1592:
238:
491:
33:
635:
163:
1406:
2577:
746:
1218:
2023:
1617:
6544:
1848:
2494:
1526:
538:
3450:
1090:
1255:
588:, the focus remained firmly on the present day. In some ways, the omissions are as interesting as the inclusions: no direct representation of the aristocracy, of prominent businessmen, of the high clergy, or of the army, and except for the "popular" classes, the writing is a bit circumspect and cautious. Still, the material is strong on ethnological, folkloric, and linguistic detail.
2403:
2053:, but as it approaches his own time it becomes more and more detailed and quotidian, and its second half is a series of narratives that, according to Stephen M. Hart, give "lip service" to conventional morality while taking "a keen delight in recounting the various skullduggeries of witches, rogues, murderers, whores, outlaws, priests and judges."
145:"preoccupation with minute detail, local color, the picturesque, and their concern with matters of style is frequently no more than a subterfuge. Astonished by the contradictions observed around them, incapable of clearly understanding the tumult of the modern world, these writers sought refuge in the particular, the trivial or the ephemeral."
865:("Popular Andalusian stories and poems", collected in 1859 from prior publication in magazines), writes within the genre, particularly in "Una paz hecha sin preliminares, sin conferencias y sin notas diplomáticas" ("A peace made without preliminaries, without conferences, and without diplomatic notes"), with its very specific setting in
1251:
solid color and painted with a broad brush, while the School of
Seville painted more delicately. The Madrid paintings have a certain urgency, while the Seville paintings are typically serene, even misty. The Madrid painters focus more on unique individuals, the Sevillianos on individuals as representatives of a type.
1250:
artists of Madrid were more acerbic, sometimes even vulgar, in portraying the life of lower class Madrid. More of their market was domestic, including to the often snobbish (and often
Europeanizing and liberal) elite of the capital. Among other things, the School of Madrid often used large masses of
1397:
painters as well as from Goya. A fine portraitist who tended to take his subjects from among the common people, in some ways he epitomizes the difference between the School of Madrid and that of
Seville. For him the "official" Romanticism was a topic to satirize, as in his series of paintings
88:
realist focus on precise representation of particular times and places, rather than of humanity in the abstract. It is often satiric and even moralizing, but unlike mainstream realism does not usually offer or even imply any particular analysis of the society it depicts. When not satiric, its
1548:
depicting racial categories and hierarchy disappeared at independence when casta categories were abolished, but costumbrismo paintings resonated with the stereotypes of the earlier genre. A number of foreign visitors to Mexico produced images in the costumbrista tradition, including
2251:(1892). Still, in some ways, his vision was narrow. J. Alcántara Almánzar remarks that "black people are practically absent as important characters, and this absence is very significant in a country whose majority is 'mulatto'." Blacks are more present in the
228:
bursts out as a clear genre in its own right, addressing a broad audience: stories and illustrations often made their first or most important appearance in cheap periodicals for the general public. It is not easy to draw lines around the genre:
595:, "Contrastes. Tipos perdidos, 1825, Tipos hallados, 1845" ("Contrasts. Types lost, 1825, types found, 1845"), Mesonero on the one hand showed that the genre, in its original terms, was played out, and on the other laid the ground for future
233:
spoke of its "extraordinary elasticity and variety". Some of it is almost reportorial and documentary, some simply folkloric; what it has in common is the effort to capture a particular place (whether rural or urban) at a particular time.
804:("Yesterday, today and tomorrow or faith, steam and electricity (social pictures of 1800, 1850, and 1899)") going Mesonero's "types lost" and "types found" one better by projecting a vision of the future influenced by the work of
1494:), his work in Madrid did partake of some of the socially critical aspects of the other painters of that city, but not of the satiric aspects: his portraits of common people emphasize their dignity, seldom their foibles.
1245:
paintings were mainly romantic and folkloric, largely devoid of social criticism. Much of their market was to foreigners for whom
Andalusia epitomized their vision of a Spain distinct from the rest of Europe. The
99:
can be found in any of the visual or literary arts; by extension, the term can also be applied to certain approaches to collecting folkloric objects, as well. Originally found in short essays and later in novels,
2173:
355:. Furthermore, Addison and Steele's own work was translated into Spanish in the early 19th century, and Mesonero Romanos, at least, had read it in French. Still, an even stronger influence came by way of
1052:
In the course of the century, more and more
Spanish regions asserted their particularity, allowing this now established technique of writing to be given new scope. In other regions—Madrid, Andalusia—
599:: new "types" would always arise, and many places remained to be written about in this fashion. The book had many descendants, and a major reissue in 1871. A particularly strong current came out of
1045:, several of the most important 20th-century Spanish writers at least dabbled in, or were influenced by, the genre. When we go beyond the first string of writers, we see more of a continuation of
1350:
1284:
2419:
1229:
Costumbrismo is an art form developed by
Spanish painters. In the 19th century, a wave of nationalistic fervour took hold, providing the stimulus for painters to focus on local customs (or
261:
1354:
1304:
1183:
772:("Twelve Spaniards with a broad brush, who not being able to portray themselves have put me, Antonio Flores, in charge of their portraits"), subtitled a "novel of popular customs" (
2613:
2184:
in Cuba, 1838–40). His work focused often on what he found vulgar or ridiculous about Cuban life, but was written with a fatherly affection. Villaverde, probably Cuba's greatest
2134:
2130:
1041:
in Spain by no means ended at the turn of the century, but it simply did not play as important a role in 20th-century
Spanish literature as it did in the century before. As noted
376:
2142:
1287:(1781–1856), both associated with Romanticism. The trend was continued by the School of Seville, in a city much more on the path of a foreign clientele. The founding figure was
1280:
514:
was serialized in London starting in 1838 and was published in its entirety in 1840–41. It combined essays by such "distinguished writers" (the volume's own choice of words) as
312:
2349:
2208:
1824:
581:
2474:
885:
1446:
1175:
2601:
2007:
230:
2561:
2220:
1370:) and their female equivalents, horsemen, bandits and smugglers, street urchins and beggars, Gypsies, traditional architecture, fiestas, and religious processions such as
506:
had been influenced by
English models, often by way of France, the same occurred with the equivalent in the visual arts, but with far more recent models. In a period when
1591:
1490:
Also in Madrid, but not really part of the School of Madrid, was
Valeriano Bécquer (transplanted son of José Domínguez Bécquer). Although also influenced by Goya (and by
1346:
2482:
1888:
1851:
1335:
1136:
565:
453:
433:
2617:
2609:
1963:
577:
2565:
380:
2287:
2279:
1685:
6386:
2597:
2431:
1163:
2679:
2138:
1816:
1144:
2427:
2126:
2081:
1438:
1323:
761:
461:
1450:
2299:
2106:
616:
2699:(1980), p. 129, quoted by Enrique Pupo-Walker, "The brief narrative in Spanish America 1835–1915", 490:535 in Roberto González Echevarría, Enrique Pupo-Walker,
2102:
1832:
1657:
704:
604:
2114:
724:
449:
220:). All of these writers have, in at least some of their work, an attention to specific, local detail, an exaltation of the "typical" that would feed into both
3339:
2061:
1979:
1058:
2478:
2118:
1442:
1179:
620:
5011:
2295:
1955:
1199:
2201:
novel can be seen as an early realist work, and continues to be read in recent times. Villaverde also wrote the prologue for Cárdenas's 1847 collection of
1915:
1751:
1665:
1342:
2361:
1693:
1681:
2621:
1132:
1939:
1673:
1884:
1319:
692:
197:
1931:
441:
3233:
2817:
2797:
2549:
2303:
2291:
2003:
1935:
3973:
2065:
1880:
1943:
1191:
1155:
569:
3482:
1995:
1919:
1782:
1581:, depicting a fritter seller in an urban night scene is in the collections of the Mexican government. Another less well known Mexican artist is
2122:
137:
and set roots in the
Spanish-speaking portions of the Americas, incorporating indigenous elements. Juan López Morillas summed up the appeal of
5888:
1460:
5340:
1303:(1817–79) was known for his acute observation of light and atmosphere. Another of José Domínguez Bécquer's students, the bold and forceful
5374:
1103:
as more serious, less picturesque, and more poetic than in the 19th century. Among his many examples of the 20th century continuation of
3322:
3310:
in New West Indian Guide/Nieuwe West-Indische Gids 61 (1987), no: 3/4, Leiden, 161:173. Accessed online at kitlv-journals.nl 2010-01-21.
2326:
can claim one of the longest lineages to be found in the Americas. In the same era in which the genre was gaining an identity in Spain,
307:) looked for a "genuine" and picturesque Spain in the recent past of particular regions; Mesonero Romanos was a careful observer of the
5881:
3391:
3079:
584:(1818–95). Andrés Soria remarks that, except for the Andalusian "types", everything was from the point of view of Madrid. Unlike later
3415:
2971:
2330:(1776–1827) Mexico's first novelist (and perhaps Latin America's first novelist) wrote works that had many similar aspects, including
2962:(University of Lleida), ISSN 1130-961X, Vol. 16, Number 16, 2001, 133:148. Accessed online 2010-01-20. p. 148, n. 39 (p. 16 of PDF).
2327:
1314:(1788–1861), best known for paintings of individuals theatrically posed against rural backgrounds, and an atmosphere reminiscent of
1299:(1833–70), who moved to Madrid. Domínguez Bécquer's influence came as an art teacher, as well as an artist. His student and cousin
1322:(1808–71), also very influenced by Murillo, known especially as a painter of children and urchins. One of Cabral Bejarano's sons,
918:
mode, with its mixture of urban, rural and seafaring scenes, and sections offering sketches of various milieus. Poet and novelist
3398:, educastur.princast.es (Consejería de Educación y Ciencia del Gobierno del Principado de Asturias). Accessed online 2010-01-21.
522:
with pictures of individuals emblematic of different English "types". This was followed in France by a work first serialized as
6163:
4698:
4132:
2652:
268:, although arguably his writing is too political to properly fit the genre. According to Andrés Soria, the first incontestable
981:, or even entire works in the genre, can be found among major Spanish writers of the 20th century, though to a lesser extent.
5101:
4183:
3899:
2387:
1425:(1817–70). An artistic successor to Goya (though a more erratic painter than the master), Lucas Velázquez's work ranged from
3407:
Escudero appears to have the wrong date of death (1868) and a questionable date of birth (1808) for this well-known figure.
303:(1809–37) who sometimes wrote under the pseudonym "Fígaro". Estébanez Calderón (who originally wrote for the abovementioned
217:
6608:
3743:
2875:
4481:
4464:
3865:
3475:
2921:
2676:
770:
Doce españoles de brocha gorda, que no pudiéndose pintar a sí mismos, me han encargado a mí, Antonio Flores, sus retratos
5450:
3810:
1078:
in the previous century had portrayed their predecessors. Other "types" were those who were a caricature of times past:
6583:
5518:
4369:
1159:
389:
3838:
939:
292:
5597:
5592:
4437:
3928:
3368:
3267:
2842:
2708:
2073:
2194:(the first part of which was published in 1839, although the definitive version was not published until 1882). This
1755:
1300:
1222:
6588:
3855:
2521:: picture of customs of the island of Puerto Rico", 1849), Puerto Rico's most important contribution to the genre.
2353:
2110:
237:
4603:
356:
6023:
5496:
3787:
3703:
831:
1927:
1582:
711:, king of the demons), broke with the history of the genre by writing of the upper classes in Madrid during the
490:
5776:
5325:
5184:
3968:
3804:
3513:
3468:
1288:
4865:
4618:
3454:
1911:
1800:
861:(pen name of Cecilia Francisca Josefa Böhl de Faber) (1796–1877), for example, in the prose portions of her
552:
was a mixture of verse and prose, and of writers and artists from various generations. Illustrators included
1124:
530:("The French, drawn by themselves. Moral Encyclopedia of the 19th Century"). The Spanish soon followed with
420:(1808–74), who mainly wrote pseudonymously as "El Estudiante" and who founded the satiric-literary magazine
32:
6247:
5619:
5460:
5288:
4093:
4005:
3978:
1828:
1377:
The School of Madrid was united less by a common visual style than by an attitude, and by the influence of
1006:
17:
3230:
2814:
2794:
1987:
1315:
1203:
393:, written by various foreigners who had visited Spain and, in painting, the foreign artists (especially,
296:
246:
6598:
6573:
6568:
5908:
5609:
4275:
3307:
754:
712:
557:
515:
5562:
2952:
1005:(José Augusto Trinidad Martínez Ruíz, 1873–1967) often wrote in this genre; one could comb the works of
870:
6205:
5821:
5644:
5018:
4632:
4608:
4161:
4120:
3833:
2244:
2165:
2069:
1653:
1498:
1140:
1093:
425:
201:
4556:
2522:
1696:(1858–1903, "Fray Mocho"), in the story "Viaje al país de los matreros" ("A trip to bandit country");
1472:
1422:
1414:
634:
368:
6578:
5404:
5283:
5239:
4647:
4290:
4258:
4156:
3642:
1836:
895:
888:
162:
1454:
951:
931:
408:
While Estébanez Calderón, Mesonero Romanos, and (insofar as he fits the genre) Larra were the major
205:
6168:
6151:
5806:
5649:
5634:
5445:
5315:
5189:
4981:
4936:
4897:
4838:
4809:
4209:
3550:
3460:
2557:
2451:
2311:
1709:
647:
36:
5345:
5305:
2712:
2046:
1876:
1857:
796:'s translator into Spanish, and Sue's influence is strong in this work. Flores turned to again to
417:
300:
6329:
5666:
5506:
5261:
4870:
4816:
4420:
4263:
4178:
4105:
4044:
3319:
2887:
2357:
1975:
1405:
1311:
866:
394:
5438:
5256:
4748:
3095:
Mey-Yen Moriuchi, "From Casta to Costumbrismo: Representations of Racialized Social Spheres" in
3001:
2576:
2517:
1717:
412:
writers, many other Spanish writers of the 19th century devoted all or part of their careers to
331:—he was not particularly enamored of the Spanish society that he nonetheless observed minutely.
84:, sharing the Romantic interest in expression as against simple representation and the romantic
6593:
6547:
6440:
6088:
6038:
5998:
5961:
5861:
5501:
4821:
4799:
4659:
3627:
3412:
2050:
1585:(1824-1904), who was also a writer, teacher, art critic, intellectual, and cultural diplomat."
662:
519:
473:
469:
802:
Ayer, hoy y mañana o la fe, el vapor y la electricidad (cuadros sociales de 1800, 1850 y 1899)
776:). Published in 1846 and reissued several times, the book merged the hitherto more essayistic
745:
68:
or pictorial interpretation of local everyday life, mannerisms, and customs, primarily in the
6078:
6053:
6018:
5988:
5954:
5876:
5654:
5629:
5244:
5123:
5028:
3587:
3509:
3121:
Jenny O. Ramirez, "Nurture and Conformity: Arrieta's Images of Women, Food, and Beverage" in
3014:
2846:
2423:
1649:
1620:
1195:
526:("The French, Contemporary Manners", beginning in 1839) and published in a volume in 1842 as
384:
285:
65:
4506:
3388:
3076:
2939:
can be found on the site of Rice University as part of the Rice Digital Scholarship Archive.
2422:(1780–1832), poeta and journalist and his younger, irreverent, Madrid-educated collaborator
2146:
1635:
534:("The Spanish Drawn By Themselves") serialized from 1842 and published in a volume in 1843.
452:(1817–89), portraying the lives of bookish students (in between writing serious histories);
6603:
6200:
5781:
5550:
5455:
5249:
5179:
5095:
4969:
4772:
4598:
4398:
4088:
3923:
3828:
3762:
3693:
3612:
3602:
3592:
2862:
2605:
2446:
2256:
1371:
963:
611:("Encyclopedia of vulgar types and customs of Barcelona", 1844) illustrated by Servat, and
347:
3110:
Costumes, Civil, Militaires et Religieux du Mexique. Dessinés d;aorès Nature par C. Linati
1296:
720:
8:
6423:
6008:
5924:
5893:
5771:
5734:
5535:
5421:
5268:
4941:
4627:
4613:
4219:
4142:
4020:
3940:
3918:
6502:
5746:
4280:
3422:
says 1807-1865, accessed online 2010-01-22, and makes a case for why 1808 is improbable.
2553:
2307:
1108:
1010:
1001:("Picturesque showcase", 1935) and in passages of his novels set in the Basque Country.
858:
213:
6465:
6073:
6013:
5756:
5678:
5614:
5428:
5389:
5232:
5133:
5060:
4887:
4674:
4449:
4323:
4253:
4115:
4110:
3887:
3652:
3617:
3408:
2455:
2391:
2240:
1903:
1868:
1767:
1644:
1468:
1263:
328:
180:
6523:
5704:
5384:
1634:
genre in at least some of their writing, though few worked narrowly within the genre.
1558:
1529:
1491:
1171:
805:
784:(although not a particularly tightly plotted novel). Somewhat more novelistic was his
6193:
6146:
6116:
5976:
5846:
5761:
5751:
5416:
5399:
5273:
4892:
4855:
4826:
4779:
4642:
4588:
4578:
4568:
4459:
4137:
4049:
4039:
4026:
4015:
3678:
3607:
3582:
3538:
3411:, Biografías y Vidas, accessed online 2010-01-22, says 1806–1865; Pedro Díaz Seijas,
3364:
3263:
2838:
2704:
2169:
1574:
1386:
1378:
982:
919:
853:
Many of the great Spanish realist writers of the 19th century worked at times in the
723:
wrote about both Madrid and Barcelona, Narcís Oller (1846–1930) about Barcelona, and
561:
167:
4430:
3850:
2283:
2190:
2094:
was praised by Alfonso M. Escudero as the greatest Spanish-language romantic novel.
1261:
can also be found in photography, as in this image of an Andalusian Gypsy wearing a
6529:
6475:
6433:
6136:
5929:
5567:
5474:
5352:
5065:
5048:
5006:
5001:
4996:
4914:
4860:
4583:
4528:
4425:
4393:
4364:
4243:
4236:
4231:
4204:
4066:
4061:
3738:
3499:
3125:, ed. Kellen Kee McIntyre and Richard E. Phillips. Leiden: Brill 2007, pp. 207-220.
2568:(1887–1975). Most of these writers also did significant work outside of the genre.
2506:
2345:
2336:
1763:
1697:
1112:
823:
6257:
2450:, was a man of letters, a former liberal politician and later the director of the
2090:
1721:
1476:
959:
6450:
6307:
6282:
6232:
6156:
5981:
5971:
5866:
5851:
5831:
5714:
5624:
5587:
5572:
5320:
5227:
5169:
4991:
4986:
4743:
4712:
4664:
4354:
4285:
4270:
4098:
4076:
3997:
3945:
3935:
3907:
3860:
3843:
3767:
3708:
3698:
3637:
3419:
3395:
3372:
3326:
3289:
3271:
3240:, Ediciones Rialp S.A. Gran Enciclopedia Rialp, 1991. Accessed online 2010-01-21.
3237:
3083:
2988:
2904:
2821:
2804:, Ediciones Rialp S.A. Gran Enciclopedia Rialp, 1991. Accessed online 2010-01-20.
2801:
2683:
1554:
1506:
1382:
728:
628:
553:
196:
can be found as early as the 17th century (for example in the work of playwright
185:
4334:
2259:(1855–1901), but he is far more sympathetic to his white characters, portraying
1872:
1701:
1237:, Madrid and Andalusia (particularly Seville) were Spain's two great centers of
1187:
209:
6512:
6480:
6428:
6376:
6359:
6349:
6277:
5939:
5816:
5786:
5683:
5671:
5545:
5479:
5411:
5278:
5174:
4877:
4573:
4513:
4454:
4318:
4248:
3955:
3877:
3794:
3647:
2933:
2633:
2049:(1566–1638 or 1640). Rodríguez's work begins as a chronicle of the conquest of
1550:
1545:
1480:
1463:(1804–44) was at least strongly akin to the School of Madrid. Although born in
1331:
1167:
1128:
342:
338:
77:
6093:
3962:
3262:, Volume 243 of Colección Támesis. Serie A, Monografías, Tamesis Books, 2007,
2593:
2581:
1791:
673:("The Spanish these days", 1872), focused on Madrid, and the vast undertaking
6562:
6413:
6381:
6242:
6237:
6220:
6048:
6043:
6028:
6003:
5993:
5944:
5604:
5582:
5513:
5379:
5208:
5111:
5087:
5070:
5038:
5023:
4804:
4794:
4789:
4693:
4442:
4403:
4342:
4168:
4125:
3894:
3823:
3755:
3597:
3575:
3491:
3136:
Homenaje Nacional: José AugustÍn Arrieta (1803-1874): Su Tiempo, Vida, y Obra
2441:
2406:
2365:
1759:
1729:
1638:(1805–51) was a politically passionate Romantic writer whose work has strong
935:
838:("Museum of families. Paris, London, Madrid") created a sort of cosmopolitan
5898:
5043:
4705:
1808:
994:
793:
528:
Les Français peints par eux-mêmes. Encyclopédie Morale du dixneuviéme siécle
129:
Although initially associated with Spain in the late 18th and 19th century,
6492:
6445:
6401:
6391:
6354:
6324:
6287:
6262:
6252:
6215:
6058:
5841:
5709:
5433:
5362:
5159:
5082:
4833:
4784:
4688:
4637:
4534:
4474:
4469:
4214:
4034:
3872:
3730:
3713:
3673:
3668:
3622:
3560:
3436:
Mexican Costumbrismo: Race, Society, and Identity in Nineteenth-Century Art
3376:
3294:
3275:
3097:
Envisioning Others: Race: Color, and the Visual in Iberia and Latin America
3018:
2908:
2850:
2716:
2198:
2085:
2026:
1426:
1013:(1916–2002) and find many passages that could come straight from a work of
689:("Madrid from inside and outside, 1873) by Manuel del Palacio (1831–1906).
682:
134:
6487:
4348:
2701:
The Cambridge History of Latin American Literature: Discovery to modernism
1487:. His painting is rife with social criticism, and often angrily populist.
1217:
6408:
6371:
6312:
6188:
6183:
6178:
6126:
6121:
6063:
5966:
5903:
5856:
5796:
5766:
5688:
5530:
5368:
5357:
5330:
5300:
5164:
5138:
5055:
4976:
4964:
4919:
4909:
4904:
4882:
4843:
4679:
4654:
4539:
4501:
4408:
4376:
4328:
4056:
3984:
3777:
3718:
3632:
3570:
3530:
2502:
1804:
1430:
507:
432:(1836-57), Spain's first illustrated magazine; and such lesser lights as
81:
2228:
1616:
6455:
6267:
6227:
6173:
6141:
6033:
5871:
5826:
5719:
5525:
5335:
5203:
4924:
4726:
4518:
4359:
4147:
3913:
3818:
3782:
3772:
3750:
3565:
3555:
3543:
3495:
2833:Ángeles Ezama Gil, José Enrique Serrano Asenjo (editors), Juan Valera,
2215:; he later went into exile in Mexico. He is best remembered today as a
2041:
2022:
1847:
1820:
1479:(1773–1838), and was influenced by Goya; he was also influenced by the
1434:
954:(1853–1938) also essayed the genre in newspaper articles, collected in
639:
324:
3086:, ArteHistoria (Junta de Castilla y León). Accessed online 2010-01-21.
572:. The writers included Mesonero and Estébanez as well as various less
6517:
6507:
6470:
6302:
6292:
6272:
6098:
6068:
5801:
5724:
5143:
4929:
4766:
4523:
4224:
4173:
4071:
3882:
3688:
3659:
3031:
2865:, Biblioteca Virtual Miguel de Cervantes. Accessed online 2010-01-20.
2837:, Nueva biblioteca de erudición y crítica, Editorial Castalia, 2002,
1778:
1627:
1116:
1089:
947:
907:
600:
457:
3490:
1002:
6497:
6418:
6366:
6297:
6210:
6131:
6083:
5949:
5934:
5791:
5729:
5661:
5555:
5540:
5214:
5128:
5118:
5106:
4850:
4313:
4010:
3950:
2526:
2493:
2380:
2032:
1812:
1525:
1394:
1279:) follows in the footsteps of two painters of the School of Cádiz,
1120:
708:
311:
of his time, especially of the middle classes; Larra, according to
123:
106:
90:
69:
2878:, Biblioteca Virtual Miguel Cervantes. Accessed online 2010-01-20.
2686:, Biblioteca Virtual Miguel Cervantes. Accessed online 2010-01-22.
2655:, Biblioteca Virtual Miguel Cervantes. Accessed online 2010-01-22.
1891:(1811–58), who under the name "Jotabeche" was the supreme Chilean
1464:
989:("Of my country", 1903) and some stories such as "Solitaña" in of
677:("Spanish, Portuguese, and American Women…", published in Madrid,
548:
A collective and hence, necessarily, uneven anthology of "types",
5836:
5639:
5577:
5394:
5293:
5033:
4760:
4593:
4199:
3799:
3683:
2542:
2438:("the Bat"), a name which he also gave to a magazine he founded.
2271:
1744:
1410:
971:
643:
537:
465:
402:
398:
254:
4755:
3340:
Mexico's Voltaire: José Joaquín Fernández de Lizardi (1776–1827)
576:
writers and many not usually associated with the genre, such as
6460:
6319:
5811:
5741:
5310:
5222:
5077:
4308:
3449:
3329:, diccionariobiograficoecuador.com. Accessed online 2010-01-22.
3151:. Mexico City: Fondo de Editorial de la Plástica Mexicana 1998.
2212:
1577:(ca. 1830-ca. 1870s), about whom little is known. His painting
703:("Shops", 1886) and "Tipos madrileños" ("Madrid types", 1888).
678:
308:
175:
3363:, Library of Latin America, Oxford University Press US, 2004,
2956:, primera recopilación de cuentos de Narciso Campillo y Correa
1349:(1833–54), Francisco Ramos, and Joaquín Díez; history painter
1056:
itself had become part of the region's identity. The magazine
1028:
4544:
2260:
1541:
1367:
1254:
1166:, 1866–1943). Other writers who continued the tradition were
781:
2863:
Ficha de publicación periódica: Semanario pintoresco español
2511:
2314:(1859–1951), a novelist and later president of the country.
1393:. Alenza, in particular, showed a strong influence from the
735:("The album of Galicia. Types, customs and legends", 1897).
685:
in 1872–1873 and 1876). Also from this time was the satiric
6396:
5198:
2412:
2178:
Escenas cotidianas que abren camino al costumbrismo en Cuba
2157:
1362:
1292:
1209:
1186:(1899–1983). Similarly, 20th century Andalusia saw work by
1062:, founded 1915, wrote about some new "types": the indolent
1042:
884:
428:(1801–46), "Abenámar"; many early contributors to Madrid's
3297:. Accessed 2010-01-21; some pages are only partly legible.
2176:(1812–82). The patrician Betancourt published a series of
1449:
followed in his tracks; he was also a strong influence on
1291:(1805–41), father of the poet Gustavo Adolfo Bécquer (see
1017:. Although taken as a whole these writers are clearly not
351:
had influenced French writers, who in turn influenced the
6387:
Art in the Protestant Reformation and Counter-Reformation
3342:, Mexconnect.com, 2008-10-09. Accessed online 2010-01-21.
2924:, Libro de Notas, 2008-07-25. Accessed online 2010-01-20.
2529:, Spain, emigrated at age eleven to the island and wrote
2512:
El gibaro: cuadro de costumbres de la isla de Puerto Rico
2402:
2056:
Colombia can also claim a particularly rich tradition of
845:
834:
and moving often between Spain and France, his 1860 book
727:(1826–1901), known as "Argos", about the Basque Country.
141:
for writing about Latin American society as follows: the
4948:
1602:
1307:(1818–67), may have been the genre's strongest painter.
1074:
or construction worker, but with far less sympathy than
902:
scenes into proper novels, especially his portrayals of
615:("The Green Book of Barcelona", 1848) by "José y Juan" (
609:
Enciclopedia de tipos vulgares y costumbres de Barcelona
337:
was by no means without foreign influences. The work of
3099:, Pamela A. Patton, ed. Leiden: Brill 2016, pp. 213-240
2454:, who rebuilt the collection of that library after the
2426:(1806–68). A more festive and comic note was struck by
1557:. The most significant Mexican costumbrista painter is
1154:
continued in 20th-century Madrid, including in poetry (
922:(1819 or 1821–89) wrote squarely within the genre with
200:) and the current becomes clearer in the 18th century (
3351:
Christopher Conway, "Chronology of Ricardo Palma", p.
1516:
792:
in 1850–1851 and also much reprinted. Flores had been
2947:
2945:
2824:, Ediciones Rialp S.A. Gran Enciclopedia Rialp, 1991.
2677:
El Costumbrismo en la Pintura Sevillana del Siglo XIX
2533:("Types and characters and customs and traditions").
1656:(1811–1888) both wrote at times in the genre, as did
707:(1822–1897) writing variously as or "Asmodeo" (after
2978:
magazine, 2005-04, p. 8. Accessed online 2010-01-20.
2211:(1813–75) was patron to many intellectuals in 1860s
2076:(1831–72), all of whom collaborated on the magazine
1795:, the emblematic Guatemalan. Other Central American
315:, arguably transcended his genre, using the form of
2045:(written 1636–38, but not published until 1859) by
1819:(1854–1942, Honduras), and a distinguished line of
1025:style to evoke surviving remnants of Spain's past.
272:are the anonymous and pseudonymous contributors to
3300:
2942:
1573:) are well known. One less famous than Arrieta is
1139:(1906–1971), and, as mentioned above, Pío Baroja;
788:("Faith Hope and Charity"), published serially in
483:
383:. In addition, there were the travelogues such as
3004:, Biografías y Vidas. Accessed online 2010-01-20.
2890:, Biografías y Vidas. Accessed online 2010-01-20.
2372:, but their work can also be considered realist.
2035:can claim one of the earliest antecedents to the
1381:rather than Murillo. Notable in this school were
958:("Strong waters", 1884). The writer and diplomat
738:
733:El álbum de Galicia. Tipos, costumbres y leyendas
631:1859) gave a nod of the hat to the earlier work,
148:
6560:
2078:El Mosaico, la revista bogotana del costumbrismo
1950:figures particularly heavily in stage comedies:
1082:, with his vast but pointless book-learning, or
857:mode, especially at the start of their careers.
675:Las mujeres españolas, portuguesas y americanas…
652:Las mujeres españolas, portuguesas y americanas…
2671:
2669:
2667:
2665:
2663:
2661:
1597:Still Life with Cat and Birds. Agustín Arrieta.
1497:The dark vision of 20th-century Madrid painter
512:Heads of the People or Portraits of the English
3249:Escudero says 1638, Stephen M. Hart says 1640.
3149:José Augustín Arrieta: Lumbres de lo Cotidiano
3112:. Bruxelles: Litographie Royal de Jobard 1828.
1421:Probably foremost in the School of Madrid was
1123:; numerous chroniclers of the Basque Country:
962:(1865–98), seen by some as a precursor to the
942:(1870–1905), best known as a poet, also wrote
836:Museo de las familias. París, Londres y Madrid
3476:
3438:. University Park, PA: Penn State Press 2018.
2987:Book is online at Google Books (in Spanish):
2531:Tipos y caracteres y Costumbres y tradiciones
2444:(1833–1919), best known for the multi-volume
1902:can be seen in the novels and other works of
1648:("The Slaughterhouse") is still widely read.
1341:Other painters of the School of Seville were
1283:, "el Panadero" ("the Baker", 1765–1830) and
1198:(1864–1913), José Mas y Laglera (1885–1940),
1099:Andrés Soria describes 20th century regional
898:(1833–1906) as the most successful fusion of
541:"El Coche Simón", unsigned illustration from
118:museums deal with folklore and local art and
72:scene, and particularly in the 19th century.
3293:, Third Edition, Barcelona, 1885. Online at
3231:Costumbrismo Il. Literatura Hispanoamericana
3225:
3223:
3221:
3219:
3217:
3215:
3213:
3211:
3209:
3207:
3205:
3203:
3072:
3070:
3068:
3066:
3064:
3062:
3060:
3058:
3056:
2658:
2334:(1816), recently translated into English as
1946:(1868–1940) all wrote in the mode at times.
1630:'s most distinguished writers worked in the
1070:with his airs and exaggerated fashions; the
480:; and many other regionalists around Spain.
3201:
3199:
3197:
3195:
3193:
3191:
3189:
3187:
3185:
3183:
3138:. Mexico City: Museo Nacional de Arte 1994.
2458:. He referred to his works in this mode as
2274:who wrote at least part of the time in the
1700:(1861–1947), who wrote under the pseudonym
1540:In nineteenth-century Mexico, colonial-era
934:(1836–1870) portrayed Madrid, Seville, and
397:) who had settled for a time especially in
284:(1820–23). Later come the major figures of
3483:
3469:
2934:A very nice online version of volume 3 of
2789:
2787:
2785:
2783:
2781:
2779:
2777:
2775:
2773:
2771:
2769:
2767:
2765:
2763:
2761:
2759:
2757:
2755:
2753:
2751:
2749:
2747:
2745:
2653:Costumbrismo entre Romanticismo y Realismo
1938:(1855–1905), Daniel Riquelme (1854–1912),
717:Sueños y realidades ("Dreams and realities
319:for political and psychological ideas. An
3053:
2743:
2741:
2739:
2737:
2735:
2733:
2731:
2729:
2727:
2725:
1664:("Buenos Aires from seventy years ago");
580:(1817–75) or the conservative politician
93:detail often has a romanticizing aspect.
3260:A companion to Latin American literature
3180:
2575:
2492:
2401:
2180:("Everyday scenes that pave the way for
2021:
1846:
1615:
1524:
1475:, Elbo studied painting in Madrid under
1404:
1253:
1216:
1143:(1867–1928) writing about Valencia; and
1088:
883:
744:
633:
536:
489:
236:
161:
31:
2835:Correspondencia, Vol. 2: Años 1862-1875
2060:in the 19th century and into the 20th:
2010:(1877–1921) as important realists with
1954:("The courtyard of the tribunals ", by
1835:(1866–1909), and, in the 20th century,
1720:(1879–1937), in numerous comedies; and
731:was represented by the collective work
359:(whose work appeared in translation in
110:of the 19th century, especially in the
14:
6561:
6164:Contemporary Indigenous Australian art
3032:review of Melchor Fernández Almagro's
2922:Goya en tiempos de guerrilla artística
2722:
2188:, wrote romantic novels, most notably
2141:(1858–1926; wrote under the pseudonym
1922:(1833–1896) entitled one of his books
1338:(1824–90), also painted in the genre.
1225:is typical of Andalusian costumbrismo.
993:("The Mirror of Death", 1913), as did
830:in a different direction. Born in the
764:(1821–65), one of the contributors to
669:(1872), as well as the publication of
625:Los valencianos pintados por sí mismos
122:festivals celebrate local customs and
4184:Art of the late 16th century in Milan
3464:
2434:(1820–29) wrote verse under the name
2310:(1868–1909). Another Ecuadorian was
2234:
2227:(ellipses in original title), set in
1662:Buenos Aires desde setenta años atrás
1561:, whose paintings of a market scene (
863:Cuentos y poesías populares andaluzas
224:and Romanticism. In the 19th century
3308:Black images in Dominican literature
2972:Antiguo edificio del Banco de España
2901:Los españoles pintados por sí mismos
2703:, Cambridge University Press, 1996,
2002:mixes eventually into realism, with
1391:Los españoles pintados por sí mismos
985:(1864–1936) worked in the genre for
532:Los españoles pintados por sí mismos
496:Los españoles pintados por sí mismos
405:and drew or painted local subjects.
264:(1779–1845) is considered by some a
3413:Literatura Venezolana - Fermín Toro
3123:Women in Early Modern Latin America
3037:, 1927. Accessed online 2010-01-21.
2815:Costumbrismo I. Literatura Española
2795:Costumbrismo I. Literatura Española
2247:(1844–94) stands out for his novel
2168:(1803–66, known as "El Lugareño"),
1789:works and created the character of
1509:of Goya that had so influenced the
1310:Other important early figures were
1147:(1866–1937), writing about Murcia.
524:Les Français, Moeurs Contemporaines
24:
5519:Vienna School of Fantastic Realism
4370:Neoclassical architecture in Milan
3428:
3050:Yale University Press, 2007, p. 42
2584:, portrait by Antonio Herrera Toro
2219:writer, as is another Betancourt,
2174:José María de Cárdenas y Rodríguez
1773:
1330:, but eventually became more of a
436:(1818–53), "El Doctor Malatesta" (
390:A Handbook for Travellers in Spain
218:Juan Ignacio González del Castillo
25:
6620:
5593:American Figurative Expressionism
3929:International Gothic art in Italy
3442:
2328:José Joaquín Fernández de Lizardi
760:Poet, journalist and pamphleteer
751:Doce españoles de brocha gorda...
657:A revival of collective works of
6543:
6542:
5102:Neue Künstlervereinigung München
3448:
2497:Illustration of Manuel A. Alonso
2388:Teresa Lamas de Rodríguez Alcalá
1590:
1360:Typical subject matter included
1285:Joaquín Manuel Fernández Cruzado
873:(1833–1891) issued a collection
816:work even posthumously, such as
774:"novela de costumbres populares"
6024:Tunisian collaborative painting
5497:International Typographic Style
3401:
3382:
3355:of Helen Lane's translation of
3345:
3332:
3313:
3281:
3252:
3243:
3167:
3154:
3141:
3128:
3115:
3102:
3089:
3040:
3024:
3007:
2995:
2981:
2965:
2927:
2914:
2893:
2580:Venezuelan diplomat and writer
2481:(1850–1924), and the nostalgic
1724:(1882–1962), in such novels as
1241:in the visual arts. Andalusian
1184:Federico Carlos Sainz de Robles
485:The Spanish Drawn By Themselves
278:El Correo Literario y Mercantil
5777:The Caribbean Artists Movement
2881:
2868:
2856:
2827:
2807:
2689:
2645:
2488:
2473:are satirist and verse writer
2420:José Joaquín de Larriva y Ruiz
1831:(1864–1936), the verse writer
1756:Lindaura Anzoátegui de Campero
1736:("The sleep of the convent").
1501:(1886–1945) was influenced by
1351:José María Rodríguez de Losada
1086:("the poet of floral games").
914:(1864) is particularly in the
740:Yesterday, Today, and Tomorrow
494:An unsigned illustration from
448:took a turn toward the rural;
377:Charles Joseph Colnet Du Ravel
13:
1:
4133:Dutch and Flemish Renaissance
2639:
1970:("A sparrow in the pan") and
1887:(ca. 1833–70) and especially
1441:(1858–1918) and his students
906:, the mountainous regions of
687:Madrid por dentro y por fuera
357:Victor-Joseph Étienne de Jouy
174:, especially as practiced in
6248:Modern European ink painting
5620:Bay Area Figurative Movement
3290:Una feria de caridad en 183…
3034:Vida y Obra de Ángel Ganivet
2951:María de los Ángeles Ayala,
2876:La vida breve de Ricardo Gil
2571:
2225:Una feria de caridad en 183…
2088:(1837–95), whose sole novel
2074:José María Vergara y Vergara
1906:(1830–1920). There are many
1672:("Memories of an old man");
1611:
1583:es:Felipe Santiago Gutiérrez
818:Tipos y costumbres españolas
582:Francisco Navarro Villoslada
478:Semanario Pintoresco Español
430:Semanario Pintoresco Español
345:nearly a century earlier in
305:Correo Literario y Mercantil
262:Sebastián de Miñano y Bedoya
76:is related both to artistic
7:
6609:Submovements of Romanticism
5909:Artificial intelligence art
2627:
2375:
2368:(1856–1930) can be seen as
2354:José López Portillo y Rojas
2143:Fermín de Pimentel y Vargas
2111:Gregorio Gutiérrez González
2017:
1353:(1826–96); and portraitist
1213:in the visual arts in Spain
1084:El poeta de juegos florales
755:Fernando Miranda y Casellas
613:El libro Verde de Barcelona
558:Fernando Miranda y Casellas
516:William Makepeace Thackeray
170:can be seen as prefiguring
60:, with the adjectival form
10:
6625:
5822:Post-painterly abstraction
5645:Situationist International
5019:Pennsylvania Impressionism
2562:Adolfo Montiel Ballesteros
2536:
2266:
2249:Baní o Engracia y Antoñita
2245:Francisco Gregorio Billini
2209:José Victoriano Betancourt
2166:Gaspar Betancourt Cisneros
1952:El patio de los Tribunales
1871:in some of the writing of
1739:
1688:(1858–1935), in the novel
1654:Domingo Faustino Sarmiento
1305:Manuel Rodríguez de Guzmán
1158:, 1874–1936) and theatre (
940:José María Gabriel y Galán
800:, of a sort, in 1853 with
648:Francisco Pradilla y Ortiz
293:Serafín Estébanez Calderón
202:Diego de Torres Villarroel
157:
56:; sometimes anglicized as
6584:Latin American literature
6538:
6342:
6107:
5917:
5697:
5489:
5473:
5405:California Scene Painting
5284:California Scene Painting
5240:Figurative Constructivism
5152:
4957:
4736:
4725:
4555:
4492:
4385:
4301:
4291:Poussinists and Rubenists
4192:
3996:
3729:
3529:
3520:
3507:
2475:Pedro Paz Soldán y Unanue
2317:
2135:José María Cordovez Moure
1988:Antonio Acevedo Hernández
1910:passages in the works of
1684:(1850–1919), playwright;
1676:(1848–94), in the novela
1505:and also directly by the
1336:Francisco Cabral Bejarano
1301:Joaquín Domínguez Bécquer
1223:Joaquín Domínguez Bécquer
1204:Antonio Alcalá Venceslada
849:by major Spanish realists
812:continued publishing his
780:form with aspects of the
768:followed up in 1846 with
566:Vicente Urrabieta y Ortiz
476:, and contributor to the
434:Antonio Neira de Mosquera
297:Ramón de Mesonero Romanos
6503:Prehistoric European art
6152:Contemporary African art
5635:Gendai Bijutsu Kondankai
5563:Generación de la Ruptura
5190:Universal Constructivism
4982:California Impressionism
4937:American Barbizon school
3320:Alfredo Baquerizo Moreno
2813:Quoted in Andrés Soria,
2602:Francisco de Sales Pérez
2452:National Library of Peru
2352:(1830–94). In addition,
2312:Alfredo Baquerizo Moreno
1986:("The broken song"), by
1912:Benjamín Vicuña Mackenna
1842:
1801:José María Peralta Lagos
1785:(1822–82) wrote several
1281:Juan Rodríguez y Jiménez
1111:(1861–1931), writing in
871:Pedro Antonio de Alarcón
498:: a book shop in Madrid.
456:, portraying a romantic
381:Georges Touchard-Lafosse
313:José Ramón Lomba Pedraja
241:Much as Goya influenced
231:Evaristo Correa Calderón
6589:Latin American folklore
6330:Walking Artists Network
5667:Letterist International
5507:Washington Color School
4421:Arts in the Philippines
3389:Manuel Fernández Juncos
3287:José Ramón Betancourt,
3147:Elisa García Barragán.
3134:Efraín Castro Morales,
3077:La pintura costumbrista
2675:Antonio Reina Palazón,
2523:Manuel Fernández Juncos
2432:Manuel Atanasio Fuentes
2397:
2152:
1998:(1894–1942). In prose,
1829:Manuel González Zeledón
1825:Manuel de Jesús Jiménez
1781:novelist and historian
1569:), and a tavern scene (
1423:Eugenio Lucas Velázquez
1415:Eugenio Lucas Velázquez
1402:("Romantic suicides").
1389:, both contributors to
1347:Rafael García Hispaleto
1312:Antonio Cabral Bejarano
1164:Carlos Arniches Barreda
1007:Ramón Gómez de la Serna
877:, bringing together 16
867:Chiclana de la Frontera
786:Fe, Esperanza y Caridad
671:Los españoles de hogaño
369:Louis-Sébastien Mercier
6441:Illuminated manuscript
6089:The Designers Republic
6039:Neue Slowenische Kunst
5962:Pattern and Decoration
5862:Institutional critique
5502:Abstract expressionism
4482:Latin American Baroque
4438:Colonial Asian Baroque
3306:J. Alcántara Almánzar
2888:Enrique Gil y Carrasco
2820:July 16, 2011, at the
2800:July 16, 2011, at the
2618:Rafael Bolívar Alvarez
2610:Francisco Tosta García
2585:
2498:
2428:Manuel Ascensio Segura
2409:
2082:Luis Segundo Silvestre
2029:
1972:En la puerta del horno
1964:Mateo Martínez Quevedo
1861:
1734:La sombra del convento
1623:
1537:
1455:Ángel Lizcano Monedero
1447:José Martínez Victoria
1439:Eugenio Lucas Villamil
1418:
1324:Manuel Cabral Bejarano
1289:José Domínguez Bécquer
1268:
1226:
1176:Emiliano Ramírez Ángel
1096:
1029:20th century literary
991:El espejo de la muerte
952:Armando Palacio Valdés
932:Gustavo Adolfo Bécquer
891:
762:Antonio Flores Algovia
757:
663:First Spanish Republic
654:
578:Gabriel García Tassara
545:
499:
474:Alexander von Humboldt
470:Villafranca del Bierzo
462:Enrique Gil y Carrasco
258:
206:José Clavijo y Fajardo
189:
104:is often found in the
44:
6079:Artist-run initiative
6054:Young British Artists
6019:New European Painting
5955:Moscow Conceptualists
5877:Feminist art movement
5655:Ukrainian underground
5630:Gutai Art Association
5029:Ten American Painters
4533:Western influence in
3510:List of art movements
3229:Alfonso M. Escudero,
2954:Una docena de cuentos
2695:Juan López Morillas,
2579:
2525:(1846–1928), born in
2496:
2424:Felipe Pardo y Aliaga
2405:
2350:José Tomás de Cuéllar
2288:José Modesto Espinosa
2280:Pedro Fermín Cevallos
2223:(1823–90), author of
2221:José Ramón Betancourt
2107:Juan de Dios Restrepo
2070:José Manuel Marroquín
2064:(1800–78); novelists
2047:Juan Rodríguez Freile
2025:
1877:Vicente Pérez Rosales
1850:
1686:Martiniano Leguizamón
1680:("The big village");
1670:Recuerdos de un viejo
1650:Juan Bautista Alberdi
1621:Juan Bautista Alberdi
1619:
1571:Tertulia de pulquería
1534:Tertulia de pulquería
1528:
1499:José Gutiérrez Solana
1408:
1326:(1827–91) began as a
1257:
1220:
1141:Vicente Blasco Ibáñez
1125:José María Salaverría
1094:Vicente Blasco Ibáñez
1092:
887:
748:
637:
540:
493:
426:Santos López Pelegrín
418:Antonio María Segovia
301:Mariano José de Larra
240:
165:
35:
5889:Saqqakhaneh movement
5782:Chicano art movement
5650:Soviet Nonconformist
5456:Boston Expressionism
5439:Abstraction-Création
5257:Arbeitsrat für Kunst
5250:Cologne Progressives
4970:Art Nouveau in Milan
4773:Anglo-Japanese style
4749:National romanticism
4179:Fontainebleau School
4089:Northern Renaissance
3924:International Gothic
3457:at Wikimedia Commons
3357:Tradiciones peruanas
3175:Mexican Costumbrismo
3162:Mexican Costumbrismo
2697:El Krausismo español
2606:Nicanor Bolet Peraza
2509:(1822–89) published
2447:Tradiciones peruanas
2332:Periquillo Sarniento
2257:Cesar Nicolas Penson
2139:Rafael María Camargo
2115:Ricardo Carrasquilla
1889:José Joaquín Vallejo
1852:José Joaquín Vallejo
1837:Joaquín García Monge
1817:Carlos Alberto Uclés
1718:Julio Sánchez Gardel
1579:Vendador de buñuelos
1565:), a kitchen scene (
1559:José Agustín Arrieta
1544:, a type of secular
1530:José Agustín Arrieta
1409:"Tercio de varas" ("
1400:Suicidios románticos
1372:Holy Week in Seville
1277:costumbrismo andaluz
1271:Romantic Andalusian
1221:An 1849 painting by
1150:A strong current of
1145:Vicente Medina Tomás
1137:José María Iribarren
896:José María de Pereda
889:José María de Pereda
725:Sabino de Goicoechea
623:. The very title of
454:José Giménez Serrano
450:Vicente de la Fuente
438:Las ferias de Madrid
166:Some of the work of
6424:Hierarchy of genres
5989:Saint Soleil School
5925:Post-conceptual art
5894:The Stars Art Group
5772:Black Arts Movement
5735:Neo-Dada Organizers
5536:Lyrical abstraction
5269:Australian tonalism
4942:California Tonalism
4614:Hudson River School
4417:Colonial Asian art
4157:English Renaissance
4106:Ghent–Bruges school
4094:Early Netherlandish
4006:Italian Renaissance
3919:Gothic art in Milan
3434:Moriuchi, Mey-Yen.
3361:Peruvian Traditions
2899:An 1851 edition of
2566:Fernán Silva Valdés
2479:Abelardo M. Gamarra
2231:in the late 1830s.
2119:Camilo A. Echeverri
2008:Joaquín Díaz García
1994:("Little town") by
1928:Zorobabel Rodríguez
1924:Costumbres chilenas
1710:Joaquín V. González
1567:"La Cocina Poblana"
1451:Antonio Pérez Rubio
1443:Paulino de la Linde
665:saw the reissue of
661:in the time of the
621:Juan Cortada y Sala
424:; his collaborator
373:Le Tableau de Paris
89:approach to quaint
37:José Jiménez Aranda
6599:Latin American art
6574:Spanish literature
6569:Literary movements
6466:Landscape painting
6074:New Leipzig School
6014:Neo-conceptual art
5762:Art & Language
5757:Capitalist realism
5679:Florida Highwaymen
5615:Hard-edge painting
5429:Streamline Moderne
5390:Harlem Renaissance
5233:Novecento Italiano
5061:Deutscher Werkbund
4888:Post-Impressionism
4450:Latin American art
4254:Guild of Romanists
4116:German Renaissance
4111:Northern Mannerism
3418:2010-03-24 at the
3394:2009-04-14 at the
3325:2010-01-06 at the
3236:2008-09-16 at the
3082:2009-10-02 at the
2682:2008-09-16 at the
2586:
2499:
2456:War of the Pacific
2410:
2392:Carlos Zubizarreta
2263:as fierce beasts.
2241:Dominican Republic
2235:Dominican Republic
2147:Tomás Carrasquilla
2103:José Caycedo Rojas
2030:
1916:Daniel Barros Grez
1904:Alberto Blest Gana
1898:Strong aspects of
1869:Chilean literature
1862:
1833:Aquileo Echeverría
1768:Armando Chirveches
1752:Julio Lucas Jaimes
1716:("My Mountains");
1666:Vicente G. Quesada
1658:José Antonio Wilde
1636:Esteban Echeverría
1624:
1538:
1467:in the Andalusian
1419:
1269:
1264:sombrero de catite
1233:). As in literary
1227:
1097:
1066:; the lower class
999:Vitrina pintoresca
912:Escenas montañesas
894:Andrés Soria sees
892:
826:(1815–72) carried
758:
705:Ramón de Navarrete
655:
605:José M. de Freixas
591:In an epilogue to
546:
500:
259:
190:
181:Fight with Cudgels
45:
6556:
6555:
6338:
6337:
6194:Corporate Memphis
6147:Classical Realism
6117:Amazonian pop art
6009:Appropriation art
5977:Neo-expressionism
5847:Environmental art
5752:Nouvelle tendance
5469:
5468:
5417:Socialist realism
5274:Dresden Secession
4893:Neo-Impressionism
4856:Decadent movement
4827:Heidelberg School
4721:
4720:
4619:American luminism
4604:Düsseldorf School
4599:Shoreham Ancients
4589:Nazarene movement
4579:Danish Golden Age
4460:Indochristian art
4138:Antwerp Mannerism
4027:Pittura infamante
4021:Florentine School
4016:Proto-Renaissance
3453:Media related to
3258:Stephen M. Hart,
3048:Vistas de Espana,
2920:Josep Izquierdo,
2622:Pedro Emilio Coll
2620:(1860–1900), and
2564:(1888–1971), and
2306:(1862–1919), and
2170:Cirilo Villaverde
2127:José David Guarín
2072:(1827–1908), and
2062:José Manuel Groot
1980:Antonio Espiñeira
1968:Chincol en sartén
1766:(1879–1946), and
1726:La maestra normal
1355:José María Romero
1297:Valeriano Bécquer
1202:(1888–1961), and
1182:(1872–1935), and
1133:Dionisio de Azkue
1037:The tradition of
983:Miguel de Unamuno
964:Generation of '98
920:Antonio de Trueba
721:Enrique Sepúlveda
562:Francisco Lameyer
502:Much as literary
329:the Enlightenment
16:(Redirected from
6616:
6579:Spanish folklore
6546:
6545:
6530:Western painting
6476:Modern sculpture
6434:History painting
6137:Art intervention
5930:Installation art
5747:Nouveau réalisme
5487:
5486:
5461:Leningrad School
5353:Mexican muralism
5326:Grosvenor School
5066:American Realism
5049:Der Blaue Reiter
5007:Berlin Secession
5002:Vienna Secession
4997:Munich Secession
4915:Pont-Aven School
4734:
4733:
4584:Troubadour style
4562:(c. 1770 – 1862)
4529:Qing handicrafts
4495:Western elements
4426:Letras y figuras
4399:African-American
4394:African diaspora
4365:Directoire style
4276:Heptanese school
4259:Dutch Golden Age
4244:Stroganov School
4237:Lutheran Baroque
4232:Louis XIII style
4205:Baroque in Milan
4067:Bolognese School
4062:High Renaissance
4045:Forlivese School
4040:Ferrarese School
3763:Migration Period
3527:
3526:
3485:
3478:
3471:
3462:
3461:
3452:
3423:
3405:
3399:
3386:
3380:
3373:Available online
3349:
3343:
3336:
3330:
3317:
3311:
3304:
3298:
3285:
3279:
3256:
3250:
3247:
3241:
3227:
3178:
3171:
3165:
3158:
3152:
3145:
3139:
3132:
3126:
3119:
3113:
3108:Claudio Linati,
3106:
3100:
3093:
3087:
3074:
3051:
3044:
3038:
3030:A.G. Solalinde,
3028:
3022:
3015:available online
3011:
3005:
3002:Eugenio de Ochoa
2999:
2993:
2985:
2979:
2969:
2963:
2949:
2940:
2931:
2925:
2918:
2912:
2905:available online
2897:
2891:
2885:
2879:
2874:Ricardo Gullón,
2872:
2866:
2860:
2854:
2847:Available online
2831:
2825:
2811:
2805:
2791:
2720:
2693:
2687:
2673:
2656:
2649:
2614:José María Rivas
2554:Manuel Bernárdez
2507:Manuel A. Alonso
2390:(1887–1976) and
2364:(1868–1908) and
2346:Guillermo Prieto
2340:. Other Mexican
2337:The Mangy Parrot
2308:Luis A. Martínez
2300:Víctor M. Rendón
2296:Honorato Vázquez
2097:Other Colombian
2006:(1870–1945) and
1956:Valentín Murillo
1885:Pedro Ruiz Aldea
1764:Alcides Arguedas
1712:(1863–1923), in
1698:Emma de la Barra
1668:(1830–1913), in
1594:
1481:Central European
1200:Ángel Cruz Rueda
1160:José López Silva
1109:Santiago Rusiñol
1011:Camilo José Cela
1009:(1888–1963) and
924:Madrid por fuera
875:Cosas que fueron
859:Fernán Caballero
824:Eugenio de Ochoa
808:. His newspaper
766:Los españoles...
693:Carlos Frontaura
617:José de Majarrés
371:(especially for
214:Ramón de la Cruz
198:Juan de Zabaleta
184:, one of Goya's
126:and their work.
21:
6624:
6623:
6619:
6618:
6617:
6615:
6614:
6613:
6559:
6558:
6557:
6552:
6534:
6451:Interactive art
6334:
6308:SoFlo Superflat
6233:Kitsch movement
6157:Africanfuturism
6109:
6103:
5982:Transavantgarde
5913:
5867:Light and Space
5852:Performance art
5832:Psychedelic art
5715:Nueva Presencia
5705:Otra Figuración
5693:
5625:Les Plasticiens
5610:New York School
5588:Action painting
5573:Metcalf Chateau
5482:
5477:
5465:
5385:Cercle et Carré
5321:New Objectivity
5228:Return to order
5170:School of Paris
5148:
4992:School of Paris
4953:
4839:Arts and Crafts
4744:Neo-romanticism
4729:
4717:
4713:Etching revival
4665:Barbizon school
4609:Pre-Raphaelites
4561:
4558:
4551:
4494:
4488:
4381:
4355:Louis XVI style
4297:
4286:Louis XIV style
4249:Animal painting
4210:Flemish Baroque
4188:
4099:World landscape
4050:Venetian School
3992:
3979:Majorcan school
3946:Novgorod School
3936:Lucchese School
3908:Opus Anglicanum
3900:Norman-Sicilian
3844:Italo-Byzantine
3744:Early Christian
3725:
3709:Pompeian Styles
3522:
3516:
3503:
3489:
3445:
3431:
3429:Further reading
3426:
3420:Wayback Machine
3406:
3402:
3396:Wayback Machine
3387:
3383:
3350:
3346:
3337:
3333:
3327:Wayback Machine
3318:
3314:
3305:
3301:
3286:
3282:
3272:Accessed online
3257:
3253:
3248:
3244:
3238:Wayback Machine
3228:
3181:
3172:
3168:
3159:
3155:
3146:
3142:
3133:
3129:
3120:
3116:
3107:
3103:
3094:
3090:
3084:Wayback Machine
3075:
3054:
3045:
3041:
3029:
3025:
3012:
3008:
3000:
2996:
2990:Doce españoles…
2986:
2982:
2970:
2966:
2950:
2943:
2932:
2928:
2919:
2915:
2898:
2894:
2886:
2882:
2873:
2869:
2861:
2857:
2832:
2828:
2822:Wayback Machine
2812:
2808:
2802:Wayback Machine
2792:
2723:
2694:
2690:
2684:Wayback Machine
2674:
2659:
2650:
2646:
2642:
2630:
2574:
2558:Javier de Viana
2550:Santiago Maciel
2539:
2491:
2469:Other Peruvian
2400:
2378:
2362:Ángel del Campo
2348:(1818–97) and
2320:
2304:J. Trajano Mera
2292:Carlos R. Tobar
2269:
2237:
2172:(1812–94), and
2155:
2084:(1838–87); and
2020:
2004:Manuel J. Ortiz
1984:La canción rota
1960:Don Lucas Gómez
1936:Arturo Givovich
1914:(1831–86) and
1845:
1776:
1774:Central America
1742:
1694:José S. Alvarez
1682:Martín Coronado
1614:
1609:
1607:in the Americas
1598:
1595:
1555:Edouard Pingret
1542:casta paintings
1523:
1521:in the Americas
1507:Black Paintings
1492:Diego Velázquez
1483:equivalents of
1334:. Another son,
1215:
1172:Pedro de Répide
1035:
1021:, they use the
928:De flor en flor
851:
806:Émile Souvestre
743:
699:in Madrid with
603:: for example,
554:Leonardo Alenza
488:
299:(1803–82), and
192:Antecedents to
186:Black Paintings
160:
155:
28:
23:
22:
15:
12:
11:
5:
6622:
6612:
6611:
6606:
6601:
6596:
6591:
6586:
6581:
6576:
6571:
6554:
6553:
6551:
6550:
6539:
6536:
6535:
6533:
6532:
6527:
6520:
6515:
6510:
6505:
6500:
6495:
6490:
6485:
6484:
6483:
6481:Late modernism
6478:
6468:
6463:
6458:
6453:
6448:
6443:
6438:
6437:
6436:
6431:
6429:Genre painting
6421:
6416:
6411:
6406:
6405:
6404:
6399:
6394:
6389:
6379:
6377:Ballets Russes
6374:
6369:
6364:
6363:
6362:
6360:Asemic writing
6352:
6350:History of art
6346:
6344:
6343:Related topics
6340:
6339:
6336:
6335:
6333:
6332:
6327:
6322:
6317:
6316:
6315:
6310:
6300:
6295:
6290:
6285:
6280:
6278:Relational art
6275:
6270:
6265:
6260:
6255:
6250:
6245:
6240:
6235:
6230:
6225:
6224:
6223:
6213:
6208:
6203:
6201:Hypermodernism
6198:
6197:
6196:
6186:
6181:
6176:
6171:
6166:
6161:
6160:
6159:
6149:
6144:
6139:
6134:
6129:
6124:
6119:
6113:
6111:
6105:
6104:
6102:
6101:
6096:
6091:
6086:
6081:
6076:
6071:
6066:
6061:
6056:
6051:
6046:
6041:
6036:
6031:
6026:
6021:
6016:
6011:
6006:
6001:
5996:
5991:
5986:
5985:
5984:
5974:
5969:
5964:
5959:
5958:
5957:
5947:
5942:
5940:Postminimalism
5937:
5932:
5927:
5921:
5919:
5915:
5914:
5912:
5911:
5906:
5901:
5896:
5891:
5886:
5885:
5884:
5874:
5869:
5864:
5859:
5854:
5849:
5844:
5839:
5834:
5829:
5824:
5819:
5817:Generative art
5814:
5809:
5804:
5799:
5794:
5789:
5787:Conceptual art
5784:
5779:
5774:
5769:
5764:
5759:
5754:
5749:
5744:
5739:
5738:
5737:
5727:
5722:
5717:
5712:
5707:
5701:
5699:
5695:
5694:
5692:
5691:
5686:
5684:Cybernetic art
5681:
5676:
5675:
5674:
5672:Ultra-Lettrist
5669:
5659:
5658:
5657:
5647:
5642:
5637:
5632:
5627:
5622:
5617:
5612:
5607:
5602:
5601:
5600:
5590:
5585:
5580:
5575:
5570:
5565:
5560:
5559:
5558:
5553:
5548:
5546:Arte Informale
5543:
5533:
5528:
5523:
5522:
5521:
5511:
5510:
5509:
5499:
5493:
5491:
5484:
5483:(1945–present)
5471:
5470:
5467:
5466:
5464:
5463:
5458:
5453:
5448:
5443:
5442:
5441:
5431:
5426:
5425:
5424:
5419:
5412:Heroic realism
5409:
5408:
5407:
5397:
5392:
5387:
5382:
5377:
5372:
5365:
5360:
5355:
5350:
5349:
5348:
5346:Latin American
5343:
5333:
5328:
5323:
5318:
5316:Group of Seven
5313:
5308:
5303:
5298:
5297:
5296:
5286:
5281:
5279:Social realism
5276:
5271:
5266:
5265:
5264:
5262:November Group
5254:
5253:
5252:
5247:
5237:
5236:
5235:
5225:
5220:
5219:
5218:
5206:
5201:
5196:
5195:
5194:
5193:
5192:
5185:Latin American
5180:Constructivism
5177:
5175:Crystal Cubism
5172:
5167:
5162:
5156:
5154:
5150:
5149:
5147:
5146:
5141:
5136:
5131:
5126:
5121:
5116:
5115:
5114:
5104:
5099:
5092:
5091:
5090:
5085:
5075:
5074:
5073:
5063:
5058:
5053:
5052:
5051:
5046:
5036:
5031:
5026:
5021:
5016:
5015:
5014:
5009:
5004:
4999:
4989:
4984:
4979:
4974:
4973:
4972:
4961:
4959:
4955:
4954:
4952:
4951:
4946:
4945:
4944:
4934:
4933:
4932:
4927:
4922:
4917:
4912:
4907:
4902:
4901:
4900:
4885:
4880:
4878:Volcano School
4875:
4874:
4873:
4868:
4858:
4853:
4848:
4847:
4846:
4836:
4831:
4830:
4829:
4824:
4819:
4814:
4813:
4812:
4807:
4792:
4787:
4782:
4777:
4776:
4775:
4763:
4758:
4753:
4752:
4751:
4740:
4738:
4731:
4723:
4722:
4719:
4718:
4716:
4715:
4710:
4709:
4708:
4703:
4702:
4701:
4686:
4685:
4684:
4683:
4682:
4672:
4667:
4657:
4652:
4651:
4650:
4640:
4635:
4633:Norwich School
4630:
4625:
4624:
4623:
4622:
4621:
4611:
4606:
4601:
4596:
4591:
4586:
4581:
4576:
4574:Fairy painting
4565:
4563:
4553:
4552:
4550:
4549:
4548:
4547:
4542:
4531:
4526:
4521:
4516:
4511:
4510:
4509:
4498:
4496:
4490:
4489:
4487:
4486:
4485:
4484:
4479:
4478:
4477:
4472:
4467:
4465:Chilote School
4457:
4455:Casta painting
4447:
4446:
4445:
4440:
4435:
4434:
4433:
4431:Tipos del País
4428:
4415:
4414:
4413:
4412:
4411:
4401:
4389:
4387:
4383:
4382:
4380:
4379:
4374:
4373:
4372:
4367:
4362:
4357:
4352:
4340:
4339:
4338:
4331:
4326:
4321:
4319:Louis XV style
4316:
4305:
4303:
4299:
4298:
4296:
4295:
4294:
4293:
4288:
4278:
4273:
4268:
4267:
4266:
4256:
4251:
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4241:
4240:
4239:
4234:
4229:
4228:
4227:
4222:
4212:
4207:
4196:
4194:
4190:
4189:
4187:
4186:
4181:
4176:
4171:
4166:
4165:
4164:
4154:
4153:
4152:
4151:
4150:
4145:
4140:
4130:
4129:
4128:
4123:
4121:Cologne School
4113:
4108:
4103:
4102:
4101:
4086:
4085:
4084:
4083:
4082:
4074:
4069:
4064:
4054:
4053:
4052:
4047:
4042:
4032:
4031:
4030:
4023:
4018:
4002:
4000:
3994:
3993:
3991:
3990:
3989:
3988:
3981:
3976:
3974:Italian school
3965:
3960:
3959:
3958:
3956:Sienese School
3948:
3943:
3938:
3933:
3932:
3931:
3926:
3921:
3911:
3904:
3903:
3902:
3892:
3891:
3890:
3885:
3875:
3870:
3869:
3868:
3866:Pre-Romanesque
3863:
3858:
3848:
3847:
3846:
3841:
3836:
3831:
3821:
3816:
3815:
3814:
3802:
3797:
3795:Donor portrait
3792:
3791:
3790:
3785:
3780:
3775:
3770:
3760:
3759:
3758:
3748:
3747:
3746:
3735:
3733:
3727:
3726:
3724:
3723:
3722:
3721:
3716:
3711:
3706:
3704:Julio-Claudian
3701:
3696:
3686:
3681:
3676:
3671:
3666:
3665:
3664:
3663:
3662:
3657:
3656:
3655:
3653:Greco-Buddhist
3645:
3635:
3630:
3625:
3620:
3615:
3610:
3605:
3600:
3595:
3593:Protogeometric
3590:
3580:
3579:
3578:
3573:
3568:
3563:
3553:
3548:
3547:
3546:
3535:
3533:
3524:
3518:
3517:
3508:
3505:
3504:
3488:
3487:
3480:
3473:
3465:
3459:
3458:
3444:
3443:External links
3441:
3440:
3439:
3430:
3427:
3425:
3424:
3400:
3381:
3344:
3331:
3312:
3299:
3280:
3251:
3242:
3179:
3166:
3153:
3140:
3127:
3114:
3101:
3088:
3052:
3039:
3023:
3006:
2994:
2980:
2964:
2941:
2926:
2913:
2892:
2880:
2867:
2855:
2826:
2806:
2793:Andrés Soria,
2721:
2688:
2657:
2651:José Escobar,
2643:
2641:
2638:
2637:
2636:
2634:Genre painting
2629:
2626:
2598:Daniel Mendoza
2573:
2570:
2538:
2535:
2490:
2487:
2462:, rather than
2399:
2396:
2377:
2374:
2358:Rafael Delgado
2319:
2316:
2284:Juan León Mera
2268:
2265:
2236:
2233:
2191:Cecilia Valdés
2154:
2151:
2019:
2016:
1944:Egidio Poblete
1940:Senén Palacios
1854:("Jotabeche")
1844:
1841:
1775:
1772:
1741:
1738:
1732:teacher") and
1674:Lucio V. López
1660:(1813–83), in
1652:(1810–84) and
1613:
1610:
1608:
1601:
1600:
1599:
1596:
1589:
1575:Manuel Serrano
1551:Claudio Linati
1546:genre painting
1522:
1515:
1453:(1822–88) and
1295:) and painter
1214:
1208:
1192:Salvador Rueda
1190:(1860?–1908),
1168:Eusebio Blasco
1156:Antonio Casero
1129:Ricardo Baroja
1068:señorito chulo
1034:
1027:
850:
844:
832:Basque country
749:Title page of
742:
737:
667:Los españoles…
646:, depicted by
593:Los españoles…
570:Calixto Ortega
550:Los españoles…
543:Los españoles…
510:was in vogue,
487:
482:
343:Richard Steele
339:Joseph Addison
280:(1823–33) and
159:
156:
154:
147:
143:costumbristas'
26:
9:
6:
4:
3:
2:
6621:
6610:
6607:
6605:
6602:
6600:
6597:
6595:
6594:Art movements
6592:
6590:
6587:
6585:
6582:
6580:
6577:
6575:
6572:
6570:
6567:
6566:
6564:
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6509:
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6442:
6439:
6435:
6432:
6430:
6427:
6426:
6425:
6422:
6420:
6417:
6415:
6414:Fantastic art
6412:
6410:
6407:
6403:
6400:
6398:
6395:
6393:
6390:
6388:
6385:
6384:
6383:
6382:Christian art
6380:
6378:
6375:
6373:
6370:
6368:
6365:
6361:
6358:
6357:
6356:
6353:
6351:
6348:
6347:
6345:
6341:
6331:
6328:
6326:
6323:
6321:
6318:
6314:
6311:
6309:
6306:
6305:
6304:
6301:
6299:
6296:
6294:
6291:
6289:
6286:
6284:
6283:Skeuomorphism
6281:
6279:
6276:
6274:
6271:
6269:
6266:
6264:
6261:
6259:
6256:
6254:
6251:
6249:
6246:
6244:
6243:Massurrealism
6241:
6239:
6238:Lightpainting
6236:
6234:
6231:
6229:
6226:
6222:
6221:Post-Internet
6219:
6218:
6217:
6214:
6212:
6209:
6207:
6204:
6202:
6199:
6195:
6192:
6191:
6190:
6187:
6185:
6182:
6180:
6177:
6175:
6172:
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6167:
6165:
6162:
6158:
6155:
6154:
6153:
6150:
6148:
6145:
6143:
6140:
6138:
6135:
6133:
6130:
6128:
6125:
6123:
6120:
6118:
6115:
6114:
6112:
6106:
6100:
6097:
6095:
6094:Grunge design
6092:
6090:
6087:
6085:
6082:
6080:
6077:
6075:
6072:
6070:
6067:
6065:
6062:
6060:
6057:
6055:
6052:
6050:
6049:Retrofuturism
6047:
6045:
6044:Scratch video
6042:
6040:
6037:
6035:
6032:
6030:
6029:Memphis Group
6027:
6025:
6022:
6020:
6017:
6015:
6012:
6010:
6007:
6005:
6004:Telematic art
6002:
6000:
5997:
5995:
5994:Guerrilla art
5992:
5990:
5987:
5983:
5980:
5979:
5978:
5975:
5973:
5970:
5968:
5965:
5963:
5960:
5956:
5953:
5952:
5951:
5948:
5946:
5945:Endurance art
5943:
5941:
5938:
5936:
5933:
5931:
5928:
5926:
5923:
5922:
5920:
5916:
5910:
5907:
5905:
5902:
5900:
5897:
5895:
5892:
5890:
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5883:
5880:
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5878:
5875:
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5870:
5868:
5865:
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5858:
5855:
5853:
5850:
5848:
5845:
5843:
5840:
5838:
5835:
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5830:
5828:
5825:
5823:
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5818:
5815:
5813:
5810:
5808:
5805:
5803:
5800:
5798:
5795:
5793:
5790:
5788:
5785:
5783:
5780:
5778:
5775:
5773:
5770:
5768:
5765:
5763:
5760:
5758:
5755:
5753:
5750:
5748:
5745:
5743:
5740:
5736:
5733:
5732:
5731:
5728:
5726:
5723:
5721:
5718:
5716:
5713:
5711:
5708:
5706:
5703:
5702:
5700:
5696:
5690:
5687:
5685:
5682:
5680:
5677:
5673:
5670:
5668:
5665:
5664:
5663:
5660:
5656:
5653:
5652:
5651:
5648:
5646:
5643:
5641:
5638:
5636:
5633:
5631:
5628:
5626:
5623:
5621:
5618:
5616:
5613:
5611:
5608:
5606:
5605:New media art
5603:
5599:
5596:
5595:
5594:
5591:
5589:
5586:
5584:
5583:Nanyang Style
5581:
5579:
5576:
5574:
5571:
5569:
5566:
5564:
5561:
5557:
5554:
5552:
5549:
5547:
5544:
5542:
5539:
5538:
5537:
5534:
5532:
5529:
5527:
5524:
5520:
5517:
5516:
5515:
5514:Visionary art
5512:
5508:
5505:
5504:
5503:
5500:
5498:
5495:
5494:
5492:
5488:
5485:
5481:
5476:
5472:
5462:
5459:
5457:
5454:
5452:
5449:
5447:
5444:
5440:
5437:
5436:
5435:
5432:
5430:
5427:
5423:
5420:
5418:
5415:
5414:
5413:
5410:
5406:
5403:
5402:
5401:
5398:
5396:
5393:
5391:
5388:
5386:
5383:
5381:
5380:Scuola Romana
5378:
5376:
5373:
5371:
5370:
5366:
5364:
5361:
5359:
5356:
5354:
5351:
5347:
5344:
5342:
5339:
5338:
5337:
5334:
5332:
5329:
5327:
5324:
5322:
5319:
5317:
5314:
5312:
5309:
5307:
5306:Anthropophagy
5304:
5302:
5299:
5295:
5292:
5291:
5290:
5289:Functionalism
5287:
5285:
5282:
5280:
5277:
5275:
5272:
5270:
5267:
5263:
5260:
5259:
5258:
5255:
5251:
5248:
5246:
5243:
5242:
5241:
5238:
5234:
5231:
5230:
5229:
5226:
5224:
5221:
5217:
5216:
5212:
5211:
5210:
5209:Neoplasticism
5207:
5205:
5202:
5200:
5197:
5191:
5188:
5187:
5186:
5183:
5182:
5181:
5178:
5176:
5173:
5171:
5168:
5166:
5163:
5161:
5158:
5157:
5155:
5151:
5145:
5142:
5140:
5137:
5135:
5132:
5130:
5127:
5125:
5122:
5120:
5117:
5113:
5112:Cubo-Futurism
5110:
5109:
5108:
5105:
5103:
5100:
5098:
5097:
5093:
5089:
5086:
5084:
5081:
5080:
5079:
5076:
5072:
5071:Ashcan School
5069:
5068:
5067:
5064:
5062:
5059:
5057:
5054:
5050:
5047:
5045:
5042:
5041:
5040:
5039:Expressionism
5037:
5035:
5032:
5030:
5027:
5025:
5024:Mir iskusstva
5022:
5020:
5017:
5013:
5010:
5008:
5005:
5003:
5000:
4998:
4995:
4994:
4993:
4990:
4988:
4985:
4983:
4980:
4978:
4975:
4971:
4968:
4967:
4966:
4963:
4962:
4960:
4956:
4950:
4947:
4943:
4940:
4939:
4938:
4935:
4931:
4928:
4926:
4923:
4921:
4918:
4916:
4913:
4911:
4908:
4906:
4903:
4899:
4896:
4895:
4894:
4891:
4890:
4889:
4886:
4884:
4881:
4879:
4876:
4872:
4869:
4867:
4864:
4863:
4862:
4859:
4857:
4854:
4852:
4849:
4845:
4842:
4841:
4840:
4837:
4835:
4832:
4828:
4825:
4823:
4820:
4818:
4815:
4811:
4810:Boston School
4808:
4806:
4805:Hoosier Group
4803:
4802:
4801:
4798:
4797:
4796:
4795:Impressionism
4793:
4791:
4790:Peredvizhniki
4788:
4786:
4783:
4781:
4780:Beuron School
4778:
4774:
4771:
4770:
4769:
4768:
4764:
4762:
4759:
4757:
4754:
4750:
4747:
4746:
4745:
4742:
4741:
4739:
4735:
4732:
4728:
4724:
4714:
4711:
4707:
4704:
4700:
4697:
4696:
4695:
4694:Munich School
4692:
4691:
4690:
4687:
4681:
4678:
4677:
4676:
4673:
4671:
4668:
4666:
4663:
4662:
4661:
4658:
4656:
4653:
4649:
4646:
4645:
4644:
4641:
4639:
4636:
4634:
4631:
4629:
4626:
4620:
4617:
4616:
4615:
4612:
4610:
4607:
4605:
4602:
4600:
4597:
4595:
4592:
4590:
4587:
4585:
4582:
4580:
4577:
4575:
4572:
4571:
4570:
4567:
4566:
4564:
4560:
4554:
4546:
4543:
4541:
4538:
4537:
4536:
4532:
4530:
4527:
4525:
4522:
4520:
4517:
4515:
4512:
4508:
4505:
4504:
4503:
4500:
4499:
4497:
4493:Art borrowing
4491:
4483:
4480:
4476:
4473:
4471:
4468:
4466:
4463:
4462:
4461:
4458:
4456:
4453:
4452:
4451:
4448:
4444:
4443:Company style
4441:
4439:
4436:
4432:
4429:
4427:
4424:
4423:
4422:
4419:
4418:
4416:
4410:
4407:
4406:
4405:
4402:
4400:
4397:
4396:
4395:
4391:
4390:
4388:
4384:
4378:
4375:
4371:
4368:
4366:
4363:
4361:
4358:
4356:
4353:
4351:
4350:
4346:
4345:
4344:
4343:Neoclassicism
4341:
4337:
4336:
4332:
4330:
4327:
4325:
4322:
4320:
4317:
4315:
4312:
4311:
4310:
4307:
4306:
4304:
4300:
4292:
4289:
4287:
4284:
4283:
4282:
4279:
4277:
4274:
4272:
4269:
4265:
4262:
4261:
4260:
4257:
4255:
4252:
4250:
4247:
4245:
4242:
4238:
4235:
4233:
4230:
4226:
4223:
4221:
4218:
4217:
4216:
4213:
4211:
4208:
4206:
4203:
4202:
4201:
4198:
4197:
4195:
4191:
4185:
4182:
4180:
4177:
4175:
4172:
4170:
4169:Cretan School
4167:
4163:
4160:
4159:
4158:
4155:
4149:
4146:
4144:
4141:
4139:
4136:
4135:
4134:
4131:
4127:
4126:Danube school
4124:
4122:
4119:
4118:
4117:
4114:
4112:
4109:
4107:
4104:
4100:
4097:
4096:
4095:
4092:
4091:
4090:
4087:
4081:
4080:
4075:
4073:
4070:
4068:
4065:
4063:
4060:
4059:
4058:
4055:
4051:
4048:
4046:
4043:
4041:
4038:
4037:
4036:
4033:
4029:
4028:
4024:
4022:
4019:
4017:
4014:
4013:
4012:
4009:
4008:
4007:
4004:
4003:
4001:
3999:
3995:
3987:
3986:
3982:
3980:
3977:
3975:
3972:
3971:
3970:
3966:
3964:
3961:
3957:
3954:
3953:
3952:
3949:
3947:
3944:
3942:
3939:
3937:
3934:
3930:
3927:
3925:
3922:
3920:
3917:
3916:
3915:
3912:
3910:
3909:
3905:
3901:
3898:
3897:
3896:
3893:
3889:
3886:
3884:
3881:
3880:
3879:
3876:
3874:
3871:
3867:
3864:
3862:
3859:
3857:
3854:
3853:
3852:
3849:
3845:
3842:
3840:
3837:
3835:
3832:
3830:
3827:
3826:
3825:
3822:
3820:
3817:
3813:
3812:
3808:
3807:
3806:
3803:
3801:
3798:
3796:
3793:
3789:
3786:
3784:
3781:
3779:
3776:
3774:
3771:
3769:
3766:
3765:
3764:
3761:
3757:
3754:
3753:
3752:
3749:
3745:
3742:
3741:
3740:
3737:
3736:
3734:
3732:
3728:
3720:
3717:
3715:
3712:
3710:
3707:
3705:
3702:
3700:
3697:
3695:
3692:
3691:
3690:
3687:
3685:
3682:
3680:
3677:
3675:
3672:
3670:
3667:
3661:
3658:
3654:
3651:
3650:
3649:
3646:
3644:
3641:
3640:
3639:
3636:
3634:
3631:
3629:
3626:
3624:
3621:
3619:
3616:
3614:
3611:
3609:
3606:
3604:
3603:Orientalizing
3601:
3599:
3596:
3594:
3591:
3589:
3588:Sub-Mycenaean
3586:
3585:
3584:
3581:
3577:
3574:
3572:
3569:
3567:
3564:
3562:
3559:
3558:
3557:
3554:
3552:
3549:
3545:
3542:
3541:
3540:
3537:
3536:
3534:
3532:
3528:
3525:
3519:
3515:
3511:
3506:
3502:art movements
3501:
3497:
3493:
3486:
3481:
3479:
3474:
3472:
3467:
3466:
3463:
3456:
3451:
3447:
3446:
3437:
3433:
3432:
3421:
3417:
3414:
3410:
3404:
3397:
3393:
3390:
3385:
3378:
3374:
3370:
3369:0-19-515909-8
3366:
3362:
3358:
3354:
3348:
3341:
3335:
3328:
3324:
3321:
3316:
3309:
3303:
3296:
3292:
3291:
3284:
3277:
3273:
3269:
3268:1-85566-147-0
3265:
3261:
3255:
3246:
3239:
3235:
3232:
3226:
3224:
3222:
3220:
3218:
3216:
3214:
3212:
3210:
3208:
3206:
3204:
3202:
3200:
3198:
3196:
3194:
3192:
3190:
3188:
3186:
3184:
3176:
3170:
3163:
3157:
3150:
3144:
3137:
3131:
3124:
3118:
3111:
3105:
3098:
3092:
3085:
3081:
3078:
3073:
3071:
3069:
3067:
3065:
3063:
3061:
3059:
3057:
3049:
3043:
3036:
3035:
3027:
3020:
3016:
3013:The story is
3010:
3003:
2998:
2992:
2991:
2984:
2977:
2973:
2968:
2961:
2957:
2955:
2948:
2946:
2938:
2937:
2930:
2923:
2917:
2910:
2906:
2902:
2896:
2889:
2884:
2877:
2871:
2864:
2859:
2852:
2848:
2844:
2843:84-9740-041-0
2840:
2836:
2830:
2823:
2819:
2816:
2810:
2803:
2799:
2796:
2790:
2788:
2786:
2784:
2782:
2780:
2778:
2776:
2774:
2772:
2770:
2768:
2766:
2764:
2762:
2760:
2758:
2756:
2754:
2752:
2750:
2748:
2746:
2744:
2742:
2740:
2738:
2736:
2734:
2732:
2730:
2728:
2726:
2718:
2714:
2710:
2709:0-521-34069-1
2706:
2702:
2698:
2692:
2685:
2681:
2678:
2672:
2670:
2668:
2666:
2664:
2662:
2654:
2648:
2644:
2635:
2632:
2631:
2625:
2624:(1872–1947).
2623:
2619:
2616:(1850–1920),
2615:
2612:(1845–1921),
2611:
2608:(1838–1906),
2607:
2604:(1836–1926),
2603:
2599:
2596:(c.1807–65),
2595:
2591:
2590:costumbristas
2583:
2578:
2569:
2567:
2563:
2560:(1868–1926),
2559:
2556:(1867–1942),
2555:
2552:(1862–1931),
2551:
2547:
2546:costumbristas
2544:
2534:
2532:
2528:
2524:
2520:
2519:
2514:
2513:
2508:
2504:
2495:
2486:
2485:(1885–1957).
2484:
2480:
2477:(1839–1895),
2476:
2472:
2471:costumbristas
2467:
2465:
2461:
2457:
2453:
2449:
2448:
2443:
2442:Ricardo Palma
2439:
2437:
2436:El Murciélago
2433:
2429:
2425:
2421:
2417:
2414:
2408:
2407:Ricardo Palma
2404:
2395:
2393:
2389:
2385:
2384:costumbristas
2382:
2373:
2371:
2370:costumbristas
2367:
2366:Emilio Rabasa
2363:
2360:(1853–1914),
2359:
2356:(1850–1923),
2355:
2351:
2347:
2343:
2342:costumbristas
2339:
2338:
2333:
2329:
2325:
2315:
2313:
2309:
2305:
2302:(1859–1940),
2301:
2298:(1855–1933),
2297:
2294:(1854–1920),
2293:
2290:(1833–1915),
2289:
2285:
2281:
2278:mode include
2277:
2273:
2264:
2262:
2258:
2254:
2250:
2246:
2242:
2232:
2230:
2226:
2222:
2218:
2214:
2210:
2206:
2204:
2200:
2197:
2193:
2192:
2187:
2183:
2179:
2175:
2171:
2167:
2163:
2162:costumbristas
2159:
2150:
2149:(1858–1940).
2148:
2144:
2140:
2137:(1835–1918),
2136:
2132:
2131:Ricardo Silva
2128:
2124:
2120:
2116:
2112:
2108:
2105:(1816–1897),
2104:
2100:
2099:costumbristas
2095:
2093:
2092:
2087:
2083:
2079:
2075:
2071:
2067:
2063:
2059:
2054:
2052:
2048:
2044:
2043:
2038:
2034:
2028:
2024:
2015:
2013:
2009:
2005:
2001:
1997:
1996:Armando Moock
1993:
1990:(1886–1962);
1989:
1985:
1982:(1855–1907);
1981:
1977:
1973:
1969:
1966:(1848–1923);
1965:
1961:
1958:(1841–1896);
1957:
1953:
1949:
1945:
1942:(1858–1927),
1941:
1937:
1933:
1932:Moisés Vargas
1930:(1839–1901),
1929:
1925:
1921:
1918:(1833–1904);
1917:
1913:
1909:
1905:
1901:
1896:
1894:
1890:
1886:
1882:
1878:
1874:
1870:
1866:
1860:
1859:
1853:
1849:
1840:
1839:(1881–1958).
1838:
1834:
1830:
1827:(1854–1916),
1826:
1822:
1818:
1814:
1810:
1806:
1802:
1798:
1797:costumbristas
1794:
1793:
1788:
1784:
1780:
1771:
1770:(1881–1926).
1769:
1765:
1762:(1874–1938),
1761:
1760:Jaime Mendoza
1757:
1754:(1845–1914),
1753:
1749:
1748:costumbristas
1746:
1737:
1735:
1731:
1730:normal school
1727:
1723:
1722:Manuel Gálvez
1719:
1715:
1711:
1707:
1703:
1699:
1695:
1691:
1687:
1683:
1679:
1678:La gran aldea
1675:
1671:
1667:
1663:
1659:
1655:
1651:
1647:
1646:
1642:aspects; his
1641:
1637:
1633:
1629:
1622:
1618:
1606:
1593:
1588:
1587:
1586:
1584:
1580:
1576:
1572:
1568:
1564:
1563:"La Sorpresa"
1560:
1556:
1552:
1547:
1543:
1535:
1531:
1527:
1520:
1514:
1512:
1511:costumbristas
1508:
1504:
1500:
1495:
1493:
1488:
1486:
1482:
1478:
1477:José Aparicio
1474:
1470:
1466:
1462:
1458:
1457:(1846–1929).
1456:
1452:
1448:
1445:(1837-?) and
1444:
1440:
1436:
1433:to scenes of
1432:
1428:
1424:
1416:
1412:
1407:
1403:
1401:
1396:
1392:
1388:
1384:
1380:
1375:
1373:
1369:
1366:(lower class
1365:
1364:
1358:
1356:
1352:
1348:
1344:
1343:Andrés Cortés
1339:
1337:
1333:
1329:
1325:
1321:
1317:
1313:
1308:
1306:
1302:
1298:
1294:
1290:
1286:
1282:
1278:
1274:
1266:
1265:
1260:
1256:
1252:
1249:
1244:
1240:
1236:
1232:
1224:
1219:
1212:
1207:
1206:(1883–1955).
1205:
1201:
1197:
1194:(1857–1933),
1193:
1189:
1185:
1181:
1178:(1883–1928),
1177:
1174:(1882–1947),
1173:
1170:(1844–1903),
1169:
1165:
1162:, 1860–1925;
1161:
1157:
1153:
1148:
1146:
1142:
1138:
1134:
1131:(1871–1953),
1130:
1127:(1873–1940),
1126:
1122:
1118:
1114:
1110:
1106:
1102:
1095:
1091:
1087:
1085:
1081:
1077:
1076:costumbristas
1073:
1069:
1065:
1061:
1060:
1055:
1050:
1048:
1044:
1040:
1032:
1026:
1024:
1020:
1019:costumbristas
1016:
1012:
1008:
1004:
1000:
996:
992:
988:
984:
980:
975:
973:
969:
965:
961:
960:Ángel Ganivet
957:
956:Aguas fuertes
953:
949:
946:pieces about
945:
941:
937:
933:
929:
925:
921:
917:
913:
909:
905:
901:
897:
890:
886:
882:
880:
876:
872:
868:
864:
860:
856:
848:
843:
841:
837:
833:
829:
825:
821:
819:
815:
811:
807:
803:
799:
795:
791:
787:
783:
779:
775:
771:
767:
763:
756:
752:
747:
741:
736:
734:
730:
726:
722:
718:
714:
710:
706:
702:
698:
694:
690:
688:
684:
680:
676:
672:
668:
664:
660:
653:
649:
645:
641:
638:A woman from
636:
632:
630:
626:
622:
618:
614:
610:
606:
602:
598:
594:
589:
587:
583:
579:
575:
571:
567:
564:(1825–1877),
563:
559:
555:
551:
544:
539:
535:
533:
529:
525:
521:
517:
513:
509:
505:
497:
492:
486:
481:
479:
475:
471:
467:
463:
459:
455:
451:
447:
443:
442:Clemente Díaz
439:
435:
431:
427:
423:
419:
415:
411:
406:
404:
400:
396:
395:David Roberts
392:
391:
386:
382:
378:
374:
370:
366:
362:
358:
354:
353:costumbristas
350:
349:
348:The Spectator
344:
340:
336:
332:
330:
326:
322:
318:
314:
310:
306:
302:
298:
295:(1799–1867),
294:
290:
289:
283:
279:
275:
271:
270:costumbristas
267:
263:
256:
252:
248:
244:
239:
235:
232:
227:
223:
219:
215:
211:
207:
203:
199:
195:
187:
183:
182:
177:
173:
169:
164:
152:
146:
144:
140:
136:
132:
127:
125:
121:
117:
113:
109:
108:
103:
98:
94:
92:
87:
83:
79:
75:
71:
67:
63:
59:
55:
52:(in Catalan:
51:
50:
42:
39:(1837–1903):
38:
34:
30:
19:
6524:Trompe-l'œil
6522:
6493:Outsider art
6446:Illustration
6402:Lutheran art
6392:Catholic art
6355:Abstract art
6325:Unilalianism
6288:Software art
6263:Neosymbolism
6253:Neo-futurism
6216:Internet art
6206:Hyperrealism
6059:Superfiction
5842:Photorealism
5710:Afrofuturism
5475:Contemporary
5451:Dimensionism
5434:Concrete art
5367:
5363:Precisionism
5213:
5160:Sosaku-hanga
5134:Productivism
5124:Metaphysical
5094:
5083:Proto-Cubism
4987:Secessionism
4949:Costumbrismo
4834:Aestheticism
4785:Hague School
4765:
4689:Academic art
4670:Costumbrismo
4669:
4638:Empire style
4475:Quito School
4470:Cusco School
4386:Colonial art
4347:
4335:Fête galante
4333:
4302:18th century
4264:Delft School
4215:Caravaggisti
4193:17th century
4078:
4035:Quattrocento
4025:
3983:
3906:
3809:
3739:Late antique
3623:Severe style
3613:Black-figure
3500:Contemporary
3455:Costumbrismo
3435:
3403:
3384:
3377:Google Books
3360:
3356:
3352:
3347:
3334:
3315:
3302:
3295:Google Books
3288:
3283:
3276:Google Books
3270:. p. 50–51.
3259:
3254:
3245:
3174:
3169:
3161:
3156:
3148:
3143:
3135:
3130:
3122:
3117:
3109:
3104:
3096:
3091:
3047:
3042:
3033:
3026:
3019:Google Books
3009:
2997:
2989:
2983:
2975:
2967:
2959:
2953:
2936:Las mujeres…
2935:
2929:
2916:
2909:Google Books
2900:
2895:
2883:
2870:
2858:
2851:Google Books
2834:
2829:
2809:
2717:Google Books
2715:accessed on
2700:
2696:
2691:
2647:
2589:
2587:
2545:
2540:
2530:
2516:
2510:
2500:
2470:
2468:
2464:costumbrismo
2463:
2459:
2445:
2440:
2435:
2418:begins with
2416:costumbrismo
2415:
2411:
2383:
2379:
2369:
2341:
2335:
2331:
2324:costumbrismo
2323:
2321:
2276:costumbrista
2275:
2270:
2253:costumbrista
2252:
2248:
2238:
2224:
2217:costumbrista
2216:
2207:
2203:costumbrista
2202:
2199:anti-slavery
2196:costumbrista
2195:
2189:
2186:costumbrista
2185:
2182:costumbrismo
2181:
2177:
2161:
2156:
2123:Manuel Pombo
2098:
2096:
2089:
2086:Jorge Isaacs
2077:
2066:Eugenio Díaz
2058:costumbrismo
2057:
2055:
2040:
2037:costumbrismo
2036:
2031:
2027:Jorge Isaacs
2012:costumbrista
2011:
2000:costumbrismo
1999:
1991:
1983:
1976:gate of horn
1971:
1967:
1959:
1951:
1948:Costumbrismo
1947:
1923:
1908:costumbrista
1907:
1900:costumbrismo
1899:
1897:
1893:costumbrista
1892:
1881:Román Fritis
1873:José Zapiola
1865:Costumbrismo
1864:
1863:
1856:The Chilean
1855:
1803:(1875–1944,
1796:
1790:
1787:costumbrista
1786:
1777:
1747:
1743:
1733:
1725:
1714:Mis montañas
1713:
1705:
1702:César Duayen
1689:
1677:
1669:
1661:
1643:
1640:costumbrista
1639:
1632:costumbrista
1631:
1625:
1605:costumbrismo
1604:
1578:
1570:
1566:
1562:
1539:
1533:
1519:costumbrismo
1518:
1510:
1503:costumbrismo
1502:
1496:
1489:
1485:costumbrismo
1484:
1459:
1427:bullfighting
1420:
1399:
1390:
1376:
1361:
1359:
1340:
1328:costumbrista
1327:
1309:
1276:
1273:costumbrismo
1272:
1270:
1262:
1259:Costumbrismo
1258:
1248:costumbrista
1247:
1243:costumbrista
1242:
1239:costumbrismo
1238:
1235:costumbrismo
1234:
1230:
1228:
1211:Costumbrismo
1210:
1196:Arturo Reyes
1188:José Nogales
1152:costumbrismo
1151:
1149:
1135:("Dunixi"),
1105:costumbrismo
1104:
1101:costumbrismo
1100:
1098:
1083:
1079:
1075:
1071:
1067:
1063:
1057:
1054:costumbrismo
1053:
1051:
1047:costumbrismo
1046:
1039:costumbrismo
1038:
1036:
1031:costumbrismo
1030:
1023:costumbrista
1022:
1018:
1015:costumbrismo
1014:
998:
990:
986:
979:costumbrismo
978:
977:Elements of
976:
968:costumbrista
967:
955:
944:costumbrista
943:
927:
923:
916:costumbrista
915:
911:
903:
900:costumbrista
899:
893:
879:costumbrista
878:
874:
862:
855:costumbrista
854:
852:
847:Costumbrismo
846:
840:costumbrismo
839:
835:
828:costumbrismo
827:
822:
817:
814:costumbrista
813:
810:El Laberinto
809:
801:
798:custumbrismo
797:
789:
785:
778:costumbrista
777:
773:
769:
765:
759:
750:
739:
732:
716:
715:, as in his
700:
697:costumbrismo
696:
691:
686:
683:Buenos Aires
674:
670:
666:
659:costumbrismo
658:
656:
651:
624:
612:
608:
597:costumbrismo
596:
592:
590:
586:costumbrismo
585:
574:costumbrista
573:
549:
547:
542:
531:
527:
523:
511:
504:costumbrismo
503:
501:
495:
484:
477:
472:, friend of
446:costumbrismo
445:
444:, with whom
437:
429:
421:
414:costumbrismo
413:
410:costumbrista
409:
407:
388:
385:Richard Ford
375:, 1781–88),
372:
364:
360:
352:
346:
335:Costumbrismo
334:
333:
320:
317:costumbrismo
316:
304:
288:costumbrismo
287:
281:
277:
273:
269:
266:costumbrista
265:
260:
251:costumbrismo
250:
243:costumbrismo
242:
226:costumbrismo
225:
222:costumbrismo
221:
210:José Cadalso
194:costumbrismo
193:
191:
179:
178:. Here, the
172:costumbrismo
171:
151:costumbrismo
150:
142:
139:costumbrismo
138:
135:the Americas
133:expanded to
131:costumbrismo
130:
128:
120:costumbrista
119:
116:Costumbrista
115:
112:género chico
111:
105:
102:costumbrismo
101:
97:Costumbrismo
96:
95:
85:
74:Costumbrismo
73:
66:the literary
61:
57:
53:
49:Costumbrismo
48:
47:
46:
41:The Bullring
40:
29:
27:Art movement
18:Costumbrista
6604:Spanish art
6409:Digital art
6372:Avant-garde
6313:Superstroke
6189:Flat design
6184:Fictive art
6179:Excessivism
6127:Art for art
6122:Altermodern
6064:Taring Padi
5999:Lowbrow art
5967:Pliontanism
5904:Yoru no Kai
5857:Process art
5797:Systems art
5767:Arte Povera
5689:Antipodeans
5598:in New York
5568:Jikken Kōbō
5531:Color field
5400:Regionalism
5369:Aeropittura
5358:Neo-Fauvism
5331:Neues Sehen
5301:Kinetic art
5165:Suprematism
5139:Synchromism
5056:Noucentisme
4977:Primitivism
4965:Art Nouveau
4920:Cloisonnism
4910:Pointillism
4905:Divisionism
4883:Incoherents
4844:Art pottery
4730:(1863–1944)
4680:Macchiaioli
4655:Biedermeier
4643:Historicism
4628:Orientalism
4569:Romanticism
4540:Akita ranga
4392:Art of the
4377:Picturesque
4329:Chinoiserie
4324:Frederician
4162:Tudor court
4057:Cinquecento
3998:Renaissance
3985:Mappa mundi
3969:cartography
3861:Carolingian
3856:Merovingian
3839:Palaeologan
3811:Repoblación
3768:Anglo-Saxon
3699:Gallo-Roman
3638:Hellenistic
3633:Kerch style
3571:Minyan ware
3409:Fermín Toro
3046:Boone, E.,
2600:(1823–67),
2594:Fermín Toro
2588:Venezuelan
2582:Fermín Toro
2503:Puerto Rico
2489:Puerto Rico
2483:José Gálvez
2460:tradiciones
2430:(1805–71).
2394:(1904–72).
2286:(1832–94),
2282:(1812–93),
2272:Ecuadorians
2160:'s leading
2133:(1836–87),
2129:(1830–90),
2125:(1827–98),
2121:(1827–87),
2117:(1827–86),
2113:(1826–72),
2109:(1823–94),
2080:(1858–71);
2068:(1803–65),
2051:New Granada
1934:(1843–98),
1883:(1829–74),
1879:(1807–86),
1875:(1804–85),
1821:Costa Rican
1805:El Salvador
1792:Juan Chapín
1758:(1846–98),
1645:El Matadero
1431:Orientalism
1357:(1815–80).
1345:(1810–79),
1320:José Roldán
753:, drawn by
713:Restoration
701:Las tiendas
695:carried on
556:(1807–45),
508:physiognomy
321:afrancesado
249:influenced
245:in Madrid,
82:Romanticism
62:costumbrist
58:costumbrism
6563:Categories
6456:Jewish art
6268:Passionism
6228:iPhone art
6174:Cyborg art
6169:Crypto art
6142:Brandalism
6034:Cyberdelic
5899:Tropicália
5872:Street art
5827:Intermedia
5807:Minimalism
5526:Spatialism
5480:Postmodern
5336:Surrealism
5204:Shin-hanga
5044:Die Brücke
5012:Sonderbund
4925:Synthetism
4648:Revivalism
4557:Transition
4514:Manichaean
4360:Adam style
4281:Classicism
4220:in Utrecht
4148:Still life
3878:Romanesque
3834:Macedonian
3829:Iconoclast
3788:Visigothic
3694:Republican
3648:Indo-Greek
3618:Red-figure
3338:Jim Tuck,
3173:Moriuchi,
3164:, p. 92-93
3160:Moriuchi,
2640:References
2541:Prominent
2381:Paraguayan
2205:articles.
2042:El Carnero
1992:Pueblecito
1920:Román Vial
1811:(1848–93,
1809:Ramón Rosa
1783:José Milla
1779:Guatemalan
1437:. His son
1435:witchcraft
1429:scenes to
1231:costumbres
1180:Luis Bello
1080:el erudito
995:Pío Baroja
987:De mi país
970:scenes of
904:La Montaña
881:articles.
794:Eugène Sue
640:Montevideo
520:Leigh Hunt
361:La Minerva
274:La Minerva
54:costumisme
6518:Shock art
6508:Queer art
6488:Naïve art
6471:Modernism
6303:Superflat
6293:Sound art
6273:Post-YBAs
6258:Neomodern
6099:Verdadism
6069:Superflat
5918:1970–1999
5882:in the US
5802:Video art
5725:Happening
5698:1960–1969
5490:1945–1959
5153:1915–1944
5144:Vorticism
5096:A Nyolcak
4958:1900–1914
4930:Les Nabis
4861:Symbolism
4817:Amsterdam
4767:Japonisme
4737:1863–1899
4699:in Greece
4559:to modern
4404:Caribbean
4349:Goût grec
4271:Capriccio
4225:Tenebrism
4174:Turquerie
4072:Mannerism
3967:Medieval
3824:Byzantine
3805:Mozarabic
3756:Ethiopian
3660:Neo-Attic
3643:"Baroque"
3628:Classical
3598:Geometric
3576:Mycenaean
3523:(Western)
3521:Premodern
3492:Premodern
3353:xv.–xvii.
2960:Scriptura
2845:. p. 39.
2572:Venezuela
2543:Uruguayan
2255:works of
2014:aspects.
1974:("In the
1823:writers:
1628:Argentina
1612:Argentina
1603:Literary
1461:José Elbo
1117:Catalonia
948:Salamanca
908:Cantabria
790:La Nación
719:, 1878).
601:Barcelona
458:Andalusia
440:, 1845);
422:El Cócora
365:El Censor
327:child of
286:literary
282:El Censor
149:Literary
107:zarzuelas
91:folkloric
6548:Category
6498:Portrait
6419:Folk art
6367:Anti-art
6298:Stuckism
6211:Idea art
6132:Art game
6084:Artivism
5972:Punk art
5950:Sots Art
5935:Artscene
5792:Land art
5730:Neo-Dada
5662:Lettrism
5556:Nuagisme
5541:Tachisme
5422:Nazi art
5215:De Stijl
5129:Rayonism
5119:Art Deco
5107:Futurism
4898:Luminism
4866:Romanian
4851:Tonalism
4822:Canadian
4800:American
4706:Neo-Grec
4314:Rocaille
4143:Romanism
4077:Counter-
4011:Trecento
3951:Duecento
3941:Crusades
3873:Ottonian
3851:Frankish
3731:Medieval
3714:Trajanic
3674:Scythian
3669:Etruscan
3561:Cycladic
3539:Thracian
3416:Archived
3392:Archived
3323:Archived
3234:Archived
3177:, p. 96.
3080:Archived
2818:Archived
2798:Archived
2680:Archived
2628:See also
2592:include
2548:include
2527:Asturias
2413:Peruvian
2386:include
2376:Paraguay
2322:Mexican
2261:Haitians
2229:Camagüey
2033:Colombia
2018:Colombia
1813:Honduras
1750:include
1745:Bolivian
1690:Montaraz
1626:Some of
1469:province
1411:Picadors
1121:Mallorca
1033:in Spain
966:, wrote
820:(1877).
709:Asmodeus
629:Valencia
276:(1817),
153:in Spain
124:artisans
70:Hispanic
6513:Realism
6110:present
5837:Nut Art
5640:Pop art
5578:Mono-ha
5446:The Ten
5395:Kapists
5341:Iranian
5294:Bauhaus
5088:Orphism
5034:Fauvism
4871:Russian
4761:Nihonga
4675:Verismo
4660:Realism
4594:Purismo
4507:Moorish
4502:Islamic
4409:Haitian
4200:Baroque
4079:Maniera
3963:Mudéjar
3888:Spanish
3800:Pictish
3783:Lombard
3778:Insular
3719:Severan
3684:Gaulish
3679:Iberian
3608:Archaic
3551:Nuragic
3531:Ancient
3514:periods
2537:Uruguay
2267:Ecuador
2239:In the
2145:), and
1978:"), by
1867:enters
1740:Bolivia
1517:Visual
1417:c. 1850
1395:Flemish
1387:Lameyer
1368:dandies
1332:realist
1316:Murillo
1113:Catalan
1072:albañil
972:Granada
729:Galicia
644:Uruguay
466:Carlist
403:Granada
399:Seville
325:liberal
255:Seville
247:Murillo
158:Origins
80:and to
78:realism
6461:Kitsch
6320:Toyism
5812:Fluxus
5742:Op art
5311:Mingei
5245:Stupid
5223:Purism
5078:Cubism
4727:Modern
4519:Mughal
4309:Rococo
3914:Gothic
3895:Norman
3819:Viking
3773:Hunnic
3751:Coptic
3566:Minoan
3556:Aegean
3544:Dacian
3496:Modern
3367:
3266:
2976:Bilbao
2841:
2713:p. 491
2707:
2518:Jíbaro
2318:Mexico
2213:Havana
1728:("The
1706:Stella
1536:, 1851
1383:Alenza
1318:, and
1115:about
1059:España
1003:Azorín
936:Toledo
910:. His
681:, and
679:Havana
568:, and
379:, and
309:Madrid
176:Madrid
64:) is
43:(1870)
6108:2000–
5551:COBRA
4545:Uki-e
4535:Japan
4524:Qajar
3883:Mosan
3689:Roman
3583:Greek
2515:(The
2164:were
2091:María
1962:, by
1858:Larra
1843:Chile
1704:, in
1465:Úbeda
1363:majos
1293:above
1064:golfo
1043:above
997:with
782:novel
468:from
6397:Icon
5720:ZERO
5478:and
5375:Asso
5199:Dada
4756:Yōga
3498:and
3365:ISBN
3264:ISBN
2839:ISBN
2705:ISBN
2398:Peru
2344:are
2158:Cuba
2153:Cuba
2101:are
1799:are
1553:and
1473:Jaén
1413:"),
1385:and
1379:Goya
1119:and
1107:are
926:and
619:and
518:and
464:, a
401:and
363:and
341:and
168:Goya
3375:on
3274:on
3017:at
2907:at
2903:is
2849:on
2501:In
2039:in
1815:),
1807:),
1471:of
650:in
607:'s
387:'s
367:),
323:—a
253:in
86:and
6565::
3494:,
3371:.
3359:,
3182:^
3055:^
2974:,
2958:,
2944:^
2724:^
2711:.
2660:^
2505:,
2466:.
2243:,
1926:;
1895:.
1708:;
1692:;
1532:,
1513:.
1374:.
1049:.
974:.
950:.
938:.
930:.
869:.
842:.
642:,
560:,
460:;
416:.
291::
216:,
212:,
208:,
204:,
114:.
3512:/
3484:e
3477:t
3470:v
3379:.
3278:.
3021:.
2911:.
2853:.
2719:.
1275:(
1267:.
627:(
257:.
188:.
20:)
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