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Counter-melody

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in that whereas the harmony part typically lacks its own independent musical line, a countermelody is a distinct melodic line.
252: 89: 163:, written to be played simultaneously with a more prominent lead melody. In other words, it is a secondary melody played in 61: 68: 108: 576: 42: 75: 46: 57: 612: 294: 569: 167:
with the primary melody. A counter-melody performs a subordinate role, and it is typically heard in a
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applies to a secondary or subordinate melodic idea in a
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Vol. 1, p.138. Seventh edition. Boston: McGraw-Hill.
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In marches, the counter-melody is often given to the
49:. Unsourced material may be challenged and removed. 243:Benward, Bruce, and Marilyn Nadine Saker (2009). 594: 577: 295: 190:is credited with this innovation in 1876. 584: 570: 302: 288: 109:Learn how and when to remove this message 120: 225:Traditional sub-Saharan African harmony 125:Primary and secondary melody in Bach's 595: 283: 536: 47:adding citations to reliable sources 18: 13: 14: 624: 309: 540: 375: 23: 34:needs additional citations for 258: 237: 1: 230: 556:. You can help Knowledge by 245:Music in Theory and Practice 171:consisting of a melody plus 7: 208: 10: 629: 535: 492: 384: 373: 317: 140: 385:Techniques and styles 193:The more formal term 124: 186:. American composer 43:improve this article 319:Musical instruments 188:David Wallis Reeves 155:) is a sequence of 613:Music theory stubs 141: 565: 564: 530: 529: 272:on July 21, 2007. 253:978-0-07-310188-0 159:, perceived as a 119: 118: 111: 93: 16:Musical component 620: 586: 579: 572: 544: 537: 507:Musical ensemble 379: 304: 297: 290: 281: 280: 274: 273: 268:. Archived from 262: 256: 241: 220:Parallel harmony 139: 138: 137: 135: 114: 107: 103: 100: 94: 92: 58:"Counter-melody" 51: 27: 19: 628: 627: 623: 622: 621: 619: 618: 617: 593: 592: 591: 590: 533: 531: 526: 494:Music ensembles 488: 380: 371: 347:Electric guitar 327:Acoustic guitar 313: 308: 278: 277: 264: 263: 259: 242: 238: 233: 211: 133: 130: 129: 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 626: 616: 615: 610: 605: 589: 588: 581: 574: 566: 563: 562: 545: 528: 527: 525: 524: 522:Rhythm section 519: 514: 509: 504: 498: 496: 490: 489: 487: 486: 481: 476: 471: 466: 461: 456: 451: 446: 441: 439:Counter-melody 436: 431: 430: 429: 424: 414: 412:Basso continuo 409: 404: 399: 394: 388: 386: 382: 381: 374: 372: 370: 369: 364: 359: 354: 352:Electric piano 349: 344: 339: 334: 329: 323: 321: 315: 314: 307: 306: 299: 292: 284: 276: 275: 257: 235: 234: 232: 229: 228: 227: 222: 217: 210: 207: 195:countersubject 149:counter-melody 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 625: 614: 611: 609: 606: 604: 603:Accompaniment 601: 600: 598: 587: 582: 580: 575: 573: 568: 567: 561: 559: 555: 552:article is a 551: 546: 543: 539: 538: 534: 523: 520: 518: 517:Pit orchestra 515: 513: 510: 508: 505: 503: 500: 499: 497: 495: 491: 485: 482: 480: 477: 475: 472: 470: 467: 465: 464:Harmonization 462: 460: 457: 455: 452: 450: 447: 445: 442: 440: 437: 435: 432: 428: 425: 423: 422:Triadic chord 420: 419: 418: 415: 413: 410: 408: 405: 403: 400: 398: 395: 393: 390: 389: 387: 383: 378: 368: 365: 363: 360: 358: 357:Hammond organ 355: 353: 350: 348: 345: 343: 342:Electric bass 340: 338: 335: 333: 330: 328: 325: 324: 322: 320: 316: 312: 311:Accompaniment 305: 300: 298: 293: 291: 286: 285: 282: 271: 267: 261: 254: 250: 246: 240: 236: 226: 223: 221: 218: 216: 213: 212: 206: 204: 203:backup singer 200: 196: 191: 189: 185: 181: 176: 174: 173:accompaniment 170: 166: 162: 158: 154: 153:countermelody 150: 146: 136: 128: 123: 113: 110: 102: 99:December 2009 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 558:expanding it 550:music theory 547: 532: 438: 392:Alberti bass 270:the original 260: 244: 239: 192: 177: 165:counterpoint 152: 148: 142: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 502:Backup band 427:Power chord 332:Double bass 215:Nebenstimme 597:Categories 449:Figuration 402:Banjo roll 367:Pipe organ 231:References 69:newspapers 512:Orchestra 469:Obbligato 180:trombones 474:Ostinato 407:Bassline 397:Arpeggio 337:Drum kit 209:See also 127:BWV 1079 434:Comping 169:texture 151:(often 83:scholar 608:Melody 459:Groove 251:  161:melody 85:  78:  71:  64:  56:  548:This 444:Drone 417:Chord 362:Piano 199:fugue 184:horns 157:notes 145:music 90:JSTOR 76:books 554:stub 484:Vamp 479:Riff 454:Fill 249:ISBN 147:, a 134:Play 62:news 182:or 143:In 45:by 599:: 175:. 585:e 578:t 571:v 560:. 303:e 296:t 289:v 255:. 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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BWV 1079
Play
music
notes
melody
counterpoint
texture
accompaniment
trombones
horns
David Wallis Reeves
countersubject
fugue
backup singer
Nebenstimme
Parallel harmony
Traditional sub-Saharan African harmony
ISBN

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