Micro-DVI
1202:Euroblock
1007:"Bleecon"
871:0016-2825
751:LED lamps
623:DIN cable
569:Left out
563:Right in
549:Audio in
535:Right in
529:Left out
521:Audio in
448:June 2021
419:does not
204:DIN 41585
191:DIN 41612
178:DIN 45322
172:Standards
127:Schneider
99:July 2011
1707:DIN rail
1619:DIN 4420
1599:DIN 5009
1594:DIN 5008
1589:DIN 1530
1584:DIN 1451
1579:DIN 1025
1469:Minijack
1463:superMHL
1422:CCJ/EIAJ
1394:Mini-VGA
1355:Mini-DVI
1331:Mini-DIN
1212:Mini-DIN
1113:27 March
924:"Kablar"
788:DIN sync
766:See also
672:keyboard
619:DIN lead
615:DIN cord
560:Left in
538:Left in
371:Amphenol
359:Mini-DIN
163:and the
1649:ISO 216
1474:P&D
1437:HDBaseT
1379:S-Video
1270:TOSLINK
1234:Speakon
793:Hosiden
583:yellow
512:5/180°
440:removed
425:sources
83:scholar
1432:Type F
1338:DMS-59
1316:DB13W3
1265:S/PDIF
869:
658:IBM PC
625:. For
610:stereo
602:white
586:black
577:white
131:Cherry
85:
78:
71:
64:
56:
1700:Rails
1484:SCART
1284:Video
1260:D-sub
1067:8 May
1061:(PDF)
1054:(PDF)
1042:8 May
859:(PDF)
819:Notes
738:to a
621:or a
90:JSTOR
76:books
1479:PDMI
1442:HDMI
1357:бЕхк
1115:2010
1069:2009
1044:2009
867:ISSN
753:and
701:UMTS
685:MIDI
681:SYNC
627:mono
617:, a
599:red
580:red
423:any
421:cite
380:LEMO
375:Uher
186:MIDI
157:MIDI
136:The
62:news
1521:USB
1459:MHL
1452:mDP
1427:EVC
1412:ADC
1389:VGA
1384:UDI
1374:RCA
1350:DVI
1343:LFH
1326:DIN
1321:DFP
1291:BNC
1275:XLR
1255:BNC
1239:XLR
1224:RCA
1207:DIN
683:or
434:by
151:In
45:by
1724::
1106:.
998:^
896:46
894:.
861:.
762:.
496:3
1555:e
1548:t
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1465:)
1461:(
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455:(
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446:(
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428:.
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
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