489:
484:
616:
488:
757:
294:"Synthèse 96: The 26th International Festival of Electroacoustic Music", p.91. Michael Voyne Thrall. Computer Music Journal, Vol. 21, No. 2 (Summer, 1997), pp. 90–92.
1091:
636:
333:
1081:
96:
37:
988:
150:
750:
1121:
1116:
666:
651:
1061:
743:
1071:
1056:
530:
1111:
1101:
641:
360:
324:
61:
1066:
1086:
204:
57:
767:
687:
188:
174:
160:
144:
103:
1096:
53:
102:
Since 2004, he has been researching a new method of sound analysis called atomic decompositions, sponsored by the
274:
535:
525:
353:
723:
631:
515:
844:
413:
408:
682:
346:
114:
312:
1076:
95:
from 1978–2000. He has created software including PulsarGenerator and the
Creatovox, both with
92:
996:
852:
626:
60:. He is former chair and current vice chair of the Media Arts and Technology Program at the
1106:
780:
73:
65:
246:
8:
697:
656:
85:
165:
Roads, Curtis, Pope, Stephen Travis, Piccialli, Aldo and De Poli, Giovanni, eds (1997).
443:
403:
321:
69:
33:
388:
184:
170:
156:
140:
735:
868:
860:
796:
540:
29:
91:
He co-founded the
International Computer Music Association in 1980 and edited the
972:
964:
940:
550:
433:
328:
278:
49:
884:
1033:
1012:
980:
836:
545:
510:
473:
458:
453:
438:
369:
81:
428:
207:
1050:
820:
585:
398:
1025:
948:
932:
924:
916:
908:
900:
804:
716:
468:
383:
876:
828:
812:
692:
590:
555:
423:
418:
892:
393:
135:
271:
611:
575:
570:
560:
1004:
788:
580:
25:
565:
463:
338:
661:
520:
483:
307:
646:
621:
505:
225:
77:
595:
765:
1048:
80:(now CCMIX, Center for the Composition of Music
1092:University of California, Santa Barbara faculty
28:, author and computer programmer. He composes
751:
354:
179:Roads, Curtis and Strawn, John, eds (1987).
652:Center for New Music and Audio Technologies
315:Hear Curtis Roads’ Subatomic Pop Symphonies
32:and electroacoustic music, specializing in
1082:University of California, San Diego alumni
758:
744:
361:
347:
317:(May 5 2008), accessed 16 February 2010
313:Wired.com article by Eliot Van Buskirk
62:University of California, Santa Barbara
1049:
266:
264:
262:
260:
258:
256:
254:
109:The first movement of his composition
739:
342:
1122:21st-century American male musicians
1117:20th-century American male musicians
113:, "Purity", uses intervals from the
251:
64:. He has previously taught at the
52:, Roads studied composition at the
43:
13:
368:
58:University of California San Diego
24:(born May 9, 1951) is an American
14:
1133:
1062:American male classical composers
768:SEAMUS Lifetime Achievement Award
627:Computer Music Center at Columbia
301:
104:National Science Foundation (NSF)
1072:21st-century classical composers
1057:20th-century classical composers
487:
482:
54:California Institute of the Arts
1112:20th-century American composers
1102:21st-century American composers
194:
120:
288:
240:
1:
233:
181:Foundations of Computer Music
1067:American classical composers
272:MAT: Faculty and Researchers
7:
152:The Computer Music Tutorial
10:
1138:
1087:Harvard University faculty
724:Mortuos Plango, Vivos Voco
632:Experimental Music Studios
130:. Oxford University Press.
128:Composing Electronic Music
775:
708:
675:
604:
516:Composers Desktop Project
496:
480:
376:
167:Musical Signal Processing
414:Gottfried Michael Koenig
139:. Cambridge: MIT Press.
1097:Oberlin College faculty
688:Artificial intelligence
683:Algorithmic composition
322:moderecords.com profile
247:accessed July 21, 2015.
327:July 29, 2020, at the
149:Roads, Curtis (1996).
133:Roads, Curtis (2001).
126:Roads, Curtis (2015).
93:Computer Music Journal
1020:Scott A. Wyatt (2018)
853:Bebe and Louis Barron
781:Vladimir Ussachevsky
334:Asphodel artist page
74:Oberlin Conservatory
66:University of Naples
662:Oberlin TIMARA Labs
657:Princeton Sound Lab
208:(Excerpt @ youtube)
115:Bohlen–Pierce scale
86:University of Paris
444:Jean-Claude Risset
404:Giuseppe di Giugno
277:2009-07-09 at the
70:Harvard University
1044:
1043:
733:
732:
698:Digital synthesis
389:Richard Boulanger
78:Les Ateliers UPIC
18:American composer
1129:
1037:
1029:
1021:
1016:
1008:
1000:
992:
984:
976:
968:
960:
952:
944:
936:
928:
920:
912:
904:
896:
888:
880:
872:
869:Pauline Oliveros
864:
861:Morton Subotnick
856:
848:
840:
832:
824:
816:
808:
800:
797:Mario Davidovsky
792:
784:
760:
753:
746:
737:
736:
541:Laptop orchestra
491:
486:
363:
356:
349:
340:
339:
295:
292:
286:
268:
249:
244:
201:POINT LINE CLOUD
97:Alberto de Campo
44:Career and music
38:pulsar synthesis
1137:
1136:
1132:
1131:
1130:
1128:
1127:
1126:
1047:
1046:
1045:
1040:
1032:
1024:
1019:
1011:
1003:
995:
987:
979:
973:George E. Lewis
971:
965:Laurie Anderson
963:
955:
947:
941:Miller Puckette
939:
931:
923:
915:
907:
899:
891:
883:
875:
867:
859:
851:
843:
835:
827:
819:
811:
803:
795:
787:
779:
771:
770:
764:
734:
729:
704:
693:Sound synthesis
671:
600:
551:MIDI controller
498:
492:
478:
434:Miller Puckette
372:
367:
329:Wayback Machine
304:
299:
298:
293:
289:
279:Wayback Machine
269:
252:
245:
241:
236:
197:
123:
68:"Federico II",
50:Cleveland, Ohio
46:
19:
12:
11:
5:
1135:
1125:
1124:
1119:
1114:
1109:
1104:
1099:
1094:
1089:
1084:
1079:
1074:
1069:
1064:
1059:
1042:
1041:
1039:
1038:
1034:Annea Lockwood
1030:
1022:
1017:
1013:Carla Scaletti
1009:
1001:
993:
989:Barry Schrader
985:
981:Laurie Spiegel
977:
969:
961:
953:
945:
937:
929:
921:
913:
905:
897:
889:
881:
873:
865:
857:
849:
841:
837:Milton Babbitt
833:
825:
817:
809:
801:
793:
785:
776:
773:
772:
766:
763:
762:
755:
748:
740:
731:
730:
728:
727:
720:
712:
710:
706:
705:
703:
702:
701:
700:
690:
685:
679:
677:
673:
672:
670:
669:
664:
659:
654:
649:
644:
639:
634:
629:
624:
619:
614:
608:
606:
602:
601:
599:
598:
593:
588:
583:
578:
573:
568:
563:
558:
553:
548:
543:
538:
533:
528:
523:
518:
513:
508:
502:
500:
494:
493:
481:
479:
477:
476:
474:Iannis Xenakis
471:
466:
461:
456:
454:Laurie Spiegel
451:
446:
441:
439:Roger Reynolds
436:
431:
426:
421:
416:
411:
406:
401:
396:
391:
386:
380:
378:
374:
373:
370:Computer music
366:
365:
358:
351:
343:
337:
336:
331:
319:
310:
303:
302:External links
300:
297:
296:
287:
250:
238:
237:
235:
232:
231:
230:
222:
216:
210:
196:
193:
192:
191:
177:
163:
147:
131:
122:
119:
82:Iannis Xenakis
45:
42:
17:
9:
6:
4:
3:
2:
1134:
1123:
1120:
1118:
1115:
1113:
1110:
1108:
1105:
1103:
1100:
1098:
1095:
1093:
1090:
1088:
1085:
1083:
1080:
1078:
1077:Living people
1075:
1073:
1070:
1068:
1065:
1063:
1060:
1058:
1055:
1054:
1052:
1035:
1031:
1027:
1023:
1018:
1014:
1010:
1006:
1002:
998:
994:
990:
986:
982:
978:
974:
970:
966:
962:
958:
954:
950:
946:
942:
938:
934:
930:
926:
922:
918:
914:
910:
906:
902:
898:
894:
890:
886:
882:
878:
874:
870:
866:
862:
858:
854:
850:
846:
845:Charles Dodge
842:
838:
834:
830:
826:
822:
821:John Chowning
818:
814:
810:
806:
802:
798:
794:
790:
786:
782:
778:
777:
774:
769:
761:
756:
754:
749:
747:
742:
741:
738:
726:
725:
721:
719:
718:
714:
713:
711:
707:
699:
696:
695:
694:
691:
689:
686:
684:
681:
680:
678:
674:
668:
665:
663:
660:
658:
655:
653:
650:
648:
645:
643:
640:
638:
635:
633:
630:
628:
625:
623:
620:
618:
615:
613:
610:
609:
607:
603:
597:
594:
592:
589:
587:
586:SuperCollider
584:
582:
579:
577:
574:
572:
569:
567:
564:
562:
559:
557:
554:
552:
549:
547:
544:
542:
539:
537:
534:
532:
529:
527:
524:
522:
519:
517:
514:
512:
509:
507:
504:
503:
501:
495:
490:
485:
475:
472:
470:
467:
465:
462:
460:
457:
455:
452:
450:
447:
445:
442:
440:
437:
435:
432:
430:
427:
425:
422:
420:
417:
415:
412:
410:
409:Charles Dodge
407:
405:
402:
400:
399:John Chowning
397:
395:
392:
390:
387:
385:
382:
381:
379:
375:
371:
364:
359:
357:
352:
350:
345:
344:
341:
335:
332:
330:
326:
323:
320:
318:
316:
311:
309:
306:
305:
291:
284:
280:
276:
273:
267:
265:
263:
261:
259:
257:
255:
248:
243:
239:
228:
227:
223:
220:
217:
214:
211:
209:
206:
202:
199:
198:
190:
189:0-262-68051-3
186:
183:. MIT Press.
182:
178:
176:
175:90-265-1483-2
172:
169:. Routledge.
168:
164:
162:
161:0-262-68082-3
158:
155:. MIT Press.
154:
153:
148:
146:
145:0-262-18215-7
142:
138:
137:
132:
129:
125:
124:
118:
116:
112:
107:
105:
100:
98:
94:
89:
87:
83:
79:
75:
71:
67:
63:
59:
55:
51:
41:
39:
35:
31:
27:
23:
16:
1026:Gordon Mumma
957:Curtis Roads
956:
949:Larry Austin
933:Joel Chadabe
925:Alvin Lucier
917:Wendy Carlos
909:Barry Vercoe
901:Jon Appleton
885:Herbert BrĂĽn
805:Otto Luening
722:
717:Illiac Suite
715:
709:Compositions
497:Programs and
469:Barry Vercoe
449:Curtis Roads
448:
384:Marc Battier
314:
290:
283:Mat.UCSB.edu
282:
242:
224:
218:
212:
200:
195:Compositions
180:
166:
151:
134:
127:
121:Publications
110:
108:
101:
90:
47:
22:Curtis Roads
21:
20:
15:
1107:1951 births
877:Paul Lansky
829:Max Mathews
813:Robert Moog
591:TidalCycles
556:Music Mouse
499:instruments
429:GĂ©rard Pape
424:Max Mathews
419:Paul Lansky
308:Artist page
221:(1991–1994)
215:(1998–1999)
84:), and the
1051:Categories
997:Dave Smith
893:Don Buchla
676:Techniques
394:David Cope
234:References
219:Clang-Tint
136:Microsound
111:Clang-Tint
30:electronic
612:Bell Labs
576:Riffusion
571:Radiodrum
561:Pure Data
213:Half-life
205:@Asphodel
1005:Pamela Z
789:Les Paul
581:Sonic Pi
325:Archived
275:Archived
56:and the
48:Born in
34:granular
26:composer
566:MUSIC-N
546:Max/MSP
464:Trimpin
459:The Hub
203:(2005)
1036:(2020)
1028:(2019)
1015:(2017)
1007:(2016)
999:(2015)
991:(2014)
983:(2013)
975:(2012)
967:(2011)
959:(2010)
951:(2009)
943:(2008)
935:(2007)
927:(2006)
919:(2005)
911:(2004)
903:(2003)
895:(2002)
887:(2001)
879:(2000)
871:(1999)
863:(1998)
855:(1997)
847:(1996)
839:(1995)
831:(1994)
823:(1993)
815:(1991)
807:(1990)
799:(1989)
791:(1988)
783:(1987)
622:CEMAMu
605:Places
521:Csound
377:People
229:(1980)
187:
173:
159:
143:
88:VIII.
647:IRCAM
617:CCRMA
526:FAUST
506:ChucK
226:nscor
642:ICMA
637:ICEM
596:UPIC
536:Kyma
531:HMSL
511:Cmix
185:ISBN
171:ISBN
157:ISBN
141:ISBN
36:and
667:IEM
281:",
1053::
253:^
117:.
106:.
99:.
76:,
72:,
40:.
759:e
752:t
745:v
362:e
355:t
348:v
285:.
270:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.