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Concentus Musicus Wien

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Nikolaus Harnoncourt retired from the CMW and from conducting in general in December 2015. In parallel with her husband's retirement, Alice Harnoncourt retired from the CMW. In succession to Alice Harnoncourt, the current leader of the ensemble
609:"Handel/Mozart/Mosel: Timotheus oder Die Gewalt der Musik – review; Invernizzi, Güra, Finley, Singverein der Gesellschaft der Musikfreunde in Wien, Concentus Musicus Wien/Harnoncourt" 222:, that continued into the 1990s. Among the CMW's recording projects with Telefunken and Teldec was their participation in the complete cycle of cantatas of 468: 636: 192: 168:
since then. Nikolaus Harnoncourt directed the ensemble from the cello until 1987, and subsequently led the CMW as its conductor and artistic director.
378: 406: 226:, over the period from 1971 to 1990. The cantatas were split between two conductors, on the one hand the CMW and Harnoncourt, and on the other 126:. The CMW did research and rehearsal for 4 years before their first official concert; although the ensemble made its 'unofficial' debut at the 711: 234:. In addition to their long series of recordings for Telefunken and Teldec, the CMW has made commercial recordings for other labels such as 754: 716: 664: 140:
in Vienna. The CMW gave a regular concert series at the Schwarzenberg Palace from 1958 to 1962. The CMW made its formal debut in the
525:"Kuhmeier/Gura/Gerhaher/Arnold Schoenberg Choir/Concentus Musicus Wien/Harnoncourt; Haydn: Die Jahreszeiten(Deutsche Harmonia Mundi)" 764: 774: 552: 608: 769: 581:"Mozart: Piano Concertos Nos 23 & 25 – review; Rudolf Buchbinder (fortepiano), Concentus Musicus Wien/ Harnoncourt" 350: 104: 580: 191:) is Erich Höbarth. In succession to Nikolaus Harnoncourt, the CMW's current artistic leader is the harpsichordist 154: 749: 496: 148:
in February 1962, and performed concerts regularly there until 1971. The CMW staged its first opera at the 1971
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which Harnoncourt founded. The CMW first toured North America in 1966, including its Boston debut for the
202:. The ensemble's current manager is Maximilian Harnoncourt, grandson of Nikolaus and Alice Harnoncourt. 171:
The CMW has performed at European music festivals in such cities as Salzburg and Lucerne, as well as the
256: 251: 247: 379:"Summer Is a Word for Opera in Salzburg: Mozart, Strauss and Friends, an Austrian Seasonal Tradition" 123: 242:. The CMW's final commercial recordings with Nikolaus Harnoncourt were two recordings of music of 270: 235: 283: 310:
1996–1997, top awards from three different French music publications – recordings of Mozart's
223: 180: 497:"Haydn: The Paris Symphonies: Concentus Musicus Wien/ Harnoncourt (Deutsche Harmonia Mundi)" 703: 243: 137: 115: 48: 8: 637:"Beethoven: Symphonies 4 & 5 CD review – Harnoncourt bows out with blazing intensity" 197: 127: 721: 553:"Mozart, Strauss, Lanner: Walzer Revolution - Concentus Musicus Wien/Harnoncourt (Sony)" 298:
1990, Gramophone Award for Special Achievement – Recording of the complete Bach cantatas
665:"Beethoven: Missa Solemnis CD review – Nikolaus Harnoncourt's masterly final recording" 473: 411: 383: 734: 291: 231: 214:, for the Telefunken label. This recording began a long recording relationship with 149: 119: 52: 712:
History of the Concentus Musicus Wien from the official Nikolaus Harnoncourt website
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Steinberg, Michael (7 January 1966). "Concentus Musicus gives a beautiful concert".
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Steinberg, Michael (13 November 1971). "Vienna group fuses skill with delight".
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music ensemble based in Vienna. The CMW is recognized as a pioneer of the
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The CMW made their first recording in 1962, of music for viols by
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co-founded the CMW in 1953, along with several musicians from the
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series. Subsequent American tours followed in 1968 and in 1971.
324: 219: 274: 176: 351:"Concentus Musicus Wien: A Celebration (Teldec, 10 CDs)" 136:, the CMW's first public concert was in May 1957 at the 407:"A Generous Opening to the Lucerne Easter Festival" 469:"Following His Fixations, Early Music to Whatever" 260:, the latter being Harnoncourt's final recording. 130:in 1954 with a production of Claudio Monteverdi's 741: 344: 342: 340: 269:1990 and 1991, German Record Critics' Prize – 337: 301:1995, Cannes Classical Award – J.S. Bach's 466: 449: 432: 404: 376: 522: 494: 348: 742: 634: 606: 578: 550: 105:period-instrument performance movement 635:Kenyon, Nicholas (21 February 2016). 467:Oestreich, James (10 November 1996). 662: 579:Kenyon, Nicholas (20 January 2013). 263: 13: 755:Musical groups established in 1953 551:Kenyon, Nicholas (11 March 2012). 495:Clements, Andrew (15 April 2005). 405:Oestreich, James (1 August 2012). 377:Oestreich, James (1 August 2012). 349:Clements, Andrew (18 April 2003). 14: 786: 688: 607:Kenyon, Nicholas (16 June 2013). 158:. 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Index

Orchestra
Nikolaus Harnoncourt
Alice Harnoncourt
www.concentusmusicus.com/en/
baroque
period-instrument performance movement
Nikolaus Harnoncourt
Alice Harnoncourt
Vienna Symphony Orchestra
Konzerthaus, Vienna
Orfeo
Schwarzenberg Palace
Wiener Festwochen
Il ritorno d'Ulisse in patria
Musikverein
styriarte
Graz
Peabody Mason Concert
concertmaster
Stefan Gottfried
de
Henry Purcell
Telefunken
Teldec
Johann Sebastian Bach
Gustav Leonhardt
Leonhardt-Consort
Deutsche Harmonia Mundi
Sony Classical
Ludwig van Beethoven

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