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Cy Twombly

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well-known episodes, as narrated by poet-historians, given visible shape by artists and repeatedly reinterpreted in the literature and visual art of later centuries ... His special medium is writing. Starting out from purely graphic marks, he developed a kind of meta-script in which abbreviated signs, hatchings, loops, numbers and the simplest of pictographs spread throughout the picture plane in a process of incessant movement, repeatedly subverted by erasures. Eventually, this metamorphosed into script itself.
743:. In none of these cases would it be true. In each case the art lies not so much in the finesse of the individual mark, but in the orchestration of a previously uncodified set of personal "rules" about where to act and where not, how far to go and when to stop, in such a way as the cumulative courtship of seeming chaos defines an original, hybrid kind of order, which in turn illuminates a complex sense of human experience not voiced or left marginal in previous art. 700: 959:(1993–94) with those from the Museum of Modern Art, New York. The exhibition also explores how Twombly is influenced by antiquity, myth and the Mediterranean, for example the violent red swirls in the Bacchus 2005 paintings which bring to mind the drunken god of wine. The exhibition provides a unique opportunity to see the full range of Twombly's long and influential career from a fresh perspective. 808: 882:, Twombly's most recent solo exhibition, began in Los Angeles in early 2012. Following the Hong Kong exhibition, it traveled to Gagosian Gallery locations in London and New York throughout 2012. The eight untitled paintings are closely related to the Camino Real group that inaugurated Gagosian Paris in 2010. 1277:
The prosecution described the act as a "sort of cannibalism, or parasitism", but admitted that Sam was "visibly not conscious of what she has done", asking that she be fined €4,500 and compelled to attend a citizenship class. The art work was worth an estimated $ 2 million. In November 2007, Sam
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Erotic and corporeal symbols became more prominent, whilst a greater lyricism developed in his 'Blackboard paintings'. Between 1967 and 1971, he produced a number of works on gray grounds, the 'grey paintings'. This series features terse, colorless scrawls, reminiscent of chalk on a blackboard, that
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Twombly's will, written under U.S. law, allocated the bulk of the artist's art and cash to the Cy Twombly Foundation. The foundation now controls much of Twombly's work. It has reported $ 70 million in assets in 2011, and $ 1.5 billion in the following two years. In 2012 it purchased a 25-foot-wide
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This was his first solo retrospective in fifteen years, and provides an overview of his work from the 1950s to now. ... At the heart of the exhibition is Twombly's work exploring the cycles associated with seasons, nature and the passing of time. Several key groups are brought together for the
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Cy Twombly's work can be understood as one vast engagement with cultural memory. His paintings, drawings and sculptures on mythological subjects have come to form a significant part of that memory. Usually drawing on the most familiar gods and heroes, he restricts himself to just a few, relatively
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Although Twombly is most known for his paintings, he was also an accomplished printmaker. Twombly explored the particular characteristics and processes of each print medium when making his works in edition. Twombly's printmaking activity occurred primarily from the late 1960s to the late 1970s.
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in 2000, Twombly revealed that, for him, the demands of making sculpture were distinctly different from those required of painting. " a whole other state. And it's a building thing. Whereas the painting is more fusing—fusing of ideas, fusing of feelings, fusing projected on atmosphere."
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hosted a two-year exhibition, "Cy Twombly: Sculpture Selections, 1948–1995". The exhibition featured examples of Twombly's sculptures made between 1948 and 1995, composed primarily of rough elements of wood coated in plaster and white paint. The Institute also holds
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in New York, an exhibition of Twombly's photographs offered a selection of large blurry color images of tulips, trees and ancient busts, based on the artist's Polaroids. In 2008, a specially curated selection of Twombly's photographic work was exhibited in
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works on solid fields of mostly gray, tan, or off-white colors. His later paintings and works on paper shifted toward "romantic symbolism", and their titles can be interpreted visually through shapes and forms and words. Twombly often quoted poets such as
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on the canvas in a quick and coarse fashion, making the painting tactile and scarred with his energetic, gestural lines that would become his signature style. He stopped making sculptures in 1959 and did not take up sculpting again until 1976.
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His later sculptures exhibit a similar blend of emotional expansiveness and intellectual sophistication. From 1976, Twombly again produced sculptures, lightly painted in white, suggestive of Classical forms. In an interview with critic
1235:(1968) set another new price record for Twombly at $ 70.5 million. Per Artnet News, "Covered with his trademark looping white scribbles on a slate-gray background, the work recalls his experience as a cryptologist at the Pentagon." 2756: 692:; since then Twombly continued to draw on literature and myth, deploying cryptic pictorial metaphors that situate individual experience within the grand narratives of Western tradition, as in the Gaeta canvases and the monumental 581:, reversing the normal evolution of the New York School. Twombly soon developed a technique of gestural drawing characterized by thin white lines on a dark canvas that appear to be scratched onto the surface. He would apply 776:
During this period, Twombly worked in nearly all traditional printmaking techniques, including line etching, mezzotint, aquatint, lithography, screenprinting and collotype. Many of his editions were issued as portfolios.
2707: 2777: 1306: 643:. Twombly made this work using an unusual technique: he sat on the shoulders of a friend, who shuttled back and forth along the length of the canvas, thus allowing the artist to create his fluid, continuous lines. 1271:
J'ai fait juste un bisou. C'est un geste d'amour, quand je l'ai embrassé, je n'ai pas réfléchi, je pensais que l'artiste, il aurait compris ... Ce geste était un acte artistique provoqué par le pouvoir de
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described Twombly's work as "influential among artists, discomfiting to many critics and truculently difficult not just for a broad public, but for sophisticated initiates of postwar art as well." Writing in
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Manhattan, planning to open an education center and a small museum. There is an additional foundation office on the Gaeta property. The four board members were divided in a lawsuit, settled in March 2014.
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who said "There are a few drips and splatters and an occasional pencil line," he wrote in a review. "There isn't anything to these paintings." They are currently exhibited at the Guggenheim Bilbao.
678:(1976), Twombly began to evoke landscape through colour (favouring brown, green and light blue), written inscriptions and collage elements. In 1978 he worked on the monumental historical ensemble 870:, if I'd had a choice, in another time" and is the first time that his work was put in an exhibition with Poussin. Opening in conjunction with the museum's Modern Wing, Twombly's solo exhibition— 2651: 1108: 747: 2808: 2753: 517:, who became his longtime companion. Twombly bought a house and rented a studio in Gaeta in the early 1990s. Twombly and Tatiana, who died in 2010, never divorced and remained friends. 2733: 487:
In 1957, Twombly moved to Rome and made it his primary city, where he met the Italian artist Tatiana Franchetti – sister of his patron Baron Giorgio Franchetti. They were married at
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thought it necessary to defend Twombly's seemingly random marks and splashes of paint against the criticism that "This is just scribbles – my kid could do it".
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Twombly was a recipient of numerous awards. In 1984 he was awarded the "Internationaler Preis für bildende Kunst des Landes Baden-Württemberg" and in 1987 the
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in London from June 29, 2011, less than a week before Twombly's death. The show was built on a quote by Twombly stating that "I would've liked to have been
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presented the first exhibition devoted entirely to Twombly's sculpture, assembling sixty-six works created from 1946 to 1998. The European retrospective
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went further, declaring Twombly to be "the greatest American painter of the twentieth century, and the greatest painter after Picasso, period."
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was convicted and ordered to pay €1,000 to the painting's owner, €500 to the Avignon gallery where it was exhibited, and €1 to the painter.
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In an essay in the catalogue to the 2011 Dulwich exhibition (see below), Katharina Schmidt summarizes the scope and technique of Twombly's
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in Mykonos. According to Glasco, he and Twombly "saw each other every summer in Mykonos for years ... and saw a lot of each other daily".
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One could say that any child could make a drawing like Twombly only in the sense that any fool with a hammer could fragment sculptures as
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in Southern Italy in 1957 gave him closer contact with classical sources. From 1962 he produced a cycle of works based on myths including
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auction set a record for Twombly, with his 1971 untitled blackboard painting fetching $ 5.5 million. In 2011, a Twombly work from 1967,
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Katherina Schmidt, "Immortal and Eternally Young. Figures from classical mythology in the work of Nicolas Poussin and Cy Twombly", in
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series with "lasso-like scribbles" fetched far beyond the $ 35 million to $ 55 million estimate, selling at $ 69.6 million (£44.3m).
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and opened in 1995, houses more than thirty of Twombly's paintings, sculptures, and works on paper, dating from 1953 to 1994. The
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in 2010). In 2011, the Museum of Modern Art, New York, made a large acquisition of nine works worth about $ 75 million. The
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in Washington, D.C., and would frequently travel to New York during periods of leave. From 1955 through 1956, he taught at the
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In July 2011, after suffering from cancer for several years, Twombly died in Rome after a brief hospitalization. A plaque in
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Graig G. Staff, "A Poetics of Becoming: The Mythography of Cy Twombly". In: Hirsh, Jennie, and Wallace, Isabelle D., eds.
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opened a new gallery in Rome, Twombly's hometown, on December 15, 2007, with the inaugural exhibition, of Twombly's work,
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A new price record was set at Christie's Contemporary Art Sale on November 12, 2014, an untitled 1970 painting from his
601:; myths were frequent themes of Twombly's 1960s work. Between 1960 and 1963 Twombly painted the rape of Leda by the god 3230: 3160: 3115: 2386: 1258:. On July 19, 2007, police arrested Cambodian-French artist Rindy Sam after she kissed one panel of Twombly's triptych 468:
which enabled him to travel to North Africa, Spain, Italy, and France. He spent this journey in Africa and Europe with
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in 1959 and then bought a palazzo on the Via di Monserrato in Rome. In addition, they had a 17th-century palace in
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Twombly often inscribed on paintings the names of mythological figures during the 1960s. Twombly's move to
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Gallery in New York in 1951. At this time his work was influenced by Kline's black-and-white gestural
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Twombly's works are in the permanent collections of modern art museums globally, including the
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Tyson, John A. "Cy Twombly's Cardboard Prints: Impressions, Inversions and Decomposition",
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Louvre to Reverse Renovation of Gallery Adorned With Cy Twombly Mural, Ending Legal Dispute
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series and five bronze sculptures were given by Twombly's estate to Tate Modern in 2014.
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and a series of eight drawings consisting solely of inscriptions of the word "VIRGIL".
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mounted the first retrospective of his art. Twombly had his next retrospective at the
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From VOGUE to NEST: 032c activates the secret history of CY TWOMBLY by HORST P. HORST
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Comprehensive online gathering of News, Books, Timeline, Links, Bio, Images and more.
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At age 12, Twombly began to take private art lessons with the Catalan modern master
303:, as well as classical myths and allegories, in his works. Examples of this are his 2053: 1447: 1009: 923: 797: 793: 311: 211: 3026: 1721: 1598:"Fondazione Iris apre a Bassano in Teverina: dialogo con Caio Twombly exibart.com" 2921: 2760: 2737: 2711: 2624: 2423: 2369: 2344: 2322: 2238: 2073: 2003: 1946: 1921: 1896: 1873: 1834: 1750: 1536: 1444: 1423: 1310: 1170: 1126: 907: 867: 740: 663: 503: 453: 343: 275: 189: 452:
Motherwell arranged Twombly's first solo exhibition, which was organized by the
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Christie's New York, Post-War and Contemporary Evening Sale, November 10, 2010.
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John Squire speaking about four paintings by Cy Twombly at Tate Modern (video)
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in 1964, in 1989 and in 2001 when he was awarded the Golden Lion at the
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The Sunday Times Magazine, The Sunday Times, December 18, 2011, page 64
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opened permanent rooms dedicated to his monumental 10-painting cycle,
827:, the Museum for Photography, Amsterdam; the exhibition was opened by 1800: 1096: 461: 442: 438: 256: 2941:"Woman Who Kissed Painting With Red Lipstick Gets Community Service" 2207:"Cy Twombly – December 15, 2007 – March 15, 2008 – Gagosian Gallery" 282:. His best-known works are typically large-scale, freely-scribbled, 1822: 1820: 1092: 1040: 371: 339: 287: 252: 2027:. London: Dulwich Picture Gallery/Paul Holberton Publishing, 2011. 2716: 1263: 919: 582: 363: 251:; April 25, 1928 – July 5, 2011) was an American 1817: 950:
in Rome in 2009. At the Tate Modern retrospective, a text read:
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settled a dispute over an unauthorized renovation of Twombly's
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holds 170 works including the Lepanto series. The newly opened
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Around 1961, through their mutual relationship with the artist
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as a gift from the artist. A recent (1998–1999) Twombly work,
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Cy Twombly, influential Va.-born abstract artist, dies at 83
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Cy Twombly y el Mediterráneo. Pervivencia del mundo clásico
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did, or any house painter could spatter paint as well as
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aspects from his work, encouraging a simplified form of
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4.5 million in 2004. In 2010, Twombly's permanent
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Some of his work was also shown in an exhibition named
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Cy Twombly: The Natural World, Selected Works 2000–2007
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American painter, sculptor and photographer (1928–2011)
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Made in the U.S.A.: Modern/Contemporary Art in America
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Leap Before You Look: Black Mountain College 1933–1957
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Cy Twombly designed the large scale picture (176 sqm)
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Dulwich Picture Gallery June 29 – September 25, 2011.
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Members of the American Academy of Arts and Letters
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Blooming, a Scattering of Blossoms and Other Things
234: 222: 2914:One is art, one is vandalism – but which is which? 2287:"Twombly and Poussin: Every picture tells a story" 1765: 3271:School of the Museum of Fine Arts at Tufts alumni 2731:Bidding War for a Warhol Breaks Out at Christie's 1705:Commemorative plaque in Santa Maria in Vallicella 3127: 2592:"CY TWOMBLY FOUNDATION :: CitizenAudit.org" 2284: 545:After his return in 1953, Twombly served in the 2256:"MGKSiegen - Museum für Gegenwartskunst Siegen" 1962: 1371:"Cy Twombly, Idiosyncratic Painter, Dies at 83" 1246:In 2007, an exhibition of Twombly's paintings, 1125:Twombly was invited to exhibit his work at the 973:which ran from June 22 to October 28, 2012, at 918:, New York, in 1994, with additional venues in 2278: 1884: 1882: 1368: 1266:for "voluntary degradation of a work of art". 3010:, Vol. XXXV No. March 1, 2018, pp. 27–38 2672: 2470:"Cy Twombly: Sculpture Selections, 1948–1995" 2046:Do This, and Other Reflections on Cy Twombly" 2036: 1595: 631:in New York was panned by artist and writer 623:Twombly's 1964 exhibition of the nine-panel 2861:"BBC News, Painting meets its femme fatale" 2641: 2179: 1890:American Artist Who Scribbled a Unique Path 1879: 1417:Cy Twombly: late flowering for Mr Scribbles 1177:In 2021, the Cy Twombly Foundation and the 1137:by the French government. During fall 2010 1099:by the artist in its permanent collection. 472:. In 1954, he served in the U.S. Army as a 326:. He was commissioned for a ceiling at the 2798: 2666: 2084: 2082: 1794: 1627:. London: Cacklegoose Press. p. 191. 1596:Dalla Chiesa, Giovanna (August 19, 2023). 1589: 1250:, and other works on paper from gallerist 1185:, the site-specific mural created for the 1160:– site-specific painting installed in the 858:Twombly's work went on display as part of 513:In 1964, Twombly met Nicola Del Roscio of 2635: 2566:National Center for Charitable Statistics 784:After having an art piece being shown at 639:form no actual words and are examples of 557:, with whom he was sharing a studio, and 407:School of the Museum of Fine Arts, Boston 2432: 2175: 2173: 2146: 2144: 2142: 1963:Sherwood Pundyk, Anne (September 2011). 1672: 1513: 1269:Sam defended her gesture to the court: " 1152: 1148: 1031:entered the permanent collection of the 922:, Los Angeles, and Berlin. In 2001, the 814:– Iron curtain of the Vienna State Opera 806: 746: 698: 645: 607: 536: 2885: 2119:"Cy Twombly: Redefined by his Drawings" 2088: 2079: 2025:Twombly and Poussin – Arcadian Painters 1766:Molesworth, H.A.; Erickson, R. (2015). 1647: 1622: 1556: 1554: 1552: 1550: 1548: 1133:. In 2010 he was made Chevalier of the 704:Fifty Days at Iliam: Shield of Achilles 674:In the mid-1970s, in paintings such as 158: 1959; died 2010) 3186:Art Students League of New York alumni 3128: 2986:Twombly and Poussin: Arcadian Painters 2397:from the original on December 18, 2023 2113: 2111: 1682:. Agence France-Presse. Archived from 860:Twombly and Poussin: Arcadian Painters 445:. The poet and rector of the College, 3221:Honorary members of the Royal Academy 3065:University of California Press, 1991. 2981:and Distributed Art Publishers, 2008. 2977:. Edited by Nicholas Serota. London: 2584: 2506:from the original on February 1, 2014 2476:from the original on February 1, 2014 2170: 2150: 2139: 1772:Institute of Contemporary Art, Boston 1660:from the original on January 31, 2013 1625:Joseph Glasco: The Fifteenth American 1560: 1459: 1256:Museum of Contemporary Art in Avignon 1141:produced a film on Twombly, entitled 374:, who pitched for, among others, the 3276:Washington and Lee University alumni 3266:Recipients of the Praemium Imperiale 3084:Twomblyan Spirit: poeticity language 2867:from the original on August 24, 2007 2752:Contemporary Art Evening Auction at 2524: 2353: 1744:A Sensualist's Odd Ascetic Aesthetic 1545: 1238: 1169:Beaux Arts mansion on 19 E 82nd St, 788:from 1953 to 1957, Twombly moved to 478:Southern Seminary and Junior College 3001:Reading Cy Twombly: Poetry in Paint 2894:from the original on March 23, 2017 2780:from the original on March 23, 2017 2703:Tessa Solomon (December 10, 2021), 2151:Nigro, Carol A. (August 12, 2011). 2108: 1975:from the original on March 14, 2012 1851:Contemporary Art and Classical Myth 1742:Holland Cotter (February 4, 2005), 1415:Alastair Sooke (February 9, 2009), 1118:. Most notably, he was awarded the 770: 266:Twombly influenced artists such as 13: 3156:21st-century American male artists 3035:in 032, Issue No. 19, Summer 2010. 3027:Panorama: The World of Cy Twombly. 2993: 2962: 2947:from the original on March 7, 2009 2811:from the original on July 10, 2017 2685:from the original on April 3, 2015 2654:from the original on April 2, 2015 2417:American master painter Cy Twombly 2182:"Cy Twombly's Humanist Upbringing" 2180:Kirk Hanley, Sarah (Autumn 2008). 2153:"Ink / Twombly's Poetics in Print" 1350:from the original on March 1, 2019 1012:in Houston, which was designed by 831:. For the season 2010/2011 in the 506:, Twombly met the American artist 349: 14: 3287: 3014: 2841:from the original on July 3, 2017 2598:from the original on May 24, 2024 2542:from the original on May 24, 2024 2450:from the original on May 20, 2015 2297:from the original on July 7, 2011 2285:Hamilton, Adrian (July 5, 2011). 2266:from the original on May 23, 2024 2213:from the original on June 7, 2012 1528:Jonathan Jones (April 10, 2004), 1472:from the original on May 24, 2024 1381:from the original on July 8, 2011 948:Galleria Nazionale d'Arte Moderna 885: 839:as part of the exhibition series 333:In a 1994 retrospective, curator 105:School of the Museum of Fine Arts 3086:" Magazine Disturbis nº 8 2010. 3044:The Menil Collection: Cy Twombly 2799:Kelly Crow (November 13, 2014). 2673:Randy Kennedy (March 14, 2014). 2415:Nicole Winfield (July 6, 2011), 2372:(June 19 – September 14, 2008). 2052:. pp. 18–23. Archived from 1828:MoMA to Acquire Cy Twombly Works 1561:Stowe, Stacey (March 26, 2015), 1490: 1460:Jones, Jonathan (May 15, 2008). 1037:Three Studies from the Temeraire 753:Untitled, from Hommage à Picasso 449:, had a great influence on him. 210: 38: 3261:People from Lexington, Virginia 3206:Knights of the Legion of Honour 2933: 2906: 2879: 2853: 2823: 2792: 2766: 2746: 2723: 2697: 2610: 2554: 2530:"Cy Twombly: a close encounter" 2518: 2488: 2462: 2409: 2379: 2328: 2309: 2248: 2199: 2060: 2030: 2013: 1987: 1956: 1930: 1905: 1856: 1843: 1788: 1759: 1736: 1709: 1698: 1648:Kennedy, Randy (July 6, 2011). 1641: 1616: 1522: 1507: 1484: 1369:Kennedy, Randy (July 5, 2011). 1022:Broad Collection in Los Angeles 759:Together with Rauschenberg and 682:, a ten-part cycle inspired by 415:Art Students League of New York 155: 3151:21st-century American painters 3146:20th-century American painters 2975:Cy Twombly: Cycles and Seasons 2616:Josh Barbanel (May 30, 2012), 1888:Randy Kennedy (July 5, 2011), 1826:Carol Vogel (March 11, 2011), 1453: 1431: 1409: 1393: 1332: 1319: 1296: 1287: 1109:"Rubenspreis der Stadt Siegen" 1102: 1045:Art Gallery of New South Wales 980: 936:Cy Twombly: Cycles and Seasons 896:Whitney Museum of American Art 779: 1: 3201:Black Mountain College alumni 3171:American expatriates in Italy 2679:ArtsBeat / The New York Times 2648:ArtsBeat / The New York Times 1302:Matt Schudel (July 6, 2011), 1205:, sold for $ 15.2 million at 1192: 411:Washington and Lee University 169:Nicola Del Roscio (1964–2011) 110:Washington and Lee University 3039:Gagosian Gallery: Cy Twombly 2969:The Art Institute of Chicago 2943:. Fox News. March 25, 2015. 2729:Carol Vogel (May 11, 2011), 2642:Carol Vogel (May 31, 2012). 2500:The Art Institute of Chicago 1281: 912:Musée National d'Art Moderne 573:. He became fascinated with 466:Virginia Museum of Fine Arts 7: 3216:Deaths from cancer in Lazio 3166:American emigrants to Italy 3062:The Responsibility of Forms 3003:/Princeton University Press 2759:September 24, 2015, at the 2343:September 27, 2011, at the 1914:Nine Discourses on Commodus 1516:Cy Twombly: A Retrospective 1018:Museum Brandhorst in Munich 955:first time, such as Tate's 727:However, in a 1994 article 561:. Exposure to the emerging 532: 10: 3292: 3241:LGBTQ people from Virginia 3053:Cy Twombly: Works on Paper 2623:December 15, 2018, at the 2336:Cy Twombly: The Sculpture, 2321:February 12, 2012, at the 2232:"Safety Curtain 2010/2011" 2076:Museum Brandhorst, Munich. 987:Philadelphia Museum of Art 914:, Paris, in 1988, and the 708:Philadelphia Museum of Art 617:Metropolitan Museum of Art 20: 3231:American bisexual artists 3161:American abstract artists 2920:October 30, 2008, at the 2710:December 9, 2023, at the 1872:January 20, 2011, at the 1853:. Farnham: Ashgate, 2011. 1623:Raeburn, Michael (2015). 1443:February 7, 2009, at the 792:and later exhibited with 522:Santa Maria in Vallicella 427:Asheville, North Carolina 181: 173: 165: 139: 128: 97: 75: 49: 37: 30: 3251:American modern painters 3211:Darlington School alumni 2754:Sotheby's on 9 May, 2012 2736:January 8, 2018, at the 2368:August 28, 2008, at the 2089:Bastian, Heiner (2017). 2002:October 2, 2016, at the 1926:Guggenheim Museum Bilbao 1895:January 2, 2017, at the 1530:The last American hurrah 1329:, Cologne, Taschen, 2003 1084:Art Institute of Chicago 971:Twombly: Later Paintings 944:Guggenheim Museum Bilbao 876:Art Institute of Chicago 802:Three Notes from Salalah 54:Edwin Parker Twombly Jr. 2629:The Wall Street Journal 2348:National Gallery of Art 2338:May 6, – July 29, 2001 1965:"Cy Twombly: Sculpture" 1795:Collischan, J. (2010). 1650:"CY TWOMBLY, 1928-2011" 1514:Varnedoe, Kirk (1994). 1497:queerculturalcentre.org 1462:"The trashcan laureate" 1399:Travis Jeppesen (2015) 1043:, was purchased by the 932:National Gallery of Art 874:—was on display at the 864:Dulwich Picture Gallery 655:National Gallery of Art 527: 362:, also nicknamed "Cy", 3256:Painters from Virginia 3236:American LGBT painters 3176:American male painters 2618:Twombly Gets N.Y. Home 2422:March 3, 2016, at the 2325:Guggenheim Collection. 2316:Collection: Cy Twombly 2072:July 14, 2014, at the 2040:(Autumn–Winter 1994). 1945:June 25, 2015, at the 1833:March 5, 2016, at the 1718:"Cy Twombly Biography" 1165: 961: 815: 765:abstract expressionism 756: 745: 725: 711: 658: 625:Discourses on Commodus 620: 542: 423:Black Mountain College 318:in London, New York's 120:Black Mountain College 3226:American bisexual men 3191:Bisexual male artists 3021:125 images of his art 2999:Jacobus, Mary. 2016, 2971:Retrieved May 7, 2015 2837:. November 11, 2015. 2776:. November 14, 2013. 2472:. December 12, 2012. 2237:May 15, 2012, at the 1920:May 16, 2016, at the 1749:May 15, 2013, at the 1715:Cy Twombly Biography 1535:May 24, 2024, at the 1503:on December 23, 2009. 1422:May 18, 2017, at the 1309:May 18, 2017, at the 1156: 1149:Cy Twombly Foundation 952: 853:Palais des Beaux Arts 820:Matthew Marks Gallery 810: 750: 733: 720: 702: 649: 611: 540: 482:Buena Vista, Virginia 405:, and studied at the 358:, on April 25, 1928. 305:Apollo and The Artist 132:Painting, sculpture, 44:Twombly in his studio 23:Cy Twombly (baseball) 3181:American printmakers 2056:on December 2, 2013. 1686:on September 2, 2011 1325:Leonhard Emmerling, 1164:at the Louvre (2010) 1131:49th Venice Biennale 1059:was unveiled in the 1033:Museum of Modern Art 916:Museum of Modern Art 906:in 1987 (curated by 898:in 1979, curated by 892:Milwaukee Art Museum 790:Leo Castelli Gallery 629:Leo Castelli Gallery 354:Twombly was born in 320:Museum of Modern Art 280:Jean-Michel Basquiat 21:For his father, see 2095:bastian-gallery.com 1724:on October 28, 2010 1314:The Washington Post 1211:Untitled (New York) 1006:Cy Twombly Pavilion 991:Fifty Days at Iliam 696:concluded in 1994. 680:Fifty Days at Iliam 555:Robert Rauschenberg 493:Bassano in Teverina 470:Robert Rauschenberg 419:Robert Rauschenberg 356:Lexington, Virginia 115:Art Students League 68:Lexington, Virginia 3120:Gagosian Quarterly 2930:, October 10, 2007 2741:The New York Times 2362:Cycles and Seasons 2350:, Washington, D.C. 2243:museum in progress 2209:. April 12, 2018. 2157:magazine.art21.org 2124:The New York Times 1900:The New York Times 1838:The New York Times 1770:. United Kingdom: 1754:The New York Times 1654:The New York Times 1568:The New York Times 1438:Cy Twombly Gallery 1375:The New York Times 1346:. March 25, 2010. 1231:In November 2015, 1166: 1120:Praemium Imperiale 997:'s translation of 880:The Last Paintings 845:museum in progress 833:Vienna State Opera 816: 757: 712: 659: 651:Untitled (Bolsena) 621: 599:The Birth of Venus 547:United States Army 543: 524:commemorates him. 489:New York City Hall 409:(1948–49), and at 297:Rainer Maria Rilke 272:Francesco Clemente 186:Praemium Imperiale 145:Tatiana Franchetti 3196:Bisexual painters 3108:Olivier Berggruen 3057:The Wisdom of Art 2863:. July 21, 2007. 2446:. June 12, 2014. 2021:Nicholas Cullinan 1969:The Brooklyn Rail 1867:(1963), Sale 2355 1865:Leda and the Swan 1799:. United States: 1403:July 12, 2024 at 1187:Salle des Bronzes 1162:Salle des Bronzes 1073:François Morellet 1071:in the 1950s and 1061:Salle des Bronzes 993:(1978), based on 928:Kunstmuseum Basel 668:Kunstmuseum Basel 595:Leda and the Swan 435:Robert Motherwell 399:Darlington School 368:Chicago White Sox 324:Museum Brandhorst 293:Stéphane Mallarmé 195: 194: 3283: 3071: 2957: 2956: 2954: 2952: 2937: 2931: 2910: 2904: 2903: 2901: 2899: 2883: 2877: 2876: 2874: 2872: 2857: 2851: 2850: 2848: 2846: 2827: 2821: 2820: 2818: 2816: 2796: 2790: 2789: 2787: 2785: 2770: 2764: 2750: 2744: 2727: 2721: 2701: 2695: 2694: 2692: 2690: 2670: 2664: 2663: 2661: 2659: 2639: 2633: 2614: 2608: 2607: 2605: 2603: 2588: 2582: 2581: 2579: 2577: 2572:on April 6, 2015 2568:. Archived from 2558: 2552: 2551: 2549: 2547: 2528:(July 6, 2011). 2522: 2516: 2515: 2513: 2511: 2492: 2486: 2485: 2483: 2481: 2466: 2460: 2459: 2457: 2455: 2436: 2430: 2413: 2407: 2406: 2404: 2402: 2383: 2377: 2357: 2351: 2332: 2326: 2313: 2307: 2306: 2304: 2302: 2282: 2276: 2275: 2273: 2271: 2260:www.mgksiegen.de 2252: 2246: 2229: 2223: 2222: 2220: 2218: 2203: 2197: 2196: 2194: 2192: 2177: 2168: 2167: 2165: 2163: 2148: 2137: 2136: 2134: 2132: 2127:. April 11, 2018 2115: 2106: 2105: 2103: 2101: 2086: 2077: 2064: 2058: 2057: 2042:"Your Kid Could 2034: 2028: 2017: 2011: 1991: 1985: 1984: 1982: 1980: 1960: 1954: 1934: 1928: 1909: 1903: 1886: 1877: 1860: 1854: 1847: 1841: 1824: 1815: 1814: 1792: 1786: 1785: 1763: 1757: 1740: 1734: 1733: 1731: 1729: 1720:. Archived from 1713: 1707: 1702: 1696: 1695: 1693: 1691: 1676: 1670: 1669: 1667: 1665: 1645: 1639: 1638: 1620: 1614: 1613: 1611: 1609: 1593: 1587: 1586: 1585: 1583: 1558: 1543: 1526: 1520: 1519: 1511: 1505: 1504: 1499:. Archived from 1491:Katz, Jonathan. 1488: 1482: 1481: 1479: 1477: 1457: 1451: 1448:Menil Collection 1435: 1429: 1413: 1407: 1397: 1391: 1390: 1388: 1386: 1366: 1360: 1359: 1357: 1355: 1336: 1330: 1323: 1317: 1300: 1294: 1291: 1219:Poems to the Sea 1135:Légion d'Honneur 1117: 1029:The Four Seasons 1024:holds 22 works. 1010:Menil Collection 924:Menil Collection 904:Kunsthaus Zürich 798:Gagosian Gallery 794:Gagosian Gallery 771:Works in Edition 360:Twombly's father 314:in Houston, the 312:Menil Collection 250: 249: 246: 245: 242: 239: 236: 233: 230: 227: 224: 220: 219: 216: 159: 157: 82: 63: 61: 42: 28: 27: 3291: 3290: 3286: 3285: 3284: 3282: 3281: 3280: 3126: 3125: 3122:(December 2015) 3098:Irene Gras Cruz 3080:Irene Gras Cruz 3069: 3017: 3008:Print Quarterly 2996: 2994:Further reading 2979:Tate Publishing 2965: 2963:General sources 2960: 2950: 2948: 2939: 2938: 2934: 2922:Wayback Machine 2911: 2907: 2897: 2895: 2884: 2880: 2870: 2868: 2859: 2858: 2854: 2844: 2842: 2829: 2828: 2824: 2814: 2812: 2797: 2793: 2783: 2781: 2772: 2771: 2767: 2761:Wayback Machine 2751: 2747: 2738:Wayback Machine 2728: 2724: 2712:Wayback Machine 2702: 2698: 2688: 2686: 2671: 2667: 2657: 2655: 2640: 2636: 2625:Wayback Machine 2615: 2611: 2601: 2599: 2590: 2589: 2585: 2575: 2573: 2560: 2559: 2555: 2545: 2543: 2523: 2519: 2509: 2507: 2494: 2493: 2489: 2479: 2477: 2468: 2467: 2463: 2453: 2451: 2438: 2437: 2433: 2424:Wayback Machine 2414: 2410: 2400: 2398: 2385: 2384: 2380: 2370:Wayback Machine 2358: 2354: 2345:Wayback Machine 2333: 2329: 2323:Wayback Machine 2314: 2310: 2300: 2298: 2291:The Independent 2283: 2279: 2269: 2267: 2254: 2253: 2249: 2239:Wayback Machine 2230: 2226: 2216: 2214: 2205: 2204: 2200: 2190: 2188: 2178: 2171: 2161: 2159: 2149: 2140: 2130: 2128: 2117: 2116: 2109: 2099: 2097: 2087: 2080: 2074:Wayback Machine 2065: 2061: 2035: 2031: 2018: 2014: 2004:Wayback Machine 1992: 1988: 1978: 1976: 1961: 1957: 1947:Wayback Machine 1935: 1931: 1922:Wayback Machine 1910: 1906: 1897:Wayback Machine 1887: 1880: 1874:Wayback Machine 1861: 1857: 1848: 1844: 1835:Wayback Machine 1825: 1818: 1811: 1803:. p. 560. 1793: 1789: 1782: 1774:. p. 740. 1764: 1760: 1751:Wayback Machine 1741: 1737: 1727: 1725: 1716: 1714: 1710: 1703: 1699: 1689: 1687: 1678: 1677: 1673: 1663: 1661: 1646: 1642: 1635: 1621: 1617: 1607: 1605: 1594: 1590: 1581: 1579: 1559: 1546: 1537:Wayback Machine 1527: 1523: 1512: 1508: 1489: 1485: 1475: 1473: 1458: 1454: 1445:Wayback Machine 1436: 1432: 1424:Wayback Machine 1414: 1410: 1398: 1394: 1384: 1382: 1367: 1363: 1353: 1351: 1338: 1337: 1333: 1324: 1320: 1311:Wayback Machine 1301: 1297: 1292: 1288: 1284: 1244: 1195: 1171:Upper East Side 1151: 1127:Venice Biennale 1111: 1105: 1065:Musée du Louvre 983: 908:Harald Szeemann 888: 843:, conceived by 782: 773: 664:David Sylvester 563:New York School 541:Untitled (1957) 535: 530: 454:Samuel M. Kootz 417:, where he met 352: 350:Life and career 344:Travis Jeppesen 328:Musée du Louvre 276:Julian Schnabel 221: 213: 209: 190:Legion of Honor 188: 161: 153: 149: 146: 124: 93: 84: 80: 71: 65: 59: 57: 56: 55: 45: 33: 26: 17: 12: 11: 5: 3289: 3279: 3278: 3273: 3268: 3263: 3258: 3253: 3248: 3243: 3238: 3233: 3228: 3223: 3218: 3213: 3208: 3203: 3198: 3193: 3188: 3183: 3178: 3173: 3168: 3163: 3158: 3153: 3148: 3143: 3138: 3124: 3123: 3105: 3095: 3077: 3066: 3049:Roland Barthes 3046: 3041: 3036: 3030: 3024: 3016: 3015:External links 3013: 3012: 3011: 3004: 2995: 2992: 2991: 2990: 2982: 2972: 2964: 2961: 2959: 2958: 2932: 2905: 2878: 2852: 2822: 2791: 2765: 2745: 2722: 2696: 2665: 2634: 2609: 2583: 2553: 2517: 2487: 2461: 2431: 2408: 2378: 2352: 2327: 2308: 2277: 2247: 2224: 2198: 2169: 2138: 2107: 2078: 2059: 2029: 2012: 1986: 1955: 1929: 1904: 1878: 1855: 1842: 1816: 1809: 1787: 1780: 1758: 1735: 1708: 1697: 1671: 1640: 1633: 1615: 1588: 1544: 1521: 1506: 1483: 1452: 1430: 1408: 1392: 1361: 1331: 1318: 1295: 1285: 1283: 1280: 1243: 1237: 1194: 1191: 1150: 1147: 1104: 1101: 1069:Georges Braque 995:Alexander Pope 982: 979: 975:Tate Liverpool 938:opened at the 887: 886:Retrospectives 884: 841:Safety Curtain 825:Huis Marseille 786:Stable Gallery 781: 778: 772: 769: 706:(1978) at the 653:(1969) at the 641:asemic writing 627:(1963) at the 615:(1962) at the 613:Dutch Interior 534: 531: 529: 526: 351: 348: 193: 192: 183: 179: 178: 175: 171: 170: 167: 163: 162: 151: 147: 144: 143: 141: 137: 136: 130: 129:Known for 126: 125: 123: 122: 117: 112: 107: 101: 99: 95: 94: 85: 83:(aged 83) 77: 73: 72: 66: 64:April 25, 1928 53: 51: 47: 46: 43: 35: 34: 31: 15: 9: 6: 4: 3: 2: 3288: 3277: 3274: 3272: 3269: 3267: 3264: 3262: 3259: 3257: 3254: 3252: 3249: 3247: 3244: 3242: 3239: 3237: 3234: 3232: 3229: 3227: 3224: 3222: 3219: 3217: 3214: 3212: 3209: 3207: 3204: 3202: 3199: 3197: 3194: 3192: 3189: 3187: 3184: 3182: 3179: 3177: 3174: 3172: 3169: 3167: 3164: 3162: 3159: 3157: 3154: 3152: 3149: 3147: 3144: 3142: 3139: 3137: 3134: 3133: 3131: 3121: 3117: 3113: 3109: 3106: 3103: 3099: 3096: 3093: 3089: 3085: 3081: 3078: 3076: 3072: 3067: 3064: 3063: 3058: 3054: 3050: 3047: 3045: 3042: 3040: 3037: 3034: 3031: 3028: 3025: 3022: 3019: 3018: 3009: 3005: 3002: 2998: 2997: 2988: 2987: 2983: 2980: 2976: 2973: 2970: 2967: 2966: 2946: 2942: 2936: 2929: 2928: 2923: 2919: 2916: 2915: 2909: 2893: 2889: 2886:lefigaro.fr. 2882: 2866: 2862: 2856: 2840: 2836: 2832: 2826: 2810: 2806: 2802: 2795: 2779: 2775: 2769: 2762: 2758: 2755: 2749: 2742: 2739: 2735: 2732: 2726: 2719: 2718: 2713: 2709: 2706: 2700: 2684: 2680: 2676: 2669: 2653: 2649: 2645: 2638: 2631: 2630: 2626: 2622: 2619: 2613: 2597: 2593: 2587: 2571: 2567: 2563: 2557: 2541: 2537: 2536: 2531: 2527: 2521: 2505: 2501: 2497: 2496:"Twombly, Cy" 2491: 2475: 2471: 2465: 2449: 2445: 2441: 2435: 2428: 2425: 2421: 2418: 2412: 2396: 2392: 2388: 2382: 2375: 2371: 2367: 2364: 2363: 2356: 2349: 2346: 2342: 2339: 2337: 2331: 2324: 2320: 2317: 2312: 2296: 2292: 2288: 2281: 2265: 2261: 2257: 2251: 2244: 2240: 2236: 2233: 2228: 2212: 2208: 2202: 2187: 2183: 2176: 2174: 2158: 2154: 2147: 2145: 2143: 2126: 2125: 2120: 2114: 2112: 2096: 2092: 2085: 2083: 2075: 2071: 2068: 2063: 2055: 2051: 2047: 2045: 2039: 2038:Kirk Varnedoe 2033: 2026: 2022: 2016: 2009: 2005: 2001: 1998: 1997: 1990: 1974: 1970: 1966: 1959: 1952: 1948: 1944: 1941: 1940: 1933: 1927: 1923: 1919: 1916: 1915: 1908: 1901: 1898: 1894: 1891: 1885: 1883: 1875: 1871: 1868: 1866: 1859: 1852: 1846: 1839: 1836: 1832: 1829: 1823: 1821: 1812: 1810:9781440198540 1806: 1802: 1798: 1791: 1783: 1781:9780300211917 1777: 1773: 1769: 1762: 1755: 1752: 1748: 1745: 1739: 1723: 1719: 1712: 1706: 1701: 1685: 1681: 1675: 1659: 1655: 1651: 1644: 1636: 1634:9781611688542 1630: 1626: 1619: 1603: 1599: 1592: 1578: 1574: 1570: 1569: 1564: 1557: 1555: 1553: 1551: 1549: 1541: 1538: 1534: 1531: 1525: 1517: 1510: 1502: 1498: 1494: 1487: 1471: 1467: 1463: 1456: 1449: 1446: 1442: 1439: 1434: 1428: 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709: 705: 701: 697: 695: 691: 690: 685: 681: 677: 672: 669: 665: 656: 652: 648: 644: 642: 636: 634: 630: 626: 618: 614: 610: 606: 604: 600: 596: 592: 587: 584: 580: 576: 572: 568: 564: 560: 556: 552: 548: 539: 525: 523: 518: 516: 511: 509: 508:Joseph Glasco 505: 500: 498: 494: 490: 485: 483: 479: 475: 474:cryptographer 471: 467: 463: 460:, as well as 459: 458:expressionism 455: 450: 448: 447:Charles Olson 444: 440: 436: 432: 428: 424: 420: 416: 412: 408: 404: 403:Rome, Georgia 400: 396: 391: 389: 385: 381: 377: 373: 369: 365: 361: 357: 347: 345: 341: 336: 335:Kirk Varnedoe 331: 329: 325: 322:and Munich's 321: 317: 313: 308: 306: 302: 298: 294: 289: 288:graffiti-like 285: 281: 277: 273: 269: 268:Anselm Kiefer 264: 262: 258: 254: 248: 207: 203: 199: 191: 187: 184: 180: 176: 172: 168: 164: 142: 138: 135: 131: 127: 121: 118: 116: 113: 111: 108: 106: 103: 102: 100: 96: 92: 88: 78: 74: 69: 52: 48: 41: 36: 29: 24: 19: 3119: 3112:Mary Jacobus 3061: 3056: 3052: 3023:, on Wikiart 3007: 3000: 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Index

Cy Twombly (baseball)

Lexington, Virginia
Rome
Italy
School of the Museum of Fine Arts
Washington and Lee University
Art Students League
Black Mountain College
calligraphy
Praemium Imperiale
Legion of Honor
/sˈtwɒmbli/
painter
sculptor
photographer
Anselm Kiefer
Francesco Clemente
Julian Schnabel
Jean-Michel Basquiat
calligraphic
graffiti-like
Stéphane Mallarmé
Rainer Maria Rilke
John Keats
Menil Collection
Tate Modern
Museum of Modern Art
Museum Brandhorst
Musée du Louvre

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