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38:
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511:
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53:
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100:). A "color space" is a useful conceptual tool for understanding the color capabilities of a particular device or digital file. When trying to reproduce color on another device, color spaces can show whether shadow/highlight detail and color saturation can be retained, and by how much either will be compromised.
268:
As noted first by
Grassmann... the light set has the structure of a cone in the infinite-dimensional linear space. As a result, a quotient set (with respect to metamerism) of the light cone inherits the conical structure, which allows color to be represented as a convex cone in the 3- D linear space,
707:
rightness) is often used by artists because it is often more natural to think about a color in terms of hue and saturation than in terms of additive or subtractive color components. HSV is a transformation of an RGB color space, and its components and colorimetry are relative to the RGB color space
579:
and through the inks produces a given color. One starts with a white substrate (canvas, page, etc.), and uses ink to subtract color from white to create an image. CMYK stores ink values for cyan, magenta, yellow and black. There are many CMYK color spaces for different sets of inks, substrates, and
442:
with a larger number of distinct colors. This is especially important when working with wide-gamut color spaces (where most of the more common colors are located relatively close together), or when a large number of digital filtering algorithms are used consecutively. The same principle applies for
421:
Color space conversion is the translation of the representation of a color from one basis to another. This typically occurs in the context of converting an image that is represented in one color space to another color space, the goal being to make the translated image look as similar as possible to
880:
A non-absolute color space can be made absolute by defining its relationship to absolute colorimetric quantities. For instance, if the red, green, and blue colors in a monitor are measured exactly, together with other properties of the monitor, then RGB values on that monitor can be considered as
141:
Since "color space" identifies a particular combination of the color model and the mapping function, the word is often used informally to identify a color model. However, even though identifying a color space automatically identifies the associated color model, this usage is incorrect in a strict
123:
is a more or less arbitrary color system with no connection to any globally understood system of color interpretation. Adding a specific mapping function between a color model and a reference color space establishes within the reference color space a definite "footprint", known as a
963:
A different method of defining absolute color spaces is familiar to many consumers as the swatch card, used to select paint, fabrics, and the like. This is a way of agreeing a color between two parties. A more standardized method of defining absolute colors is the
805:
Early color spaces had two components. They largely ignored blue light because the added complexity of a 3-component process provided only a marginal increase in fidelity when compared to the jump from monochrome to 2-component color.
130:, and for a given color model, this defines a color space. For example, Adobe RGB and sRGB are two different absolute color spaces, both based on the RGB color model. When defining a color space, the usual reference standard is the
950:
spaces are defined as mappings of RGB. Both are non-absolute, but the conversion between them should maintain the same color. However, in general, converting between two non-absolute color spaces (for example, RGB to
931:
limitations, and converting colors that lie outside that gamut will not produce correct results. There are also likely to be rounding errors, especially if the popular range of only 256 distinct values per component
896:
profile, which contains the attributes of the RGB. This is not the only way to express an absolute color, but it is the standard in many industries. RGB colors defined by widely accepted profiles include sRGB and
369:). A three-dimensional representation would assign each of the three colors to the X, Y, and Z axes. Colors generated on a given monitor will be limited by the reproduction medium, such as the phosphor (in a
346:, the amount of cyan to its Y axis, and the amount of yellow to its Z axis. The resulting 3-D space provides a unique position for every possible color that can be created by combining those three pigments.
438:. Any color space based on such a 24-bit RGB model is thus limited to a range of 256Ă256Ă256 â 16.7 million colors. Some implementations use 16 bits per component for 48 bits total, resulting in the same
256:, who was thoroughly acquainted with Grassmann's mathematical work. Grassmann did not put down a formal definitionâthe language was not availableâbut there is no doubt that he had the concept.
68:. In combination with color profiling supported by various physical devices, it supports reproducible representations of color – whether such representation entails an
855:
A color space in which colors are unambiguous, that is, where the interpretations of colors in the space are colorimetrically defined without reference to external factors.
290:. This image demonstrates the difference between how colors will look on a computer monitor (RGB) compared to how they might reproduce in a particular CMYK print process.
430:
The RGB color model is implemented in different ways, depending on the capabilities of the system used. The most common incarnation in general use as of 2021 is the 24-
4713:
927:
A color in one absolute color space can be converted into another absolute color space, and back again, in general; however, some color spaces may have
4660:
2738:
1500:
939:
One part of the definition of an absolute color space is the viewing conditions. The same color, viewed under different natural or artificial
4793:
1310:
403:
Many color spaces can be represented as three-dimensional values in this manner, but some have more, or fewer dimensions, and some, such as
342:). To create a three-dimensional representation of a given color space, we can assign the amount of magenta color to the representation's X
260:
With this conceptual background, in 1853, Grassmann published a theory of how colors mix; it and its three color laws are still taught, as
5461:
5272:
4703:
4655:
2051:
968:, a proprietary system that includes swatch cards and recipes that commercial printers can use to make inks that are a particular color.
943:
conditions, will look different. Those involved professionally with color matching may use viewing rooms, lit by standardized lighting.
4440:
1670:
1617:
5161:
671:
634:) television, except that the YIQ color space is rotated 33° with respect to the YUV color space and the color axes are swapped. The
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5490:
5284:
2889:
1627:
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3305:
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was one of the first attempts to produce a color space based on measurements of human color perception (earlier efforts were by
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2108:
1363:
1336:
1101:
3411:
3158:
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1436:
675:
1284:
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1494:
1488:
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1579:
983:
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261:
1510:
1453:
5779:
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is RGB with an additional channel, alpha, to indicate transparency. Common color spaces based on the RGB model include
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4885:
4786:
4411:
1929:
1463:
1406:
1373:
1346:
1506:
580:
press characteristics (which change the dot gain or transfer function for each ink and thus change the appearance).
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2900:
76:
representation. A color space may be arbitrary, i.e. with physically realized colors assigned to a set of physical
1426:
955:) or between absolute and non-absolute color spaces (for example, RGB to L*a*b*) is almost a meaningless concept.
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5304:
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4164:
3125:
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1846:
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values as approximate representations of the relative amounts of blue and red in the color. It is similar to the
514:
Subtractive color mixing: Three splotches of paint on white paper, subtracting together to turn the paper black.
5875:
5495:
5289:
5077:
4343:
3826:
3613:
2895:
2884:
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893:
554:
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and others published formal definitions. In fact, such a definition had been given thirty years previously by
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5008:
4252:
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3459:
2960:
1972:
1607:
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applications. It shows the color of light (red, yellow, green etc.), but not its intensity (dark, bright).
6023:
4955:
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2423:
2197:
1516:
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5035:
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4104:
4007:
3300:
2965:
2552:
2101:
2056:
1982:
1708:
194:
17:
1116:
476:
color space is a linearly-related companion of CIE XYZ. Additional derivatives of CIE XYZ include the
197:
further in 1850: that the three types of cone photoreceptors could be classified as short-preferring (
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5907:
5848:
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5622:
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3474:
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2623:
2281:
1552:
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Occasionally, there are precise rules for converting between non-absolute color spaces. For example,
389:
182:
1275:
Charles
Poynton, "YUV and 'luminance' considered harmful: a plea for precise terminology in video",
221:
as a visible color. But it is not clear that they thought of colors as being points in color space.
217:. The relative strengths of the signals detected by the three types of cones are interpreted by the
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2141:
1713:
1235:
546:
178:
162:
1314:
1021:
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Additive color mixing: Three overlapping light bulbs in a vacuum, adding together to create white.
138:
color spaces, which were specifically designed to encompass all colors the average human can see.
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190:
93:
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2019:
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135:
89:
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42:
8:
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3317:
3312:
2662:
2562:
2494:
2039:
2014:
2004:
1977:
1296:
849:
685:
standards but extends the gamut beyond the R/G/B primaries specified in those standards.
465:
77:
1171:
913:; tagging, therefore, marks the absolute meaning of colors in that graphic or document.
240:. Fearnley-Sander (1979) describes Grassmann's foundation of linear algebra as follows:
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882:
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A color space in which the perceptual difference between colors is directly related to
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3040:
2637:
2452:
2391:
2343:
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2271:
2249:
2178:
1919:
1459:
1455:
Optical
Sensors and Sensing Systems for Natural Resources and Food Safety and Quality
1432:
1402:
1391:
1369:
1342:
1216:
1136:
922:
653:
649:
564:
416:
225:
166:
1048:
892:
A popular way to make a color space like RGB into an absolute color is to define an
107:" is an abstract mathematical model describing the way colors can be represented as
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4017:
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534:
469:
350:
303:
116:
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598:
and elsewhere) television broadcasts for historical reasons. This system stores a
189:) in the eye, each of which was sensitive to a particular range of visible light.
30:
This article is about color spaces. For the YCbCr to RGB conversion matrices, see
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5522:
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5427:
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3015:
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2753:
2700:
2590:
2523:
2338:
2254:
2232:
1994:
1954:
1944:
1939:
1934:
1909:
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1698:
1680:
994:
874:
789:
782:
778:
518:
354:
343:
287:
147:
143:
112:
84:(including discrete numbers in – for example – the
533:
to produce a given color. RGB stores individual values for red, green and blue.
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5294:
5023:
5018:
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4848:
4820:
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4174:
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3404:
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2126:
1179:
1140:
999:
591:
173:
consists of three different kinds of light receptors for red, green and blue.
69:
37:
3997:
443:
any color space based on the same color model, but implemented at different
142:
sense. For example, although several specific color spaces are based on the
5928:
4895:
4870:
4771:
4725:
4619:
4614:
4609:
4564:
4450:
4445:
4099:
3819:
3789:
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3216:
3206:
3196:
2835:
2798:
2791:
2597:
2580:
2572:
2513:
2505:
2368:
2212:
1987:
1220:
1087:
1070:
988:
670:
is a new international digital video color space standard published by the
599:
249:
245:
229:
73:
644:
is a scaled version of YUV. It is most commonly seen in its digital form,
278:
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2009:
1904:
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688:
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104:
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3379:
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3241:
2982:
2825:
2653:
2557:
2545:
2301:
2264:
2259:
2242:
1899:
1519: – C library of SSE-optimised color format conversions.
1482:
567:
mixing used in the printing process, because it describes what kind of
393:
210:
81:
738:, with "lightness" replacing "brightness". The difference is that the
232:, which allowed the algebraic representation of geometric concepts in
4634:
4207:
4169:
4131:
4027:
3917:
3384:
3347:
3342:
3327:
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3263:
2842:
2815:
2810:
2319:
1834:
1822:
1817:
1748:
1743:
619:
602:
value roughly analogous to (and sometimes incorrectly identified as)
186:
1451:
1425:
Bernice Ellen
Rogowitz; Thrasyvoulos N Pappas; Scott J Daly (2007).
1211:
1194:
1155:
396:(value/lightness). With such a model, the variables are assigned to
119:); however, a color model with no associated mapping function to an
5858:
5703:
5360:
4227:
4042:
3539:
3469:
3337:
3258:
3253:
3097:
2820:
2428:
1889:
1884:
1812:
1807:
1766:
1758:
1738:
1733:
1728:
1665:
1602:
1529:
1501:
Colour spaces â perceptual, historical and applicational background
940:
682:
678:
510:
295:
2485:
228:, who developed it in two stages. First, he developed the idea of
5627:
5101:
5050:
4267:
3416:
3362:
2869:
2151:
2034:
1924:
1236:"Why You Need to Know What Color Bit Depth Your Display Supports"
980: â Mathematical model describing colors as tuples of numbers
965:
434:
implementation, with 8 bits, or 256 discrete levels of color per
322:
311:
85:
502:
88:
collection), or structured with mathematical rigor (as with the
56:
A comparison of the chromaticities enclosed by some color spaces
5141:
3814:
3231:
3181:
3092:
2695:
2685:
2086:
1723:
1660:
991: â Principles to describe the practical behavior of colors
873:
are examples of absolute color spaces, as opposed to a generic
742:
of a pure color is equal to the brightness of white, while the
627:
623:
485:
477:
329:
214:
170:
131:
3136:
1537:
5976:
5581:
5174:
5121:
4482:
3897:
3357:
2720:
2715:
2705:
2675:
2146:
2117:
1858:
1853:
1841:
1829:
1802:
1783:
1778:
1718:
1612:
928:
885:
is sometimes referred to as absolute, though it also needs a
870:
667:
645:
641:
635:
631:
595:
550:
472:) and it is the basis for almost all other color spaces. The
439:
362:
336:
299:
237:
218:
202:
126:
108:
65:
52:
31:
746:
of a pure color is equal to the lightness of a medium gray.
638:
scheme used by SECAM television is rotated in another way.
158:
5131:
4985:
4970:
4960:
2710:
2690:
2670:
2540:
2457:
1795:
1693:
1361:
1279:, author-edited version of Appendix A of Charles Poynton,
866:
661:
657:
587:
560:
538:
366:
315:
283:
198:
97:
859:
In this article, we concentrate on the second definition.
5106:
5072:
2786:
2680:
2445:
1949:
1790:
1771:
615:
611:
583:
568:
431:
385:
374:
358:
206:
41:
Comparison of some RGB and CMYK chromaticity gamuts on a
2069:
For the vision capacities of organisms or machines, see
248:(vector space)... became widely known around 1920, when
380:
Another way of creating colors on a monitor is with an
1117:"Hermann Grassmann and the Creation of Linear Algebra"
1071:"Bakerian Lecture: On the Theory of Light and Colours"
730:
uminance), also known as HLS or HSI (hue, saturation,
1534:, from The Princeton Companion to Applied Mathematics
1338:
Industrial Color
Testing: Fundamentals and Techniques
1103:
Hermann
Grassmann and the Creation of Linear Algebra
848:
as represented by points in the color space, i.e. a
1388:
1390:
2739:Linguistic relativity and the color naming debate
1452:Yud-Ren Chen; George E. Meyer; Shu-I. Tu (2005).
1281:Digital Video and HDTV: Algorithms and Interfaces
614:scheme used in most video capture systems and in
5990:
1192:
27:Standard that defines a specific range of colors
1114:
4787:
3152:
2102:
1553:
1311:"Color Spaces in Frame Grabbers: RGB vs. YUV"
1186:
905:to a graphic or document is sometimes called
4801:
1334:
792:(Tint, Saturation and Luminance) is used in
407:, cannot be represented in this way at all.
4704:Conservation and restoration of photographs
1153:
1147:
1013:
703:alue), also known as HSB (hue, saturation,
181:postulated the existence of three types of
4794:
4780:
4441:Comparison of digital and film photography
3159:
3145:
3121:
2109:
2095:
1560:
1546:
1260:50 years of the 1931 CIE Standard Observer
1115:Fearnley-Sander, Desmond (December 1979).
525:mixing, because it describes what kind of
224:The color-space concept was likely due to
4661:Photographs considered the most important
1308:
1252:
1210:
1086:
1002: â Fundamental color in color mixing
146:, there is no such thing as the singular
120:
2890:International Commission on Illumination
1019:
509:
501:
277:
157:
51:
36:
1428:Human Vision and Electronic Imaging XII
1095:
827:
269:which is referred to as the color cone.
14:
5991:
2880:Color Association of the United States
1362:Gunter Buxbaum; Gerhard Pfaff (2005).
1233:
468:, KĂśnig & Dieterici, and Abney at
209:), according to their response to the
4775:
3140:
2090:
1541:
1068:
836:, there are two meanings of the term
357:, using the additive primary colors (
916:
674:(IEC 61966-2-4). It is based on the
4656:Museums devoted to one photographer
984:List of color spaces and their uses
958:
457:List of color spaces and their uses
24:
4203:Timeline of photography technology
2744:Blueâgreen distinction in language
1513:between RGB, YUV, YCbCr and YPbPr.
1195:"The geometric structure of color"
771:
25:
6035:
1509:for image and video processing â
1476:
1121:The American Mathematical Monthly
5968:
5967:
5958:
5957:
4754:
4744:
4743:
3120:
3111:
3110:
2901:International Colour Association
2484:
2116:
2071:
2070:
1531:Color Spaces and Digital Imaging
1156:"Zur Theorie der Farbenmischung"
1020:Gravesen, Jens (November 2015).
571:need to be applied so the light
4755:
3166:
1567:
1497:, Rolf G. Kuehni (October 2003)
1445:
1418:
1382:
1355:
1328:
1302:
1289:
883:CIE 1976 L*, a*, b* color space
353:with color spaces based on the
2896:International Color Consortium
2885:International Colour Authority
1269:
1227:
1133:10.1080/00029890.1979.11994921
1108:
1062:
734:ntensity) is quite similar to
425:
64:is a specific organization of
13:
1:
4253:Painted photography backdrops
4185:Golden triangle (composition)
3460:35 mm equivalent focal length
2961:List of Crayola crayon colors
1365:Industrial Inorganic Pigments
1160:Annalen der Physik und Chemie
1006:
889:specification to make it so.
761:Pantone Matching System (PMS)
749:
410:
1389:Jonathan B. Knudsen (1999).
373:) or filters and backlight (
111:of numbers (e.g. triples in
80:with corresponding assigned
7:
3963:Intentional camera movement
2764:Traditional colors of Japan
2541:Achromatic colors (Neutral)
2424:Multi-primary color display
2198:Spectral power distribution
1524:Precise Color Communication
1234:Kyrnin, Mark (2021-08-26).
1022:"The Metric of Color Space"
971:
901:. The process of adding an
800:
708:from which it was derived.
273:
10:
6040:
5849:Compressed data structures
5171:RLE + BWT + MTF + Huffman
4839:Asymmetric numeral systems
4651:Most expensive photographs
4008:Multi-exposure HDR capture
1983:Colour Index International
1041:10.1016/j.gmod.2015.06.005
920:
766:Natural Color System (NCS)
495:
491:
454:
414:
153:
29:
5953:
5937:
5921:
5839:
5764:
5696:
5687:
5610:
5544:
5535:
5436:
5353:
5344:
5260:
5208:Discrete cosine transform
5198:
5189:
5138:LZ77 + Huffman + context
5091:
5001:
4931:
4819:
4810:
4739:
4696:
4643:
4548:
4491:
4397:
4281:
4193:
4145:
3885:
3652:
3452:
3174:
3106:
3078:
2991:
2916:
2909:
2860:
2779:
2729:
2661:
2652:
2624:Color realism (art style)
2571:
2504:
2493:
2482:
2382:
2329:
2282:Evolution of color vision
2211:
2134:
2125:
2067:
1963:
1867:
1757:
1679:
1626:
1593:
1575:
1283:, MorganâKaufmann, 2003.
1193:Logvinenko A. D. (2015).
1075:Phil. Trans. R. Soc. Lond
349:Colors can be created on
294:Colors can be created in
5913:Smallest grammar problem
4585:Digital image processing
2941:List of colors (compact)
2759:Color in Chinese culture
2409:Digital image processing
2142:Electromagnetic spectrum
1522:Konica Minolta Sensing:
1180:10.1002/andp.18531650505
846:distances between colors
823:for early color printing
462:CIE 1931 XYZ color space
450:
306:, using the subtractive
205:), and long-preferring (
5854:Compressed suffix array
5403:NyquistâShannon theorem
4258:Photography and the law
2946:List of colors by shade
966:Pantone Matching System
398:cylindrical coordinates
169:assumed that the eye's
4605:Gelatin silver process
3629:Science of photography
3614:Photographic processes
3592:Perspective distortion
2951:List of color palettes
1503:, Marko TkalÄiÄ (2003)
1258:William David Wright,
1088:10.1098/rstl.1802.0004
515:
507:
384:color model, based on
291:
271:
258:
213:of light striking the
201:), middle-preferring (
195:YoungâHelmholtz theory
174:
57:
49:
5883:Kolmogorov complexity
5751:Video characteristics
5128:LZ77 + Huffman + ANS
4063:Schlieren photography
3602:Photographic printing
3525:Exposure compensation
2875:Color Marketing Group
2630:On Vision and Colours
2563:Tinctures in heraldry
2174:Structural coloration
1528:Higham, Nicholas J.,
1413:absolute color space.
1335:Hans G. VĂślz (2001).
586:was formerly used in
513:
505:
281:
266:
242:
191:Hermann von Helmholtz
161:
55:
40:
5973:Compression software
5567:Compression artifact
5523:Psychoacoustic model
3847:Straight photography
3485:Chromatic aberration
2956:List of color spaces
2848:Tint, shade and tone
2731:Cultural differences
2546:Polychromatic colors
2531:Complementary colors
2519:Monochromatic colors
2000:Federal Standard 595
1580:List of color spaces
1397:. O'Reilly. p.
1154:Grassmann H (1853).
838:absolute color space
828:Absolute color space
756:Munsell color system
302:spaces based on the
244:The definition of a
121:absolute color space
47:chromaticity diagram
5963:Compression formats
5602:Texture compression
5597:Standard test image
5413:Silence compression
4714:photographic plates
4399:Digital photography
3577:Hyperfocal distance
3490:Circle of confusion
2936:List of colors: NâZ
2931:List of colors: GâM
2926:List of colors: AâF
1172:1853AnP...165...69G
850:uniform color space
466:James Clerk Maxwell
6024:1853 introductions
5871:Information theory
5726:Display resolution
5552:Chroma subsampling
4941:Byte pair encoding
4886:ShannonâFanoâElias
4218:Autochrome Lumière
4213:Analog photography
4038:Pigeon photography
3827:Social documentary
3306:discontinued films
2983:List of web colors
2978:List of RAL colors
2384:Color reproduction
2349:LĂźscher color test
2186:Color of chemicals
1297:Constant Luminance
1069:Young, T. (1802).
516:
508:
292:
175:
58:
50:
5986:
5985:
5835:
5834:
5785:Deblocking filter
5683:
5682:
5531:
5530:
5340:
5339:
5185:
5184:
4769:
4768:
4570:Collodion process
4506:Chromogenic print
4493:Color photography
4003:Multiple exposure
3978:Lo-fi photography
3505:Color temperature
3134:
3133:
3074:
3073:
2856:
2855:
2648:
2647:
2638:Theory of Colours
2480:
2479:
2392:Color photography
2344:Color preferences
2287:Impossible colors
2277:Color vision test
2272:Color temperature
2250:Color calibration
2179:Animal coloration
2084:
2083:
1485:, Charles Poynton
1438:978-0-8194-6605-1
1295:Charles Poynton,
1199:Journal of Vision
923:Color translation
917:Conversion errors
781:space is used in
654:image compression
648:, used widely in
606:, along with two
565:subtractive color
417:Color translation
351:computer monitors
226:Hermann Grassmann
167:Hermann Helmholtz
115:or quadruples in
16:(Redirected from
6031:
6014:Image processing
5999:Data compression
5971:
5970:
5961:
5960:
5790:Lapped transform
5694:
5693:
5572:Image resolution
5557:Coding tree unit
5542:
5541:
5351:
5350:
5196:
5195:
4817:
4816:
4803:Data compression
4796:
4789:
4782:
4773:
4772:
4758:
4757:
4747:
4746:
4625:Print permanence
4575:Cross processing
4533:CMYK color model
4518:Color management
4471:Foveon X3 sensor
4466:Three-CCD camera
4110:Miniature faking
4068:Sabattier effect
3680:Astrophotography
3535:Zebra patterning
3161:
3154:
3147:
3138:
3137:
3124:
3123:
3114:
3113:
2914:
2913:
2780:Color dimensions
2769:Human skin color
2659:
2658:
2536:Analogous colors
2502:
2501:
2488:
2414:Color management
2331:Color psychology
2297:Opponent process
2213:Color perception
2132:
2131:
2111:
2104:
2097:
2088:
2087:
2074:
2073:
2060:
1689:RGB color spaces
1562:
1555:
1548:
1539:
1538:
1511:Color conversion
1470:
1469:
1449:
1443:
1442:
1422:
1416:
1415:
1396:
1393:Java 2D Graphics
1386:
1380:
1379:
1359:
1353:
1352:
1332:
1326:
1325:
1323:
1322:
1313:. Archived from
1306:
1300:
1293:
1287:
1273:
1267:
1256:
1250:
1249:
1247:
1246:
1231:
1225:
1224:
1214:
1190:
1184:
1183:
1151:
1145:
1144:
1112:
1106:
1099:
1093:
1092:
1090:
1066:
1060:
1059:
1057:
1055:
1029:Graphical Models
1026:
1017:
959:Arbitrary spaces
656:schemes such as
470:Imperial College
304:CMYK color model
288:RGB color models
282:A comparison of
21:
6039:
6038:
6034:
6033:
6032:
6030:
6029:
6028:
5989:
5988:
5987:
5982:
5949:
5933:
5917:
5898:Rateâdistortion
5831:
5760:
5679:
5606:
5527:
5432:
5428:Sub-band coding
5336:
5261:Predictive type
5256:
5181:
5148:LZSS + Huffman
5098:LZ77 + Huffman
5087:
4997:
4933:Dictionary type
4927:
4829:Adaptive coding
4806:
4800:
4770:
4765:
4735:
4692:
4639:
4630:Push processing
4551:
4544:
4538:RGB color model
4487:
4393:
4277:
4189:
4155:Diagonal method
4141:
3881:
3785:Photojournalism
3648:
3480:Black-and-white
3448:
3427:Slide projector
3422:Movie projector
3301:available films
3170:
3165:
3135:
3130:
3102:
3070:
2987:
2905:
2862:
2852:
2775:
2754:Blue in culture
2725:
2644:
2591:Secondary color
2567:
2524:black-and-white
2496:
2489:
2476:
2378:
2364:National colors
2359:Political color
2339:Color symbolism
2325:
2255:Color constancy
2233:Color blindness
2207:
2164:Spectral colors
2121:
2115:
2085:
2080:
2063:
2054:
1988:CI list of dyes
1965:
1959:
1915:Imaginary color
1863:
1753:
1699:rg chromaticity
1675:
1622:
1589:
1571:
1566:
1479:
1474:
1473:
1466:
1450:
1446:
1439:
1423:
1419:
1409:
1387:
1383:
1376:
1360:
1356:
1349:
1333:
1329:
1320:
1318:
1309:Dean Anderson.
1307:
1303:
1294:
1290:
1274:
1270:
1257:
1253:
1244:
1242:
1232:
1228:
1212:10.1167/15.1.16
1191:
1187:
1152:
1148:
1127:(10): 809â817.
1113:
1109:
1100:
1096:
1067:
1063:
1053:
1051:
1024:
1018:
1014:
1009:
995:Lists of colors
974:
961:
925:
919:
875:RGB color space
830:
803:
790:TSL color space
783:computer vision
779:RG Chromaticity
774:
772:Special-purpose
752:
500:
494:
459:
453:
428:
419:
413:
355:RGB color model
276:
262:Grassmann's law
156:
148:RGB color space
144:RGB color model
129:
35:
28:
23:
22:
15:
12:
11:
5:
6037:
6027:
6026:
6021:
6016:
6011:
6006:
6001:
5984:
5983:
5981:
5980:
5965:
5954:
5951:
5950:
5948:
5947:
5941:
5939:
5935:
5934:
5932:
5931:
5925:
5923:
5919:
5918:
5916:
5915:
5910:
5905:
5900:
5895:
5890:
5885:
5880:
5879:
5878:
5868:
5863:
5862:
5861:
5856:
5845:
5843:
5837:
5836:
5833:
5832:
5830:
5829:
5828:
5827:
5822:
5812:
5811:
5810:
5805:
5800:
5792:
5787:
5782:
5777:
5771:
5769:
5762:
5761:
5759:
5758:
5753:
5748:
5743:
5738:
5733:
5728:
5723:
5722:
5721:
5716:
5711:
5700:
5698:
5691:
5685:
5684:
5681:
5680:
5678:
5677:
5676:
5675:
5670:
5665:
5660:
5650:
5645:
5640:
5635:
5630:
5625:
5620:
5614:
5612:
5608:
5607:
5605:
5604:
5599:
5594:
5589:
5584:
5579:
5574:
5569:
5564:
5559:
5554:
5548:
5546:
5539:
5533:
5532:
5529:
5528:
5526:
5525:
5520:
5515:
5514:
5513:
5508:
5503:
5498:
5493:
5483:
5482:
5481:
5471:
5470:
5469:
5464:
5454:
5449:
5443:
5441:
5434:
5433:
5431:
5430:
5425:
5420:
5415:
5410:
5405:
5400:
5395:
5390:
5385:
5380:
5379:
5378:
5373:
5368:
5357:
5355:
5348:
5342:
5341:
5338:
5337:
5335:
5334:
5332:Psychoacoustic
5329:
5328:
5327:
5322:
5317:
5309:
5308:
5307:
5302:
5297:
5292:
5287:
5277:
5276:
5275:
5264:
5262:
5258:
5257:
5255:
5254:
5253:
5252:
5247:
5242:
5232:
5227:
5222:
5221:
5220:
5215:
5204:
5202:
5200:Transform type
5193:
5187:
5186:
5183:
5182:
5180:
5179:
5178:
5177:
5169:
5168:
5167:
5164:
5156:
5155:
5154:
5146:
5145:
5144:
5136:
5135:
5134:
5126:
5125:
5124:
5116:
5115:
5114:
5109:
5104:
5095:
5093:
5089:
5088:
5086:
5085:
5080:
5075:
5070:
5065:
5060:
5059:
5058:
5053:
5043:
5038:
5033:
5032:
5031:
5021:
5016:
5011:
5005:
5003:
4999:
4998:
4996:
4995:
4994:
4993:
4988:
4983:
4978:
4973:
4968:
4963:
4958:
4953:
4943:
4937:
4935:
4929:
4928:
4926:
4925:
4924:
4923:
4918:
4913:
4908:
4898:
4893:
4888:
4883:
4878:
4873:
4868:
4867:
4866:
4861:
4856:
4846:
4841:
4836:
4831:
4825:
4823:
4814:
4808:
4807:
4799:
4798:
4791:
4784:
4776:
4767:
4766:
4764:
4763:
4752:
4740:
4737:
4736:
4734:
4733:
4728:
4723:
4718:
4717:
4716:
4711:
4700:
4698:
4694:
4693:
4691:
4690:
4689:
4688:
4683:
4678:
4673:
4663:
4658:
4653:
4647:
4645:
4641:
4640:
4638:
4637:
4632:
4627:
4622:
4617:
4612:
4607:
4602:
4597:
4592:
4587:
4582:
4577:
4572:
4567:
4562:
4556:
4554:
4546:
4545:
4543:
4542:
4541:
4540:
4535:
4530:
4525:
4515:
4510:
4509:
4508:
4497:
4495:
4489:
4488:
4486:
4485:
4480:
4475:
4474:
4473:
4468:
4463:
4458:
4448:
4443:
4438:
4433:
4432:
4431:
4426:
4421:
4420:
4419:
4407:Digital camera
4403:
4401:
4395:
4394:
4392:
4391:
4386:
4381:
4376:
4371:
4366:
4361:
4356:
4351:
4346:
4341:
4336:
4331:
4326:
4321:
4316:
4311:
4306:
4301:
4296:
4291:
4285:
4283:
4279:
4278:
4276:
4275:
4270:
4265:
4260:
4255:
4250:
4245:
4240:
4235:
4233:Camera obscura
4230:
4225:
4220:
4215:
4210:
4205:
4199:
4197:
4191:
4190:
4188:
4187:
4182:
4177:
4175:Rule of thirds
4172:
4167:
4162:
4157:
4151:
4149:
4143:
4142:
4140:
4139:
4134:
4129:
4124:
4119:
4114:
4113:
4112:
4102:
4097:
4096:
4095:
4085:
4080:
4075:
4070:
4065:
4060:
4055:
4050:
4045:
4040:
4035:
4030:
4025:
4020:
4015:
4010:
4005:
4000:
3995:
3990:
3985:
3980:
3975:
3970:
3965:
3960:
3955:
3950:
3945:
3943:Harris shutter
3940:
3938:Hand-colouring
3935:
3930:
3925:
3920:
3915:
3910:
3905:
3900:
3895:
3889:
3887:
3883:
3882:
3880:
3879:
3874:
3869:
3864:
3859:
3854:
3849:
3844:
3839:
3834:
3829:
3824:
3823:
3822:
3812:
3807:
3802:
3797:
3792:
3787:
3782:
3777:
3772:
3767:
3762:
3757:
3752:
3747:
3742:
3737:
3732:
3727:
3722:
3717:
3712:
3707:
3702:
3697:
3692:
3687:
3682:
3677:
3672:
3667:
3662:
3656:
3654:
3650:
3649:
3647:
3646:
3641:
3636:
3631:
3626:
3624:Red-eye effect
3621:
3616:
3611:
3610:
3609:
3599:
3594:
3589:
3584:
3579:
3574:
3569:
3564:
3559:
3558:
3557:
3552:
3542:
3537:
3532:
3530:Exposure value
3527:
3522:
3517:
3515:Depth of focus
3512:
3510:Depth of field
3507:
3502:
3497:
3492:
3487:
3482:
3477:
3472:
3467:
3462:
3456:
3454:
3450:
3449:
3447:
3446:
3441:
3440:
3439:
3429:
3424:
3419:
3414:
3409:
3408:
3407:
3402:
3397:
3392:
3387:
3382:
3377:
3367:
3366:
3365:
3360:
3355:
3350:
3345:
3340:
3335:
3330:
3325:
3315:
3310:
3309:
3308:
3303:
3298:
3293:
3288:
3283:
3273:
3268:
3267:
3266:
3261:
3251:
3250:
3249:
3244:
3239:
3234:
3229:
3224:
3219:
3214:
3209:
3204:
3199:
3194:
3189:
3178:
3176:
3172:
3171:
3164:
3163:
3156:
3149:
3141:
3132:
3131:
3129:
3128:
3118:
3107:
3104:
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3101:
3100:
3095:
3090:
3084:
3082:
3076:
3075:
3072:
3071:
3069:
3068:
3063:
3058:
3053:
3048:
3043:
3038:
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3028:
3023:
3018:
3013:
3008:
3003:
2997:
2995:
2989:
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2975:
2970:
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2958:
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2922:
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2898:
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2783:
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2750:Color history
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2634:
2633:(Schopenhauer)
2626:
2621:
2618:Color analysis
2615:
2613:Color triangle
2610:
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2419:Color printing
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2399:
2388:
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2380:
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2354:Kruithof curve
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2257:
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2240:
2230:
2229:
2228:
2226:Sonochromatism
2217:
2215:
2209:
2208:
2206:
2205:
2200:
2195:
2194:
2193:
2183:
2182:
2181:
2176:
2166:
2161:
2160:
2159:
2154:
2149:
2138:
2136:
2129:
2123:
2122:
2114:
2113:
2106:
2099:
2091:
2082:
2081:
2068:
2065:
2064:
2062:
2061:
2049:
2048:
2047:
2037:
2032:
2027:
2022:
2017:
2012:
2007:
2002:
1997:
1992:
1991:
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1980:
1975:
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1734:SMPTE 240M/"C"
1731:
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1477:External links
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921:Main article:
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881:absolute. The
857:
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799:
798:
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794:face detection
786:
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758:
751:
748:
523:additive color
496:Main article:
493:
490:
455:Main article:
452:
449:
427:
424:
422:the original.
415:Main article:
412:
409:
308:primary colors
275:
272:
193:developed the
185:(now known as
183:photoreceptors
155:
152:
125:
78:color swatches
26:
9:
6:
4:
3:
2:
6036:
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6009:Color schemes
6007:
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5756:Video quality
5754:
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5445:
5444:
5442:
5439:
5435:
5429:
5426:
5424:
5423:Speech coding
5421:
5419:
5418:Sound quality
5416:
5414:
5411:
5409:
5406:
5404:
5401:
5399:
5396:
5394:
5393:Dynamic range
5391:
5389:
5386:
5384:
5381:
5377:
5374:
5372:
5369:
5367:
5364:
5363:
5362:
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5194:
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5188:
5176:
5173:
5172:
5170:
5165:
5163:
5160:
5159:
5158:LZ77 + Range
5157:
5153:
5150:
5149:
5147:
5143:
5140:
5139:
5137:
5133:
5130:
5129:
5127:
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4666:Photographers
4664:
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4578:
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4573:
4571:
4568:
4566:
4563:
4561:
4560:Bleach bypass
4558:
4557:
4555:
4553:
4547:
4539:
4536:
4534:
4531:
4529:
4528:primary color
4526:
4524:
4521:
4520:
4519:
4516:
4514:
4513:Reversal film
4511:
4507:
4504:
4503:
4502:
4499:
4498:
4496:
4494:
4490:
4484:
4481:
4479:
4478:Image sharing
4476:
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4464:
4462:
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4380:
4379:United States
4377:
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4264:
4261:
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4256:
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4239:
4238:Daguerreotype
4236:
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4224:
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4108:
4107:
4106:
4103:
4101:
4098:
4094:
4091:
4090:
4089:
4086:
4084:
4083:Stopping down
4081:
4079:
4076:
4074:
4071:
4069:
4066:
4064:
4061:
4059:
4056:
4054:
4051:
4049:
4048:Rephotography
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4026:
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4021:
4019:
4016:
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4009:
4006:
4004:
4001:
3999:
3996:
3994:
3991:
3989:
3986:
3984:
3983:Long-exposure
3981:
3979:
3976:
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3969:
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3808:
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3708:
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3703:
3701:
3698:
3696:
3693:
3691:
3688:
3686:
3683:
3681:
3678:
3676:
3675:Architectural
3673:
3671:
3668:
3666:
3663:
3661:
3658:
3657:
3655:
3651:
3645:
3642:
3640:
3637:
3635:
3634:Shutter speed
3632:
3630:
3627:
3625:
3622:
3620:
3617:
3615:
3612:
3608:
3605:
3604:
3603:
3600:
3598:
3595:
3593:
3590:
3588:
3587:Metering mode
3585:
3583:
3580:
3578:
3575:
3573:
3570:
3568:
3565:
3563:
3560:
3556:
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3528:
3526:
3523:
3521:
3518:
3516:
3513:
3511:
3508:
3506:
3503:
3501:
3500:Color balance
3498:
3496:
3493:
3491:
3488:
3486:
3483:
3481:
3478:
3476:
3473:
3471:
3468:
3466:
3465:Angle of view
3463:
3461:
3458:
3457:
3455:
3451:
3445:
3442:
3438:
3435:
3434:
3433:
3430:
3428:
3425:
3423:
3420:
3418:
3415:
3413:
3412:Manufacturers
3410:
3406:
3403:
3401:
3398:
3396:
3393:
3391:
3388:
3386:
3383:
3381:
3378:
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3329:
3326:
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3321:
3320:
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3311:
3307:
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3302:
3299:
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3257:
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3225:
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3208:
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3200:
3198:
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3179:
3177:
3173:
3169:
3162:
3157:
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3127:
3119:
3117:
3109:
3108:
3105:
3099:
3096:
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3091:
3089:
3086:
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3081:
3077:
3067:
3064:
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3049:
3047:
3044:
3042:
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2586:Primary color
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2553:Light-on-dark
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2472:Color mapping
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2397:Color balance
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2374:Chromotherapy
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2314:Tetrachromacy
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2238:Achromatopsia
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2221:Chromesthesia
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2137:
2135:Color physics
2133:
2130:
2128:
2127:Color science
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1998:
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1989:
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1981:
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1966:and standards
1964:Color systems
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1664:
1662:
1661:CIELUV (1976)
1659:
1657:
1656:CIELAB (1976)
1654:
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1518:
1515:
1512:
1508:
1507:Color formats
1505:
1502:
1499:
1496:
1493:
1490:
1489:Color Science
1487:
1484:
1481:
1480:
1467:
1465:0-8194-6020-6
1461:
1457:
1456:
1448:
1440:
1434:
1430:
1429:
1421:
1414:
1410:
1408:1-56592-484-3
1404:
1400:
1395:
1394:
1385:
1377:
1375:3-527-30363-4
1371:
1368:. Wiley-VCH.
1367:
1366:
1358:
1350:
1348:3-527-30436-3
1344:
1341:. Wiley-VCH.
1340:
1339:
1331:
1317:on 2008-07-26
1316:
1312:
1305:
1298:
1292:
1286:
1282:
1278:
1272:
1265:
1262:. Die Farbe,
1261:
1255:
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1065:
1050:
1046:
1042:
1038:
1034:
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1023:
1016:
1012:
1001:
1000:Primary color
998:
996:
993:
990:
987:
985:
982:
979:
976:
975:
969:
967:
956:
954:
949:
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935:
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878:
876:
872:
868:
864:
860:
854:
851:
847:
843:
842:
841:
839:
835:
834:color science
822:
819:
816:
812:
809:
808:
807:
795:
791:
787:
784:
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669:
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647:
643:
639:
637:
633:
630:, which uses
629:
625:
621:
617:
613:
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605:
601:
597:
593:
592:North America
589:
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581:
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236:-dimensional
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63:
54:
48:
44:
39:
33:
19:
5929:Hutter Prize
5893:Quantization
5798:Compensation
5592:Quantization
5561:
5315:Compensation
4881:ShannonâFano
4821:Entropy type
4726:Polaroid art
4620:K-14 process
4615:Instant film
4610:Gum printing
4565:C-41 process
4550:Photographic
4522:
4451:Image sensor
4446:Film scanner
4100:Sun printing
4033:Print toning
3820:space selfie
3790:Pictorialism
3720:Ethnographic
3700:Conservation
3572:Guide number
3567:Focal length
2836:Fluorescence
2799:Colorfulness
2792:Dichromatism
2636:
2628:
2598:Chromaticity
2581:Color mixing
2573:Color theory
2506:Color scheme
2466:
2369:Chromophobia
2318:
2077:Color vision
1585:Color models
1568:
1530:
1495:Color Spaces
1491:, Dan Bruton
1454:
1447:
1427:
1420:
1412:
1392:
1384:
1364:
1357:
1337:
1330:
1319:. Retrieved
1315:the original
1304:
1291:
1280:
1271:
1266::4/6 (1981).
1263:
1259:
1254:
1243:. Retrieved
1239:
1229:
1202:
1198:
1188:
1166:(5): 69â84.
1163:
1159:
1149:
1124:
1120:
1110:
1102:
1097:
1078:
1074:
1064:
1052:. Retrieved
1032:
1028:
1015:
989:Color theory
962:
945:
938:
926:
910:
906:
891:
879:
861:
858:
837:
831:
804:
743:
739:
731:
727:
723:
719:
715:
710:
704:
700:
696:
692:
687:
666:
640:
582:
572:
559:
547:ProPhoto RGB
530:
529:needs to be
526:
517:
460:
429:
420:
402:
379:
348:
338:
330:
323:
316:
293:
267:
259:
250:Hermann Weyl
246:linear space
243:
233:
230:vector space
223:
179:Thomas Young
176:
163:Thomas Young
140:
102:
61:
59:
6004:Color space
5888:Prefix code
5741:Frame types
5562:Color space
5388:Convolution
5118:LZ77 + ANS
5029:Incremental
5002:Other types
4921:Levenshtein
4731:Stereoscopy
4595:E-6 process
4590:Dye coupler
4523:color space
4436:Digiscoping
4429:camera back
4344:Philippines
4273:Visual arts
4263:Glass plate
4248:Heliography
4147:Composition
4122:Ultraviolet
4078:Stereoscopy
4073:Slow motion
4058:Scanography
3973:Kite aerial
3913:Contre-jour
3805:Post-mortem
3795:Pornography
3775:Neues Sehen
3710:Documentary
3644:Zone System
3619:Reciprocity
3545:Film format
3475:Backscatter
3453:Terminology
3323:beauty dish
3222:rangefinder
3187:light-field
3168:Photography
2973:Color chart
2831:Iridescence
2663:Basic terms
2654:Color terms
2608:Color wheel
2603:Color solid
2467:Color space
2453:subtractive
2436:Color model
2307:Unique hues
2203:Colorimetry
2169:Chromophore
2055: [
2010:ICC profile
1569:Color space
1054:28 November
978:Color model
948:HSL and HSV
936:) is used.
934:8-bit color
903:ICC profile
887:white point
815:Technicolor
722:aturation,
699:aturation,
498:Color model
426:RGB density
371:CRT monitor
211:wavelengths
105:color model
82:color names
62:color space
6019:Photometry
5993:Categories
5945:Mark Adler
5903:Redundancy
5820:Daubechies
5803:Estimation
5736:Frame rate
5658:Daubechies
5618:Chain code
5577:Macroblock
5383:Companding
5320:Estimation
5240:Daubechies
4946:LempelâZiv
4906:Exp-Golomb
4834:Arithmetic
4721:Lomography
4552:processing
4501:Print film
4417:comparison
4384:Uzbekistan
4334:Luxembourg
4294:Bangladesh
4243:Dufaycolor
4223:Box camera
4180:Simplicity
4137:Zoom burst
4132:Xerography
4127:Vignetting
4117:Time-lapse
4105:Tiltâshift
3998:Mordançage
3988:Luminogram
3953:Holography
3948:High-speed
3928:Fill flash
3908:Burst mode
3886:Techniques
3867:Vernacular
3862:Underwater
3857:Toy camera
3837:Still life
3765:Monochrome
3755:High-speed
3705:Cloudscape
3695:Conceptual
3597:Photograph
3582:Lens flare
3562:Film speed
3444:Zone plate
3390:wide-angle
3375:long-focus
2993:Shades of:
2826:Brightness
2558:Web colors
2514:Color tool
2497:philosophy
2402:Color cast
2302:Afterimage
2292:Metamerism
2265:Color code
2260:Color task
2243:Dichromacy
1900:Hexachrome
1709:Wide-gamut
1651:UVW (1964)
1646:YUV (1960)
1641:RGB (1931)
1636:XYZ (1931)
1321:2008-04-08
1245:2022-07-04
1007:References
813:for early
750:Commercial
740:brightness
445:bit depths
411:Conversion
394:brightness
390:saturation
382:HSL or HSV
377:monitor).
187:cone cells
90:NCS System
18:Colorspace
5922:Community
5746:Interlace
5132:Zstandard
4911:Fibonacci
4901:Universal
4859:Canonical
4671:Norwegian
4635:Stop bath
4580:Developer
4208:Ambrotype
4170:Lead room
4093:Slit-scan
4028:Photogram
4023:Panoramic
3933:Fireworks
3918:Cyanotype
3760:Landscape
3405:telephoto
3353:reflector
3348:monolight
3343:lens hood
3328:cucoloris
3264:safelight
3175:Equipment
2843:Grayscale
2816:Lightness
2811:Luminance
2620:(fashion)
2320:The dress
2052:JIS Z8102
1835:Rec. 2100
1823:Rec. 2100
1818:Rec. 2020
1749:Rec. 2100
1744:Rec. 2020
1517:PixFC-SSE
1483:Color FAQ
1205:(1): 16.
1141:0002-9890
1081:: 12â48.
1035:: 77â86.
911:embedding
899:Adobe RGB
744:lightness
726:ightness/
626:, except
620:Australia
604:luminance
577:substrate
575:from the
573:reflected
543:Adobe RGB
177:In 1802,
94:Adobe RGB
5908:Symmetry
5876:Timeline
5859:FM-index
5704:Bit rate
5697:Concepts
5545:Concepts
5408:Sampling
5361:Bit rate
5354:Concepts
5056:Sequitur
4891:Tunstall
4864:Modified
4854:Adaptive
4812:Lossless
4750:Category
4456:CMOS APS
4354:Slovenia
4282:Regional
4228:Calotype
4165:Headroom
4043:Redscale
3958:Infrared
3903:Brenizer
3877:Wildlife
3800:Portrait
3745:Forensic
3735:Fine-art
3670:Aircraft
3660:Abstract
3540:F-number
3520:Exposure
3495:Clipping
3470:Aperture
3338:hot shoe
3259:enlarger
3254:Darkroom
3116:Category
3098:Lighting
2821:Darkness
2641:(Goethe)
2441:additive
2429:Quattron
2015:ISCCâNBS
1905:HSL, HSV
1890:Coloroid
1885:ColorADD
1813:Rec. 709
1808:Rec. 601
1739:Rec. 709
1729:Rec. 601
1714:ProPhoto
1671:CIECAM16
1666:CIECAM02
1618:CIECAM16
1603:CIECAM02
1458:. SPIE.
1431:. SPIE.
1240:Lifewire
1221:25589300
1049:33425148
972:See also
941:lighting
801:Obsolete
296:printing
274:Examples
43:CIE 1931
5866:Entropy
5815:Wavelet
5794:Motion
5653:Wavelet
5633:Fractal
5628:Deflate
5611:Methods
5398:Latency
5311:Motion
5235:Wavelet
5152:LHA/LZH
5102:Deflate
5051:Re-Pair
5046:Grammar
4876:Shannon
4849:Huffman
4805:methods
4761:Outline
4697:Related
4389:Vietnam
4374:Ukraine
4309:Denmark
4289:Albania
4268:Tintype
4195:History
4160:Framing
4053:Rollout
4018:Panning
3968:Kirlian
3872:Wedding
3750:Glamour
3730:Fashion
3715:Eclipse
3685:Banquet
3607:Albumen
3417:Monopod
3395:fisheye
3363:softbox
3212:pinhole
3202:instant
3192:digital
3080:Related
3041:Magenta
2966:history
2870:Pantone
2157:Visible
2152:Rainbow
2035:Pantone
2030:Ostwald
2020:Munsell
1925:OSA-UCS
1168:Bibcode
907:tagging
555:CIE RGB
531:emitted
492:Generic
436:channel
405:Pantone
312:pigment
154:History
86:Pantone
74:digital
5977:codecs
5938:People
5841:Theory
5808:Vector
5325:Vector
5142:Brotli
5092:Hybrid
4991:Snappy
4844:Golomb
4759:
4748:
4681:street
4676:Polish
4369:Turkey
4364:Taiwan
4349:Serbia
4339:Norway
4314:Greece
4299:Canada
3893:Afocal
3852:Street
3832:Sports
3815:Selfie
3770:Nature
3725:Erotic
3690:Candid
3665:Aerial
3653:Genres
3555:medium
3432:Tripod
3400:swivel
3313:Filter
3291:holder
3286:format
3182:Camera
3093:Qualia
3088:Vision
3036:Purple
3031:Violet
3011:Yellow
3006:Orange
2701:Orange
2696:Purple
2686:Yellow
2120:topics
2075:
1875:CcMmYK
1724:DCI-P3
1462:
1435:
1405:
1372:
1345:
1299:, 2004
1285:online
1277:online
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