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Country blues

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of the late 1950s and 1960s. The acoustic roots-focused movement also gave rise to the terms "folk blues" and "acoustic blues", especially being applied to performances and recordings made around this period. "Country blues" has also been used to describe regional acoustic styles, such as
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styles with roots in the American south. Record labels in the 1920s and 1930s carefully segregated musicians and defined styles for racially targeted audiences. Over time, the rural black and rural white music evolved into different styles, with artists such as
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Charters's works helped to introduce the then-nearly forgotten music to the
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in the early 20th century. It stands in contrast primarily to the
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Historian Elijah Wald notes many similarities between blues,
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was one of the first to use the term and applied it to a
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Can't Be Satisfied: The Life and Times of Muddy Waters
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Index

Folk Blues (album)
Blues
folk
gospel music
American South
Delta blues
Piedmont blues
blues
fingerstyle guitar
Southern United States
urban blues
Blind Lemon Jefferson
Charley Patton
Blind Willie McTell
urban blues
bluegrass
country & western
Bobby Bland
Ray Charles
Willie Nelson
Alan Lomax
field recording
Muddy Waters
Stovall Plantation, Mississippi
Samuel Charters
The Country Blues
The Country Blues
Sleepy John Estes
Bukka White
Robert Johnson

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