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Coronation Mass (Mozart)

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declaimed the "Hosanna". These musical breaks mimic what is occurring in the mass at these points. Rubrics require the congregation to change from a standing position to a kneeling position at the 'incarnatus' out of respect for the Incarnation of Christ: hence the musical break. Similarly, only the first verse of the 'Sanctus' is sung before the Consecration; the 'Benedictus' verse was sung afterward, according to the rubrics of the Mass. This rubrical division often results in the verses appearing in music as two separate movements, although they are thematically joined. In the Credo, Mozart introduces the trombones for the Crucifixus and using a
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The Kyrie, Gloria and Credo all begin with an engaging rhythm. The soloists contrast with the larger forces of the choir, often as a quartet. Of note in this regard are the central Adagio section of the Credo at "Et incarnatus est", and the surprise of the Benedictus after the chorus has already
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The horn parts appear on separate sheets at the end of the autograph score and it is unclear whether they were a later addition by Mozart, although they were composed by him before the end of 1779. The horn parts became separated from the main score, and were omitted from the 1802 edition by
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in the early nineteenth century, after becoming the preferred music for royal and imperial coronations as well as services of thanksgiving. The nickname was included in the first edition of the
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The solo vocal parts would originally have been sung by members of the choir, and are notated on the same staves as the choral parts in Mozart's autograph score.
406:, expressed the view that this mass was composed for and took its name from a remembrance celebration for the crowning of the image of the Virgin at Maria Plain 830: 1088: 966: 1010: 1946: 1323: 1108: 1156: 1537: 1521: 1549: 1471: 1681: 1967: 1359: 1151: 1141: 1941: 1651: 1570: 1484: 1434: 1136: 1131: 970: 917: 31: 1513: 1425: 1364: 1529: 1053: 1903: 1673: 1003: 889: 695: 938: 1838: 1083: 761:"Wolfgang Amadeus Mozart – Series I: Sacred vocal works, Work group 1: Masses and Requiem, Section 1: Masses, Volume 4" 725: 351:. While it is relatively short, Bruce C. Macintyre, writing in the Cambridge Mozart Encyclopedia, classifies it as a 1977: 1392: 1166: 1161: 1098: 996: 1747: 1591: 590:. In most modern performances several players are used for some of the orchestral parts. Notable is the lack of 396: 1895: 1786: 1739: 1578: 1557: 1403: 960: 1418: 1253: 942: 1972: 1458: 1078: 1718: 1354: 594:, typical of music written for Salzburg, and the vague name "basses" for the stave shared by organ, 313: 1627: 1247: 1043: 639: 622: 1925: 1632: 1618: 1613: 1508: 1500: 1444: 1374: 1126: 1019: 881: 449: 429: 344: 277: 1916: 1870: 1479: 1466: 1411: 1328: 1038: 490: 356: 873: 1810: 1802: 1794: 1033: 760: 340: 70: 1318: 1093: 1063: 982: 610:", a slippery term sometimes implying a sixteen-foot bass but also used for the eight-foot 465: 348: 8: 1982: 1710: 1265: 1200: 1193: 1068: 950: 473: 461: 1187: 422: 1259: 1171: 542: 403: 388: 44: 854:
Jasmin Melissa Cameron (2006). "The Crucifixion in Music: An Analytical Survey of the
808: 1768: 1702: 1235: 1229: 1058: 885: 721: 691: 571: 510: 469: 457: 407: 1856: 1847: 1586: 1333: 1241: 1121: 1048: 661: 518: 375:. Mozart had just returned to the city after 18 months of fruitless job hunting in 285: 1283: 1438: 1338: 1073: 634: 418: 328: 269: 1604: 1223: 384: 343:. 317; sometimes Mass No. 16), composed in 1779, is one of the most popular of 976: 1961: 1369: 1295: 1289: 1215: 433: 402:
In the early twentieth century, Johann Evangelist Engl, the archivist of the
392: 293: 48: 1433: 831:"Papst Johannes Paul II zelebriert feierliches Hochamt im Petersdom mit ..." 1665: 1643: 1454: 1301: 1277: 1271: 525: 453: 437: 395:, 4 April 1779. The first documented performance was at the coronation of 289: 281: 988: 1887: 611: 603: 665:), and do not necessarily indicate the physical size of the instrument. 642:, a contemporary dance performance inspired by Mozart's Coronation Mass 587: 305: 1822: 659:
Sixteen-foot and eight-foot indicate the pitch of an instrument (see
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Musical allusions to this mass appear in the slow movement of the
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Macintyre, Bruce C (2006). Eisen, Cliff; Keefe, Simon P. (eds.).
607: 595: 579: 575: 522: 505: 500: 336: 39: 1879: 1760: 809:"Von Karajan, Vienna Philharmonic To Join Pope in Musical Mass" 563: 81: 1694: 599: 591: 559: 495: 485: 376: 360: 586:(which reinforce the alto, tenor and bass choral parts) and 464:
conducting the Coro della Cappella Musicale Pontificia (the
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promptly got him a job as court organist and composer at
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Mozart Coronation Mass: Mass in C (K. 317) (Vocal score)
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The mass in C major was completed on March 23, 1779, in
625:. The horn parts are sometimes considered as optional. 977:"W. A. Mozart, Krönungsmesse (Messe in C-Dur, KV 317)" 532:
exhibits melodic similarities to and may foreshadow "
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Mitteilungen der Internationalen Stiftung Mozarteum
391:. The mass was almost certainly premiered there on 448:The mass was performed in a liturgical context in 47:, where the mass was first performed, probably on 1959: 918:Mozart and the Practice of Sacred Music, 1781–91 720:(New Novello Choral ed.). London: Novello. 1947:List of compositions by Wolfgang Amadeus Mozart 413:The mass appears to have acquired the nickname 910:Mozart, Haydn and Early Beethoven: 1781 — 1802 1419: 1004: 740:Karl Pfannhauser, "Mozarts 'Krönungsmesse'." 711: 709: 707: 1018: 443: 1426: 1412: 1011: 997: 957:Free scores of the Coronation Mass, KV 317 715: 38: 1942:List of masses by Wolfgang Amadeus Mozart 981:downloadable performance by the choir of 971:International Music Score Library Project 921:(Ph.D. thesis, 2007). Harvard University. 704: 685: 606:. Among the original parts is one for " 1494:Missa in honorem Sanctissimae Trinitatis 317:Autograph manuscript of the opening page 312: 1180: 862:No. 1, The Scarecrow Press, Inc. p. 193 716:Pilkington, Michael (2003). "Preface". 1960: 754: 752: 750: 1407: 992: 871: 865: 758: 806: 747: 410:. This theory has been discounted. 13: 1841:Die Schuldigkeit des ersten Gebots 304:Problems playing these files? See 152: 14: 1994: 1968:Masses by Wolfgang Amadeus Mozart 925: 878:A History of Western Choral Music 688:The Cambridge Mozart encyclopedia 1771:: K. 109, K. 125, K. 195, K. 243 1388: 1387: 1248:Maria Anna Thekla Mozart (Bäsle) 912:New York: W. W. Norton & Co. 258: 240: 222: 204: 186: 168: 1749:Vesperae solennes de confessore 1655:G major, K. 140/235d/Anh. C1.12 1614:Kyrie in F major, K. 33 "Paris" 1365:Beethoven–Haydn–Mozart Memorial 770:. Mozarteum Foundation Salzburg 653: 598:(specified only in the Credo), 399:as Holy Roman Emperor in 1792. 274:Chor der St. Hedwigs-Kathedrale 848: 823: 800: 791: 782: 734: 679: 1: 1741:Vesperae solennes de Dominica 1628:Kyrie in D minor, K. 341/368a 672: 347:'s 17 extant settings of the 1274:(paternal great-grandfather) 1117:Concert arias, songs, canons 961:Choral Public Domain Library 807:Koo, Samuel (26 June 1985). 479: 7: 1254:Franz Xaver Wolfgang Mozart 1236:Maria Anna Mozart (Nannerl) 872:Alwes, Chester Lee (2015). 628: 425:of Mozart's works in 1862. 10: 1999: 902: 549: 436:of Mozart's contemporary, 366: 1937: 1915: 1869: 1821: 1778: 1759: 1730: 1693: 1685:pasticcio Coronation Mass 1677:(attributed to W. MĂĽller) 1663: 1641: 1602: 1558:B-flat major, K. 275/272b 1453: 1383: 1360:Mozart in popular culture 1347: 1311: 1214: 1172:Relationship with G minor 1107: 1026: 417:(Coronation Mass) at the 131: 118: 110: 87: 77: 66: 56: 37: 30: 23: 18: 1089:Appearance and character 915:David Ian Black (2007). 858:between 1680 and 1800", 788:Black 2007, pp. 198-243. 744:11, no. 3-4 (1963): 3-11 646: 444:1985 Vatican performance 419:Imperial court in Vienna 1978:Compositions in C major 1927:Maurerische Trauermusik 1621:Sancta Maria, mater Dei 1445:Wolfgang Amadeus Mozart 1375:Mozart Monument, Vienna 1020:Wolfgang Amadeus Mozart 882:Oxford University Press 860:Contextual Bach Studies 554:The work is scored for 345:Wolfgang Amadeus Mozart 278:Berliner Philharmoniker 19:Missa brevis in C major 1839:geistliches Singspiel 1268:(paternal grandfather) 967:Mass in C major, K.317 908:Daniel Heartz (2009). 768:Digital Mozart Edition 623:Breitkopf & Härtel 456:on 29 June 1985, with 318: 157: 759:Holl, Monika (1989). 540:of the Countess from 316: 156: 1905:Ode auf St. Caecilia 1787:Veni Sancte Spiritus 1582:C minor, K. 427/417a 1525:C major, K. 262/246a 1517:C major, K. 220/196b 1509:D major, K. 194/186h 1504:F major, K. 192/186f 1167:Compositional method 1147:Works for solo piano 983:Eisenstadt Cathedral 884:. pp. 348–350. 640:MozartNu (1986–2008) 466:Sistine Chapel Choir 450:St. Peter's Basilica 349:Ordinary of the Mass 32:Mass by W. A. Mozart 1712:Exsultate, jubilate 1475:C minor, K. 139/47a 1266:Johann Georg Mozart 1201:Neue Mozart-Ausgabe 1194:Alte Mozart-Ausgabe 951:Neue Mozart-Ausgabe 834:Library of Congress 797:Heartz 2009, p. 662 474:Vienna Philharmonic 462:Herbert von Karajan 1897:Das Alexander-Fest 1502:Kleine Credo Messe 1480:D minor, K. 65/61a 1467:G major, K. 49/47d 1260:Karl Thomas Mozart 811:. Associated Press 543:Le nozze di Figaro 404:Salzburg Mozarteum 389:Salzburg Cathedral 335:) (Mass No. 15 in 319: 158: 127:choir and soloists 45:Salzburg Cathedral 1973:1779 compositions 1955: 1954: 1769:Litanies (Mozart) 1704:God is our refuge 1401: 1400: 1230:Anna Maria Mozart 1210: 1209: 935:Missa in C KV 317 891:978-0-19-936193-9 874:"Coronation Mass" 697:978-0-521-85659-1 521:in the bass. The 470:Wiener Singverein 458:Pope John Paul II 383:, and his father 263: 245: 227: 209: 191: 173: 148: 147: 1990: 1919:ceremonial music 1881:Acis und Galatea 1859:Davide penitente 1850:Betulia liberata 1720:Ave verum corpus 1539:Piccolomini Mass 1448: 1447: 1428: 1421: 1414: 1405: 1404: 1391: 1390: 1280:(brother-in-law) 1242:Constanze Mozart 1188:Köchel catalogue 1178: 1177: 1162:Violin concertos 1013: 1006: 999: 990: 989: 985:, Austria (2006) 980: 969:: Scores at the 947: 896: 895: 869: 863: 852: 846: 845: 843: 841: 827: 821: 820: 818: 816: 804: 798: 795: 789: 786: 780: 779: 777: 775: 765: 756: 745: 738: 732: 731: 713: 702: 701: 683: 666: 662:Eight-foot pitch 657: 519:chromatic fourth 460:officiating and 423:Köchel catalogue 408:outside Salzburg 286:Sieglinde Wagner 265: 264: 247: 246: 229: 228: 211: 210: 193: 192: 175: 174: 155: 125: 106: 105: 99: 97: 42: 16: 15: 1998: 1997: 1993: 1992: 1991: 1989: 1988: 1987: 1958: 1957: 1956: 1951: 1933: 1911: 1865: 1817: 1774: 1755: 1726: 1689: 1659: 1637: 1633:Epistle sonatas 1598: 1587:Requiem, K. 626 1574:C major, K. 337 1566:C major, K. 317 1564:Coronation Mass 1553:C major, K. 259 1545:C major, K. 258 1533:C major, K. 257 1496:C major, K. 167 1473:Waisenhausmesse 1449: 1443: 1442: 1432: 1402: 1397: 1379: 1343: 1324:Catholic Church 1307: 1304:(sister-in-law) 1298:(sister-in-law) 1292:(sister-in-law) 1286:(mother-in-law) 1206: 1176: 1142:Piano concertos 1103: 1022: 1017: 975: 945: 943:critical report 928: 905: 900: 899: 892: 880:. Vol. 1. 870: 866: 853: 849: 839: 837: 829: 828: 824: 814: 812: 805: 801: 796: 792: 787: 783: 773: 771: 763: 757: 748: 739: 735: 728: 714: 705: 698: 684: 680: 675: 670: 669: 658: 654: 649: 635:Coronation Mass 631: 552: 482: 446: 430:Symphony No. 98 369: 333:Coronation Mass 311: 310: 302: 300: 299: 298: 297: 270:Igor Markevitch 266: 259: 256: 250: 249: 248: 241: 238: 232: 231: 230: 223: 220: 214: 213: 212: 205: 202: 196: 195: 194: 187: 184: 178: 177: 176: 169: 166: 159: 153: 144: 101: 95: 93: 91: 52: 12: 11: 5: 1996: 1986: 1985: 1980: 1975: 1970: 1953: 1952: 1950: 1949: 1944: 1938: 1935: 1934: 1932: 1931: 1922: 1920: 1913: 1912: 1910: 1909: 1901: 1893: 1885: 1876: 1874: 1867: 1866: 1864: 1863: 1854: 1845: 1835: 1833: 1819: 1818: 1816: 1815: 1807: 1799: 1791: 1782: 1780: 1776: 1775: 1773: 1772: 1765: 1763: 1757: 1756: 1754: 1753: 1745: 1736: 1734: 1728: 1727: 1725: 1724: 1716: 1708: 1699: 1697: 1691: 1690: 1688: 1687: 1683:Così fan tutte 1679: 1670: 1668: 1661: 1660: 1658: 1657: 1648: 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Benedictus 219: 201: 183: 165: 140: 137: 136: 134: 130: 126: 121: 117: 113: 109: 104: 90: 86: 83: 80: 76: 72: 69: 65: 62: 61:Krönungsmesse 59: 55: 50: 49:Easter Sunday 46: 41: 36: 33: 29: 26: 22: 17: 1926: 1904: 1896: 1888: 1880: 1858: 1852:, K. 118/74c 1849: 1840: 1811:Regina coeli 1809: 1803:Regina coeli 1801: 1795:Regina coeli 1793: 1785: 1779:Choral works 1748: 1740: 1719: 1711: 1703: 1682: 1675:Twelfth Mass 1674: 1652: 1620: 1579: 1571: 1563: 1562: 1550: 1542: 1538: 1530: 1522: 1515:Sparrow Mass 1514: 1501: 1493: 1485: 1472: 1439:sacred music 1355:Georg Nissen 1302:Sophie Weber 1278:Joseph Lange 1272:Franz Mozart 1199: 1192: 1094:Pet starling 963:(ChoralWiki) 949: 934: 916: 909: 877: 867: 859: 855: 850: 838:. Retrieved 833: 825: 813:. Retrieved 802: 793: 784: 772:. Retrieved 767: 741: 736: 717: 687: 681: 660: 655: 619: 616: 553: 541: 515: 447: 438:Joseph Haydn 427: 414: 412: 401: 370: 352: 332: 323: 322: 320: 303: 290:Helmut Krebs 282:Maria Stader 272:, director; 254:6. Agnus Dei 132:Instrumental 60: 24: 1889:Der Messias 1873:adaptations 1523:Missa longa 1329:Freemasonry 1054:Nationality 1034:Biographies 946:(in German) 612:bass violin 604:double bass 353:Missa Longa 284:, soprano; 1983:Coronation 1962:Categories 1642:Uncertain 1580:Great Mass 1543:Spaur Mass 1531:Credo Mass 1437:and other 1312:Influences 1157:Symphonies 1044:Grand tour 1039:Birthplace 856:Crucifixus 673:References 506:Benedictus 472:, and the 397:Francis II 306:media help 218:4. Sanctus 57:Other name 25:Coronation 1848:oratorio 1823:Singspiel 1664:Spurious 1319:Beethoven 1064:Scatology 1059:Residence 1027:Biography 815:1 October 584:trombones 534:Dove sono 530:Agnus Dei 511:Agnus Dei 480:Structure 292:, tenor; 182:2. Gloria 138:orchestra 111:Movements 67:Catalogue 1907:, K. 592 1899:, K. 591 1891:, K. 572 1883:, K. 566 1861:, K. 469 1857:cantata 1827:Oratorio 1814:, K. 276 1806:, K. 127 1798:, K. 74d 1761:Litanies 1751:, K. 339 1743:, K. 321 1722:, K. 618 1714:, K. 165 1623:, K. 273 1619:Gradual 1607:-related 1592:Timeline 1393:Category 1238:(sister) 1232:(mother) 1226:(father) 1181:Editions 1069:Smallpox 629:See also 576:trumpets 432:and the 381:Mannheim 373:Salzburg 200:3. Credo 164:1. Kyrie 141:continuo 103:Salzburg 88:Composed 78:Occasion 1917:Masonic 1843:, K. 35 1831:Cantata 1790:, K. 47 1732:Vespers 1706:, K. 20 1459:Requiem 1348:Related 1339:Salieri 1152:Sonatas 959:in the 948:in the 903:Sources 774:13 June 608:violone 596:bassoon 580:timpani 564:violins 550:Scoring 528:of the 523:soprano 501:Sanctus 468:), the 454:Vatican 452:in the 385:Leopold 367:History 337:C major 296:, bass. 94: ( 1871:Handel 1695:Motets 1666:Masses 1603:Other 1455:Masses 1435:Masses 1244:(wife) 1216:Family 1137:Operas 1132:Masses 1122:Dances 1084:Prague 1079:Berlin 933:  888:  840:16 May 836:. 1986 724:  694:  592:violas 560:chorus 536:", an 491:Gloria 357:Gloria 329:German 268:1955: 82:Easter 1334:Haydn 1262:(son) 1256:(son) 1109:Music 1099:Death 1074:Italy 939:Score 764:(PDF) 647:Notes 600:cello 588:organ 572:horns 568:oboes 496:Credo 486:Kyrie 377:Paris 361:Credo 119:Vocal 73:. 317 1644:Mass 1605:Mass 1457:and 1049:Name 941:and 886:ISBN 842:2017 817:2014 776:2018 722:ISBN 692:ISBN 602:and 582:, 3 574:, 2 570:, 2 562:, 2 556:SATB 538:aria 526:solo 379:and 359:and 331:for 321:The 124:SATB 96:1779 92:1779 1541:or 1441:by 363:. 1964:: 1829:• 1825:• 937:: 876:. 766:. 749:^ 706:^ 614:. 578:, 546:. 476:. 440:. 339:, 280:; 276:; 100:: 1427:e 1420:t 1413:v 1012:e 1005:t 998:v 979:. 894:. 844:. 819:. 778:. 730:. 700:. 341:K 327:( 308:. 114:6 98:) 71:K 51:.

Index

Mass by W. A. Mozart

Salzburg Cathedral
Easter Sunday
K
Easter
Salzburg
SATB
1. Kyrie
2. Gloria
3. Credo
4. Sanctus
5. Benedictus
6. Agnus Dei
Igor Markevitch
Chor der St. Hedwigs-Kathedrale
Berliner Philharmoniker
Maria Stader
Sieglinde Wagner
Helmut Krebs
Josef Greindl
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German
C major
K
Wolfgang Amadeus Mozart
Ordinary of the Mass
Gloria
Credo

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